Thirst No. 1 (2 page)

"Someone has hired you to research me," I say. "I know that for a fact. Please don't deny it again, or you will make me angry. 1 really am uncontrollable when I’m angry. I do things I later regret, and I would regret killing you, Mr. Riley— but not for long. " I pause.

" Now, for the last time, tell me who sent you after me, and I will give you a million dollars and let you walk out of here alive." He stares at me incredulously. His eyes see one thing, and his ears hear another, I know. He sees a pretty blond girl with startlingly blue eyes, and he hears the velvety voice of a succubus from hell. It is too much for him. He

Create PDF files without this message by purchasing novaPDF printer (http://www.novapdf.com) begins to stammer

"Miss Perne," he begins. "You misunderstand me. I mean you no harm. I just want to complete a simple business deal with you. No one has to ... get hurt."

I take in a long, slow breath. I need air, but I can hold my breath for over an hour if I must. Yet now I let out the breath before speaking again, and the room cools even more.

And Mr. Riley shivers.

"Answer my question," I say simply.

He coughs. "There is no one else,"

"You'd better reach for your gun."

"Pardon?"

"You are going to die now. I assume you prefer to die fighting.,"

"Miss Perne—"

"I am five thousand years old."

He blinks. "What?"

I give him my full, uncloaked gaze,, which I have used in the past—alone—to kill. "I am a vampire," I say softly. "And you have pissed me off."

He believes me. Suddenly he believes every horror story he has been told since he was a little boy. That they were all true: the dead things hungering for the warm living flesh; the bony hand coming out of the closet in the black of night; the monsters from another page of reality, the unturned page—who could look so human, so cute.

He reaches for his gun. Too slowly, much too.

I shove myself out of my chair with such force that I am momentarily airborne. My senses switch into a hyper-accelerated mode. Over the last few thousand years, whenever I am threatened, I have developed the ability to view events in extreme slow motion. But this does not mean that I slow down; quite the opposite. Mr
.
Riley sees nothing but a blur flying toward him. He does not see that as I'm moving. I have cocked my leg to deliver a devastating blow.

My right foot lashes out. My heel catches him in the center of the breastbone. I hear the bones crack as he topples backward onto the floor, his weapon still bolstered inside his coat. Although I moved toward him in a horizontal position, I land smoothly on my feet.

He sprawls on the floor at my feet beside his overturned chair. Gasping for breath, blood pouring out of his mouth. I have crushed the walls of his heart as well as the bones of his chest, and he is going to die. But not just yet. I kneel beside him and gently put my hand on his head. Love often flows through me for my victims.

"Mike," I say gently. "You would not listen to me."

He is having trouble breathing. He drowns in his own blood—I hear it gurgling deep in his lungs—and I am tempted to put my lips to his and suck it away for him. Such a temptation, to sate my thirst. Yet I leave him alone.

'"Who?" he gasps at me.

I continue to stroke his head, "I told you the truth. I am a vampire. You never stood a chance against me. It's not fair, but it is the way it is." I lean close to his mouth, whisper in his ear. “Now tell me the truth and I will stop your pain. Who sent you after me?”

He stares at me with wide eyes. "Slim," he whispers.

"Who is Slim? A man?"

"Yes."

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"Very good, Mike. How do you contact him?"

"No."

"Yes." I caress his cheek. "Where is this Slim?"

He begins to cry. The tears, the blood—they make a pitiful combination. His whole body trembles. "I don't want to die," he moans. "My boy."

"Tell me about Slim and I will take care of your boy," I say. My nature is kind, deep inside. I could have said if you don't tell me about Slim, I will find your dear boy and slowly peel off his skin. But Riley is in too much pain to hear me, and I immediately regret, striking so swiftly, not slowly torturing the truth out of him. I did tell him that I was impulsive when I'm angry, and it is true.

"Help me," he pleads, choking.

