Tram 83 (2 page)

1.

IN THE BEGINNING WAS THE STONE, AND THE STONE PROMPTED OWNERSHIP, AND OWNERSHIP A RUSH, AND THE RUSH BROUGHT AN INFLUX OF MEN OF DIVERSE APPEARANCE WHO BUILT RAILROADS THROUGH THE ROCK, FORGED A LIFE OF PALM WINE, AND DEVISED A SYSTEM, A MIXTURE OF MINING AND TRADING
.

Northern Station. Friday. Around seven or nine in the evening.

“Patience, friend, you know full well our trains have lost all sense of time.”

The Northern Station was going to the dogs. It was essentially an unfinished metal structure, gutted by artillery, train tracks, and locomotives that called to mind the railroad built by Stanley, cassava fields, cut-rate hotels, greasy spoons, bordellos, Pentecostal churches, bakeries, and noise engineered by men of all generations and nationalities combined. It was the only place on earth you could hang yourself, defecate, blaspheme, fall into infatuation, and thieve without regard to prying eyes. Indeed, an air of connivance hung ever about the place. Jackals don't eat jackals. They pounce
on the turkeys and partridges, and devour them. According to the fickle but ever-recurring legend, the seeds of all resistance movements, all wars of liberation, sprouted at the station, between two locomotives. And as if that weren't enough, the same legend claims that the building of the railroad resulted in numerous deaths attributed to tropical diseases, technical blunders, the poor working conditions imposed by the colonial authorities — in short, all the usual clichés.

Northern Station. Friday. Around seven or nine.

He'd been there nearly three hours, jostling with the passers-by as he waited for the train to arrive. Lucien had been at pains to insist on the sense of time, and on these trains that broke all records of derailment, delay, and overcrowding. Requiem had better things to do than wait for this individual who, with the passing of the years, had lost all importance in his eyes. Ever since he'd turned his back on Marxism, Requiem called everyone who deprived him of his freedom of thought and action armchair communists and slum ideologues. He had merchandise to deliver, his life depended on it. But the train carrying that son of a bitch Lucien was dragging its wheels.

Northern Station. Friday. Around …

“Would you care for some company, sir?”

A girl, dressed for a Friday night in a station whose metal structure is unfinished, had come up to him. A moment to size up the merchandise, a dull thud, a racket that marked the entrance of the beast.

“Do you have the time, citizen?”

He had adequately assayed the chick and even imagined her lying on her mean little bed, despite the half-light. He pulled her body against his, asked her name, “Call me Requiem,” stroked his fingers across the young creature's breasts, then another line: “Your thighs have the allure of a vodka bottle …” before disappearing into the murky gloom of the slimy, sticky crowd.

Instructions were required. To designate a place they could chat without distraction. The young woman grew pushy. He sighed, bit his lip, and sputtered: “Meet you at Tram 83.” Quite pointless, of course, for he had to take that Lucien home. Requiem shook his head at the very idea. And then there was the merchandise to be delivered to the tourists freshly arrived from Eastern Europe. Meanwhile, the racket had increased tenfold. The curse of these trains that arrived at this time of night was that they carried all the scum, be they students or mineworkers, who couldn't get back to town under their own steam. For reasons still unknown, the railroad cut the only university in the region in two. Afternoon classes were disrupted not by the ruckus of the engine but by students gathering their things and leaving the premises, because if you missed those trains, you'd piss your pants, dear intellectual. The few professors who crashed in the suburbs of the City-State slipped their moorings along with their disciples. The survival instinct can't be learned. It's innate. Otherwise they'd have introduced instinct classes at university already. The trains passed without stopping, which meant the swiftest students had to grab ahold of the beat up railcars. All's fair in love and war! In stark contrast to these impulsive students with their sense of entitlement were the brutish diggers, who departed and returned
on the same contraptions. The former reproached the latter for selling short their dignity to the mining operators and brokers of diverse origin. The latter couldn't care less, displaying, through their rotten luck and bodies stiffened with radioactivity, that you needn't spend time in the classroom to fuck and then clink glasses of ice-cool beer after. Some students even scratched out a living in the mines to pay their debts.

Requiem began to search for the needle in the haystack. The scrawny students, overwhelmed by the goings-on, and angry too, brandished theories like spoils of war. The miner-diggers, or digger-miners, it depends, voiced imprecations we shall refrain from expressing. Every evening, the same opera. They eyed each other up, balked, traded insults, and even came to blows. A legend suggested the figure of one thousand seven hundred dead in the most recent clashes, without counting suffocations and other serious injuries.

Weary from the noise, and the alcohol he'd just consumed, Requiem leaned against a pillar, waiting for them to vacate the field. They loitered on the platforms till late into the night: the students with their strike, the miner-diggers with their stinking rusty breath.

“I'm a free woman, but I'm still looking for the man of my dreams.”

