Wanderer Of the Wasteland (1982) (24 page)

BOOK: Wanderer Of the Wasteland (1982)
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"Ah! Yes, some things are...Suppose you let me move your camp higher up, out of this thick, dead air and heat--where there are trees and good water?"

"But it is not a beautiful and a comfortable camp that Virey--that we want," she said, bitterly.

"Then let me move your shack across the wash out of danger. This spot is the most forbidding I ever saw. That mountain above us is on the move. The whole cracked slope is sliding like a glacier. It is an avalanche waiting for a jar--a slip--something to start it. The rocks are rolling down all the time."

"Have I not heard the rocks--cracking, ringing--in the dead of night!" she cried, shuddering. Her slender form seemed to draw within itself and the white, slim hands clenched her gown. "Rocks! How I've learned to hate them! These rolling rocks are livings things. I've heard them slide and crack, roll and ring--hit the sand with a thump, and then with whistle and thud go by where I lay in the dark...People who live as I have lived know nothing of the elements. I had no fear of the desert--nor of Death Valley. I dared it. I laughed to scorn the idea that any barren wild valley, any maelstrom of the sea, any Sodom of a city could be worse than the chaos of my soul...But I didn't know. I am human. I'm a woman. A woman is meant to bear children. Nothing else!...I learned that I was afraid of the dark--that such fear had been born in me. These rolling rocks got on my nerves. I wait--I listen for them. And I pray...Then the silence--that became so dreadful. It is insupportable. Worse than all is the loneliness...Oh, this God-forsaken, lonely Death Valley! It will drive me mad."

As Adam had anticipated, no matter what strength of will, what sense of secrecy bound this woman's lips, she had been victim to the sound of her own voice, which, liberated by his sympathy, had spoken, and a word, as it were, had led to a full, deep, passionate utterance.

"True. All too terribly true," replied Adam. "And for a woman--for you--these feelings will grow more intense...I beg of you, at least let me move your camp back out of danger."

"No! Not a single foot!" she blazed, as if confronted with something beyond his words. After that she hid her face in her hands. A long silence ensued. Adam, watching her, saw when the tremble and heave of her breast subsided. At length she looked up again, apparently composed. "Perhaps I talked more than I should have. But no matter. It was necessary to tell you something. For you came here to help an unknown woman. Not to anyone else have I breathed a word of the true state of my feelings. My husband watches me like a hawk, but not yet does he know my fears. I'll thank you, when you speak to him, if you stay here so long, not to tell him anything I've said."

"Mrs. Virey, I'll stay as long as you are here," said Adam, simply.

The simplicity of his speech, coupled with the tremendous suggestion in the fact of his physical presence, his strength and knowledge to serve her despite her bitter repudiation, seemed again to knock at the heart of her femininity. In the beginning of human life on the earth, and through its primal development, there was always a man to protect a woman. But subtly and inevitably there had been in Adam's words an intimation that Magdalene Virey stood absolutely alone. More, for with spirit, if not with body, she was fighting Death Valley, and also some terrible relation her husband bore to her.

"Sir--you would stay here--on a possible chance of serving me?" she whispered.

"Yes," replied Adam.

"Virey will not like that."

"I'm not sure, but I suspect it'll not make any difference to me what he likes."

"If you are kind to me he will drive you away," she went on, with agitation.

"Well, as he's your husband he may prevent me from being kind, but he can't drive me away."

"But suppose I ask you to go?"

"If that's the greatest kindness I can do you--well, I'll go...But do you ask me?"

"I--I don't know. I may be forced to--not by him, but by my pride," she said, desperately. "Oh, I'm unstrung! I don't know what to say...After all, just the sound of a kind voice makes me a coward. O God! if people in the world only knew the value of kindness I never did know. This desert of horrors teaches the truth of life. Once I had the world at my feet!...Now I break and bow at the sympathy of a stranger!"

"Never mind your pride," said Adam, in his slow, cool way. "I understand. I've a good deal of a woman in me. Whatever brought you to Death Valley, whatever nails you here, is nothing to me. Even if I learn it, what need that be to you? If you do not want me to stay to work for you, watch over your husband--why, let me stay for my own sake."

