Ursula Hegi The Burgdorf Cycle Boxed Set: Floating in My Mother's Palm, Stones from the River, The Vision of Emma Blau. Children and Fire (66 page)

The water rocked her—smoother than her nursemaid’s arms—and the stems of the sea roses reached far below the leaves. Above her swayed the leaves, their undersides the palest of greens, and above them danced the globes of roses, each a planet to itself. Brigitte wanted to laugh with delight, but her mouth filled with water, and she felt as though she had turned into her favorite doll who would lie—just like her—arms stretched up whenever you’d put her down, and then she felt even more like a doll because the sky broke the leaves and the roses tilted as white sleeves reached for her. The nursemaid’s wail clogged the air, and Brigitte thought her heart would break if she could not lie beneath that shade of pink again.

She thought it was her nursemaid’s wail she heard when Klaus asked her consent—with the proper regret in his voice as if regret could ever be proper when causing pain—to end their engagement, but she still felt the wail in her throat, rough and common like that of a market woman, and knew that she, too, was capable of that sound while her thoughts scraped for words that would make Klaus stay—words to assure him that love comes back if you’re patient, and that many people learn to love after they are married. He listened—and that’s what she would not forgive him afterwards—that he let her beg him, yes, beg him to stay with her before he told her about this … this child, this nineteen-year-old girl who was about half her age, unformed and awkward, with no family to speak of except her Uncle Alexander, no match at all for Klaus whose family—for years now—had treated Brigitte as one of its own.

She heard that wail again when she confessed her dishonor to her father, and again when her father returned from his meeting with Klaus Malter. But during those hours while she’d waited for her father, who had influenced people far more powerful than an ordinary dentist, Brigitte Raudschuss would have gladly lain at the bottom of any pond, submerged as long as she could endure, if this would have brought Klaus Malter back to her, but as she imagined their wedding taking place after all, she feasted on the terrible need to make him suffer too. And yet, during those hours of waiting, she felt more love for Klaus than she had ever before, more love than she knew herself capable of, because she sensed that—like sea roses seen from beneath—Klaus could never be entirely hers. She was seized by a powerful yearning for a gown that splendid shade of pink, and she sat down with a pen and ink to sketch the outline of a fitted gown which she would still wear to the Opernhaus as an old woman, where she would share a loge with two other unmarried women.

The rumors about Klaus and Jutta kept Trudi busy for weeks as she distributed each unfolding of their romance throughout Burgdorf. As long as she kept telling and retelling that story, she didn’t have to let in her jealousy of Jutta that swallowed her when she was alone and silent, an ugly jealousy that found its only moments of reprieve when she could remind herself of her satisfaction that Brigitte had been ousted. Yet, Trudi had become so accustomed to seeing Klaus with the lawyer’s daughter all those years that her initial resentment had
been supplanted by the belief that the two suited one another.

But even the gossip about the dentist’s reckless love made it impossible to forget that war kept spreading like ink on a linen cloth, and she gathered and distributed facts about the war along with gossip about Klaus. She read in the newspaper that the June attack on Russia had resulted in three hundred thousand Russian prisoners. It worried and infuriated her that the situation had worsened for the Jews: they were no longer encouraged to emigrate, but instead were ordered to vacate their homes on short notice. They were restricted to living in houses that had been declared Jewish houses, supposedly to monitor and hinder any interaction between Aryans and Jews. Closer and closer they had to live together, separated from the rest of the town by an invisible wall.

In some of the Jewish houses, the windows stayed covered with wooden shutters all day. Herr and Frau Kaminsky had been moved to one of the houses behind the cemetery, where they shared one small room; but some of the wealthier Jews lived in hotels or inns where their meals were included, freeing them from the humiliating and time-consuming shopping for decreasing food supplies. Though merchants like Frau Weiler helped as much as they could, others—including the butcher and pharmacist—took satisfaction in enforcing the laws that constricted the world of the Jews even further.

The number of Jews in Burgdorf had shrunk drastically. Two families had disappeared from the Catholic congregation, leading to speculations as to where they’d been taken. Even the priest hadn’t known they were Jewish until the Gestapo had investigated their backgrounds. They’d attended St. Martin’s for as far back as anyone could remember; their children had been christened there, had received their first communion.

Many others had fled, trying in vain to sell their pianos and large pieces of furniture, settling their neighbors with the nasty fear of the survivor and with a yearning for news that could distract them and engage their imagination—like which wedding the dentist would go through with.

From the window of her pay-library, Trudi had watched Brigitte Raudschuss’ father arrive at Klaus Malter’s office. He stayed one hour and twenty minutes. During that time, Trudi saw five patients enter. None of them departed. She imagined them cramped in the waiting room, which barely held four wooden chairs, hearing the voices of the
lawyer and the dentist through the walls. If only she could be in that office. Perhaps the lawyer would challenge Klaus to a duel at sunrise to avenge his daughter’s honor. He’d pull off one glove and—

No, it was summer. Too warm to wear a glove. Besides, duels happened only in those romances her customers kept borrowing. The lawyer would be more likely to offer Klaus money to rescue his daughter from everlasting spinsterhood. “An increase in dowry,” he would call it.

Surprised by her compassion for Brigitte Raudschuss, Trudi wondered if Klaus was trying to pretend with her, too, that nothing had happened between them, although that would be much harder to accomplish after a six-year engagement than after one kiss. She thought of that morning in church when she’d seen Brigitte Raudschuss for the first time, and she asked her a silent forgiveness for the rage she’d sent her way. That rage should have been for Klaus—not for another woman.

She remembered Jutta running into the church, late, squeezing herself into the same pew with Brigitte Raudschuss, who yielded reluctant space to her. It would have never occurred to the lawyer’s daughter then that the disheveled girl would dislodge her from the position she’d taken for granted.

