The Worst Years of Your Life (16 page)

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Authors: Mark Jude Poirier

BOOK: The Worst Years of Your Life
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Slud is crippled. He wears a shoe with a built-up heel to balance himself.

“Ah, Slud,” I say, “I've seen him run.”

“He has beaten the horses in the park. It's very beautiful,” Slud says.

“He's handsome, isn't he, Clob?” Clob looks contagious, radioactive. He has severe acne. He is ugly
under
his acne.

“He gets the girls,” Clob says.

He gets
everything,
I think. But I'm alone in my envy, awash in my lust. It's as if I were a prophet to the deaf. Schnooks, schnooks, I want to scream, dopes and settlers. What good does his smile do you, of what use is his good heart?

The other day I did something stupid. I went to the cafeteria and shoved a boy out of the way and took his place in the line. It was foolish, but their fear is almost all gone and I felt I had to show the flag. The boy only grinned and let me pass. Then someone called my name. It was
him.
I turned to face him. “Push,” he said, “you forgot your silver.” He handed it to a girl in front of him and she gave it to the boy in front of her and it came to me down the long line.

I plot, I scheme. Snares, I think; tricks and traps. I remember the old days when there were ways to snap fingers, crush toes, ways to pull noses, twist heads and punch arms—the old-timey Flinch Law I used to impose, the gone bully magic of deceit. But nothing works against him, I think. How does he know so much? He is bully-prepared, that one, not to be trusted.

I
T IS WORSE
and worse.

In the cafeteria he eats with Frank. “You don't want those potatoes,” he tells him. “Not the ice cream, Frank. One sandwich, remember. You lost three pounds last week.” The fat boy smiles his fat love at him. John Williams puts his arm around him. He seems to squeeze him thin.

He's helping Mimmer to study. He goes over his lessons and teaches him tricks, short cuts. “I want you up there with me on the Honor Roll, Mimmer.”

I see him with Slud the cripple. They go to the gym. I watch from the balcony. “Let's develop those arms, my friend.” They work out with weights. Slud's muscles grow, they bloom from his bones.

I lean over the rail. I shout down, “He can bend iron bars. Can he pedal a bike? Can he walk on rough ground? Can he climb a hill? Can he wait on a line? Can he dance with a girl? Can he go up a ladder or jump from a chair?”

Beneath me the rapt Slud sits on a bench and raises a weight. He holds it at arm's length, level with his chest. He moves it high, higher. It rises above his shoulders, his throat, his head. He bends back his neck to see what he's done. If the weight should fall now it would crush his throat. I stare down into his smile.

I see Eugene in the halls. I stop him. “Eugene, what's he done for you?” I ask. He smiles—he never did this—and I see his mouth's flood. “High tide,” I say with satisfaction.

Williams has introduced Clob to a girl. They have double-dated.

A
WEEK AGO
John Williams came to my house to see me!
I wouldn't let him in.

“Please open the door, Push. I'd like to chat with you. Will you open the door? Push? I think we ought to talk. I think I can help you to be happier.”

I was furious. I didn't know what to say to him. “I don't want to be happier. Go way.” It was what little kids used to say to me.


Please
let me help you.”


Please
let me—” I begin to echo. “Please let me alone.”

“We ought to be friends, Push.”

“No deals.” I am choking, I am close to tears. What can I do?
What?
I want to kill him.

I double-lock the door and retreat to my room. He is still out there. I have tried to live my life so that I could keep always the lamb from my door.

He has gone too far this time; and I think sadly, I will have to fight him, I will have to fight him. Push pushed. I think sadly of the pain. Push pushed. I will have to fight him. Not to preserve honor but its opposite. Each time I see him I will have to fight him. And then I think—
of course!
And
I
smile. He has done
me
a favor. I know it at once. If he fights me he fails. He fails if he fights me.
Push pushed pushes!
It's physics! Natural law! I know he'll beat me, but I won't prepare, I won't train, I won't use the tricks I know. It's strength against strength, and my strength is as the strength of ten because my jaw is glass!
He doesn't know everything, not everything he doesn't.
And I think, I could go out now, he's still there, I could hit him in the hall, but I think, No, I want them to see, I want
them
to see!

The next day I am very excited. I look for Williams. He's not in the halls. I miss him in the cafeteria. Afterward I look for him in the schoolyard where I first saw him. (He has them organized now. He teaches them games of Tibet, games of Japan; he gets them to play lost sports of the dead.) He does not disappoint me. He is there in the yard, a circle around him, a ring of the loyal.

I join the ring. I shove in between two kids I have known. They try to change places; they murmur and fret.

Williams sees me and waves. His smile could grow flowers.

“Boys,” he says, “boys, make room for Push. Join hands, boys.” They welcome me to the circle. One takes my hand, then another. I give to each calmly.

I wait.
He doesn't know everything.

“Boys,” he begins, “today we're going to learn a game that the knights of the lords and kings of old France used to play in another century. Now you may not realize it, boys, because today when we think of a knight we think, too, of his fine charger, but the fact is that a horse was a rare animal—not a domestic European animal at all, but Asian. In western Europe, for example, there was no such thing as a work horse until the eighth century. Your horse was just too expensive to be put to heavy labor in the fields. (This explains, incidentally, the prevalence of famine in western Europe, whereas famine is unrecorded in Asia until the ninth century, when Euro-Asian horse trading was at its height.) It wasn't only expensive to purchase a horse, it was expensive to keep one. A cheap fodder wasn't developed in Europe until the tenth century. Then, of course, when you consider the terrific risks that the warrior horse of a knight naturally had to run, you begin to appreciate how expensive it would have been for the lord—unless he was extremely rich—to provide all his knights with horses. He'd want to make pretty certain that the knights who got them knew how to handle a horse. (Only your knights errant—an elite, crack corps—ever had horses. We don't realize that most knights were
home
knights;
chevalier chez
they were called.)

