Three by Cain: Serenade, Love's Lovely Counterfeit, the Butterfly (50 page)

To have it asserted, then, by Eastern critics, that I had been “eaten alive by pictures,” as one of them put it; that I had done all my research in projection rooms, and that this story was simply the preliminary design for a movie, was a most startling experience. It was said there were anachronisms in the speech, though none were specified, and that there were various other faults, due to the inadequacy of my researches. Well, I do my researches as other novelists do, so far as I know their habits: wherever I have to do them, in field or library or newspaper file, to get what I need for my story. In the case of
Past All Dishonor
, I did them in the Huntington, Los Angeles, Sacramento, Reno, and Virginia City libraries; in the
Official Record of the War of the Rebellion
, as published by the War Department, I having a set of my own, and in various directories, histories, newspapers, and diaries of the 1860’s. For accuracy of speech I read hundreds of pages from the stenographic reports of witnesses before committees of Congress at the time, and as an additional check I re-read the writings of U.S. Grant, not the Memoirs, whose authenticity in spots is open to doubt, but his letters, and especially the long report in Part 1 of Vol. XXXIV of the
Official Record
, which was unquestionably written by him, in early middle age, less than two years after the time of my book. This is a sort of check, to make sure the terse,
short-cadenced style I had in mind for Roger Duval had justification in the writings of the time. Grant, of course, seems as modern as Eisenhower; indeed, on the basis of all this reading, I concluded that any notion the I860’s were noted for peculiarities of speech, or that quaint dialogue, such as some of these critics seemed to think indicated, should be used, was simply silly. Those people talked as we talk now. Some words they used differently. They said
planished
where we would say
burnished;
they said
recruit
where we say
recuperate;
they
amused
the enemy, where we would
divert
him. In general, however, they spoke in a wholly modern way, and I thought it would be delightful for a modern reader to have the lights turned up on a world he possibly had no idea had ever existed. That my integrity would be doubted, that it would be assumed that I got all this from picture sets, I confess astonished me. The Western reviewers, some of them specialists in the Nevada of the silver boom, were most respectful to my labors, as well as enthusiastic about the results; they got the point of what I was trying to do, and several of them called special attention to the circumstances that here at last were miners who actually mined, instead of standing around as extras in a saloon scene, and not only mined, but had a grievous lot of trouble about it, and formed unions, and ate, drank, and slept as miners did eat, drink, and sleep at that time and in that place. I was completely bewildered, I must confess, at the pat statement of the New York critics, but I can’t let them pass uncorrected, which is the reason I ask your indulgence for this visit to the words-of-one-syllable department.

To revert, then, to Jess Tyler, the Big Sandy, and the mine: The river empties into the Ohio not far from Huntington, W. Va., and a few miles from its mouth divides into two forks: the Levisa, which flows through eastern Kentucky, and the Tug, which, with the Big Sandy itself, forms the boundary between Kentucky and West Virginia. To the towns I have given fictitious names, but they are really fictitious, a blend of characteristics, in so far as their characteristics are deemed of interest, from both sides of the river. Yes, I have actually mined coal,
and distilled liquor, as well as seen a girl in a pink dress, and seen her take it off. I am 54 years old, weight 220 pounds, and look like the chief dispatcher of a long-distance hauling concern. I am a registered Democrat. I drink.

J
AMES
M. C
AIN

Los Angeles, Calif
.
August 6, 1946

C H A P T E R

1

She was sitting on the stoop when I came in from the fields, her suitcase beside her and one foot on the other knee, where she was shaking a shoe out that seemed to have sand in it. When she saw me she laughed, and I felt my face get hot, that she had caught me looking at her, and I hightailed it to the barn as fast as I could go. While I milked I watched, and saw her get up and walk all around, looking at my trees and my corn and my cabin, then go over to the creek and look at that and pitch a stone in. She was nineteen or twenty, kind of a medium size, with light hair, blue eyes, and a pretty shape. Her clothes were better than most mountain girls have, even if they were dusty, like she had walked up from the state road, where the bus ran. But if she was lost and asking her way, why didn’t she say something and get it over with? And if she wasn’t, why was she carrying a suitcase? When I was through milking, it was nearly dark, and I picked up my pails, came out of the barn, and walked over. “How do you do, miss?”

“Oh, hello.”

“Is there something you want?”

“How can I tell till I know what you’ve got?”

She laughed, and I felt my face hot again, because from how
she sounded and how she looked, she could have meant a whole lot more than she said. “Miss, I think there’s a mistake. I think you’re looking for somebody else’s place, not mine.”

“I’m looking for you.”

“You never seen me before, so how do you know?”

“Maybe I saw your picture.”

“Maybe you know my name?”

“Sure I know it. You’re Jess Tyler.”

“… I asked you once, what do you want?”

“I told you once, how can I tell? … If you invited me in now, and told me to look around a little bit, why then I might pick something out.”

“I don’t like people making fun.”

“Maybe I’m not.”

She went to the pump, picked up the cup, and came back to where I had set down the milk. “I see one thing I want, right away.”

