We Others (13 page)

Why then, my dear ones, should we live at all? What is the meaning of this dying that surrounds us on all sides, that lies in wait for us, day and night? And when you are mindful that it is not you alone who will die, but all those who are dear to you, your mother and father, your sister, your brother, your beloved friends, your revered teachers, your unborn sons and daughters; when you are mindful that all those who once were living are now dust in the wind; then it seems difficult, not simply to bend your mind to a lifetime of study, but even to rise from bed in the morning, in order to begin a new day.

But, you ask, can we not take pleasure in multiplying our kind? Can we not delight in passing on to the next generation our special task? For we do not live for ourselves alone: we live for our people, for all those who have yet to come into the world. Alas, in the Book of Prophecies we read that our people, so rich in wisdom, so rich in suffering, chosen above all others to find the undiscovered words, are destined to come to an end. There we read that the mountains will fall. The sky will grow dark. All mankind will cease. And a time will come when it is the seventh day, and then the sixth day; the fifth day, and then the fourth day; the third day, and then the second day; and behold, the last day of all; and thereafter it will be as it was before the beginning of days. That is what we are told in the Book of Prophecies.

Why then should we not despair, my dear ones? Why should we continue for another day? Another hour? Why should we devote ourselves to a long life of spiritual striving, in the full knowledge of our inevitable nothingness? My dear young scholars, I will tell you why. I will tell you that in the same Book of Prophecies, we learn of a way through the darkness. The cellar has a stairway. The grave has a door. Yes, my dear ones: yes. For just as that First Book, filled with the breath of the Creator, can never cease to be, so is it with all books touched by that life-giving power. My dear ones, my lovely ones, listen to me. Listen as I tell you of the Paradise of Books.

In the twelfth volume of the Book of Prophecies, we learn that books, like all things on earth, live out their years and die. Now, when a book dies; when, that is to say, a book crumbles to dust, or is destroyed by fire, or by water, or by pestilence, or by any of the innumerable accidents that can befall the creatures of this earth; when, for any reason, a book ceases to sustain its material shape: then, in the space of a single breath, it ascends to the Seventh Paradise, which is known to us as the Paradise of Books. There you may find the eternal and unchanging shape of every book that has ever been born. There you may find the generations of descendants of those first Twelve Tablets, whether they be of stone, or papyrus, or parchment, or paper, or any other word-receiving form. There, we are told, if you are among the most fortunate, you may come upon the First Book of all. Now, the Paradise of Books is the Seventh Paradise, as I have said. It is the place to which only scholars and writers of the highest spiritual striving can ascend. But all of us, by virtue of our origin, are entitled to approach the judgment seat, at the gates of that heavenly place. Therefore study diligently, my dear young scholars, and bend your minds away from worldly things, so that when you complete your dying, you will ascend to the Paradise of Books and live in joy forever.

And now you will understand me well, my dear ones, when I say unto you: Welcome to death!—by which I mean, Welcome to life, welcome to the breath that blows through all things, welcome to the Paradise of Books. The study and the library, in which you will spend your days, are emblems of that Paradise to which we all aspire. For though the way is dark, the end is dazzling bright. And I say unto you, my dear ones: Remember well the words I have spoken to you on this day, when you have completed your thirteenth year of life, of death. Now, let me ask you to close your eyes. Let me ask you to close your eyes and
see
. See the study-room. See the long tables. See the scholars at their books. Do you see them, the scholars in their clothes of black and white? They do not move. They make no sound. My dear ones, I ask you: What do they look like, when you see them there? What do they resemble? Are they not, by their stillness, by their inwardness, the very sign and symbol of a living book? Are they not tablets of breathing stone? For these are your people, whose origin you now know.

