Authors: David Nicholls
âWhich are â¦?'
âObservable characteristics, traits, manifestations of the genotype and the environment. In fruit flies, shorter wings, eye pigmentation, changes in the genital architecture.'
â“Genital architecture”. That's the name of my band.'
âIt means that you can see indications of mutation in a very short time. Fruit flies are evolution in action. That's why we love them.'
âEvolution in action. And what do you do when you want to examine their genital architecture? Please, please don't tell me you kill them all?'
âUsually we knock them unconscious.'
âWith tiny truncheons?'
âWith carbon dioxide. Then after a while they stumble back onto their feet and get on with having sex.'
âMy typical weekend.'
A moment passed.
âSo can I keep one? I want â¦' She pressed a finger to the glass â⦠that one there.'
âThey're not goldfish at the fairground. They're tools of science.'
âBut look â they really like me!'
âPerhaps it's because you smell of old bananas!' Another moment passed. âYou don't smell of old bananas. I'm sorry, I don't know why I said you smelt of old bananas.'
She looked over her shoulder and smiled, and I introduced her to Bruce, our pet fruit fly, to show that it was not only the art-school crowd who knew how to have a good time.
The tour continued. I showed her the cold room, where we remarked on how cold it was, and the 37-degree room.
âWhy 37 degrees?'
âBecause it's the temperature inside the human body. This is what it feels like to be inside someone.'
âSexy,' said Connie, deadpan, and we moved on. I showed her dry ice, I showed her the centrifuge in action. Through a microscope we looked at cross sections of the tongue of a rat that had been infected with parasitic worms. Oh yes, it was quite a date, and I began to note the amused faces of my colleagues working late as usual, mouths open, eyebrows raised at this lovely woman peering into flasks and test tubes. I gave her some Petri dishes, to mix her paints in.
When she'd seen enough we went, at her suggestion, to a tiny Eastern European restaurant that I had walked past many times without ever imagining I might enter. Faded, dimly lit, it was like stepping into a sepia photograph. A hunched and ancient waiter took our coats and showed us to a booth. At Connie's suggestion, we drank vodka from small, thick glasses, then ate velvety soup a shade of burgundy, delicious dense dumplings and pancakes and syrupy red wine and sat side by side in the corner of the almost empty room, and soon we were fuzzy-headed and happy and even almost at ease. Rain outside, steam on the windows, an electric-bar fire blazing; it was wonderful.
âYou know what I envy about science? The certainty. You don't have to worry about taste or fashion, or wait for inspiration or for your luck to change. There's a ⦠methodology â is that a science word? Anyway, the point is you can just work hard, chisel away and eventually you'll get it right.'
âExcept it's not quite as easy as that. Besides, you work hard.'
She shrugged and waved her hand. âWell, I used to.'
âI saw some of your pictures. I thought they were amazing.'
She frowned. âWhen did you see them?'
âLast weekend. While you were asleep. They were beautiful.'
âThen they were probably my flatmate's.'
âNo, they were yours. Hers I didn't like at all.'
âFran is very successful. She sells a lot.'
âWell, I don't know why.'
âShe's very talented, and she's my friend.'
âOf course, but I still loved yours. I thought they were very â¦' I searched for some artistic term. âBeautiful. I mean, I don't really know much about artâ'
âBut you know what you like?'
âExactly. Also, you can draw terrific hands.'
She smiled, looked at her own hand, splayed the fingers and then placed it over mine. âLet's not talk about art. Or fruit flies.'
âOkay.'
âHow about last weekend instead? What happened, I mean.'
âFine,' I said and thought,
here it is, the bolt gun
. âWhat did you want to say?'
âI don't know. Or rather, I thought I did.'
âGo on.'
She hesitated. âYou go first.'
I thought a moment. âOkay. It's very simple. I had an amazing time. I loved meeting you. It was fun. I'd like to do it again.'
âThat's it?'
âThat's all.' It was by no means all, but I didn't want to alarm her. âYou?'
