Three Cheers For The Paraclete (6 page)

‘Excuse me,’ said Maitland. ‘It’s time for us to go, I think.’

The haranguing boy said, ‘Certainly, father,’ and vanished.

‘Wanted to deliver you from that fellow,’ Costello explained. ‘Bloody old woman. What was he on about?’

‘Just orating about some of the paintings that gave yourself and Egan trouble.’

‘I’m sick of all this carping, James. You know, every one of these bloody artists, emotional creatures and all as they are, accept the decisions of the other judges as final, but annually the art community drops garbage on little Egan and me from a great height. Why? You’re a wild one, James – now, no blushing.
You
tell me why they can’t see that bad religion can’t be made into good religious art. Where’s Egan?’

Egan was still speaking with his dark lady.

‘See that woman with Maurice?’ Costello asked. ‘Very statuesque. She’s an old client of ours in the marriage courts. I don’t suppose it’s a breach of ethics to tell you that. It’s good to see her looking well. A person gets to know these people very well despite the requisite aloofness. She was in a very poor state by the time her annulment came through.’

‘She seems friendly enough to Egan, even though he must have been the villain in court.’

‘Egan’s a very kind little chap though, very kind. If you didn’t know, you’d think a
defensor vinculi
would be the most hated of men. All the marriages he defends are putrefying on their feet by the time they get to us. But there they are, Egan and the Tully woman, polite to each other. Not that they shouldn’t be polite. It’s only good sense.’

Maitland waited while Costello went to collect Egan. He saw the woman give Costello the curtest of greetings and stand back. As the two canon lawyers came back across the floor, Costello could be heard asking, ‘What’s the matter with her? A man only does his job.’

In the House of Studies, Saturdays were normal working-days. Yet there was always a Saturday feel about the light, a feel of Saturday-morning big spending, of the Saturday bounty of gardens, of the drama of
blossoming premierships and enterprises on the totalizator, all of it subtly transmitted from the town below. So, as Maitland came down to breakfast, the grains of the ether seemed to indict him with being an alien.

Within the refectory, the priests at table appeared to have complaints against him. Not just Nolan and Costello, who held their heads up and stared obliquely as judges; but Egan and three other priests, who had till then treated him with that quaint inadvertence that comes from being too long resident in closed community, watched him from beneath their eyelids. As he said a Grace and sat, Costello sopped his mouth with a napkin and rose.

‘What price solidarity?’ he hissed in Maitland’s ear and placed under Maitland’s nose that morning’s paper, tortured open at the magazine section and folded in two. It was a standard article about the Couraigne prize, salted with precious little headings such as ‘Sacrilegious?’, ‘Fascist?’ and, worse than any, ‘Earn Him Such Hate’. Here were manifestoes by artists who said they’d been misunderstood or worse by Egan and Costello, both of whom were then amply quoted on distasteful art. Finally, Maitland’s statement, spoken to the young man, was set down, and a pernicious sentence began, ‘This, coming from a colleague of Drs Costello and Egan, raises the question of responsibility for the estrangement between established Christianity and the arts. While churchmen squarely blame the arts and the arts squarely blame churchmen, Dr Maitland’s statement is properly self-questioning …’

Costello murmured, ‘
You
would have no idea how hard it is for Maurice and myself on that bloody committee. We’re not utter fools, you know.’ For some reason his hand went out over Maitland’s shoulder and placed a sugar-bowl with precise anger. ‘What I resent
most is the reference to you as a colleague. I will in future consider you as a colleague only when it cannot be avoided.’

Then he began what was intended to be a march with intent, a march that would be a withdrawal of any brother-feeling from Maitland, and would be remembered by the students when the story of Maitland’s treachery became known to them. He took the first step and then almost fell. Maitland’s hand, concealed beneath table level, had him by the skirts of his soutane.

‘Listen to me,’ Maitland told him so loudly that Nolan gave up his bogus enthrallment in the reading and glowered down the table, crooked horns of light from the windows taking the forefront of his head, making of him a prim and institutional Moses. ‘I didn’t know that slimy boy was a journalist. I’m not that much of an utter fool either.’

‘Are you going to let go of me?’ Costello roared.

