Thin Air: (Shetland book 6) (30 page)

On the sofa a line of red plush cushions had been arranged in meticulous order. The carpet was nasty and nylon. Willow wondered how an artist could live here, even on a temporary basis, and said as much to Perez.

He didn’t answer immediately and, when he did, she wasn’t sure that she understood him. ‘I think this is just the sort of room that her art came from. She said she gloried in the commonplace made weird. And it is kind of weird, isn’t it?’

On the other side of a narrow hall – more laminate flooring and an ornate gilt mirror – were the bedrooms. The landlord had obviously been determined to squeeze as many people as possible into the house, so there were twin beds in the larger room and a single in the boxroom at the back. Willow thought they had probably been furnished entirely from charity shops. Perez opened the wardrobe in the big room. It was empty.

‘We’ll contact the landlord tomorrow and see if she’s given notice. It looks as if she might have done a runner.’ Though Willow thought that if
she
was planning to leave a place she’d have drunk the Chablis first.

In the boxroom the bed hadn’t been made up. Grey blankets were folded on a bentwood chair. There was no room for any other furniture. The wooden stairs to the loft were so steep that they were almost like a ladder. Willow went first and Perez followed. She was aware of him climbing behind her and could hear his gentle breathing. At the top she paused, with a sudden sensation of anticipation, fear even. The image of another body flashed into her mind. She pictured Monica Leaze, who was obviously tied into this case and had so much to tell them, lying dead on the attic floor.

But she knew she was being ridiculous. There was no stink of decay, no sign of a forced entry into the house. She hauled herself to her feet and looked around her. Here, for the first time, there was a sense that the artist had put her own stamp on the place. The floorboards were bare. No attempt had been made to sand or varnish them and in places there were splashes of paint. A big scrubbed pine table stood under one of the sloping windows and beside it there was an easel. From the window the view was out over a low-lying meadow to the water. There were no paints or brushes, and no cupboard where they might be stored. Monica must have packed them all away and taken them with her.

But she had left the easel. Perez had followed Willow into the room and was standing looking at it, his first point of reference. A piece of thick cream paper had been clipped to the easel and on it Monica had been making a pencil drawing. A woman lying on her back in a long, flowing dress. The background shaded. It was a sketch of Eleanor Longstaff lying dead in the loch at Meoness.

Chapter Thirty-Six

In Sletts, Polly was packing. She was pleased to be in the bedroom away from Ian, who had already started drinking again. She supposed she should be tolerant, because a bereaved husband ought to be allowed to grieve in his own way, but his pent-up fury was becoming unbearable. And she wished that he didn’t drink so heavily. It made him unpredictable and morose.

Her mother had been a Methodist and had disapproved of alcohol altogether. Polly worried occasionally that she was morphing into her mother, becoming middle-aged and anxious before her time. Sometimes Eleanor had teased her for being staid. ‘Pol, just relax, won’t you. You’re still young!’ Polly wondered how she’d cope without Eleanor to make her laugh, to tempt her to try new experiences. Would she turn into everyone’s stereotype of a librarian, dull and officious? Then she thought that she had Marcus to bring adventure into her life, so perhaps there was still hope for her. She’d miss Eleanor’s company, but recently the three friends had become more distant. Perhaps she’d already reached a new phase in her life.

When they were younger they’d been so close. Polly remembered the late-night conversations, the three friends squashed, half-sitting, half-lying, into a single hall-of-residence bed, a duvet tucked around them against the chill Durham night, drinking tea or chocolate or vodka, depending on the occasion. Then it had been a matter of honour that they had no secrets. They’d talked about all their dreams and fears in detail. Exposing their souls and their petty anxieties.

Now she was astonished at how far they’d drifted apart, how little of their personal lives they’d shared recently. Perhaps that had started with the move to London. London had demanded a gloss of sophistication and pretence. With their smarter clothes and their new friends, they’d developed different personas; suddenly they were competent, witty and self-sufficient. But now she thought that Eleanor and Caroline had always been actors, fitting into new situations in order to survive and excel. Perhaps they’d been performing as much in the draughty university bedroom as in the smart wine bars that had become their natural home in the city. It was likely that Polly, for whom the university experience had been a kind of magic, making her feel that she belonged with people of her own age for the first time, had simply been naive.

