Time Done Been Won't Be No More (5 page)

He leaned and spat the mess onto his plate and rose. Beneath his T-shirt the outlined gun was plainly visible. He looked about the room. Their switchblade eyes flickered away. He stood for an awkward moment surveying them as if he might address the room. Then he put too much money on the table and crossed the enormity of the tile floor and went out the door into the trembling dusk.

So here he was again, The Jeepster back at the same old stand. On his first attempt he'd almost made it to the chapel where she lay in state before a restraining hand fell on his shoulder, but this time they were prepared. Two uniformed deputies unfolded themselves from their chairs and approached him one on either side. They turned him gently, one with an arm about his shoulders.

Leonard, he said. It's time to go outside. Go on home now. You can't come in here.

The deputy was keeping his voice down but the father had been waiting for just this visitor. The father in his khakis rose up like some sentry posted to keep the living from crossing the border into the paler world beyond. A chair fell behind him. He had to be restrained by his brothers in arms, the sorriest and saddest of spectacles. He voice was a rusty croak. Crying accusations of ruin and defilement and loss. All true. He called curses down upon The Jeepster, proclaiming his utter worthlessness, asking, no, demanding, that God's lightning burn him incandescent in his very footsteps.

As if superstitious, or at any rate cautious, the cops released him and stepped one step away. One of them opened the door and held it. Doors were always opening, doors were always closing. The Jeepster went numbly through this opening into the hot volatile night and this door fell to behind him like a thunderclap.

In these latter days The Jeepster had discovered an affinity for the night side of human nature. Places where horrific events had happened drew him with a gently perverse gravity. These desecrated places of murder and suicide had the almost-nostalgic tug of his childhood home. The faces of the perpetrators looked vaguely familiar, like long-lost kin he could but barely remember. These were places where the things that had happened were so terrible that they had imprinted themselves onto an atmosphere that still trembled faintly with the unspeakable.

The rutted road wound down and down. Other roads branched off this one and others yet, like capillaries bleeding off civilization into the wilderness, and finally he was deep in the harrikin.

Enormous trees rampant with summer greenery reared out of the night and loomed upon the windshield and slipstreamed away. All day the air had been hot and humid and to the west a storm was forming. Soundless lightning flickered the horizon to a fierce rose, then trembled and vanished. The headlights froze a deer at the height of its arc over a strand of barbed wire like a holographic deer imaged out of The Jeepster's mind or the free-floating ectoplasm of the night.

He parked before the dark build of a ruined farmhouse. Such windows as remained refracted the staccato lightning. Attendant outbuildings stood like hesitant, tree-shadowed familiars.

He got out. There was the sound of water running somewhere. Off in the darkness fireflies arced like sparks thrown off by the heat. He had a liter of vodka in one hand and a quart of orange juice in the other. He drank and then sat for a time on a crumbling stone wall and studied the house. He had a momentary thought for copperheads in the rocks but he figured whatever ran in his veins was deadlier than any venom and any snake that bit him would do so at its peril. He listened to the brook muttering to itself. Night birds called from the bowered darkness of summer trees. He drank again and past the gleaming ellipse of the upraised bottle the sky bloomed with the bloodred fire and after a moment thunder rumbled like voices in a dream and a wind was at the trees.

He set aside the orange juice and went back to the SUV and took a flashlight from the glove box. Its beam showed him a fallen barn, wind-writhed trees, the stone springhouse. Beneath the springhouse a stream trilled away over tumbled rocks and vanished at the edge of the flashlight's beam. You had to stoop to enter the stone door, it was a door for gnomes or little folk. The interior had the profound stillness of a cathedral, the waiting silence of a church where you'd go to pray.

This was where they'd found the farmer after he'd turned the gun on himself. Why here? What had he thought about while he'd waited for the courage to eat the barrel of the shotgun? The Jeepster turned involuntarily and spat. There was a cold metallic taste of oil in his mouth.

Light slid around the walls. Leached plaster, water beading and dripping on the concrete, the air damp and fetid. A black-spotted salamander crouched on its delicate toy feet and watched him with eyes like bits of obsidian. Its leathery orange skin looked alien to this world.