Nolan, his cheeks blue with reproach, had no choice then but to ring the bell before him and put an end to the reading so that Costello’s high temper could be drowned out by conversation.

‘I’m sorry,’ Maitland said, and handed back the newspaper. ‘But I didn’t know.’

Costello marched out, more or less as planned. He had become very large and even more barrel-chested with anger.

At the top table, Maitland had stood up and was edging behind Nolan’s chair to speak with Egan. The little priest received the explanations at worst judicially and at best sunnily. He said, ‘But you have to be particularly careful with strangers, James. You have no idea of the number of people on and off the panel who consider it fair sport to prey on Dr Costello and me. It worries Dr Costello.’

Yet it didn’t seem to find Dr Egan home at all. Propriety alone seemed to motivate him towards the grave or genial acceptances he kept giving to Maitland’s story. He was impatient for Maitland to finish, and closed the topic with one sentence: ‘Just let me warn you, James. Suspect any stranger who so much as mentions the Couraigne prize to you.’ This said not nearly so urgently as the words themselves demanded.

Then Egan lowered his voice, his eyes wavered in such a way that he could have been a travelling salesman telling about the farmer’s daughter.

‘Did you notice? More letters about the Quinlan book. And a review in the book section. Pity you can’t join the fray.’

‘I wish I could,’ Maitland lied, beginning to see that his friend was an anomalous sort of man. Egan was concerned with blasphemous art and radical opinion in the way that an idle woman is interested in her neighbour’s sins, but honesty and lassitude both kept him from taking the shrew’s overly moral tone. It was possible to believe, comparing Costello’s wrath and Egan’s unsurprise, that Egan was the one who might well be frying bigger fish of unknown and unexpected species.

Maitland kept to the point of his betrayal. ‘I don’t want to offer this as an excuse for being a Judas, but I was in an anti-clerical mood, having just finished an argument with the monsignor.’

Egan’s boyish hand raided a silver dish of marmalade. There was no doubt he was feeling well today.

‘That’s funny,’ he said. ‘You think of yourself as less of a priest than he is, and so you think that a word against the priesthood is a word against him.’ He went out of his way, by grinning, to imply that this reflection was curious, not moral. ‘Don’t let the monsignor give you a sacerdotal inferiority complex.’ He made a
gesture of amplitude with his bread-and-butter knife. ‘It’s everyone’s eternal priesthood,’ he said. ‘You surely can’t have anything more eternal than eternal.’

‘Even the way that man does his hair reminds me of the everlasting hills. Never mind.’

‘You mentioned an argument, James.’

‘Yes. Over my sermon. I’m rostered to preach at the cathedral tomorrow. The president wanted to censor my sermon.’

‘The cheek!’ Egan beat the table with his furled serviette. ‘I’ve never heard of such hide. As if anyone can hear what you say in there anyhow. It’s for all the world like one of those old-fashioned railway terminals. It isn’t exactly Wittenberg Cathedral in 1517, is it?’

‘I hope to heaven not.’

His breakfast eaten, his students’ breakfasts eaten, Nolan remained, not willing to ring the bell, aware that Maitland was at work on explanations and not wanting to break their rhythm in case there were any for him. So in the end Maitland came and stood by the back of his seignorial chair spired like a cathedral.

Nolan said, hearing Maitland’s defence, ‘I realize, of course, that the newspaper came accidentally by what you said. I never imputed malice to you, James.’

Maitland knew that he was meant to say, ‘Thank you.’ He discharged that duty.

‘The trouble is that you only speak with any confidence to outsiders.
Externs
.’

Maitland flinched at the narrow word he had not heard since student years.

‘I’m not under suspicion from
them
, monsignor.’

‘Yes you are. The whole world fails to understand the priest and therefore suspects him. One who pretends to be
of
them,
like
them, they simply despise.’

‘I see,’ said Maitland, attempting to skirt irony.
‘Might I assure you that my sermon of tomorrow will be so much
like
this House,
of
this House, that no one need hang his head?’

Nolan chose to make a small gratified noise and reached for the hand-bell.