"I'm sorry. I can only kill, I cannot heal, and you are too badly hurt." I sit back on my heels' and glance around the office. I see on the desktop a picture of Mr. Riley posed beside a handsome boy of approximately eighteen. Removing my right hand from Mr.

Riley, I reach for the picture and show it to him. "Is this your son?" I ask innocently.

Terror consumes his features. "No!" he cries.

I lean close once more. "I am not going to hurt him. I only want this Slim. Where is he?"

A spasm of pain grips Riley, a convulsion—his legs shake off the floor like two wooden sticks moved by a poltergeist. I grab him, trying to settle him down, but I am too late. His grimacing teeth tear into his lower lip, and more blood messes his face. He draws in a breath that is more a shovel of mud on his coffin. He makes a series of sick wet sounds.

Then his eyes roll back in his head, and he goes limp in my arms. Studying the picture of the boy, I reach over and close Mr. Michael Riley's eyes.

The boy has a nice smile, I note.

Must have taken after his mother.

Now my situation is more complicated than when I arrived at the detective's office. I know someone is -after me, and I have destroyed my main lead to him or her. Quickly I go through Riley's desk and fail to find anything that promises to be a lead, other than Riley's home address. The reason is sitting behind the desk as I search. Riley has a computer and there is little doubt m my mind that he stored his most important records on the machine.

My suspicion is further confirmed when I switch on the computer and it immediately asks for an access code. Even though I know a great deal about computers, more than most experts in the field, I doubt I can get into his data banks without outside help. I pick up the picture of father and son

again. They are posed beside a computer. Riley Junior, I suspect, must know the access code. I decide to have a talk with him.

After I dispose of his father's body. My exercise in cleanup is simplified by the fact that Riley has no carpet on his office floor. A brief search of the office building leads me to a closet filled with janitorial supplies. Mop and pail and bucket in hand, I return to Mr.

Riley's office and do the job his secretary probably resented doing. I have with me—from the closet —two big green plastic bags, and I slip Riley into them. Before I leave with my sagging burden, I wipe away every fingerprint I have created. There isn't a spot I have touched that I don't remember.

The late hour is such a friend; it has been for so many years. There is not a soul around as I carry Riley downstairs and dump him in my trunk. It is good, for I am not in the mood to

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kill again, and murder, for me, is very much tied to my mood, like making love. Even when it is necessary.

Mayfair is a town on the Oregon coast, chilly this late in autumn, enclosed by pine trees on one side and salt water on the other. Driving away from Riley's office, I feel no desire to go to the beach, to wade out beyond the surf to sink the detective in deep water. I head for the hills instead. The burial is a first for me in this area. I have killed no one since moving to Mayfair a few months earlier. I park at the end of a narrow dirt road and carry Riley over my shoulder deep into the woods. My ears are alert, but if there are mortals in the vicinity, they are all asleep. I carry no shovel with me. I don't need one. My fingers can impale even the hardest soil more surely than the sharpest knife can poke through a man's flesh. Two miles into the woods I drop Riley onto the ground and go down on my hands and knees and begin to dig. Naturally, my clothes get a bit dirty but I have a washing machine and detergent at home. I do not worry. Not about the body ever being found.

But about other things, I am concerned.

Who is Slim?

How did he find me?

How did he know to warn Riley to treat me with caution?

I lay Riley to rest six feet under and cover him over a matter of minutes without even a whisper of a prayer. Who would I pray to anyway? Krishna? I could very well tell
him
that I was sorry, although I did him that once, after holding the jewel of his life in
my
bloodthirsty hands while he casually brought to our wild party. No, I think, Krishna would not answer to my prayer, even if it was for the soul of one of my victims. Krishna would just laugh and return to his flute. To the song of life as he called it. But where was the music for those his followers said were already worse than dead? Where was the joy? No, I would not pray to God for Riley.

Not even for Riley's son.

In my home, in my new mansion by the sea, late at night, I stare at the boy's photo and wonder why he is so familiar to me. His brown eyes are enchanting, so wide and innocent, yet as alert as those of a baby owl seen in the light of the full moon. I wonder if in the days to come I will be burying him beside his father. The thought saddens me. I don't know why.