Then bless you, my dear young scholars, and be mindful, as you set forth on this memorable day. For on this day I have revealed to you the secret of our people. On this day I have shown you the meaning of death. For before the beginning
was
, the First Book
is
. That is the sum of all wisdom. That is all you need to know. My dear ones, my delightful ones, tomorrow is a new day. Tomorrow you will begin your long journey through the Commentaries. It is a journey that will last seven years. Some of you will fall by the wayside. The rest of you will persevere. At times you will grow tired. Your minds will grow perplexed. All life, all death, will seem to you a great riddle, which you can never solve. A darkness will come over your spirit. You will search for a way out, and there will be no way out. But in that hopeless place, in that blackness without light, remember what I have told you here today. Remember the secret of our people. Remember the Paradise of Books. And when you rise from the study-room, bowed down with weariness, then I say unto you, my dear ones: Lift your eyes to the heaven-shelves on every wall, lift your eyes to the living and breathing words that surround you, to the books that soar over you, lift your eyes in rapture, and know who you are: for behold, they are the Ancestors, row on row.

The Next Thing

1

The new structure rose on the outskirts of town, in the field next to the mall. It isn’t true, as some have said, that we knew nothing about it at the time and were later taken by surprise. How could that have been possible? It was right there, next to the mall, a big operation only partly concealed by a high fence, with trucks going in and out every day, to say nothing of the ads in the local paper, telling us to get ready for the big event. I even seem to recall a sign somewhere in the area of the dig, with diagrams and pictures, though I can’t swear to it now. So it just isn’t true, as some say, that it took us by surprise, as if we were innocent, that it sprang out of nowhere, like a miracle. What they mean, in my opinion, is that we didn’t really care all that much about it, at the time. The fact is, we knew places like that, we’d been going to them for years. Why should we care about another? And then there was the name itself: The Next Thing. That was a name that irritated a lot of us, made us skeptical and even resentful. It was the sort of name that seemed to smile at you and say, “I know you can’t resist me,” all with a sly wink. So I suppose it isn’t entirely true that we didn’t care about it, since our not caring was mixed with an irritation, a resistance to being treated a certain way. But I think it’s accurate to say that many of us were in no hurry to go out there, once the doors finally opened.

Of course, those of us who stayed away were bound to hear things, there was no getting around that. It wasn’t as if we were making it our business not to know anything, the way we might if we really hated it. What was there to hate? It was just another one of those places on the outskirts of town, with its opening-day hoopla and its vague promise of a better life. We hardly listened to the talk, though it’s only fair to say that a few things did stand out as peculiar. When you entered the doors, people said, you found yourself in what looked like an immense office, with many cubicles, each with a person inside, and aisles going off in all directions. Another thing we heard was that the place itself was down below, in the basement. It struck us as an odd way to arrange things, the cubicles on the main floor, the shelves below, and that’s mostly what we thought about, when we thought about it at all, in the days before we actually drove out for a look.

And we did go out there, as we’d always known we would, partly to see for ourselves, and partly I suppose to prove to ourselves that we weren’t staying away in order to make some kind of point. A few did just that, of course; they had their reasons, the same reasons they always had; but for the rest of us, the ones who hadn’t yet seen the place, it wasn’t like that. We weren’t in a hurry, that was all. What we found was the usual parking lot, the usual long flat stretched-out building with jutting wings and many glass doors. The first thing that struck us was the cubicles. I for one had imagined them very differently. They weren’t formal and over-orderly, as I had pictured them, but casual and almost festive, grouped in sections with wide aisles leading to down escalators. Each cubicle had three colorful glass panels and an open side, so that you could see into them and over the tops. What surprised me was the insides, which looked very comfortable and inviting—some had a few armchairs or small couches, some had a table and chairs, but all had little homey touches that caught your eye, like a table lamp with a fringed shade, or children’s drawings, or a bowl of tangerines. So as you walked past the cubicles, you had a desire to enter, to look around. Here and there you could see a couple, leaning forward intently as a man or woman spoke to them. Even on that first visit, as I walked toward an escalator, I remember thinking that I ought to take a moment to step into one of the cubicles, see what they were all about.