‘That’s very wise, James,’ he said. ‘Anyhow, it’s hardly worth saying anything revolutionary in there; it’s an awful place for sound.’ He even brought his left hand across to pat Maitland once on the wrist. ‘If you’re bent on becoming a famous heretic, James, I’d like to see you begin your career to more effect than that.’

Perhaps this warmth was merely a face-saver for Nolan, who was not, after all, going to see a draft of the sermon. Yet Maitland found it peculiarly welcome, like the one card – and that from a business firm – that the lonely get at Christmas. Upstairs, he soon forgot the raw blue sea and the Saturday sun now making a short incursion across the balcony he never used. The drumming-up of a sermon to fit the peculiar needs of that Sunday engrossed him. He began by accepting Egan’s and Nolan’s tenet that a cathedral sermon could do nothing for the commonalty of man. Therefore it must do something for the man who spoke it. It must be both honest enough to allow him to keep his self-respect, specious enough to woo the respect of the Nolans and Costellos. And,
Il faut intéresser
, as Flaubert says.

So well did he enjoy working by these imperfect or even indecent standards that he spent the whole day on the exercise, forgot his dinner, and postponed all morning turning on the heater in a room where the cold hung like wet clothes from April to September.

Years before, he had written an article comparing the religious perceptions of a number of modern novelists with those of some of the mystics. He had meant to
point to the meeting-place between humanism and religion. This morning he decided to make this the basis of his sermon, accepting the immense young man’s abstractions involved without too much discomfort. It would all go down very well after his Friday-night treachery.

So he dipped all day in broken-backed Penguins, in St John of the Cross, Tauler, Teresa of Avila, Blaise Pascal. He allowed himself, without any cringing at all, to write such sentences as, ‘However doctrinally misled the great Frenchman Blaise Pascal may have been …’ As if he valued anathemas more than the vision of God.

Altogether, he had a day’s good reading and easy writing.

There is something unique and even narcotic about the way of Gothic with light; even of neo-Gothic; even of the bad neo-Gothic of St Kevin’s Cathedral as Maitland came forward to preach. Over the Celtic mosaic of the sanctuary floor lay a sharp pattern of light, gold streaked with the red refraction of the wounds of the martyrs in the rose-window, gold blotted with the blue virtue of Virgins and the dappled authority of Evangelists. From the brow of the pulpit, the illimitable nave looked like a steppe, and the clusters of worshippers were scattered over it as if symbolic of towns on a great plain.

All this made it somehow appropriate that he should shuffle his manuscript lightly like a born Rosary Crusade preacher and fix the people with the eye of a priest who is onto their pettinesses and evasions. Twenty feet up, he did all this not merely because no one could see the nuances of his eye and hand, but as revenge on a building and a sermon (his own) which were almost not spurious.

None the less, he
was
an orator. He felt very profes
sional with knee-length stole round his neck, and the insipid innocence of what he said so well lay warm beneath the heart. As well, his thorough-going cynicism was in the nature of a busman’s holiday for him. He glanced towards the north transept where sunlight and two late-comers stood in the doorway. Beyond them was the cathedral presbytery within which the archbishop sat with his ear to a radio broadcast of the sermon being preached fifty yards away.

Maitland closed vigorously, switched off the microphone, and went away into the sacristy. He doffed the surplice and stole at the long vesting bench and found the lavatory near the outer door. This was of hewn rock, with a cedar door, a lion’s-snout door handle, and a bowl too fragile, you would think, to carry a Costello. Skinny Maitland, however, was well within its strength.

He was still there when someone came in through the outer door and could be heard pacing the sacristy. Maitland bet himself odds-on that it was a comforted prelate. Thinking it unworthy of the occasion to activate the crude cistern, he washed and emerged to find His Grace leaning on the vesting bench and fondling a red biretta.

‘James, I must congratulate you. Very scholarly, very powerful, and couldn’t have come at a better time … What? Don’t worry about that, we all have our day of grief with the press. They’re as pervasive as the grace of God. However, this surely makes amends. Just when this whole Couraigne business has broken again, as it does most years, and then the dispute over that infamous Quinlan book going so badly, nothing could do more good for our prestige than the style of sermon you’ve just preached.’

For more than one reason, Maitland bowed his head.