I do not need much sleep, two hours at most, which I usually take when the sun is at its brightest. Sunlight
does
affect me, although it is not the mortal enemy Bram Stoker imagined in his tale of Count Dracula. I read the novel
Dracula
when it first came out, in ten minutes. I have a photographic memory with a hundred percent comprehension. I found the book delicious. Unknown to Mr. Stoker, he got to meet a real vampire when I paid him a visit one dreary English evening in the year 1899. I was very sweet to him. I asked him to autograph my book and gave him a big kiss before I left. I almost drank some of his blood, I was tempted, but I thought it would have ruined any chance he would have had at writing a sequel, which I encouraged him to do. Humans are seldom able to dwell for any length on things that truly terrify them, even though the horror writers of the present think otherwise. But Stoker was a perceptive man; he knew there was something unusual about me. I believe he had a bit of a crush on me.

Create PDF files without this message by purchasing novaPDF printer (http://www.novapdf.com) But the sun, the eternal flame in the sky, it diminishes my powers. During the day, particularly when the sun is straight up, I often feel drowsy, not so tired that I am forced to rest but weary enough that I lose my enthusiasm for things. Also, I am not nearly so quick or strong during the day, although I am still more than a match for any mortal. I do not enjoy the day as much as the night. I love the blurred edges of darker landscapes.

Sometimes I dream of visiting Pluto.

Yet the next day I am busy at dawn. First I call the three businessmen responsible for handling my accounts—each located on a different continent— and tell them I am displeased to learn that my finances have been examined. I listen to each protestation of innocence and detect no falsehood in their voices. My admiration for Mr. Riley's detecting abilities climbs a notch. He must have used subtle means to delve into my affairs.

Or else he'd had help.

Of course I know he had help, but I also believe he turned against the man who sent him to find me. When he realized how rich I was, he must have thought that he could score more handsomely by going after me directly. That leads me to suspect that whoever hired Riley does not know the exact details of my life, where I live and such. But I also realize he will notice Riley's disappearance and come looking for whoever killed him. I have time, I believe, but not much. By nature, I prefer to be the hunter, not the hunted. Yes, indeed, I vow, I will kill those who hired Riley as surely as I wiped him from the face of the earth.

I make arrangements, through my American businessman, to be enrolled at Mayfair High that very day. The wheels are set in motion and suddenly I have a new identity. I am Lara Adams, and my guardian, Mrs. Adams, will visit the school with my transcripts and enroll me in as many of Ray Riley's classes as possible. It has not taken me long to learn the son's name. The arm of my influence is as long as the river of blood I have left across history. I will never meet this fake Mrs. Adams, and she will never meet me, unless she should talk about her efforts on Lara's behalf. Then, if that happens, she will never talk again. My associates respect my desire for silence. I pay them for that respect.

That night I am restless, thirsty. How often do I need to drink blood? I begin to crave it after a week's time. If a month goes by I can think of nothing other than my next dripping throat. I also lose some strength if I go too long. But I do not die without it, at least not readily. I have gone for as long as six months without drinking human blood. I only drink animal blood if I am desperate. It is only when I feed from a human that I feel truly satisfied, and I believe it is the life force in the blood that makes me hunger for it more than the physical fluid itself. I do not know how to define the life force except to say that it exists: the feel of the beating heart when I have a person's vein in my mouth; the heat of their desires. The life force in an animal is of a much cruder density. When I suck on a human, it is as if I absorb a portion of the person's essence, their will. It takes a lot of willpower to live for fifty centuries.

Humans do not turn into vampires after I bite them. Nor do they change into one if they drink my blood. Blood that is drunk goes through the digestive tract and is broken down into many parts. I do not know how the legends started that oral exchange could bring about the transformation. I can only make another vampire by exchanging blood with the person, and not just a little blood. My blood has to overwhelm the other person's system before he or she becomes immortal.

