Read Things that Fall from the Sky (Vintage Contemporaries) Online
Authors: Kevin Brockmeier
The water was lapping against the wall of the tub. Lewis found himself gazing into the twitch of his reflection: his lips and eyes were tense with thought beside a reef of dissipating bubbles. Caroline watched for a moment, then splashed him with a palm of cupped water. When Lewis looked at her through the tiny wet globes that dotted his glasses, she laughed, and he felt some weary thing inside of him ascend and disperse, like fog lifting from a bay. He polished his glasses and his mouth curled into a smile.
When he pulled the bath plug, Caroline started, surprised, as she often was, by the sudden deep gurgle and surge. He welcomed her into the wings of a towel as the water serpent-whirled down the drain.
Sums
Number of days we spent together: 144. Number of days we spent apart (supposing that Archbishop James Usher of Meath, who calculated the date of the Creation at 23 October 4004 B.C., was correct): 2,195,195. Number of days since I last saw her: 43. Number of days since I began writing this story: 3. Number of days in her life thus far: 613. Number of days in mine thus far: 12,418; projected: 12,419. Number of times we walked to the park: 102. Number of swings on the swing set there: 3; strap swings: 2; bucket swings: 1. Number of times she rode the bucket swing: 77; the strap swing: 1. Number of times she rode the strap swing and fell: 1. Number of times I pushed her on the bucket swing, average per session: 22; total: 1,694. Number of puzzles we constructed: 194. Number of towers we assembled from large cardboard blocks: 112; demolished: 111. Number of stories I told: 58. Number of diapers I changed: 517. Number of lullabies I sang: 64. Number of days I watched, while Caroline napped, Caroline: 74; the television: 23; the sky: 7. Number of times, since we met, that I’ve laundered my clothing: 93; that I’ve finished a book: 19; that I’ve heard songs on the radio with her name in them: 17 (
good times never felt so good
: 9;
where did your long hair go?
: 2; a song I don’t know whose chorus chants
Caroline Caroline Caroline
in a voice like the clittering of dice in a cup: 6). Number of foot-long sandwiches I’ve eaten since we met: 12. Number of Lewises it would take to equal in height the number of foot-long sandwiches I’ve eaten since we met: 2.1; number of Carolines: 4.9. Number of times I’ve thought today about the color of my walls: 2; about the shape of my chin: 1; about airplanes: 4; about mirrors: 3; about the inset mirror in one of Caroline’s flap-books: 1; about Caroline and the turn of her lips: 6; about Caroline and macaroni and cheese: 1; about how difficult it can be to separate one thought from another: 1; about Caroline and moths and childhood fears: 4; about my childhood fear of being drawn through the grate of an escalator: 1; about my childhood fear of being slurped down the drain of a bathtub: 2; about eyes: 9; about hands: 6, about hands, mine: 3. Number of lies I’ve told you: 2. Number of lies I’ve told you about my behavior toward Caroline: 0; about fairy tales: 0; about Nabokov: 1. Number of times I’ve dreamt about her: 14; pleasant: 12. Number of times I’ve dreamt about her mother: 3; nightmares: 3. Number of nightmares I recall having had in my life: 17. Number of hours I’ve spent this month: 163; in vain: 163.
Lewis tidied the house while Caroline napped, gathering her toys from the kitchen and the bathroom, the stairway and the den. He collected them in the fold of his arms and quietly assembled them on her toy shelves. Warm air breathed from the ceiling vents and sunlight ribboned in through the living room windows, striking in its path a thousand little whirling constellations of dust. Lewis pulled a xylophone trolley from under the couch. He stacked rainbow quoits onto a white peg. He carried a pinwheel and a rag doll from the hallway and slipped a set of multiform plastic blocks into the multiform sockets of a block box. He walked from the oven to the coatrack, from the coatrack to the grandfather clock, fossicking about for the last of a set of three tennis balls, and, finding it behind the laundry hamper, he pressed it into its canister. Then he held the canister to his face, breathing in its flat clean scent before he shelved it in the closet of the master bedroom. Lewis often felt, upon entering this room, as if he had discovered a place that was not an aspect of the house that he knew— someplace dark and still and barren: a cavern or a sepulcher, a tremendous empty seashell. The venetian blinds were always sealed, the curtains drawn shut around them, and both were overshadowed by a fat gray oak tree. The ceiling lamp cast a dim orange light, nebular and sparse, over the bed and the dressers and the carpet. Lewis fell back on the bedspread. The cable of an electric blanket bore into his shoulder, and his head lay in a shallow channel in the center of the mattress, formed, he presumed, by the weight of a sleeping body. He yawned, drumming his hand on his chest, and listened to the sigh of a passing car. He gazed into the tiny red eye of a smoke alarm.