She rose and faced him, with soul-searching eyes. She could not escape her nature. Emotion governed her.

"Sir, you speak nobly," she replied, with lips that trembled. "But I don't understand you. Stay here--where I am--for your sake! Explain please."

"I have my burden. Once it was even more terrible than yours. Through that I can feel as you feel now. I have lived the loneliness--the insupportable loneliness--of the desert--the silence, the heat, the hell. But my burden still weighs on my soul. If I might somehow help your husband, who is going wrong, blindly following some road of passion--change him or stop him, why that would ease my burden. If I might save you weariness, or physical pain, or hunger, or thirst, or terror--it would be doing more for myself than for you. We are in Death Valley. You refuse to leave. We are, right here, two hundred feet below sea level. When the furnace heat comes--when the blasting midnight wind comes--it means either madness or death."

"Stay--Sir Knight," she said, with a hollow, ringing gaiety. "Who shall say that chivalry is dead?...Stay and know this. I fear no man. I scorn death...But, ah, the woman of me! I hate dirt and vermin. I'm afraid of pain. I suffer agonies even before I'm hurt. I miss so unforgetably the luxuries of life. And lastly, I have a mortal terror of going mad. Spare me that and you will have my prayers in this world--and beyond...Goodnight."

"Good-night," replied Adam.

She left him to the deepening gloom and the dying camp fire. Adam soon grew conscious of extreme fatigue in mind and body. Spreading his blankets on the sands, he stretched his weary, aching body without even an upward glance at the stars, and fell asleep.

Daylight again, as if by the opening of eyelids! The rose colour was vying with the blue of the sky and a noble gold crowned the line of eastern range which Adam could see through the V-shaped split that opened into the valley.

He pulled on his boots, and gave his face an unusual and detrimental luxury in the desert. Water was bad for exposed flesh in arid country. The usual spring and buoyancy of his physical being was lacking this day. Such overstrain as yesterday's would require time to be remedied. So Adam moved slowly and with caution.

First Adam went to the spring. He found a bubbling gush of velvet-looking water pouring out of a hole and running a few rods to sink into the sand. The colour of it seemed inviting--so clear and soft and somehow rich. The music of its murmur, too, was melodious. Adam was a connoisseur of waters. What desert wanderer of years was not? Before he tasted this water, despite its promise, he know it was not good. Yet it did not have exactly an unpleasant taste. Dismukes had said this water was all right, yet he seldom stayed long enough in one locality to learn the ill-effects of the water. Adam knew he too could live on this water. But he was thinking of the delicate woman lost here in Death Valley with an idiot or a knave of a husband.

The spring was located some two hundred yards or more from the shack and just out of line of the rock-strewn slope. Spreading like a fan, this weathered slant of stones extended its long, curved length in the opposite direction. Adam decided to pitch his permanent camp, or at least sleeping place, here on the grass. Here he erected a brush and canvas shelter to make shade, and deposited his effects under it. That done, he returned to the shack to cook breakfast.

There appeared to be no life in the rude little misshapen hut. Had the man who built it ever been a boy? There were men so utterly helpless and useless out in the wilds, where existence depended upon labour of hands, that they seemed foreign to the descendants of Americans. Adam could not but wonder about the man lying in there, though he tried hard to confine his reflections to the woman. He did not like the situation. Of what avail the strong arm, the desert-taught fierceness to survive? If this man and woman had ever possessed instincts to live, to fight, to reproduce their kind, to be of use in the world, they had subverted them to the debasements of sophisticated and selfish existence. The woman loomed big to Adam, and he believed she had been dragged down by a weak and vicious man.

Leisurely, Adam attended to the preparation of breakfast, prolonging tasks that always passed swiftly through his hands.

"Good morning, Sir Wansfell," called a voice with something of mockery in it, yet rich and wistful--a low-pitched contralto voice full of music and pathos and a pervading bitterness.

