Under Shifting Glass (9 page)

“Yes,” says Lalitavajri. “And they also symbolize impermanence. Nothing lives forever. All things die.”

Aunt Edie again.

And also Zoe. My friendship with her. Am I going to let that die?

No.

Never.

“What do Buddhists believe happens after you die?” I ask.

Paddy looks confused. This question is not on our sheet.

“We believe in rebirth,” says Lalitavajri. “After you die, you go into a state of life between life, which we call
bardo
, like night is the bardo between two days, or a dream is a bardo between two wakings.”

“A join?” I say. “Do you mean a join?”

“I'm not sure about that,” says Lalitavajri. “But your body falls away and your consciousness remains.”

“And what happens to that consciousness?”

“It remains until it is attracted to a man and a woman having sex,” says Lalitavajri, “then it goes into the soul and enters the baby.”

At the word
sex
Paddy sniggers.

But Lalitavajri just goes on: “This is why babies arrive with personalities already formed.”

And I'm still thinking about the bardo that (whatever Lalitavajri says) does sound like a Buddhist version of a
join, and about the knotted threads of friendship and about how a consciousness might remain, when Paddy says, “Do you mean souls hang about, you know, like ghosts, they haunt you?”

“Not haunt, no. Although Buddhism does stretch the Western idea of the rational. Like some Buddhists have claimed to be able to walk through walls.”

“Walk through walls!”

“I don't disbelieve this,” says Lalitavajri. “Just as you can have déjà vu about someone coming into a room and then they come into a room.”

Or you can have someone look at you and feel that look.

“Ghosts and the supernatural,” Lalitavajri continues, “are much more real for people in the East.”

And for me. And for the flask.

Paddy is scribbling in his notebook.

“Well, is that it?” asks Lalitavajri.

“Yes,” says Zoe. “Thanks. Except—what does your name mean, Lalitavajri?”

“When you're ordained, you are given a new name by the person who ordains you,” says Lalitavajri. “You don't know your name until this moment. You are named either for things you have achieved or for the potential seen in you.
Lalita
means
she who plays
and
vajri
means
diamond thunderbolt
. The diamond thunderbolt represents reality, the truth, and unstoppable energy.”

“Wow,” says Paddy, looking up from his notes. “So if I was a Buddhist I could get called Supreme Striker, or something?”

“Well, maybe not something so . . .” Lalitavajri pauses, “. . . specific.”

“You could be called Paddy, though,” says Zoe and laughs. But she's not laughing at him, she's just laughing because everything suddenly feels relaxed, easy.

“Sorry?” says Lalitavajri.

“They call me Paddy,” says Paddy. “Because . . .” He looks at Zoe. “Why do people call me Paddy?”

And Zoe laughs some more and Paddy grins in his Happy-to-Be-the-Center-of-Attention way, and I feel a strange warmth wash through me, which takes in, without judgment, Zoe and Paddy and Aunt Edie and the supernatural and ghosts and souls.

“Well, I need to prepare now,” says Lalitavajri. “I have to lead a meditation in a minute. Although you'd be welcome to stay if you'd like. A meditation would give you a very good idea of Buddhist practice.”

Paddy's face suggests that the last thing in the world he'd like to do is stay for a Buddhist meditation.

“No,” he says. “Thanks. I think my mom will be back for us any minute now.”

“Well, another time,” says Lalitavajri. “I'm here every Tuesday if you want to change your mind.”

And I think, yes. I'm going to come back here.

And I'm going to bring the flask.

“Well?” asks Mrs. Paddy. “How was it?”

“Buddhism,” says Paddy, “is mental.”

“Mental?” repeats Mrs. Paddy.

Paddy consults his notes. “ ‘Buddhists,' ” he reads, “ ‘claim to be able to walk through walls.' ‘I don't disbelieve this.' That's what she said, Onion Bhaji: ‘I don't disbelieve this.' ”

Mrs. Paddy laughs. “Bit like Christians, then.”

“What?” says Paddy.

“Well,” says Mrs. Paddy, “Christians believe that, three days after being crucified, a man rose to life again.”

“That's different,” says Paddy.

