Unrequited (39 page)

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Authors: Lisa A. Phillips

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     as term, 10–11

stalking murders, 7

Stanley, in
A Streetcar Named Desire,
93–95

Stendhal, 22–25, 26, 37–38

Stewart, Kristen, 178

Stratonice, Antiochus and, 69–70

A Streetcar Named Desire
(play), 93–95

sublimation, 194

substance addiction, 81–82, 222–23

suicide, 111, 131–32, 134–35

“The Suicide” (poem), 131–32, 134

Summerscale, Kate, 74–75

Suor Angelica
(opera), 186–87

surveillance of love interests, 100

Svengali, in
Trilby,
187

swarmings, 74

Swift, Taylor, 43–44

Sylvia’s story, 113–17

Symposium
(Plato), 30

Tait, Lucy, 74

Taitz, Jennifer, 211–12, 220

Take Care of Yourself
(Calle’s art installation), 193–94

Tallis, Frank, 84, 210

teacher crushes, 173–75

Tennov, Dorothy, 76, 80, 209

Teresa of Ávila, 207

testosterone, 95

Theon, 72

therapeutic intercourse, 69

Theresa’s story, 30–33, 34, 38

Thompson, Carleen M., 147

Tillie’s story, 128–31

transference, 127

transformational power of unrequited love, 185–207

     author’s story, 199–200

     Careena’s story, 200–204

     Chris Kraus, 194

     creative potential of, 72–73, 188–89, 194–99

     Don Quixote, 189–90

     Eleanor’s story, 204–7

     Maria’s story, 63

     Mary Wollstonecraft, 190–93

     Rina’s story, 185–88

     Sophie Calle, 193–94

A Treatise on Lovesickness
(Ferrand), 71–72

Truffaut, François, 98–99

Tsarnaev, Dzhokhar, 179

Tuchman, Barbara, 20

Tumblr, 178

Turner, Jenny, 156

Twelfth Night
(Shakespeare), 96

21
(Adele album), 197

Twilight
series, 181

Twitter, 178, 179

unrequited love

     as common occurrence, 3–4

     crushes.
See
crushes

     differing interpretations of, 139

     female stalking.
See
gender pass for stalking

     judgment of women in, 4–5, 22, 24–25, 69, 71–72

     letting go of.
See
letting go

     lovesickness.
See
lovesickness

     as medieval theme, 20

     men in, 7–8

     narcissism of.
See
narcissism of unrequited love

     potential benefits of, 4, 11–12

     
privilege of, 21, 22, 26

     pursuit of.
See
pursuit of men by women

     script of.
See
script of unrequited love

     self-sacrifice as peril of, 162–63

     transformational power of.
See
transformational power of unrequited love

     unsatisfied desire.
See
unsatisfied desire

unsatisfied desire, 13–38

     author’s story, 13–15

     courtly love, 18–22

     Diane’s story, 26–29, 38

     Katherine’s story, 35–37, 38

     
not yet
relationships, 18, 30, 34, 38, 42

     in novels, film, and TV, 16–17, 33

     online relationships and, 33–34

     Stendhal and, 22–26, 37–38

     Theresa’s story, 30–33, 34, 38

unwanted pursuit behaviors (UPBs), 109

uterine disease, 74

uterine fury, 71

Valerie, in
Why You’re Not Married . . . Yet,
99, 100

Vanessa Lemor, in
Dear Lemon Lima,
181–82

van Gogh, Vincent, 7

vasopressin, 83, 95–96

ventral tegmental area of brain (VTA), 82–83

victims

     blaming, 10, 156

     good victim prototype, 153, 154, 155

     male.
See
gender pass for stalking

Victor Frankenstein, in
Frankenstein,
73

Victorian era, 49–50, 73–76, 101, 131–32

Villette
(C. Brontë), 193

A Vindication of Love
(Nehring), 24

A Vindication of the Rights of Women
(Wollstonecraft), 190, 192

Viola, in
Twelfth Night,
96

Virgil, 68

virgins of Milesia, 72

Vos, Kee, 7

VTA (ventral tegmental area of brain), 82–83

Wadsworth, Charles, 197

Wakin, Albert, 80–82, 84–85

Waldman, Adelle, 87

Watts, in
Some Kind of Wonderful,
42–43

Weber, Jill, 179, 206–7

Weissbourd, Richard, 169, 172

Werther, in
The Sorrows of Young Werther,
131, 197

Wharton, Edith, 16

What Do Women Want? (Bergner), 102

Whitehead, Barbara Dafoe, 50, 51

Why You’re Not Married . . . Yet
(McMillan), 99

Williams, Stacey L., 100

Witkowski, Talia, 120

Wolf (stalking victim), 141–45

Wollstonecraft, Mary, 190–93, 195

Woods, Tiger, 149

Wotman, Sara R., 41–42

Wright, Jacqueline, 58, 92, 188

Wuthering Heights
(E. Brontë), 73, 75

Yoonessi, Suzi, 180–82

Yoselin (unrequited lover), 137–40

“You Belong with Me” (song and video), 43–44

Young Guns II
(film), 114

YouTube, 43, 133, 178

Zeki, Semir, 195, 196, 197–98

Zeus, 30

Zuckerberg, Mark, 6

About the Author

Photo © Franco Vogt

LISA A. PHILLIPS
, a journalism professor at the State University of New York at New Paltz, has published articles and essays in the
New York Times
, the
Boston Globe
, Psychologytoday.com, and other publications. A former award-winning radio reporter, she has worked at public radio stations across the country and contributed stories to NPR and Marketplace. She is also the author of
Public Radio: Behind the Voices
. Phillips lives in Woodstock, New York, with her husband and their daughter.

Lisaaphillips.com
Twitter.com/lisaamyphillips

Discover great authors, exclusive offers, and more at
hc.com
.

Also by Lisa A. Phillips

Public Radio: Behind the Voices

Credits

Cover design by Elena Givaldi

Copyright

UNREQUITED
. Copyright © 2015 by Lisa A. Phillips. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.

Portions of
Unrequited
were originally published in another form in the essay “I Couldn’t Let Go of Him. Did It Make Me a Stalker?” in the
New York Times.

Poem on epigraph page reprinted from: “Dirge Without Music,”
Collected Poems
, Edna St. Vincent Millay and Norma Millay Ellis (New York: HarperPerennial, 1981).

FIRST EDITION

ISBN 978-0-06-211401-3

EPub Edition January 2015 ISBN 9780062114129

Version 01282016

15 16 17 18 19   
OV
/
RRD
  10 9 8 7 6 5 4 3 2 1

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Many of the names in this book have been changed to protect the privacy of the people interviewed about their experiences of unrequited love. In certain cases, other identifying details have been altered.

Oh, Madonna, save me!

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