âI thought ⦠I thought the same. I had a
happy
time, unusually. You were very sweet. No, that's wrong, I don't mean that, I mean you were thoughtful and interesting and I liked sleeping with you too. Very much. It was fun. Your sister was right â you were what I needed.'
I had found myself in this situation often enough to recognise the imminent arrival of a âbut' â¦
âBut I don't have a very good track record with relationships. I don't associate them with happiness, certainly not the last one.'
âAngelo?'
âExactly. Angelo. He wasn't very nice to me and he's made me ⦠I suppose, I want to be ⦠cautious. I want to proceed with caution.'
âBut you want to proceed?'
âWith caution.'
âWith caution. Which means?'
She considered for a moment, biting her lip, then leant forward. âWhich means that if we got the bill right now and went outside, if we found a taxi and went home to your bed, then I'd be very happy.'
Then she kissed me.
â¦
â¦
â¦
â¦
â¦
âWaiter!'
The party started at a time you might reasonably expect most parties to stop, the usual treble and bass boom-tsk of electronic music soon replaced by a low-frequency oom-pah oom-pah with a distinctive comb-and-paper buzz.
âIs that ⦠an accordion?'
âUh-huh,' mumbled Connie.
âAlbie doesn't play the accordion.'
âThen he has an accordionist in his room.'
âOh, good grief.'
Now the asthmatic chug resolved into four familiar stabbing minor chords, played in rotation, accompanied by much foot-stomping and thigh-slapping percussion, provided by my son.
âWhat is this song? I know this song.'
âI think it's “Smells Like Teen Spirit”.'
âIt's what?'
âListen!'
And sure enough, it was.
When â if â I thought of accordionists, the word suggested an olive-skinned male wearing a Breton top. But here, Nirvana's howl to youthful alienation was bellowed by a primal female voice, a kind of soulful town crier, with Albie now accompanying her on percussive guitar, his chord changes always just a little way behind.
âI think they call it jamming,' I said.
âAs in jamming your fingers in your ears,' said Connie.
Resigning myself to a long night, I turned on the light and reached for my book, a history of World War II, while Connie sandwiched her head between two foam pillows and assumed a horizontal brace position. The accordion, like the bagpipes, is part of the select group of instruments that people are paid to stop playing, but for the next forty-five minutes my son's mysterious guest pushed at the musical limits of the squeezebox, regaling much of the fifth, sixth and seventh floors of the Good Times Hotel with, amongst others, a boisterous âSatisfaction', a sprightly âLosing My Religion' and a version of âPurple Rain' so long and repetitive that it seemed to stretch the very fabric of time.
âWe are enjoying the concert, Albie,'
I texted,
âbut it's a little late'.
I pressed send and waited for the message to be received.
I heard the bleep of a text arriving on the other side of the wall. A pause, and then âMoondance' sung by emphysemic wasps.
âPerhaps he didn't read my text.'
âHm.'
âPerhaps I should call reception and complain. What's French for “remove the accordionist from room 603”?'
âHm.'
âSeems a bit disloyal, though, complaining about my own son.'
âHasn't stopped you in the past.'
âOr shall I just knock on theâ?'
âDouglas, I don't care what you do as long as you stop talking!'
âHey! I'm not the one with the accordion!'
âSometimes I think an accordion would be preferable.'
âWhat does that mean?!'
âIt doesn't meanâ It's two thirty, just â¦'
And then the noise stopped.
âThank you, God!' said Connie. âNow, let's go to sleep.'
But the irritation lingered and we lay beneath its cloud, contemplating other nights we had spent like this, dwelling on a moment's unkindness, impatience or thoughtlessness.
I think our marriage has run its course. I think I want to leave you.
And then a jolt, like a bass drum behind our heads, followed by the particular, insistent thump-thump-thump of a headboard banging against a wall.
âThey're jamming,' I said.
âOh, Albie.' Connie laughed, her forearm across her eyes. âThat's just perfect.'
We met the beguiling musician the next morning in the hotel's gloomy basement breakfast room. Uncharacteristically for Albie, they were up before us, though it was hard to see the girl's face at first, clamped as it was to Albie with the tenacity of a lamprey eel. I cleared my throat, and they peeled apart.