“Is it?” says Mrs. Paddy.

“Course,” replies Paddy. “Christianity's true.”

“Oh,” says Mrs. Paddy. “Says who?”

“Father Neville!” says Paddy, like he's just played the Ace of Spades.

Mrs. Paddy keeps quiet.

“Anyway, it's not just the walls stuff,” continues Paddy. “There's plenty of other weird stuff in Buddhism.”

“Such as?”

“Such as after you die, your soul hangs about until, until . . .”

“Until?”

“Until a man and a woman have sex,” adds Zoe helpfully.

Paddy sniggers and Zoe beams, as if the joke is all hers.

“And then,” Paddy adds, “your soul goes into the baby, which means . . .”

“Everyone gets a pre-owned soul,” concludes Zoe.

Then they both laugh and things seem to be going back to the way they were with the conversation about movies.

“Isn't that horrible?” says Paddy. “I mean, having someone else's soul inside you. How creepy is that?”

“But if it was in you,” I say, maybe just because I'm beginning to wish I was back in the Shrine Room, where all things seemed possible, “it wouldn't be someone else's, it'd be yours.”

“It would still be pre-owned,” says Zoe.

Pre-owned
is clearly going to take over from
ancient
as Zoe's new favorite word.

“Pre-owned,” considers Mrs. Paddy.

“You know, like in an Xbox game or a DVD that used to belong to someone else.”

“Oh,” says Mrs. Paddy, “you mean secondhand.”

“Pre-owned,” repeats Zoe. “Disgusting. Yuck, yuck, yuck.”

“Hang on,” says Mrs. Paddy. “We're all a bit secondhand—
pre-owned
—if you think about it.”

“What?” says Paddy.

“What?” says Zoe.

“Well, genetics,” says Mrs. Paddy. “Like you have your dad's eye color, Maxim, and my face shape and your grandad's laugh, and you don't think of that as disgusting, do you?”

Paddy looks like, all of a sudden, he's not quite so sure about this.

“So why would it seem so strange,” Mrs. Paddy adds, “to share a soul with someone?”

I look at Mrs. Paddy, trying to work out whether she believes what she's saying or is just doing what Si calls Playing Devil's Advocate, which is saying stuff you don't believe just for the sake of A Discussion. I decide she's being truthful.

“Well, it might not even be the soul of someone in your family,” says Paddy. “I mean, you might get the soul of an ant.”

Paddy having the soul of an ant could explain a lot of things.

“I didn't know Buddhism did the animal thing,” says Mrs. Paddy. “Are you sure about that?”

“Or what if it was the ants who were having sex?” says Zoe (and I'm hoping
sex
isn't going to become her new word). “I mean, that would be even worse. You'd end up inside the ant.”

“On the other hand,” says Paddy, “you'd probably be so much cleverer than all the other ants, you'd be Ant Emperor and then you could marshal the forces of ants worldwide and take over the universe.”

“Who says souls are clever?” says Mrs. Paddy.

“What?” says Paddy.

“What?” says Zoe.

“Well, souls can be many things,” says Mrs. Paddy, “but I'm not sure clever is one of them.”

I'm beginning to change my mind about Mrs. Paddy. Other than Si (who's a life-form that would probably baffle even Pug), most adults I know talk about Nothing in Particular. They can talk about Nothing in Particular for hours
on end: homework, washing dishes, taxes, the education system, lawnmowers, lost keys, and the grocery list, and here is Mrs. Paddy, who I've always thought of as simply a larger version of Paddy, actually being interesting. Thoughtful, even. I'm not sure I should be calling her Mrs. Paddy anymore. I think I should be calling her Sarah, because even if it turns out that she has a pre-owned soul, I think she definitely has a brain all her own.

“What do you mean?” I ask her.

“Well, you hear of ‘old souls,' don't you?” says Sarah. “Sometimes people look into the eyes of babies and say, ‘Well, here's an old soul,' as though that baby has some sort of wisdom they couldn't possibly have unless they'd been around once or twice before. But ‘clever' souls—I don't know.”

“What's the difference between being clever and being wise?” asks Paddy.

“Quite a lot,” says Sarah.