When he left to look in on Caroline, he found her sleeping contentedly, her thumb in her mouth. A stuffed piglet curled from beneath her, its pink snout and the tabs of its ears brushing past her stomach. Her back rose and fell like a parachute tent. He softly shut her door. Returning to the living room, he bent to place a stray red checker in his shirt pocket, then straightened and gave a start: her mother was there, sitting on the sofa and blinking into space. Lisa Mitchell rarely arrived home before the moon was as sharp as a blade in the night sky, never once before evening. Now she sat clutching a small leather purse in her lap, and a stream of sunlight delineated each thread of her hair. It was mid-afternoon.
“Early day?” asked Lewis. He removed a jack-in-the-box from the arm of a chair, sealing the lid on its unsprung clown. Lisa Mitchell neither moved nor spoke; she simply held her purse and stared. “Hello?” he tested. She sat motionless, queerly mute, like a table lamp or a podium. Then her shoulders gave a single tight spasm, as if an insect had buzzed onto the nape of her neck, and her eyes glassed with tears. Lewis felt, suddenly, understanding and small and human. “Do you need anything?” he asked. “Some water?” Lisa drew a quick high breath and nodded.
Lewis rinsed a glass in the kitchen sink, then filled it from a bay on the door of the refrigerator, watching the crushed ice and a finger of water issue from a narrow spout. When he handed it to Lisa, she sipped until her mouth pooled full, swallowed, and placed it on a side-table. Her fingertips left transparent annulets across the moist bank of the glass, her lips a wine-red crescent at its rim. Lewis sat next to her on the sofa. “Do you want to talk about it?” he asked. His voice had become as gentle as the aspiration of the ceiling-vents.
“I . . . ,” said Lisa, and the corner of her mouth twitched. “He said I. . . .” Her throat gave out a little clicking noise. She trifled with the apron of her purse—snapping it open and shut, open and shut. “I lost my job,” she said. And at this she sagged in on herself, shaking, and began to weep. Her head swayed, and her back lurched, and she pressed her hands to her eyes. When Lewis touched a finger to her arm, she fell against him, quaking.
“It’s okay,” he said. “It will all be okay.” Resting against his shoulder, Lisa cried and shivered and slowly grew still. Her purse dropped to the floor as she relaxed into a sequence of calm, heavy breaths. Then, abruptly, she was crying once again. She wavered in this way—between moments of peace and trepidation—for what seemed an hour, as the white midday light slowly windowed across the carpet. After she had fallen quiet, Lewis held her and listened to her breathing. (She sighed placidly, flurrying puffs of air through her nose; she freed a little string of hiccups that seemed both deeply organic and strangely mechanical.) The sleeve of his shirt, steeped with her tears, was clinging to his upper arm, and his hand was pin-pricking awake on her back. He could feel the warm pressure of her head against his collarbone. When she shifted on the cushions, he swallowed, listening to the drumbeat of his heart. He slid his fingers over the rungs of her spine, smoothing the ripples from her blouse, and she seemed to subside into the bedding of the sofa. It was as if she were suddenly just a weight within her clothing, suspended by a hanger from his shoulder, and he thought for a moment that she had fallen asleep—but, when she blinked, he felt the soft flicker of her eyelashes against his neck. Her stockings, sleek and coffee-brown, were beginning to ladder at the knee, and Lewis reached to touch a ravel of loose nylon. He found himself instead curling a hand through her hair.
Lisa lifted her head, looking him in the eye, as his fingers swept across a rise in her scalp. He felt her breath mingling with his. Her eyes, drawing near, were azure-blue, and walled in black, and staring into his own. They seemed to hover before him like splashes of reflected light, and Lewis wondered what they saw. The tip of her nose met with his, and when she licked her lips, he felt her tongue glance across his chin. His lips were dry and tingling, his stomach as tight as a seed pod. When his hand gave a reflexive flutter on her back, Lisa stiffened.
