Waking Up Screaming (42 page)

As to his graveyard search, whose object he freely admitted, but the details of whose progress he did not relate, he said he had reason to think that Joseph Curwen's mutilated headstone bore certain mystic symbols—carved from directions in his will and ignorantly spared by those who had effaced the name—which were absolutely essential to the final solution of his cryptic system. Curwen, he believed, had wished to guard his secret with care; and had consequently distributed the data in an exceedingly curious fashion. When Dr. Willett asked to see the mystic documents, Ward displayed much reluctance and tried to put him off with such
things as photostatic copies of the Hutchinson cipher and Orne formula and diagrams; but finally showed him the exteriors of some of the real Curwen finds—the “
Journal and Notes
,” the cipher (title in cipher also) and the formula-filled message “
To Him Who Shal Come After
”—and let him glance inside such as were in obscure characters.

He also opened the diary at a page carefully selected for its innocuousness and gave Willett a glimpse of Curwen's connected handwriting in English. The doctor noted very closely the crabbed and complicated letters, and the general aura of the seventeenth century which clung round both penmanship and style despite the writer's survival into the eighteenth century, and became quickly certain that the document was genuine. The text itself was relatively trivial, and Willett recalled only a fragment:

“Wedn. 16 Octr. 1754. My Sloope the
Wahefal
this day putt in from London with XX newe Men pick'd up in ye Indies, Spaniards from Martineco and Dutch Men from Surinam. Ye Dutch Men are like to Desert from hav'g hearde Somewhat ill of these Ventures, but I will see to ye inducing of them to Staye. For Mr. Knight Dexter at ye Bay and Book 120 Pieces Camblets, 100 Pieces Assrtd. Cambleteens, 20 Pieces blue Duffles, 50 Pieces Calamancoco, 300 Pieces each, Shendsoy and Humhums. For Mr. Green at ye Elephant, 50 gallon Cyttles, 20 Warm'g Pannes, 15 Bake Cyttles, 10 pr. Smoke'g Tonges. For Mr. Perrigo, 1 Sett of Awles. For Mr. Nightingale, 50 Reames prime Foolscap. Say'd ye SABAOTH thrice last Nighte but None appear'd. I must heare more from Mr. H. In Transylvania, tho' it is Harde reach'g him and exceeding strange he cannot give me the use of what he hath so well us'd these hundred yeares. Simon hath not Writ these V. Weekes, but I expecte soon hear'g from him.”

When upon reaching this point Dr. Willett turned the leaf he was quickly checked by Ward, who almost snatched the book from his grasp. All that the doctor had a chance to see on the newly opened page was a brief pair of sentences; but these, strangely enough, lingered tenaciously in his memory. They ran: “Ye Verse from Liber-Damnatus be'g spoke V
Roodmasses and IV Hallow's-Eves, I am Hopeful ye Thing is breed'g Outside ye Spheres. It will drawe One who is to Come if I can make sure he shal bee, and he shall think on Past thinges and looke backe thro' all ye yeares, against ye which I must have ready ye Saltes or That to make 'em with.”

Willett saw no more, but somehow this small glimpse gave a new and vague terror to the painted features of Joseph Curwen which stared blandly down from the overmantel. Ever after that he entertained the odd fancy—which his medical skill of course assured him was only a fancy—that the eyes of the portrait had a sort of wish, if not an actual tendency, to follow young Charles Ward as he moved about the room. He stopped before leaving to study the picture closely, marvelling at its resemblance to Charles and memorising every minute detail of the cryptical, colourless face, even down to a slight scar or pit in the smooth brow over the right eye. Cosmo Alexander, he decided, was a painter worthy of the Scotland that produced Raeburn, and a teacher worthy of his illustrious pupil Gilbert Stuart.

Assured by the doctor that Charles's mental health was in no danger, but that on the other hand he was engaged in researches which might prove of real importance, the Wards were more lenient than they might otherwise have been when during the following June the youth made positive his refusal to attend college. He had, he declared, studies of much more vital importance to pursue; and intimated a wish to go abroad the following year in order to avail himself of certain sources of data not existing in America. The senior Ward, while denying this latter wish as absurd for a boy of only eighteen, acquiesced regarding the university; so that after a none too brilliant graduation from the Moses Brown School there ensued for Charles a three-year period of intensive occult study and graveyard searching. He became recognised as an eccentric, and dropped even more completely from the sight of his family's friends than he had been before; keeping close to his work and only occasionally making trips to other cities to consult obscure records. Once he went south to talk with a strange old mulatto who dwelt in a swamp and about whom
a newspaper had printed a curious article. Again he sought a small village in the Adirondacks whence reports of certain odd ceremonial practices had come. But still his parents forbade him the trip to the Old World which he desired.