Of course, I do not make vampires these days.

Create PDF files without this message by purchasing novaPDF printer (http://www.novapdf.com) I drive south along the coast. I am in Northern California before I stop; it is late. There is a bar off the side of the road, fairly large. I make a smooth entrance. The men look me over, exchange glances with their buddies. The bartender does not ask me for my ID, not after I give him a hard glance. There are many more men than women around. I am searching for a particular type, someone passing through, and I spot a candidate sitting alone in the comer. He is big and burly, unshaven; his warm jacket is not dirty, but there are oil stains that did not come out from the last cleaning. His face is pleasant enough, sitting behind his frosty beer, but a tad lonely. He is a long-distance truck driver, I know the type. I have often drunk from their veins.

I sit down in front of him, and he looks up in surprise. I smile; the expression can disarm as well as alarm, but he is happy to see me. He orders me a beer and we talk. I do not ask if he is married—though it is obvious he is—and he does not bring it up. After a while we leave and he takes me to a motel, although I would have been satisfied with the back of his truck. I tell him as much, but he pats my leg and shakes his head. He is a gentleman. I won't kill him.

It is while he is undressing me that I bite into hid neck. The act makes him sigh with pleasure and lean his head back; he is not really sure what I am doing. He stays in that position the whole time I drink, hypnotized with the sensation, which to him feels as if he is being caressed from the inside out—with the tip of my nails. Which to me feels like it always does, sweet and natural, as natural as making love. But I do not have sex with him.

Instead, I bite the tip of my own tongue and let a drop of my blood fall onto his wounds.

They heal instantly, leaving no scar, and I lay him down to rest. I have drunk a couple pints. He will sleep deep, maybe wake up with a slight headache:

"Forget,” I whisper in his ear.

He won't remember me. They seldom do.

The next morning I sit in Mr. Castro's history class. My cream-colored dress is fashionable, on the rich side; the embroidered hem swings four inches above my knees. I have very nice legs and do not mind showing them off. My long wavy blond hair hangs loose on my shoulders. I wear no makeup or jewelry. - Ray Riley sits off to my right, and I study him with interest. Class will begin in three minutes.

His face has a depth his father's never imagined. He is cut in the mode of many handsome modern youths, with curly brown hair and a chiseled profile. Yet his inner character pushes through his natural beauty and almost makes a mockery of it. The boy is already more man than boy. It shows in his brown eyes, soft but quick, in his silent pauses, as he takes in what his classmates say. He reflects on it, and either accepts or rejects it, not caring what the others think. He is his own person, Ray Riley, and I like that about him.

He talks to a girl on his right. Her name is Pat, and she is clearly his girlfriend. She is a scrawny thing, but with a smile that lights up whenever she looks at Ray. Her manner is assertive but not pushy, simply full of life. Her hands are always busy, often touching him.

I like her as well and wonder if she is going to be an obstacle. For her sake, I hope not. I honestly prefer not to kill young people. Pat's clothes are simple, a blouse and jeans. I suspect her family has little money. But Ray is dressed sharp. It makes me think of the million I offered his father.

Ray does not appear upset. Probably his father often disappears for days at a time.

I clear my throat and he looks over at me.

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"Hello," he says. "Are you new?"

"Hi," I say. "Yes. I just checked in this morning." I offer my dainty hand. "My name's Lara Adams."

"Ray Riley." He shakes my hand. His touch is warm, his blood healthy. I can smell blood through people's skin and tell if they have any serious ailments —even years before the disease manifests. Ray continues to stare at me, and I bat my long lashes. Behind him Pat has stopped talking to another classmate and looks over. "Where are you from?" he asks.

"Colorado."

"Really? You have a slight accent."

His comment startles me because I am a master at accents. "What accent do you hear?" I ask, genuinely curious.

"I don't know. English, French—it sounds like a combination."

I have lived in both England and France for extended periods of time. "I have traveled a lot," I say. "Maybe that's what you hear."