She tilted away from him, blinking, the stones of her teeth pressing into her lip. The grandfather clock voiced three vibrant chimes, and she stood and planed her blouse into the waist of her skirt.
When she looked down upon him, her eyes were like jigsawed glass. “I think you’d better go now,” she said.
Certain places are penetrated with elements of the human spirit. They act as concrete demonstrations of our hungers and capacities. A sudden field in the thick of a forest is a place like reverence, a stand of corn a place like knowledge, a clock tower a place like fury. I have witnessed this and know it to be true. Caroline’s house was a place like memory, a place, in fact, like my memory of her: charged with hope and loss and fascination. As I stepped each morning through her front door, I saw the wall peg hung with a weathered felt hat, the ceiling dotted with stucco, the staircase folding from floor to floor, and it was as if these things were quickened with both her presence and her ultimate departure. The stationary bicycle with its whirring front fan-wheel and the dining room table with its white lace spread, the desk cup bristling with pencils and pens and the books shelved neatly between ornamental bookends: they were the hills and trees and markers of a landscape that harbored and kept her. The windows were the windows whose panes she would print with her fingers. The doorstop was the doorstop whose spring she would flitter by its crown. The lamps were the lamps in whose light she would study for school. The sofa was the sofa in whose lap she would grow to adulthood. The mirrors: the mirrors there were backed in silver and framed us in the thick of her house. Yet when we viewed the world inside of them, we did not think
here is this place made silver,
but simply
here is this
place:
what does this suggest, we wondered, about the nature of material existence? When I was a small boy, I feared my attic. A ladder depended from a hatch in the hallway, and when my father scaled it into the darkness, I believed, despite the firm white evidence of the ceiling, that he was entering a chamber without a floor. A narrow wooden platform extended into open space, and beneath it lay the deep hidden well of my house: I could see this when I closed my eyes. Though Caroline’s house suggested no such fear, it was informed by a similar logic of space: the floors and partitions, the shadows and doorways, were each of them rich with latent dimensions.
It is exactly this sense of latitude and secret depth that my own house is missing. The objects here are only what they are, with nothing to mediate the fact of their existence with the fact of their existence in my life. The walls may be the same hollow blue as a glacier, the carpet as dark as the gravid black sea, and I may be as slight as a boat that skirts the pass, but the walls are only walls, the carpet only carpet, and I am only and ever myself. In the evening, as the sun dwindles to a final red wire at the horizon, I switch on every light and lamp and still my house mushrooms with shadow. I walk from room to room, and everything that belongs to me drifts by like a mist, the wooden shelves banded with book spines, the shoes aligned in the closet, the rounded gray stone that I’ve carried for years—they are my life’s little accidents, a sediment trickled through from my past: they are nothing to do with me. I look, for instance, at the photograph framed on my desk: it sports a slender green tree, a piercing blue sky, and a light that is striking the face that I love. How, I wonder, did I acquire such a thing? It is a gesture of hope simply to open the curtains each morning.
In truth, I don’t know why it ended as it did. When Lewis arrives the next morning, the sun has not yet risen. The sidewalks are starred with mica, and the lawns are sheeted with frost, and the streetlamps glow with a clean white light. He steps to the front porch and presses the doorbell. When the door swings open, it is with such sudden violence that he briefly imagines it has been swallowed, pulled down the gullet of the wide front hall. Thomas Mitchell stands before him wearing striped red nightclothes, his jaw rough with stubble. He has jostled the coatrack on his way to the door, and behind him it sways into the wall, then shudders upright on its wooden paws. He places his hand on the lock plate, thick blue veins roping down his forearm.
“We won’t be requiring your services any longer,” he says, and his eyebrows shelve together toward his nose, as in a child’s drawing of an angry man.
“Pardon?” asks Lewis.
“We don’t need you here any more.” He announces each syllable of each word, dispassionate and meticulous, as if reciting an oath before a silent courtroom. His body has not moved, only his mouth and eyes.
Lewis would like to ask why, but Thomas Mitchell, taut with bridled anger, stands before him like a dam—exactly that solemn, exactly that impassable—and he decides against it. (
You know why,
the man would say: Lewis can see the words pooled in wait across his features. And yet, though he is coming to understand certain things— that his time here ran to a halt the day before, that his actions then were a form of betrayal—he does not, in fact, know anything.) Instead he asks, “Can I tell her good-bye?” and feels in his stomach a flutter of nervous grief.