Coming of age in April, 1923, and having previously inherited a small competence from his maternal grandfather, Ward determined at last to take the European trip hitherto denied him. Of his proposed itinerary he would say nothing save that the needs of his studies would carry him to many places but he promised to write his parents fully and faithfully. When they saw he could not be dissuaded, they ceased all opposition and helped as best they could; so that in June the young man sailed for Liverpool with the farewell blessings of his father and mother, who accompanied him to Boston and waved him out of sight from the White Star pier in Charlestown. Letters soon told of his safe arrival, and of his securing good quarters in Great Russell Street, London, where he proposed to stay, shunning all family friends, till he had exhausted the resources of the British Museum in a certain direction. Of his daily life he wrote but little, for there was little to write. Study and experiment concerned all his time, and he mentioned a laboratory which he had established in one of his rooms. That he said nothing of antiquarian rambles in the glamorous old city with its luring skyline of ancient domes and steeples and its tangles of roads and alleys whose mystic convolutions and sudden vistas alternately beckon and surprise, was taken by his parents as a good index of the degree to which his new interests had engrossed his mind.

In June, 1924, a brief note told of his departure for Paris, to which he had before made one or two flying trips for material in the Bibliothèque Nationale. For three months thereafter he sent only post-cards, giving an address in the Rue St. Jacques and referring to a special search among rare manuscripts in the library of an unnamed private collector. He avoided acquaintances, and no tourists brought back reports of having seen him. Then came a silence, and in October the Wards received a picture card from Prague, stating that Charles was in
that ancient town for the purpose of conferring with a certain very aged man supposed to be the last living possessor of some very curious mediaeval information. He gave an address in the Neustadt, and announced no more till the following January, when he dropped several cards from Vienna telling of his passage through that city on the way toward a more easterly region whither one of his correspondents and fellow-delvers into the occult had invited him.

The next card was from Klausenburg in Transylvania, and told of Ward's progress toward his destination. He was going to visit a Baron Ferenczy, whose estate lay in the mountains east of Rakus; and was to be addressed at Rakus in the care of that nobleman. Another card from Rakus a week later, saying that his host's carriage had met him and that he was leaving the village for the mountains, was his last message for a considerable time; indeed, he did not reply to his parents' frequent letters until May, when he wrote to discourage the plan of his mother for a meeting in London, Paris, or Rome during the summer, when the elder Wards were planning to travel in Europe. His researches, he said, were such that he could not leave his present quarters, while the situation of Baron Ferenczy's castle did not favour visits. It was on a crag in the dark wooded mountains, and the region was so shunned by the country folk that normal people could not help feeling ill at ease. Moreover, the Baron was not a person likely to appeal to correct and conservative New England gentlefolk. His aspect and manners had idiosyncrasies, and his age was so great as to be disquieting. It would be better, Charles said, if his parents would wait for his return to Providence; which could scarcely be far distant.

That return did not, however, take place until May, 1925, when, after a few heralding cards, the young wanderer quietly slipped into New York on the
Homeric
and traversed the long miles to Providence by motor coach, eagerly drinking in the green rolling hills, the fragrant, blossoming orchards, and the white steepled towns of vernal Connecticut; his first taste of ancient New England in nearly four years. When the coach crossed the Pawcatuck and entered Rhode Island amidst the
faery goldenness of a late spring afternoon his heart beat with quickened force, and the entry to Providence along Reservoir and Elmwood avenues was a breathless and wonderful thing despite the depths of forbidden lore into which he had delved. At the high square where Broad, Weybosset, and Empire Streets join, he saw before and below him in the fire of sunset the pleasant, remembered houses and domes and steeples of the old town; and his head swam curiously as the vehicle rolled down to the terminal behind the Biltmore, bringing into view the great dome and soft, roof-pierced greenery of the ancient hill across the river, and the tall, colonial spire of the First Baptist Church limned pink in the magic evening light against the fresh springtime verdure of its precipitous background.

