Trojan Gold (8 page)

It took me some time to get the things I wanted together. The appointment books, receipts, and letters made a dusty, depressing heap on the coffee table—four years of my life reduced to a pile of papers. There was a pot of black coffee on the table, too, and Caesar's head was on my feet. I didn't have the heart to push it off, even after my toes went numb. Poor guy, he led a boring life—not even a pile of paper to remind him of past triumphs and past failures. He was alone all day; though he definitely preferred people to other forms of animal life, I suppose he'd have settled for a squirrel or even a mouse to keep him company. I had no mice, and although there were plenty of squirrels around, I couldn't leave Caesar outside when I was away from home. Not only did he bark maniacally at the slightest sound or movement—to the extreme annoyance of my neighbors—but he could get over or under or through any fence constructed by human hands.

I sipped my coffee and gloomily contemplated the pile of papers. I had been meaning to organize them for lo these many years.

Somehow I wasn't at all surprised when the first paper I plucked out of the pile turned out to be the bill from that funny little hotel in Trastevere. A bill for one night…and I had spent the first few hours of that night repairing the damages John had sustained during what someone—not me, I assure you—might refer to as the Roman caper. The bruises, cuts, and bullet holes had not impaired what he quaintly referred to as his vital functions.

I caught a glimpse of my reflection in the mirror across the room, and even though nobody could see me but Caesar, I hastily wiped the foolish smile off my face. Damn the man, why couldn't I stay mad at him? And why had I kept the hotel bill? I had been on an expense account, but I had not submitted that bill because I'd have had to explain to Schmidt why it was for a double room and a quite excessive amount of room service…. Actually, I had planned to present the bill to John. He had left it for me to pay—the first time, but not the last, he had pulled that stunt.

“Bastard,” I said halfheartedly.

“Grrrr,” said Caesar.

 

I threw the hotel bill in the wastebasket. Next to go were a few crumpled travel brochures from Rothenburg, the delicious little medieval town in Bavaria where Tony and I had spent one summer tracking down the Riemenschneider reliquary. More fond memories evoked—the grim black tower and the grisly crypt at midnight, the mummified face of a long-dead count of Drachenburg glaring up at us from the coffin we had violated, Tony bleeding all over my best nightgown after being stabbed by a walking suit of armor…. The men in my life didn't have an easy time of it. One could not help wondering why they kept coming back for more.

Tony really had not sounded like himself. Had that worm finally turned? If the data for which I
was presently searching substantiated my half-formed hypothesis, the question might have a new and poignant meaning.

The next lot of papers was quickly sorted—family letters, pictures of nieces and nephews, postcards, more travel folders. Among them was a letter from my friend Gustav in Sweden, enclosing a snapshot of the famous memorial to John. It was even worse than I had remembered. Weeping cupids, a lugubrious life-sized angel with ragged wings draped unbecomingly over her bowed head, scrolls and drooping flowers and banners hanging limp at half-mast, and, as a crowning touch, two huge lions, modeled after the one at Lucerne, with muzzles resting on their outsized paws.

I fished the hotel bill out of the wastebasket and put it in an envelope with the snapshot and a few other odds and ends—every scrap in my possession that had reference to John Smythe, Esquire, alias Johann Schmidt, alias Al Monkshood, etcetera, etcetera, ad infinitum. Mark it “Bygone follies of my youth” and file it…in the fire.

However, I do not have a fireplace, so I crammed the papers back into the carton from which they had come and got down to business. The brief journey into nostalgia had convinced me that my hunch was correct, and that I had not overlooked any other possibility. I knew what I was searching for. I had taken the pictures only the year before, but they were jumbled in with all the snapshots I had been meaning to sort and put in albums for ten years, so it took a while to find them. I spread them out across the coffee table.

I am not a good photographer and my camera is
a cheap Instamatic, but it is hard to take bad pictures of Garmisch-Partenkirchen when the mountains are capped with snow and the wind blows strong from the south, producing brilliant blue skies and air clear as crystal. Garmisch is in the Bavarian Alps, about sixty miles south of Munich. The Winter Olympics were held there—long before my time—and the facilities provided for the Games have made Garmisch a popular winter resort. It is also an ideal spot for a conference—lots of hotels and meeting rooms, as well as certain sources of entertainment, such as bars and restaurants, which are just as important, even to serious souls like the members of the International Society for the Study of Ancient and Medieval Antiquities.