“That milk’s fresh, it’s not cold.”

“I like it warm, with foam on it.”

She dipped up a cup, tasted it, then opened her mouth and poured it in. She gulped fast, but not fast enough, and a little ran out. “If somebody stuck their tongue out, they could stop that trickle on my chin.”

I wiped with the back of my hand, and her eyes got a funny look in them, like I was pretty slow.

“Will you kindly tell your business?”

“Can’t you take a hint? For one thing, it’s supper time, and I kind of feel like I could put away a little food.”

“I never sent anybody away hungry.”

“That’s what I heard.”

“Who from?”

“Don’t you know?”

“No, I don’t.”

“Look who’s raring up.”

My cabin is log, but it’s better than most, because it’s always been in my family, and we’re not trash like a lot of them around here. Some of the furniture goes back a hundred years, as you
can tell from the dates carved on the chairs, but the plaster, whitewash, and underpinning I did myself, and some of the stuff I got when the coal camp broke up and people left things behind, specially the super, that give me four rag rugs. While I was cooking supper she went all over the front room and looked at everything in it, the pictures, settles by the fireplace, andirons, chairs, and knitted table covers, then got on her knees and felt the floor, because it’s pine and gets scoured with sand every week, so it’s white as snow and soft as silk. Then she did the same for the back room. Coming into the lean-to, where I was at the stove, she stopped and sniffed what I was cooking, and from the way her nose turned up I had her figured out, or thought I had. “Anyway, you’re a Morgan.”

“What makes you think that?”

“You favor them. They all look alike.”

“The way you say it, it’s nothing to be proud of.”

“I wasn’t saying any special way.”

“Still, I guess no man likes his wife’s family.”

“He might, if he liked his wife.”

“Didn’t you like Belle?”

“Once, I loved her.”

“And what then?”

“She killed it.”

“How did she do that?”

“I don’t want to talk about it.”

“Did other men have something to do with it?”

“I don’t say they didn’t.”

“And you put her out?”

“I never put her out. She left me.”

“That was after the mine closed down?”

“It was after the mine closed down, and after the camp broke up. The seam feathered out to nothing, from a seven-foot seam of the finest steam coal in all this section, to just a six-inch layer that couldn’t be worked. And for a year twenty or thirty of us drove tunnels in the rock, where they were hoping it would thicken up again, and we even put down a shaft, so if there was a jag in the seam we’d know it. We never found anything, but
all during that time people were moving out, and she said them empty shacks got on her nerves. Then they backed up the trucks and took the shacks away, down to their No. 5 mine near Carbon City. Then they took the church and the store and the tipple and the railroad and everything away, so there was nothing there to get on your nerves. And then she moved out.”

“Maybe she liked people.”

“Maybe she liked a lot of things.”

“You sound awful bitter.”

“I told you once I don’t want to talk about it.”

“You ever see her anymore?”

“No, never.”

“Or the children?”

“Not since she took them away.”

“You ever want to?”

“Sometimes I think of them. Specially little Kady. Jane, she took after my grandmother, and had the same stony disposition. But Kady was cute.”

“You know where they are?”

“Yes, I know.”

We had hominy and chicken, that I had killed the day before and put in the well for the preacher, and after we ate she helped me wash up and it only took a little while. Then she wanted to see where the mine had been and the camp, so we took a walk in the moonlight and I showed her how it was laid out. Then we came back to my place and I showed her my cornfields and hog pens and stable and barn, and explained to her how I had been just over the line from the company land, so I never had to pay them rent when I worked in the mine, and I could make a little extra selling pop and stuff to the men, because I did it cheaper than the company store.

“Did you buy their land when the camp was taken away?”

“No, I didn’t.”

“That your corn growing on it?”

“I don’t say it’s not.”

“You rent that field?”

“It might be I just plant it.”

“You mean they like you?”

“Once a year they come out here and warn me to get off and stay off. Something about the law, I forget what. They can’t admit I got a right there, I guess that’s it.”

“And what do you do?”

“I get off and stay off. One hour.”

“You mean they just let you use that land?”

“I accommodate them a little bit. When they were first moving out, and all that machinery was up there in the tipple, I watched it for them. Things were kind of lively around here in those days, what with the union moving in and all, and sometimes dynamite got left in dangerous places, with the caps and stuff all ready to go off. Then later, if a rock got washed down, so it might fall on somebody and they’d be sued, I moved it for them or let them know. They treat me all right.”

“I should say they do.”

Under my apple trees she hooked little fingers with me. “Miss, you can stop doing things like that.”

“Mister, why?”

“How old do you think I am?”

“I know how old you are. You’re forty-two.”

“Well, to you forty-two may look old, but to me it don’t feel old. You don’t watch out, something might happen to you.”

“Not unless I want it to.”

“If your name is Morgan, you would want it to.”

“Even with you?”

“If he’s a relation, that just makes it better.”

“And if your name is Tyler, you wait at the head of the hollow till he goes by and then you shoot him in the back.”

“I never shot anybody.”

“We were talking about names, weren’t we? Some people have got a name for one thing, some for something else.”