Old Providence! It was this place and the mysterious forces of its long, continuous history which had brought him into being, and which had drawn him back toward marvels and secrets whose boundaries no prophet might fix. Here lay the arcana, wondrous or dreadful as the case might be, for which all his years of travel and application had been preparing him. A taxicab whirled him through Post Office Square with its glimpse of the river, the old Market House, and the head of the bay, and up the steep curved slope of Waterman Street to Prospect, where the vast gleaming dome and sunset-flushed Ionic columns of the Christian Science Church beckoned northward. Then eight squares past the fine old estates his childish eyes had known, and the quaint brick sidewalks so often trodden by his youthful feet. And at last the little white overtaken farmhouse on the right, on the left the classic Adam porch and stately bayed façade of the great brick house where he was born. It was twilight, and Charles Dexter Ward had come home.

A school of alienists slightly less academic than Dr. Lyman's assign to Ward's European trip the beginning of his true madness. Admitting that he was sane when he started, they believe that his conduct upon returning implies a disastrous
change. But even to this claim Dr. Willett refuses to accede. There was, he insists, something later; and the queernesses of the youth at this stage he attributes to the practice of rituals learned abroad—odd enough things, to be sure, but by no means implying mental aberration on the part of their celebrant. Ward himself, though visibly aged and hardened, was still normal in his general reactions; and in several talks with Willett displayed a balance which no madman—even an incipient one—could feign continuously for long. What elicited the notion of insanity at this period were the
sounds
heard at all hours from Ward's attic laboratory, in which he kept himself most of the time. There were chantings and repetitions, and thunderous declamations in uncanny rhythms; and although these sounds were always in Ward's own voice, there was something in the quality of that voice, and in the accents of the formulae it pronounced, which could not but chill the blood of every hearer. It was noticed that Nig, the venerable and beloved black cat of the household, brisked and arched his back perceptibly when certain of the tones were heard.

The odours occasionally wafted from the laboratory were likewise exceedingly strange. Sometimes they were very noxious, but more often they were aromatic, with a haunting, elusive quality which seemed to have the power of inducing fantastic images. People who smelled them had a tendency to glimpse momentary mirages of enormous vistas, with strange hills or endless avenues of sphinxes and hippogriffs stretching off into infinite distance. Ward did not resume his old-time rambles, but applied himself diligently to the strange books he had brought home, and to equally strange delvings within his quarters; explaining that European sources had greatly enlarged the possibilities of his work, and promised great revelations in the years to come. His older aspect increased to a startling degree his resemblance to the Curwen portrait in his library and Dr. Willett would often pause by the latter after a call, marvelling at the virtual identity, and reflecting that only the small pit above the picture's right eye now remained to differentiate the long dead wizard from the living youth. These calls of Willett's, undertaken at the request of
the senior Wards, were curious affairs. Ward at no time repulsed the doctor, but the latter saw that he could never reach the young man's inner psychology. Frequently he noted peculiar things about; little wax images of grotesque design on the shelves or tables, and the half-erased remnants of circles, triangles, and pentagrams in chalk or charcoal on the cleared central space of the large room. And always in the night those rhythms and incantations thundered, till it became very difficult to keep servants or suppress furtive talk of Charles's madness.

In January, 1927, a peculiar incident occurred. One night about midnight, as Charles was chanting a ritual whose weird cadence echoed unpleasantly through the house below, there came a sudden gust of chill wind from the bay, and a faint, obscure trembling of the earth which everyone in the neighbourhood noted. At the same time the cat exhibited phenomenal traces of fright, while dogs bayed for as much as a mile around. This was the prelude to a sharp thunderstorm, anomalous for the season, which brought with it such a crash that Mr. and Mrs. Ward believed the house had been struck. They rushed upstairs to see what damage had been done, but Charles met them at the door to the attic; pale, resolute, and portentous, with an almost fearsome combination of triumph and seriousness on his face. He assured them that the house had not really been struck, and that the storm would soon be over. They paused, and looking through a window saw that he was indeed right; for the lightning flashed farther and farther off, whilst the trees ceased to bend in the strange frigid gust from the water. The thunder sank to a sort of dull mumbling chuckle and finally died away. Stars came out, and the stamp of triumph on Charles Ward's face crystallised into a very singular expression.