When we get back to the house, it's Gran who opens the door. Si has obviously returned to the hospital. Gran invites Sarah in for tea and that leaves me with Zoe—but also with Paddy. I wish Paddy would just Go Away, I wish he'd disappear in a Puff of Smoke. It's so difficult to think around someone who treats the whole universe as a joke. And I need to do some thinking and I need to check in with Zoe, to see how we are.

I also need to be with the flask.

But Zoe's already bounding up the stairs to my bedroom and Paddy's following her, and I'm following both of them.

Why am I always following people?

It's Zoe, of course, who's first into the room.

“Wow,” she says. “Will you look at that!”

We look.

As I managed to get up and leave the house this morning without opening the curtains, there is nothing in my room but darkness.

Nothing, that is, but the flask.

The flask is sitting on my computer table, swirling clouds and clouds of fluorescent green.

And Zoe is looking straight at it.

Zoe can see the flask—she can see inside it!

“Jeez,” says Paddy. “That's amazing!”

And Paddy—Paddy can see inside it, too.

Paddy!

I feel something thrill up my spine. I am not alone. I am not alone! They can see it. I am not going mad. I am not the only person in the universe who can see beyond science, beyond Si, just . . . beyond. And, all at once, I love Zoe! I even love Paddy.

“What on earth is it?” Paddy is advancing into the room, making for the green swirl of the flask.

Zoe moves, too, she's almost dancing toward the glow. But I remain where I am, stuck in the doorway, because suddenly I think there's something wrong, something unholy about the flask and its color. It's not making me feel good, not like the fizz-heart blue. It's coming to me
slowly, oh so slowly, across the room. I'm fighting to think exactly what it is that's wrong and then I get it: Until now the flask has only held natural colors—the iridescence of pearls, the blue of the sky, the gray of storm clouds, the purple of bruises, the black of night. This green is alien, lurid, electric.

Paddy arrives at the computer table. He stretches out his hand.

“Wait,” I cry.

But he's already lifting the flask, holding it in his hands.

“Oh, you're joking,” he exclaims.

At desk level are the four flashing, fluorescent green lights of my Internet router. In his hands is a colorless flask.

“It's just a stupid old bottle,” he says.

“Give it to me,” says Zoe.

He gives it to her, all interest gone. She places it down in front of the router again, watches the clouds gather and swirl, the green computer lights refracted through the uneven contours of the glass. Then she picks the flask up, puts it down again, just to check.

“Oh,” she says, equally disappointed. “Just for a moment I thought we might all have walked through a wall, actually found something special, a genie in a bottle. Wouldn't that have been something?”

“Me,” I say. I've begun to unlock. I'm going across that room faster than light. “Give it to me!”

“Calm down,” says Paddy, sensing my urgency. “It's not going anywhere.”

But it is going somewhere. In fact, it's already gone. I know even before I lay my hands on the bottle: The flask is empty. The butterfly breath has gone.

I snatch the flask from Zoe's hands, stare down its glass throat, just like I did when I couldn't believe the cork was missing.

“There's nothing in there,” says Paddy, as though I'm a total imbecile. “It was just the lights. The lights of the computer.”

“But what if it had been for real?” says Zoe. “Imagine that. Our very own genie. We could have asked for whatever we wanted.”

“Correction,” says Paddy, “
I
could have asked for whatever I wanted. I was the one that touched it first, you know, as in me: master, you: slave.”

“Not
me
slave,” says Zoe. “
Genie
slave.”

“No,” I roar. “Not a slave. Not now, not ever. The biggest, freest, most extraordinary being in the universe.”

“What?” says Paddy.

“What?” says Zoe.

“In this bottle, in this flask. Big as a storm wind, tiny as a baby's breath. It was here!”

Zoe and Paddy exchange glances.

They think I've lost it.

Paddy puts his head to one side. “Jess,” he says solemnly, “did you bang your head when you stepped through one of those Buddhist walls?”

And Zoe laughs.

She
laughs
.

“Tell you what,” adds Paddy, “why don't we shed some light on this sad little scene?” He opens the curtains.

And there it is, there on the windowsill, like some curled, pearly cat.