A group of us had decided to avoid the high-priced hotels of Garmisch in favor of a more picturesque ambiance. The gang of six, Dieter had named us; and it was Dieter—wasn't it?—who had found the hotel in a small village southeast of Garmisch. Transportation was no problem since three of the group had their own cars, and there was a little, lumbering local bus. Anyway, we didn't attend many of the meetings.

Gasthaus Hexenhut was as charming as Dieter—if it was Dieter—had claimed. I had taken several pictures of it, with the pointy-topped hill that had given it its name looming up behind it. The sign over the door claimed “
seit 1756
,” and although the hotel might not have been that old, the building certainly was. It had green shutters and wooden scrollwork under the eaves, and painted sprays of flowering branches encircling the doors and windows. Balconies outside many rooms offered guests
spectacular views of mountain scenery, crowned by the perpetual snows of the Zugspitze. The big comfortable rooms were furnished with antiques and with magnificent tile stoves, warmer than central heating. There were down comforters on all the beds, and the restaurant featured food as unpretentious as it was excellent.

I had persuaded one of the waiters to take a picture of the entire group in front of the hotel. There was Tony, towering over the others; me next to him; Dieter next to me—his left hand was behind my head, making a graphically suggestive gesture. Then Elise Cellier of the Louvre, slim and petite in her fancy blue ski outfit. Rosa D'Addio from the University of Turin was as dark as Elise was fair and as sternly intellectual as Elise was frivolous. Sandwiched between them was a man I had known only by reputation until that meeting: Jan Perlmutter from East Berlin. He was built like one of the Greek statues in the museum of which he was an official, but his most conspicuous feature was his hair—tight fair curls that clung closely to his beautifully shaped skull and shone with the rare glint of true red-gold.

Poor Rosa had taken one look at Jan and had fallen flat on her face, literally as well as figuratively; there was an icy patch on the pavement, and she was so busy staring at him she forgot to look where she was walking. Though Elise was supposed to be with Dieter, she was not unmoved by the Greek god; Jan spent a good deal of his time trying to elude one or the other or both. Maybe he didn't always try. I paid little attention to the proceedings; Tony and I were renewing old acquain
tances. If Tony hadn't been there, I might have taken a friendly interest in Jan myself. Or I might not; his humor was a bit too heavy-handed and his manners were too formal for my tastes. In fact, I had been a little surprised when he asked to join our frivolous group.

The conference had officially ended the morning I took the pictures. We were celebrating, looking forward to a few days of skiing, drinking beer, and so on. Especially so on. We must have had a few beers already, to judge from some of the antics I had photographed: Dieter burying a wildly gesticulating Elise in a pile of snow; Dieter upside down in a snowbank with only his feet protruding; Jan gravely constructing a snowman as anatomically accurate as the medium allowed, assisted by both Elise and Rosa; Tony leering insanely into the lens of the camera in blurred close-up.

That was the last of that group; dodging Tony, I had slipped and fallen and sprained my ankle. So, while the rest of them were on the slopes the next day, I languished in the hotel with my foot up.

The manager of the hotel couldn't have been sweeter. When he learned of my misadventure, he sent flowers, food, wine, and his own cane—a stout, solid article decorated from foot to curved handle with the little metal-and-enamel insignia that are the badges of local hiking societies. Reading the cane occupied me for a good fifteen minutes and amused me no end. With its aid, I was able to hobble around; and later that evening, when my so-called pals had abandoned me to whoop it up in the nightclubs of Garmisch, Herr Hoffman invited me to join him for a brandy.

