Tipping the Velvet (6 page)

But if I was complacent, I was also dissatisfied. I had seen beyond the powder and the strut; it was terribly hard to have to sit with common audiences as she sang, and have no more of her than they. I burned to visit her again - yet also feared to. She had invited me, but she hadn't named a time; and I, in those days, was terribly anxious and shy. So though I went as often as I was able to my box at the Palace, and watched and applauded her as she sang, and received those secret looks and tokens, it was a full week before I made my way again back stage, and presented myself, all pale, sweating and uncertain, at her dressing-room door.

But when I did so, she received me with such kindness, and chided me so sincerely for having left her unvisited so long; and we fell again to chatting so easily about her life in the theatre, and mine as an oyster-girl in Whitstable, that all my old qualms quite left me. Persuaded at last that she liked me, I visited her again - and then again, and again. I went nowhere else that month but to the Palace; saw no one else - not Freddy, not my cousins, not even Alice, hardly - but her. Mother had begun to frown about it; but when I went home and said that I had gone back stage at Miss Butler's invitation, and been treated by her like a friend, she was impressed. I worked harder than ever at my kitchen duties; I filleted fish, washed potatoes, chopped parsley, thrust crabs and lobsters into pans of steaming water - and all so briskly I barely had breath for a song to cover their shrieks with. Alice would say rather sullenly that my mania for a certain person at the Palace made me dull; but I didn't speak to Alice much these days. Now every working day ended, for me, with a lightning change, and a hasty supper, and a run to the station for the Canterbury train; and every trip to Canterbury ended in Kitty Butler's dressing-room. I spent more time in her company than I did watching her perform upon the stage, and saw her more often without her make-up, and her suit, and her footlight manner, than with them.

For the friendlier we grew the freer she became, and the more confiding.

‘You must call me “Kitty”,' she said early on, ‘and I shall call you - what? Not “Nancy”, for that is what everyone calls you. What do they call you at home? “Nance”, is it? Or “Nan”?

“‘Nance”,' I said.

‘Then I shall call you “Nan” - if I might?' If she might! I nodded and smiled like an idiot: for the thrill of being addressed by her I would gladly have lost all of my old name, and taken a new one, or gone nameless entirely.

So presently it was ‘Well, Nan ... !' this, and ‘Lord, Nan ... !' that; and, increasingly, it was ‘Be a love, Nan, and fetch me my stockings ...' She was still too shy to change her clothes before me, but one night when I arrived I found that she had had a little folding screen set up, and ever afterwards she used to step behind it while we talked, and hand me articles of her suit as she undressed, and have me pass her the pieces of her ladies' costume from the hook that she had hung them on before the show. I adored being able to serve her like this. I would brush and fold her suit with trembling fingers, and secretly press its various materials - the starched linen of the shirt, the silk of the waistcoat and the stockings, the wool of the jacket and trousers - to my cheek. Each item came to me warm from her body, and with its own particular scent; each seemed charged with a strange kind of power, and tingled or glowed (or so I imagined) beneath my hand.

Her petticoats and dresses were cold and did not tingle; but I still blushed to handle them, for I couldn't help but think of all the soft and secret places they would soon enclose, or brush against, or warm and make moist, once she had donned them. Every time she stepped from behind the screen, clad as a girl, small and slim and shapely, a false plait smothering the lovely, ragged edges of her crop, I had the same sensation: a pang of disappointment and regret that turned instantly to pleasure and to aching love; a desire to touch, to embrace and caress, so strong I had to turn aside or fold my arms for fear that they would fly about her and press her close.

At length I grew so handy with her costumes she suggested that I visit her before she went on stage, to help her ready herself for her act, like a proper dresser. She said it with a kind of studied carelessness, as if half-fearful that I might not wish to; she could not have known, I suppose, how dreary the hours were to me, that I must pass away from her ... Soon I never stepped into the auditorium at all, but headed, every night, back stage, a half-hour before she was due before the footlights, to help her re-don the shirt and waistcoat and trousers that I had taken from her the night before; to hold the powder-box while she dusted out her freckles, to dampen the brushes with which she smoothed out the curl in her hair, to fasten the rose to her lapel.