âHello! You must be Douglas and Connie! Christ, look at you, Connie, you're gorgeous! No wonder your son is so hot, you're a be-auty.' Her voice was gravelly, Antipodean. She took my hand. âAnd you're a very beautiful man too, Dougie! Ha! We were just having some breakfast, the breakfast here is a-mazing. And it's all free!'
âWell, not exactly
free
â¦'
âHere â let me move Steve out of the way.' Steve, it seemed, was the name of her accordion. Steve had his very own chair, where he sat toothily grinning. âCome on, Steve, let poor Mr Petersen sit down, he looks wasted.'
âWe enjoyed your concert last night.'
âAw, thank you!' She smiled, then used her fingers to arrange her features into a clown's sad face. âOr did you not really mean that?'
âYou play very well,' said Connie. âWe'd have enjoyed it more before midnight.'
âOh no! I'm so sorry. No wonder you look fucked, Mr Petersen. You'll have to come and see me play at a reasonable hour.'
âYou're actually playing a concert?' said Connie, with a hint of incredulity.
âWell,
concert
's a big word. Only outside the Pompidou.'
âYou're a busker?'
âI prefer “street performer”, but yes!'
I don't
think
my face fell, I tried not to let it, but it's true that I was wary of any activity prefixed with the word âstreet'. Street art, street food, street theatre, in all cases âstreet' preceding something better carried on indoors.
âShe does an amazing “Purple Rain”,' mumbled Albie, who was slumped diagonally across the banquette like the victim of a vampire.
âOh we know, Albie, we know,' said Connie, regarding the accordionist through narrowed eyes. The girl, meanwhile, was scooping the contents of many tiny jars of jam into a croissant. âI hate these little jars, don't you?
So
shitty for the environment. And
so
frustrating!' she said before cramming her entire tongue into one.
âI'm sorry, we didn't quite get yourâ'
âCat. As in the hat!' She patted the black velour bowler that she wore at the back of her head.
âAnd are you Australian, Cat?'
Albie tutted. âShe's from
New Zealand
!'
âSame thing!' She gave a loud bark of a laugh. âYou guys better get some breakfast in you, before I eat it all. Race you!'
Over the years, at conferences and seminars, I've had some experience of the breakfast buffet system and have noticed that when confronted with a table of ostensibly âfree' food, some people behave with moderation and some as if they've never tasted bacon before. Cat was of the group that believes that âeat as much as you like' is a gauntlet thrown down. She stood at the juice dispenser, pouring a glass then downing it, pouring a glass then downing it; juice-hanging, I call it and I wondered, why not just open the tap and lie beneath it? I smiled at the waiter who shook his head slowly in return, and it occurred to me that if management made the connection between last night's accordion workout and the woman now piling a great mound of strawberries and grapefruit segments into her bowl, then we might be in very real trouble.
We shuffled along the counter. âSo what brings you to the Eternal City, Cat?'
âParis isn't the Eternal City,' said Connie. âThe Eternal City is Rome.'
âAnd it's not eternal,' said Albie, âit just feels like it.'
Cat laughed and wiped juice from her mouth. âI don't live here, I'm just passing through. I've been bumming round Europe ever since college, living here, living there. Today it's Paris, tomorrow Prague, Palermo, Amsterdam â who knows!'
âYes, we're the same,' I said.
âExcept we have a laminated itinerary,' said Connie, examining the empty grapefruit container.
âIt's not laminated. What I mean is, we're going to Amsterdam tomorrow.'
âLucky you! I love the 'Dam, though I always end up doing something I regret, if you know what I mean. Party town!' She was filling a second plate now, balancing it on her forearm like a pro and focusing on proteins and carbohydrates. Lifting the visor on the bacon tray, she inhaled the meaty vapour with eyes closed. âI'm a strict vegetarian with the exception of cured meats,' she said, loading dripping coils of the stuff onto a plate already overflowing with cheese, smoked salmon, brioche, croissants â¦