On the bed Polly laid out the bridesmaid’s dress she’d worn to the hamefarin’, folded it carefully and put it in the suitcase. She supposed that Eleanor’s dress would be kept as evidence, and in the end it would be destroyed. She looked out of the window. It was early evening and the fog was drifting in from the water again, blurring the horizon so that it was impossible to see where the sky ended and the sea began. In the room next door she heard the men’s voices. Marcus was being a saint. He hardly knew Ian, but he was supporting him, calming him, allowing him to talk. Allowing him to drink and to rant. Polly took a shirt from the wardrobe and folded that too.

She’d almost finished when Caroline and Lowrie arrived. She heard the door and their voices, wonderfully normal, and her mood lifted. The following day at this time she’d be on the boat south. Then she and Marcus would be alone in their own car for the drive to London. They could forget about Ian and dead people. Eleanor would have left Shetland without a second thought, in their situation. Polly had a tendency to be too introspective, and shutting herself away in her room wasn’t helping. She opened the door and went out to greet her friends.

They were dressed almost as if it was winter, in anoraks and boots, and Lowrie carried a rucksack that clunked with bottles when he set it on the floor.

‘You can’t spend your last night in Shetland tucked away in here brooding,’ Caroline said. Classic Caroline, prefect and social worker rolled into one. ‘We’ve got a plan.’

It seemed that a friend of Lowrie’s was a chef and he’d come across from Lerwick to set up a pop-up restaurant for the night in the boat club, in a settlement just down the coast. ‘A couple of miles’ walk to get us hungry,’ Caroline said. ‘Then great Shetland food, some good wine, and we’ll roll back before it gets too late. What do you think?’

Polly thought that whatever they made of the plan, the rest of them would go along with it. Caroline in this mood was unstoppable. And although they teased her for being bossy, actually they were usually glad to have someone to make decisions for them. Without her they would dither and nothing would get done.

And it seemed that Ian was up for an evening away from the house, was even the most enthusiastic of them. They put on their outdoor clothes and set out on the walk. The path took them past the spot where Eleanor’s body had been found, but nobody mentioned it.
We’re so selfish
, Polly thought.
We care more about our own psyches than we do about our dead friend. We do what we must to survive intact.

When they arrived at the boat club the party was already in full swing. It was in a modern wooden building looking over a small marina, where small motor boats were tied to a line of jetties and the occasional grand yacht was moored. The club room was on the first floor and they left their outdoor clothes in the cloakroom downstairs. From the room came the sound of laughter, a gabble of voices. Polly had a moment of panic. She was an undergraduate again preparing to attend a formal college dinner, hesitating outside, sick with nerves, certain that she’d use the wrong fork, would blush whenever anyone spoke to her; that she would break one of those unwritten rules that set the educated middle classes apart from the rest. Waiting to go into the club room, she had the same physical signs of panic – the racing heart and sweating palms, the same instinct to run. Then it had been Eleanor who’d arrived, linked arms and swept her into hall before she could protest. Now it was Marcus, who gave a theatrical little bow, offered her his arm and walked with her up the stairs.

The room had been set out with two long trestle tables covered with white cloths and decorated with candles and flowers in glass vases. Boat-club members dressed in black were acting as waiters. It seemed as if everyone had been waiting for them, because there was a sympathetic cheer when they walked in, and Marcus – reading the situation immaculately as always – gave another, deeper bow. Caroline waved at people she knew. They were handed a small glass of whisky and took their seats at the end of the table. Lowrie pulled the bottles of wine from his rucksack. In the corner a young woman began to play a plaintive tune on the violin. Polly drank the whisky and found that her pulse had steadied. Food appeared on the table: fish and lamb, but in front of her a dish of roasted vegetables and a lentil-and-mushroom sauce, which, it seemed, had been cooked specially for her. The waitress even knew her name.