“Did you hear anything? Anything at all?” Trudi would ask each of Klaus Malter’s patients the day after he’d walked Brigitte’s father out, their faces solemn as they parted with a polite handshake. But from what she could surmise, the voices of the two men had stayed muffled during their lengthy discussion.

“What was he like when he drilled on your tooth afterwards?” she would ask, nodding with satisfaction when she was told that Klaus Malter’s eyes had looked sad and that his hand had not been as steady as usual.

Yet, the day of his wedding to Jutta, Klaus Malter’s eyes were not sad. He arrived at St. Martin’s too early and stood on the front steps with a dazed and exultant smile, the kind of smile you get when you amaze yourself by risking something you’ve never considered before. It was only a week after his meeting with the lawyer, sooner even than his wedding with the lawyer’s daughter would have taken place, and when his relatives arrived in the expensive clothes they must have planned to wear to Brigitte’s wedding, they looked disapproving, except for his mother, the professor, who took both of Klaus’ hands into
hers and kissed his face before she let herself be escorted to her place in the front pew. Her white hair, which—Klaus had told Trudi a long time ago—used to be the same hue of red as his own, was braided in a thick coil around her head.

When Jutta turned from the altar after the ceremony to walk up the aisle on the arm of her new husband, there was something skittish about the way she moved, and suddenly Trudi could see why the stable Klaus, who used to be so captivated by Ingrid, would also feel drawn to Jutta, who would balance that settled side of himself.

But she still couldn’t figure out why Jutta had chosen him. With a tug of satisfaction and revenge, she whispered to Hilde Eberhardt, who knelt next to her, “I finally understand why he fell in love with her, but Jutta—she’s so beautiful and young—she could have chosen any man.”

And Hilde agreed that Jutta could have chosen any man.

Most people in Burgdorf did not wonder at all why the wild young woman was marrying the dentist, who already was thirty-six and so different from her in temperament. He would make a reliable husband, they agreed. He’d quiet her down. Besides, it was not at all unusual for men to be substantially older than the women they married.

They regarded Jutta as odd, the people of Burgdorf. Not only did she paint pictures in which the colors were all wrong and far too bright, but she also, despite their warnings, swam in summer storms. “She doesn’t value her life,” some would say. Lightning and thunder, which made others seek shelter, would lure Jutta from the house. Rain would drench her even before she’d arrive at the quarry hole or river. “Crazy,” some of the people would say.

But Trudi knew what crazy meant from her own mother, and Jutta was not like that although she, too, had that high flicker, as Trudi thought of it. Hers was not the kind of flicker that would burn itself out but would only grow stronger, she believed, and even when Jutta would die young in a fast-driving accident nearly two decades later, Trudi would stay convinced that, without that one accident, Jutta would have kept burning strong, her fire evident in her brilliant paintings of the town.

Trudi would see that same flame in the child who would ensue from Jutta’s body—the daughter, Hanna, who rightfully should have been Trudi’s daughter if the dentist had followed up on that one reckless kiss.

T
HE WEEK AFTER
K
LAUS
M
ALTER’S WEDDING
, T
RUDI BEGAN TO READ
the marriage advertisements in the paper again—not that she was looking for a husband, but they gave her something to laugh about. Because of the war, the list of men was shorter than ever before, and most of the ads had been written by retired men. Late one evening she decided to answer one of those ads, Box 241, in care of the newspaper: the man was younger than the others, a thirty-four-year-old schoolteacher who collected stamps, did watercolors, and described himself as curious. She gambled on that curiosity when she sent him a letter without a return address, asking him to meet her at Wasen’s, an outdoor restaurant on the Königsallee in Düsseldorf, the following Saturday afternoon.

I will know you
, she wrote to Box 241,
because you carry an umbrella and two white carnations.
She had thought about this for quite a while, rejecting the idea of having him wear a top hat because he might have to buy that, making it too expensive to meet this woman whose description—tall and slender with a mane of auburn hair—Trudi had taken from one of the colorful book jackets in the pay-library.

Actually, once she reread her letter, the woman sounded a lot like Ingrid, with her long hair and delicate hands, and when she looked at the book jacket again, the woman could have been Ingrid except that Ingrid would insist on martyrdom before letting herself be squeezed into a yellow dress that exposed not only her shoulders but also the high cleft of her breasts. The woman in Trudi’s letter was warm hearted, loved to cook and dance, was in line to inherit the family business, and adored opera as well as children. Her name, Trudi decided, was Angelika, and she was the same age as Trudi, twenty-six.
I have been told that I am extraordinarily beautiful
, she wrote, chuckling to herself when she decided against adding that she was also exceedingly humble.

Not that she ever seriously intended to go to the restaurant and watch the man’s discomfort as she had with the others years ago.… After all, with the suffering going on around her, games like that were too frivolous. Still, that Friday she traded books for an almost new lipstick; Saturday morning she found herself washing and setting her hair, just in case, and struggling with the choice of what to wear if she were to go. Ready to turn back, she arrived at the restaurant twenty minutes early in her gray suit with the fitted skirt. She hoisted herself onto a chair next to one of the flower pots that separated the tables from the sidewalk, her back to the sun so she could see everyone.

Although she was only planning to watch the man wait for this woman he would never meet, she was sweating under her breasts and arms when Box 241 arrived exactly at four, the umbrella hooked over his arm. By the door he hesitated. The skin around his eyes was lighter than the rest of his tan as though he usually wore glasses, giving him a startled look. Carrying the two white carnations like spears, Box 241 darted toward the last empty table without glancing at anyone, bumping into two chairs on his way, his lean shoulders curved forward as if he were accustomed to tolerating disillusion.