The first time I did all this I walked with her to the stage afterwards, and stood in the wing while she went through her set, gazing in wonder at the limes-men who strode, nimble as acrobats, across the battens in the fly-gallery; seeing nothing of the hall, nothing of the stage except a stretch of dusty board with a boy at the other end of it, his arm upon the handle that turned the rope that brought the curtain down. She had been nervous, as all performers are, and her nervousness had infected me; but when she stepped into the wing at the end of her final number, pursued by stamping, by shouts and ‘Hurrahs!', she was flushed and gay and triumphant. To tell the truth, I did not quite like her then. She seized my arm, but didn't see me. She was like a woman in the grip of a drug, or in the first flush of an embrace, and I felt a fool to be at her side, so still and sober, and jealous of the crowd that was her lover.

After that, I passed the twenty minutes or so that she was gone each night alone, in her room, listening to the beat of her songs through the ceiling and walls, happier to hear the cheers of the audience from a distance. I would make tea for her - she liked it brewed in the pan with condensed milk, dark as a walnut and thick as syrup; I knew by the changing tempos of her set just when to set the kettle on the hearth, so the cup would be ready for her return. While the tea simmered I would wipe her little table, and empty her ashtrays, and dust down the glass; I would tidy the cracked and faded old cigar-box in which she kept her sticks of grease-paint. They were acts of love, these humble little ministrations, and of pleasure - even, perhaps, of a kind of
self
-pleasure, for it made me feel strange and hot and almost shameful to perform them. While she was being ravished by the admiration of the crowd, I would pace her dressing-room and gaze at her possessions, or caress them, or
almost
caress them - holding my fingers an inch away from them, as if they had an aura, as well as a surface, that might be stroked. I loved everything that she left behind her - her petticoats and her perfumes, and the pearls that she clipped to the lobes of her ears; but also the hairs on her combs, the eyelashes that clung to her sticks of spit-black, even the dent of her fingers and lips on her cigarette-ends. The world, to me, seemed utterly transformed since Kitty Butler had stepped into it. It had been ordinary before she came; now it was full of queer electric spaces, that she left ringing with music or glowing with light.

By the time she returned to her dressing-room I would have everything tidy and still. Her tea, as I have said, would be ready; sometimes, too, I would have a cigarette lit for her. She would have lost her fierce, distracted look, and be simply merry and kind. ‘What a crowd!' she'd say. ‘They wouldn't let me leave!' Or, ‘A slow one tonight, Nan; I believe I was half-way through “Good Cheer, Boys, Good Cheer” before they realised I was a girl!'

She would unclip her necktie and hang up her jacket and hat, then she would sip her tea and smoke her fag and - since performing made her garrulous - she would talk to me, and I would listen, hard. And so I learned a little of her history.

She had been born, she said, in Rochester, to a family of entertainers. Her mother (she did not mention a father) had died while she was still quite a baby, and she had been raised by her grandmother; she had no brothers, no sisters, and no cousins that she could recall. She had taken her first bows before the footlights at the age of twelve, as ‘Kate Straw, the Little Singing Wonder', and had known a bit of success in penny-gaffs and public-houses, and the smaller kinds of halls and theatres. But it was a miserable sort of life, she said - ‘and soon I wasn't even little any more. Every time a place came up there was a crush of girls queuing for it at the stage door, all just the same as me, or prettier, or perter - or hungrier, and so more willing to kiss the chairman for the promise of a season's work, or a week's, or even a night's.' Her grandmother had died; she had joined a dancing troupe and toured the seaside towns of Kent and the South Coast, doing end-of-pier shows three times a night. She frowned when she spoke about these times, and her voice was bitter, or weary; she would place a hand beneath her chin, and rest her head upon it, and close her eyes.