The escalators went down, way down, crossing other escalators going up. During that long ride, you had the sense of shelves rising up all around you, higher and higher, until they were lost in the lights. If you held your eyes a certain way, you could make it seem that the shelves were moving and you were standing still. This was in the very early days of The Next Thing, but already the basement had a nickname: the Under. People would say, “Have you been to the Under?” instead of “Have you been to The Next Thing?” So as I rode down, that first time, I thought: Now I’m seeing it, the Under. At the bottom, there was a feeling that you were standing on the floor of the ocean, trying to see up to the sky. The ceiling itself, I later learned, was one hundred and eighty feet high. You could tell that the architects had done what they could to counter the depressing effect of all that height—the aisles were wide, almost like streets, and here and there the management had set up Relaxation Corners, open spaces with couches and armchairs, where people sat reading newspapers or drinking mocha and hazelnut coffee from machines. Some of the crowd couldn’t help staring up, like small-town kids in the big city. I stared too—it didn’t bother me what anyone might think. The place seemed to have everything you might ever want, but a lot more of everything than you’d find anywhere else. I liked watching the big loading platforms that moved up and down the shelves from floor to ceiling, at intervals of maybe twenty or thirty feet. They looked like freight elevators open on all sides. There were also railed walkways, high overhead, that ran parallel to the shelves. Way up there, almost out of sight, clerks in yellow uniforms were unloading goods onto the platforms. Down below, youthful clerks in tan shirts and dark green ties walked through the aisles, trying to catch your eye, trying to see what they could do for you.

But I wasn’t there to have anything done for me. I was there to—well, it would have been hard to say. I suppose I was there to look around. One thing you couldn’t help noticing was the shopping carts. They were wider and deeper than the usual kind, painted bright red, with special flaps that folded out in front if you needed more room. Even better were the double-decker carts, high rumbly things that came up to your chest. You had the feeling that the people who ran the place had thought it all out, the big picture and the small. I think I was wondering what else they had to show for themselves, down here at the bottom of the ocean.

It turned out they did have something, though it wasn’t anything like what I might have expected. I was walking along, going from one aisle to another, the way you do in a place like that, when all of a sudden things stopped. I don’t know how to put it any better than that. The shelves just stopped. I don’t mean I’d come up against a wall. That at least would have been something. I mean there was an emptiness, a darkness. You could see a pretty good way into it, because of the fluorescent lights in the high ceiling above the shelves, but after that came sheer nothing—blackness. About a hundred feet beyond the shelf-ends was a construction fence, and beyond the fence I could make out the top halves of excavators and dump trucks. Between the shelves and fence I saw dirt, rocks, a few sawhorses, an orange hard hat resting on the ground. You had the impression that the place was getting ready to expand, as it eventually did, though even at that time there were rumors of cellars being dug, of lots being marked off, out there beyond where you could see.

2

I came away from that first visit not knowing what I felt. That in itself was worth thinking about. I’m not much for the big noisy places, all things considered, though I’ll visit them when they’ve got something I want. But this place—this place was so big that it was bigger than big; it was so big that big no longer made any sense. It meant the old words didn’t apply—you needed new ones. You needed new feelings. You couldn’t just know right off what to make of it, as you might have done with another place.

And so I wondered about it, tried to sort it all out, over the next days and weeks. One thing I knew was that I was curious about the cubicles. I liked their style, their air of patiently sitting there waiting for you to step into them. Come on, they said. Come see what I’ve got for you. And I kept remembering the slow ride down into the Under, with the shelves rising up, and the way it all ended in the dark, with a kind of promise of more to come. What I hadn’t liked was the terrible height of all those shelves. I hadn’t liked feeling that I was at the bottom of a place I might never get out of. But what bothered me most, I think, was knowing I would return. That isn’t it, exactly. I didn’t mind knowing that I’d be visiting the cubicles again, or riding back down the escalators. What I minded was that the place itself seemed to know I’d be back. It was very sure of itself, The Next Thing, very aware of its effect on people. That was the main reason I stayed away, longer than was natural, before paying my second visit.