It took her a while to settle. She still felt that they were the centre of attention, and the inquisitive glances from other diners made her feel uncomfortable, thrown. As if she’d stumbled into a surprise party, only to realize that hers was the birthday being celebrated. She supposed the murders had made them objects of interest. Eventually, after a glass of wine, she began to relax and take in her surroundings. Marcus was having a great time. She saw that he viewed these social occasions in Shetland with the same clear, anthropological eye as when he’d shared supper with Berber villagers in Morocco. Perhaps he’d plan a trip here for rich American and German tourists, persuade the boat club and Lowrie’s friend to re-create this dinner just for them. She wondered if there might be something slightly patronizing in his attitude to his hosts; he was an observer rather than a participant and she sensed that he found the local customs faintly amusing. But then she was an observer too.

Lowrie and Caroline seemed to know most of the people in the room. Polly recognized some of them from the wedding party. There was Lowrie’s cousin, the chatty young woman with the baby, and her husband. All the talk was of the newly-weds’ move back to Shetland and the new house in Vidlin. Nobody mentioned the murders. Perhaps the frenetic jollity, the too-brittle laughter, were an attempt to cover the awkward fact that the hosts knew they could be entertaining potential killers. In lulls in the conversation Polly heard Caroline and Lowrie gossiping about mutual friends, university politics and illicit love affairs. It was as if Eleanor hadn’t died and normal life had been resumed.

Polly was sitting next to Caroline on one side and a large woman wearing a loose silk tunic in a vivid purple on the other. Caroline was talking to a friend across the table.

‘So you work at the Sentiman Library?’ The large woman in purple had a gentle voice, very musical and clear, despite the babble in the background.

Again Polly was thrown. How could this stranger know what she did for a living? Were Shetlanders all mind-readers? She had the sudden thought that she must be imagining the whole scene and that she’d dreamed the stay on Unst, from the moment of their arrival in the islands. Nothing here was real. Soon she’d wake up to find that Eleanor was still alive.

‘I visited once,’ the woman went on. ‘It was quite fascinating. It must be a wonderful place to work.’ Then she must have noticed Polly’s confusion because she introduced herself as a historian from the museum in Lerwick. ‘Simon, the archivist, said you’d been in to see us. I can see why you were interested in Peerie Lizzie. One domestic tragedy and a whole mythology grows up around it. We all have to find ways to explain the things that make us sad. Chance is never quite enough, is it?’

Polly wasn’t sure how to answer, so she just smiled. But she thought the idea was interesting. Would Eleanor become part of the Peerie Lizzie myth; would the story mutate and develop to include a strange, dark woman from the south? A pretty teenage boy came to clear her plate. At the other end of the room three children had started to dance to the fiddle music. The historian turned away to continue a conversation with an elderly man on the other side of the table. It seemed that Polly wasn’t expected to reply. She sat back in her chair and glanced outside. The fog was dense and grey and blanked out the light. The candles in the room glowed in the shadow. She looked again at the children dancing. Some of the adults had started to clap to the rhythm, cheering them on. The music got faster and the dancing more wild. The audience banged on the table to the beat. There were two boys and a girl. The boys had grey shirts and identical hand-knitted Fair Isle waistcoats. The girl was dressed in white and had black pumps on her feet. With a start, Polly realized that she was familiar. It was the child from the beach. Eleanor’s ghost-child.

Chapter Thirty-Seven

Sandy was in the office at Springfield House. He’d been working on the boring stuff, sitting at the computer in the hotel office checking the history of the people involved on the periphery of the case. Now he’d taken a break, made himself coffee and was thinking again about Elizabeth Geldard. He didn’t understand how the death of a bairn so long ago could trigger a series of murders in the present, but Jimmy Perez was a great one for history, for digging into the past, and Sandy always wanted to impress him. At the same time, at the back of his mind he was thinking about Louisa. Of course he fancied her to bits, but he’d never been so choosy and he’d fancied lots of lasses, had been out with a few of them. This time it was different, though. He admired Louisa too. The job in the school, and caring for her mother and dealing with the complication of her family life with such dignity and good humour. Once this was over he’d find a way of taking her out. It must be possible to find someone to care for the old lady for an evening. He wondered where Louisa might like to go. It would be splendid to give her a treat.