It stirred Adam's blood, so sluggish this morning. It seemed to carry an echo from his distant past. Turning, he saw the woman, clad in grey, with girdle of cord twisted around her slender waist. Soft and clean and fleecy, that grey garment, so out of place there, so utterly incongruous against the background of crude shack and wild slope, somehow fitted her voice as it did her fragile shape, somehow set her infinitely apart from the women Adam had met in his desert wanderings. She came from the great world outside, a delicate spark from the solid flint of class, a thoroughbred whom years before the desert might have saved.

"Good morning, Mrs. Virey," returned Adam. "How are you--and did your husband awake?"

"I slept better than for long," she replied, "and I think I know why...Yes, Virey came to. He's conscious, and asked for water. But he's weak--strange. I'd like you to look at him presently."

"Yes, I will."

"And how are you after your tremendous exertions of yesterday?" she inquired.

"Not so spry," said Adam, with a smile. "But I'll be myself in a day or so. I believe the air down in the valley affected me a little. My lungs are sore...I think it would be more comfortable for you if we had breakfast in your kitchen. The sun is hot."

"Indeed yes. So you mean to--to do this--this camp work for me--in spite of--"

"Yes. I always oppose women," he said. "And that is about once every two or three years. You see, women are scarce on the desert."

"Last night I was upset. I am sorry that I was ungracious. I thank you, and I am only too glad to accept your kind service," she said, earnestly.

"That is well. Now, will you help me carry in the breakfast?"

Unreality was not unusual to Adam. The desert had as many unrealities, illusions, and spectres as it had natural and tangible things. But while he sat opposite to this fascinating woman, whose garments exuded some subtle fragrance of perfume, whose shadowed, beautiful face shone like a cameo against the drab wall of the brush shack, he was hard put to it to convince himself of actuality. She ate daintily, but she was hungry. The grey gown fell in graceful folds around the low stone seat. The rude table between them was a box, narrow and uneven.

"Shall I try to get Virey to eat?" she asked, presently. "That depends. On the desert, after a collapse, we are careful with food and water."

"Will you look at him?"

Adam followed her as she swept aside a flap of the canvas partition. This room was larger and lighter. It had an aperture for a window. Adam's quick glance took this in, and then the two narrow beds of blankets raised on brush cots. Virey lay on the one farther from the door. His pallid brow and unshaven face appeared drawn into terrible lines, which, of course, Adam could not be sure were permanent or the result of the collapse in the valley. He inclined, however, to the conviction that Virey's face was the distorted reflection of a tortured soul. Surely he had been handsome once. He had deep-set black eyes, a straight nose, and a mouth that betrayed him, despite its being half hidden under a moustache. Adam, keen and strung in that moment as he received his impressions of Virey, felt the woman's intensity as if he had been studying her instead of her husband. How singular women were! How could it matter to her what opinion he formed of her husband? Adam knew he had been powerfully prejudiced against this man, but he had held in stern abeyance all judgment until he could look at him. For long years Adam had gazed into the face of the desert. Outward appearance could not deceive him. As the cactus revealed its ruthless nature, as the tiny inch-high flower bloomed in its perishable but imperative proof of beauty as well as life, as the long flowing sands of the desert betrayed the destructive design of the universe--so the face of any man was the image of his soul. And Adam recoiled instinctively, if not outwardly, at what he read in Virey's face.

"You're in pain?" queried Adam.

"Yes," came the husky whisper, and Virey put a hand on his breast.

"It's sore here," said Adam, feeling Virey. "You've breathed poisoned air down in the valley. It acts like ether...You just lie quiet for a while. I'll do the work around camp."

"Thank you," whispered Virey.

The woman followed Adam outside and gazed earnestly up at him, unconscious of herself, with her face closer than it had ever been to him and full in the sunlight. It struck Adam that the difference between desert flowers and the faces of beautiful women was one of emotion. How much better to have the brief hour of an unconscious flower, wasting its fragrance on the desert air!

BOOK: Wanderer Of the Wasteland (1982)
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