Against the far wall stood a crypt shaped stone spring box adorned with curling moss like coarse, virid maidenhair. He trailed a hand in the icy water. In years long past, here was where they'd kept their jugged milk. Their butter. He'd have bet there was milk and butter cooling here the day it all went down. When the farmer walked in on his wife and brother in bed together. The Jeepster could see it. Overalls hung carefully on a bedpost. Worn gingham dress folded just so. Did he kill them then or watch awhile? But The Jeepster knew, he was in the zone. He killed them then. And lastly himself, a story in itself.

When The Jeepster came back out, the storm was closer and the thunder constant and the leaves of the clashing trees ran like quicksilver. He drank from the vodka and climbed high steep steps to the farmhouse porch and crossed it and hesitated before the open front door. The wind stirred drifted leaves of winters past. The oblong darkness of the doorway seemed less an absence of light than a tangible object, a smooth glass rectangle so solid you could lay a hand on it. Yet he passed through it into the house. There was a floral scent of ancient funerals. The moving light showed him dangling sheaves of paper collapsed from the ceiling, wallpaper of dead faded roses. A curled and petrified work shoe like a piece of proletarian sculpture.

The revenants had eased up now to show The Jeepster about. A spectral hand to the elbow, solicitously guiding him to the bedroom. Hinges grated metal on metal. A hand, pointing. There. Do you see? He nodded. The ruined bed, the hasty, tangled covers, the shot-riddled headboard. Turning him, the hand again pointing. There. Do you see? Yes, he said. The empty window opening on nothing save darkness. The Jeepster imagined he made scramble over the sill and out the window, the naked man fleeing toward the hollow, pistoned legs pumping, buckshot shrieking after him like angry bees, feets don't fail me now.

The Jeepster clicked out the light. He thought of the bloodstained upholstery strewn with pebbled glass and it did not seem enough. Nothing seemed enough. He stood for a time in the darkness, gathering strength from these lost souls for what he had to do.

He lay in the backseat of the SUV and tried to sleep. Rain pounded on the roof, wind-shipped rain rendered the glass opaque and everything beyond these windows a matter of conjecture. The vodka slept on his chest like a stuffed bear from childhood. It hadn't worked anyway, it might as well have been tap water. Things would not leave him alone, old unheeded voices plagued his ears. Brightly colored images tumbled through his mind. An enormous, stained-glass serpent had shattered inside him and was moving around blindly reassembling itself.

He'd concentrate on more pleasant times, his senior year in high school. He saw his leaping body turning in the air, the football impossibly caught as if by legerdemain, he heard the crowd calling his name. But a scant few years later he was seated alone in the empty stands with a bottle between his feet. A winter wind blew scraps of paper turned paper cups against the frozen ground and the lush green playing field had turned brittle and bare. He wondered if there was a connection between these two images and, further, what that connection might be.

A picture of himself and Aimee the first time, try to hold onto this one, fooling around on her bed. Her giggling against his chest. A new urgency in her lips and tongue. Leonard, quit. Quit. Oh quit. Oh. Then he was inside her and her gasp was muffled by applause from the living room and her father chuckling at the Letterman show. Other nights, other beds. The Jeepster and Aimee shared a joint history, tangled and inseparable, like two trees that have grown together, a single trunk faulted at the heart.

Drink this, smoke this, takes these. Hell, take his money, you won't even remember it in the morning. You'll never see him again. Ruin, defilement, loss. One pill makes you larger, one pill makes you small, one pill puts you on the road to Clifton with a Ford truck riding your bumper.

For here's what happened, or what happened on the surface, here's what imprinted itself on the very ether and went everywhere at once, the news the summer wind whispered in The Jeepster's sleeping ear.

The truck pulled up on Aimee past Centre, Escue blew the truck horn, pounded on the steering wheel. She rolled down the glass and gave him the finger. She sped up. He sped up. She could see his twisted face in the rearview mirror. The round O of his mouth seemed to be screaming soundlessly.