‘Oh, it was hard,' she'd say, ‘so hard ... And you never made a friend, because you were never in one place long enough. And all the stars thought themselves too grand to talk to you, or were afraid you would copy their routines. And the crowds were cruel, and made you cry ...' The thought of Kitty weeping brought the tears to my own eyes; and seeing me so affected, she'd give a smile, and a wink, and a stretch, and say in her best swell accent: ‘But those days are all behind me now, don't you know, and I am on the path to fame and fortune. Since I changed my name and became a masher the whole world loves me; and Tricky Reeves loves me most of all, and pays me like a prince, to prove it!' And then we would smile together, because we both knew that if she really were a masher Tricky's wages would barely keep her in champagne; but my smile would be a little troubled for I knew, too, that her contract was due to expire at the end of August, and then she would have to move to another theatre - to Margate, perhaps, she said, or Broadstairs, if they would have her. I couldn't bear to think what I would do when she was gone.

 

What my family made of my trips backstage, my marvellous new status as Miss Butler's pal and unofficial dresser, I am not sure. They were, as I have said, impressed; but they were also troubled. It was reassuring for them that it was a real friendship, and not just a schoolgirl mash, that had me travelling so often to the Palace, and spending all my savings on the train fare; and yet, I thought I heard them ask themselves, what manner of friendship could there be between a handsome, clever music-hall artiste, and the girl in the crowd that admired her? When I said that Kitty had no young man (for I had found this out, early on, amongst the pieces of her history) Davy said that I should bring her home, and introduce her to my handsome brother - though he only said it when Rhoda was near, to tease her. When I spoke of brewing her pans of tea and tidying her table, Mother narrowed her eyes: ‘She's doing all right out of you by the sound of it. It's a little more help with the tea and the tables we could do with, from you, home here ...'

It was true, I suppose, that I rather neglected my duties in the house for the sake of my trips to the Palace. They fell to my sister, though she rarely complained about it. I believe my parents thought her generous, allowing me my freedom at her own expense. The truth was, I think, that she was squeamish of mentioning Kitty now - and by that alone I knew that it was she, more than any of them, who was uneasy. I had said nothing more to her about my passion. I had said nothing of my new, strange, hot desire to anyone. But she saw me, of course, as I lay in my bed; and, as anyone will tell you who has been secretly in love, it is in bed that you do your dreaming - in bed, in the darkness, where you cannot see your own cheeks pink, that you ease back the mantle of restraint that keeps your passion dimmed throughout the day, and let it glow a little.

How Kitty would have blushed, to know the part she played in my fierce dreamings - to know how shamelessly I took my memories of her, and turned them to my own improper advantage ! Each night at the Palace she kissed me farewell; in my dreams her lips stayed at my cheek - were hot, were tender - moved to my brow, my ear, my throat, my mouth .. I was used to standing close to her, to fasten her collar-studs or brush her lapels; now, in my reveries, I did what I longed to do then - I leaned to place my lips upon the edges of her hair; I slid my hands beneath her coat, to where her breasts pressed warm against her stiff gent's shirt and rose to meet my strokings ...

And all this - which left me thick with bafflement and pleasure - with my sister at my side! All this with Alice's breath upon my cheek, or her hot limbs pressed against mine; or with her eyes shining cold and dull, with starlight and suspicion.

But she said nothing; she asked me nothing; and to the rest of the family, at least, my continuing friendship with Kitty became in time a source not of wonder, but of pride. ‘Have you been to the Palace at Canterbury?' I would hear Father say to customers as he took their plates. ‘Our youngest girl is very thick with Kitty Butler, the star of the show ...' By the end of August, when the oyster season had started again and we were back in the shop full-time, they began to press me to bring Kitty home with me, that they might meet her for themselves.

‘You are always saying as how she is your pal,' said Father one morning at breakfast. ‘And besides - what a crime it would be for her to come so near to Whitstable, and never taste a proper oyster-tea. You bring her over here, before she goes.' The idea of asking Kitty to sup with my family seemed a horrible one; and because my father spoke so carelessly about the fact that she would soon have left for a new hall, I made him a stinging reply. A little later Mother took me aside. Was my father's house not good enough for Miss Butler, she said, that I couldn't invite her here? Was I ashamed of my parents, and my parents' trade? Her words made me gloomy; I was quiet and sad with Kitty that night, and when after the show she asked me why, I bit my lip.