He explained with grave courtesy that he thought I might be getting bored with the four walls of my room, and that was certainly true; but the contents of his private sitting room would have been worth a visit even if I had been able-bodied and otherwise occupied. There were several examples of the painted peasant furniture called
Bauernmalerei
, including a huge
Schrank
, or cupboard, as fine as any I had seen in the Bayrisches Museum. Each of the double doors had a pair of painted panels—formal bouquets of tulips, roses, and lilies. The creature comforts were nice, too—twenty-year-old brandy; a fire blazing on the open hearth, a fat, purring Siamese kitten to warm my knees and lick my fingers; and a Brahms quartet playing softly in the background.

I had asked Herr Hoffman to pose in front of the hotel the day we left. I had meant to send him a copy, but had never gotten around to it. One doesn't get around to things, that's the trouble with the world. But I had had the decency to make a small return for his kindness, stopping in Garmisch and ordering flowers to be sent to his wife, who was in the hospital.

He hadn't dwelt on the fact, had only mentioned it by way of apology for her absence, but I could tell he was deeply devoted to her and very worried about her condition. They had been married for almost forty years. It was hard to tell how old Hoffman was; his hair and eyebrows were pale pure silver-blond without a touch of gray, and he had one of those faces where the skin looks as if it had been glued to the bones, with no excess left to sag.
Not handsome, probably not even in youth, but distinctive and distinguished-looking.

I didn't have to look for additional evidence. I knew. But I looked anyway. The receipt for the hotel bill wasn't among the miscellaneous papers I had examined. Since I had been an official representative of the museum and expected to be reimbursed for my expenses, I had filed the bill with my business papers, so I found it without difficulty. The Gasthaus Hexenhut wasn't one of your modern computerized chains. Hoffman had written the bills himself. I had studied the stained envelope till my eyes ached; the spiky angular handwriting was as familiar as my own.

There had been six of us at the hotel that week—myself and five others. In the past few days, I had heard from two of the five. Tony had gotten a sudden urge to visit me, and Dieter had shown up in my office with a plastic snake. Perhaps the answer to John's casual question was more complex—and more ego-deflating—than I had realized. Perhaps I was not the only one to have received a photograph of the Trojan gold.

Hoffman had spent more time with me, but he knew the others and their credentials. We had all registered under the names of the institutions we represented. It wasn't too unusual for Tony to pay me a visit. It wasn't unlikely that Dieter should drop in. But that made two out of five, and unless I was getting paranoid (which was quite possible) a third member of the group might also be in Munich. I had not known Jan well, and I hadn't noticed his resemblance to the man in the painting by Van der Weyden, probably because of Jan's hair,
which was so conspicuously gorgeous, it drew the eye away from his other features. (The principle is well known to experts in disguise, I am told.) I had not seen the hair of the man Gerda had pointed out, only his spare, unadorned profile. If it wasn't Jan Perlmutter, it was Jan's twin brother.

I was sitting there pondering the meaning of it all and wondering what I was going to do about it when the doorbell rang. The sound split the stillness of the room like a scream; I jumped and Caesar bounded to his feet howling like the hound of the Baskervilles as he plunged toward the front door. A crash from the hall marked his progress; it also marked the demise of my favorite Chinese vase.

I kept the chain in place when I opened the door. It had stopped snowing and the wind was rising. Schmidt's mustache flapped wildly in the breeze.

“
Abend
,” he said brightly.

“What are you doing here at this hour?”

“It is only ten o'clock. You have not gone to bed.”

“I was just about to.”

Schmidt stamped his feet and hugged himself, pantomiming incipient freezing to death. “Let me in.”

“By the hair of your chinny chin chin,” I muttered. “Oh, hell. Come in.”

Schmidt led the way to the living room, shedding his hat, coat, scarf, and gloves as he went. I picked up the coat, hat, scarf, and one of the gloves, and pried the other one out of Caesar's mouth.

Already comfortably settled on the couch, Schmidt awaited my attentions. “Coffee?” he said in contemptuous disbelief, indicating the pot.

“What did you expect, Napoleon brandy?”

“Yes, thank you,” said Schmidt.

“No brandy, Schmidt.”

“Beer, then.”

“No beer. You are not spending the night and I am not going to drive you home and you are not leaving my house in a state of vulgar inebriation.”