When she parked on the lot before the Quik Mart he pulled in beside her. He was out of the Ford before it quit rocking on its springs. He had a 457 magnum in his hand. As he ran around the hood of his truck she was trying to get out of her car on the passenger's side. Just as he shot out the driver's side window the passenger door on the Plymouth flew open and she half fell onto the pavement. She was on her back with her right elbow on the pavement and a hand to her forehead.

She looked as if she might be raking the hair out of her eyes. He shot her twice in the face. Somebody somewhere began to scream.

Hey. Hey goddamn it.

A man came running out of the Quik Mart with a pistol of his own. His feet went slap slap slap on the pavement. Escue turned and leveled the pistol and fired. The running man dropped to his palms and behind him the plate glass window of the Quik Mart dissolved in a shimmering waterfall.

The man was on his hands and knees feeling about for his dropped weapon when Escue put the barrel of the revolver in his own mouth with the sight hard against his palate and pulled the trigger.

Now The Jeepster opened the door of the SUV and climbed out into the rain. He raised his arms to the windy heavens. All about him turmoil and disorder. Rain came in torrents and the thunder cracked like gunfire and lightning walked among the vibratory trees. His shaven head gleamed like a rain-washed stone. He seemed to be conducting the storm with his upraised arms. He demanded the lightning take him but it would not.

Mouse-quiet and solemn. The Jeepster crossed the rich mauve carpet. Who knows what hour, the clock didn't exist that could measure times like these. This time there were no laws stationed to intercept him and he passed unimpeded into another chamber. Soft, indirect lighting fell on purple velvet curtains tied back with golden rope. He moved like an agent provocateur through the profoundest of silences.

The chamber was furnished with a steel gray casket, wherein an old man with a caved face and a great blade of a nose lay in state. Two middle-aged female mourners sat in folding chairs and watched The Jeepster's passage with fearful, tremulous eyes.

He parted another set of purple curtains. Here the room was empty save for a pale pink casket resting on a catafalque. He crossed the room and stood before it. Water dripped from his clothing onto the carpet. A fan whirred somewhere.

After a while he knew someone was standing behind him. He'd heard no footsteps but he turned to face an old man in worn, dusty black hunched in the back like a vulture, maroon tie at his throat. His then hair was worn long on the side and combed over his bald pate. The Jeepster could smell his brilliantined hair, the talcum that paled his checks.

The Jeepster could tell the old man wanted to order him to leave but was afraid to. The old man didn't want to be here. He wanted to be ten thousand miles away, in some world so far away even the constellations were unknowable and the language some unintelligible gobbledygook no human ear could decipher. He wished he'd retired yesterday.

For The Jeepster looked bad. He was waterlogged and crazed and the pistol was outside his shirt now and his eyes were just the smoking black holes you'd burn in flesh with a red-hot poker.

He laid a hand on the pink metal casket. Above where the face might be he thought he could detect a faint, humming vibration.

I can't see her, The Jeepster said.

The undertaker cleared his throat. It sounded loud after the utter silence. No, he said. She was injured severely in the face. It's a closed-casket service.

The Jeepster realized he was on the tilted edge of things, where the footing was bad and his grip tenuous at best. He felt the frayed mooring lines that held him part silently and tail away into the dark and he felt a sickening lurch in his very being. There are some places you can't come back from.

He took the pistol out of his waistband. No it's not, he said.

When the three deputies came they came down the embankment past the springhouse the scrub brush, parting the undergrowth with their heavy, hand-cut snake sticks, and they were the very embodiment of outrage, the bereft father at their fore goading them forward. Righteous anger tricked out in khaki and boots and Sam Browne belts like fate's Gestapo set upon him.

In parodic domesticity he was going up the steps to the abandoned farmhouse with an armful wood to build a fire for morning coffee. He's leaned the girl against the wall, where she took her ease with her ruined face turned to the dripping trees and the dark fall of her hair drawing off the morning light. The deputies crossed the stream and quickened their pace and come on.

The leaning girl, The Jeepster, the approaching law. These scenes had the sere, charred quality of images unspooling from ancient papyrus or the broken figures crazed on shards of stone pottery.