He was already thinking of the silicone breasts of the girl waiting for him at Tram 83. But after so many years apart, how could he abandon Lucien and slip into the folds of the night with that doll? The students and the diggers of mines were still squaring off. As the flurry of insults reached its peak, they headed off on the same road to nowhere. Requiem sensed a presence. He raised
his eyebrows: Lucien, in the flesh but skeletal. Requiem stepped forward. He realized that his friend had lost all his weight. That an era was on the wane. That a civilization was champing at the bit. Lucien was dressed all in black, the harmony broken only by a red scarf, the wad of papers under his arm, and an imitation-leather bag, worn thin, slung over his shoulder. Tousled hair. Crumpled face. Mustache intact. Cold gaze. Hoarse voice. They embraced without much enthusiasm.

“The bastards, don't tell me they've mangled your brains.”

“What's your news?”

“What about Jacqueline?”

“Long story.”

“How did you get out?”

“I'll tell you.”

“The bastards, the bastards, they …”

“Shall we go?”

“Yes,” replied Requiem, coldly, no doubt haunted by the girl dressed for a Friday night in a station whose metal structure is unfinished, where dissident sex-starved rebels, students, and diggers head off on the same road.

“I'm a really sensitive girl.”

Two fat tears slid down the face of the man who'd arrived by train in this station whose metal structure … In silence, they crossed the concourse and the other fragments of the station, where neglected single-mamas roamed, along with professors selling their lecture notes, intellectuals reeking of salted fish, and Cuban musicians performing salsa, flamenco, and merengue for no reason at all.

2.

FIRST NIGHT AT TRAM 83: NIGHT OF DEBAUCHERY, NIGHT OF BOOZING, NIGHT OF BEGGARY, NIGHT OF PREMATURE EJACULATION, NIGHT OF SYPHILIS AND OTHER SEXUALLY TRANSMITTED DISEASES, NIGHT OF PROSTITUTION, NIGHT OF GETTING BY, NIGHT OF DANCING AND DANCING, NIGHT THAT ENGENDERS THINGS THAT EXIST ONLY BETWEEN AN EXCESS OF BEER AND THE INTENTION TO EMPTY ONE'S POCKET THAT EXHALES CONFLICT MINERALS, THIS COW-DUNG ELEVATED TO A RAW MATERIAL, IN THE BEGINNING WAS THE STONE …

“We walked through the darkness of history. We were the cash cows of a system of thought that profited from our tender age, that crushed us completely. We were a piece of shit.”

“We had an ideal, innocence …”

“Innocence,” echoed Requiem, bursting into laughter. “You really mean innocence? Innocence is cowardice. You have to move with the times, brother.”

“You haven't changed a bit.”

“You don't age here. You simply exist.”

“Requiem …”

“It's New Mexico, here. Every man for himself, and shit for all.”

Tram 83 was one of the most popular restaurants and hooker bars, its renown stretching beyond the City-State's borders. “See Tram 83 and die,” was the regular refrain of the tourists who blew into town from the four corners of the globe to conduct their business. During the day they wandered zombie-like through the mining concessions they owned by the dozen, and at night they ended up in Tram 83 to refresh their memory. This gave the place every appearance of a true theater, if not a massive circus. Here's the kind of thing you might hear as background noise:

“I want to massage you by way of foreplay, then slowly suck you off, suck your whole body, suck you till my mouth runs dry.”

Not only at Tram 83, but even at the university and in the mines, unmarried women didn't hold back from accosting potential clients with the same psalms.

Inadvertent musicians and elderly prostitutes and prestidigitators and Pentecostal preachers and students resembling mechanics and doctors conducting diagnoses in nightclubs and young journalists already retired and transvestites and second-foot shoe peddlers and porn film fans and highwaymen and pimps and disbarred lawyers and casual laborers and former transsexuals and polka dancers and pirates of the high seas and seekers of political asylum and organized fraudsters and archeologists and would-be bounty hunters and modern day adventurers and explorers searching for a lost civilization and human organ dealers and farmyard philosophers and hawkers of fresh water and hairdressers and shoeshine boys and repairers of spare parts and soldiers' widows and sex maniacs
and lovers of romance novels and dissident rebels and brothers in Christ and druids and shamans and aphrodisiac vendors and scriveners and purveyors of real fake passports and gun-runners and porters and bric-a-brac traders and mining prospectors short on liquid assets and Siamese twins and Mamelukes and carjackers and colonial infantrymen and haruspices and counterfeiters and rape-starved soldiers and drinkers of adulterated milk and self-taught bakers and marabouts and mercenaries claiming to be one of Bob Denard's crew and inveterate alcoholics and diggers and militiamen proclaiming themselves “masters of the world” and poseur politicians and child soldiers and Peace Corps activists gamely tackling a thousand nightmarish railroad construction projects or small-scale copper or manganese mining operations and baby-chicks and drug dealers and busgirls and pizza delivery guys and growth hormone merchants, all sorts of tribes overran Tram 83, in search of good times on the cheap.

“Would you gentlemen care for some company?”

Barely sixteen, trussed into a couple of tiny corsets, the two girls welcomed them with inscrutable smiles. Requiem settled on the one with hair like wooded savannah.