"Must be." He gestures to his side. "Lara, this is my girlfriend, Pat McQueen. Pat, meet Lara Adams."

Pat nods. "Hi, Lara." Her manner is not the least defensive. She trusts in Ray's love, and in her own.

That is going to change. I think of Riley's computer, which I have left in his office. It will not be terribly long before the police come to look around, and maybe take the computer away. But I have not taken the machine because I would have no way of explaining to Ray what I was doing with it, much less be able to convince him to open its data files.

"Hello, Pat," I say. "Nice to meet you." "Same here," she says. "That's a beautiful dress."

"Thank you." I would have preferred to have met Ray without Pat around. Then it would have been easier for him to start a relationship with me without her between us. Yet I am confident I can gather Ray's interest. What man could resist what I have to offer? My eyes go back to him. "What are we studying in this class?" I ask.

"European history," he says, "The class just gives a broad overview. Right now we're talking about the French Revolution. Know anything about it?"

"I knew Marie Antoinette personally," I lie. I knew
of
Antoinette, but I was never close to the French nobility, for they were boring. But I was there, in the crowd, the day Marie Antoinette was beheaded. I actually sighed when the blade sliced across her neck. The guillotine was one of the few methods of execution that disturbed me. I have been hanged a couple of times and crucified on four separate occasions, but I got over it. But had I lost my head, I know that would have been the end. I was there at the start of the French Revolution, but I was in America before it ended.

"Did she really say, 'Let them eat cake'?" Ray asks, going along with what he thought was a joke.

"I believe it was her aunt who said that." The teacher, Mr. Castor, enters the room, a sad-looking example of a modern educator if ever there was one. He only smiles at the pretty girls as he strides to the front of the room. He is attractive in an aftershave-commercial sort of way. I nod to him. "What's he like?"

Ray shrugs. "Not bad."

"But not good?"

Ray sizes me up. "I think he'll like you."

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"Understood."

The class starts. Mr. Castro introduces me to the rest of the students and asks me to stand and talk about myself. I remain seated and say ten words. Mr. Castor appears put out but lets it go. The lesson begins.

Ah, history, what an illusion humanity has of the past. And yet scholars argue the reality of their texts until they are blue in the face, even though something as recent as the Second World War is remembered in a manner that has no feeling for the times,
for feeling,
not events, is to me the essence of history. The majority of people recollect World War II as a great adventure against impossible odds, while it was nothing but an unceasing parade of suffering. How quickly mortals forget. But I forget nothing. Even I, a bloodthirsty harlot if ever there was one, have never witnessed a glorious war.

Mr. Castro has no feeling for the past. He doesn't even have his facts straight. He lectures for thirty minutes, and I grow increasingly bored. The bright sun has me a bit sleepy. He catches me peeking out the window.

"Miss Adams," he says, interrupting my reverie. "Could you give us your thoughts on the French nobility?"

"I think they were very noble," I say.

Mr. Castro frowns. "You approve of their excesses at the expense of the poor?"

I glance at Ray before answering, I do not think he wants the typical teenage girl, not deep inside, and I have no intention of acting like one. He is watching me, the darling boy.

"I don't approve or disapprove," I say. "I accept it. People in power always take advantage of those without power."

"That sounds like a generalization if I ever heard one," Mr. Castro replies. "What school did you go to before moving to Mayfair?"

"What school I went to doesn't matter”

"It sounds as if you have a problem with authority," Mr. Castro says,

"Not always. It depends."

"On what?"

"Whether the authority is foolish or not," I say with a smile that leaves no doubt I am talking about him. Mr. Castro, wisely, passes me over and goes on to another topic.

But the teacher asks me to stay behind when the bell rings. This bothers me; I wish to use this time to speak to Ray. I watch as he leaves the room with Pat. He glances over his shoulder at me just before he goes out of sight. Mr. Castro taps his desk, wanting my attention.

“
Is there something wrong?" I ask him.

"I hope not," Mr. Castro says. "I am concerned, however, that we get off to a good start.