“Your breasts quench my thirst.”

“Sir.”

“How much for a massage session?”

The girl stated a figure.

“You know the Tokyo stock market is in freefall?”

She held him by the wrists.

“Profit equals retail price plus wholesale price minus packaging.”

A large sign on the Tram's frontage stated:

ENTRY INADVISABLE FOR THE POOR, THE WRETCHED, THE UNCIRCUMCISED, HISTORIANS, ARCHAEOLOGISTS, COWARDS, PSYCHOLOGISTS, CHEAPSKATES, MORONS, THE INSOLVENT, AND ALL OF YOU UNLUCKY ENOUGH TO BE UNDER FOURTEEN, NOT FORGETTING THE ELECTED MEMBERS OF THE TWELFTH HOUSE, PENNILESS DIGGERS, SADISTIC STUDENTS, POLITICIANS OF THE SECOND REPUBLIC, HISTORIANS, KNOW-IT-ALLS, AND SNITCHES. Requiem took the girl's phone number. They entered the establishment. There was nothing special about Tram 83. It was dark all around, like the Lascaux Caves. Men. Women. Children. All with glasses and smokes. At the back, a combo was shamelessly massacring a Coltrane number, “Summertime,” no doubt. They headed toward the bar. Two girls with massive-melon-breasts immediately followed them; it's called “shadowing
.”

“Do you have the time?”

Nothing. Requiem's eyes patrolled the brassieres. One of them was the girl who'd accosted him at the station whose metal structure …

“Do you have the time?” hammered the single-mamas, stern and resolute.

It was a mammoth task to identify all the women who entered Tram 83. They struggled fiercely against aging. Difficult to venture a distinction between the girls under sixteen, called baby-chicks, the single-mamas or those aged between twenty and forty and referred to as single-mamas even when they don't have children, and the ageless-women whose fixed age begins at forty-one. None of them wanted to gain a single day. They piled on the makeup from morning till night, wore fake breasts, employed strong-arm
tactics to entice the clients, and used foreign-sounding names, such as Marilyn Monroe, Sylvie Vartan, Romy Schneider, Bessie Smith, Marlene Dietrich, or Simone de Beauvoir, to make their mark on the world.

“Go check your papa's watch!” Requiem retorted.

They took the third table on the left, at the corner of the bar, which afforded an unbeatable view over the front doors and the jazzmen continuing to prostitute music and the restrooms and the bar counter and a row of antipathetic, aggressive, and somewhat mature single-mamas. In his moments of madness, Requiem would tell anyone who'd listen that in order to monitor the comings and goings, and the baptism albums, it was preferable to choose a table affording a panorama of the aforementioned areas, to recap: the bar counter, the sanitary facilities, the lone women, the front doors, the musicians, even when they rushed into the dressing rooms to smoke their marijuana, the waitresses, the busgirls, and so on. They remained for several minutes without speaking to each other. It was a feat of courage to attempt a dialogue amid this pandemonium created by a deviant music and the yelling of the tourists and other upstarts who identified with the atmosphere, waxing ecstatic, grooving, whispering, howling, and pulling out money they threw in the direction of the musicians. “Give me a real cuddle.” “Do you have the time?” “I give you my body, chain me up, make me your slave, your property, your private hunting ground.” All of which fueled the fervor of the band, and consequently the lynching of that beautiful melody. In the labyrinths of the City-State, you don't listen to jazz to get a whiff of sugar cane or reconnect with Negro consciousness or savor the beauty of the notes: you listen
to jazz because you have to listen jazz when you make your bed on banknotes, when you deliver your merchandise daily, when you manage an extraction plant, when you're cousin to the dissident General, when you keep a little mistress who pins you to your bed in a dizzy haze. Jazz is a sign of nobility, it's the music of the rich and the newly rich, of those who build this beautiful broken world. Such people don't listen to rumba, which they find dirty, primitive, and unfit for the ear. Between rumba and jazz lies an ocean, they say. You don't listen to jazz the way you'd fling yourself into a Zairian-spiced rumba. Jazz is above all a precipitous slope, a cliff you can only climb if you possess a notion of its origins, its development, its major figures. Jazz is no longer the story of the Negroes. Only tourists and those who master money know the foundations of this music. It's the only identification for a certain bourgeoisie, the bourgeoisie of the eleventh hour. Consequently, when the musicians get jazzing, all of Tram 83 stirs from its sleeping sickness. The slightest saxophone, and it's the great masquerade. The diggers and the students adopt the manner of the tourists. They watch, smile, raise their beer glasses, walk, blaze a trail to the dance floor, hail the waitresses and busgirls in the manner of the tourists, take on the haughty bearing of samurai, the gestures and attitudes of a Maharaja, the poise of the Dalai Lama. The honeys, the waitresses, and the busgirls don't let themselves be browbeaten. Smiles like the Queen of England, they mime imaginary empresses. Jazz is the only lever used by all the riffraff of Tram 83 to switch social class as one would subway cars.