“This game, then, was devised to let the lord, or king, see which of his knights had the skill and strength in his hands to control a horse. Without moving your feet, you must try to jerk the one next to you off balance. Each man has two opponents, so it's very difficult. If a man falls, or if his knee touches the ground, he's out. The circle is diminished but must close up again immediately. Now, once for practice only—”

“Just a minute,” I interrupt.

“Yes, Push?”

I leave the circle and walk forward and hit him as hard as I can in the face.

He stumbles backward. The boys groan. He recovers. He rubs his jaw and smiles. I think he is going to let me hit him again. I am prepared for this. He knows what I'm up to and will use his passivity. Either way I win, but I am determined he shall hit me. I am ready to kick him, but as my foot comes up he grabs my ankle and turns it forcefully. I spin in the air. He lets go and I fall heavily on my back. I am surprised at how easy it was, but am content if they understand. I get up and am walking away, but there is an arm on my shoulder. He pulls me around roughly. He hits me.

“Sic semper tyrannus,”
he exults.

“Where's your other cheek?” I ask, falling backward.

“One cheek for tyrants,” he shouts. He pounces on me and raises his fist and I cringe. His anger is terrific. I do not want to be hit again.

“You see? You see?” I scream at the kids, but I have lost the train of my former reasoning. I have in no way beaten him. I can't remember now what I had intended.

He lowers his fist and gets off my chest and they cheer. “Hurrah,” they yell. “Hurrah, hurrah.” The word seems funny to me.

He offers his hand when I try to rise. It is so difficult to know what to do. Oh God, it is so difficult to know which gesture is the right one. I don't even know this. He knows everything, and I don't even know this. I am a fool on the ground, one hand behind me pushing up, the other not yet extended but itching in the palm where the need is. It is better to give than receive, surely. It is best not to need at all.

Appalled, guessing what I miss, I rise alone.

“Friends?” he asks. He offers to shake.

“Take it, Push.” It is Eugene's voice.

“Go ahead, Push.” Slud limps forward.

“Push, hatred's so ugly,” Clob says, his face shining.

“You'll feel better, Push,” Frank, thinner, taller, urges softly.

“Push, don't be foolish,” Mimmer says.

I shake my head. I may be wrong. I am probably wrong. All I know at last is what feels good. “Nothing doing,” I growl. “No deals.” I begin to talk, to spray my hatred at them. They are not an easy target even now. “Only your knights errant—your crack corps—ever have horses. Slud may dance and Clob may kiss but they'll never be good at it.
Push is no service animal.
No.
No.
Can you hear that, Williams? There isn't any magic, but your no is still stronger than your yes, and distrust is where I put my faith.” I turn to the boys. “What have you settled for? Only your knights errant ever have horses.
What have you settled for?
Will Mimmer do sums in his head? How do you like your lousy hunger, thin boy? Slud, you can break me but you can't catch me. And Clob will never shave without pain, and ugly, let me tell you, is
still
in the eye of the beholder!”

John Williams mourns for me. He grieves his gamy grief. No one has everything—not even John Williams. He doesn't have
me.
He'll never have me, I think. If my life were only to deny him that, it would almost be enough. I could do his voice now if I wanted. His corruption began when he lost me. “You,” I shout, rubbing it in, “
indulger,
dispense me no dispensations. Push the bully hates your heart!”

“Shut him up, somebody,” Eugene cries. His saliva spills from his mouth when he speaks.

“Swallow!
Pig, swallow!

He rushes toward me.

Suddenly I raise my arms and he stops. I feel a power in me. I am Push, Push the bully, God of the Neighborhood, its incarnation of envy and jealousy and need. I vie, strive, emulate, compete, a contender in every event there is. I didn't make myself. I probably can't save myself, but maybe that's the only need I don't have. I taste my lack and that's how I win—by having nothing to lose. It's not good enough! I want and I want and I will die wanting, but first I will have something. This time I will have something. I say it aloud. “This time I will have something.” I step toward them. The power makes me dizzy. It is enormous. They feel it. They back away. They crouch in the shadow of my outstretched wings. It isn't deceit this time but the real magic at last, the genuine thing: the cabala of my hate, of my irreconcilableness.

Logic is nothing. Desire is stronger.

I move toward Eugene.
“I will have something,”
I roar.

“Stand back,” he shrieks, “I'll spit in your eye.”


I will have something.
I will have terror. I will have drought. I bring the dearth. Famine's contagious. Also is thirst. Privation, privation, barrenness, void. I dry up your glands, I poison your well.”

He is choking, gasping, chewing furiously. He opens his mouth. It is dry. His throat is parched. There is sand on his tongue.

They moan. They are terrified, but they move up to see. We are thrown together. Slud, Frank, Clob, Mimmer, the others, John Williams, myself. I will not be reconciled, or halve my hate.
It's
what I have, all I can keep. My bully's sour solace. It's enough, I'll make do.

I can't stand them near me. I move against them. I shove them away. I force them off. I press them, thrust them aside.
I push through.

The Beauty Treatment
S
TACEY
R
ICHTER

S
HE SMILED WHEN SHE SAW ME COMING, THE
B
ITCH, SHE
smiled and stuck her fingers in her mouth like she was plucking gum out of her dental work. Then, with a little pout, like a kiss, I saw a line of silver slide toward my face. I swear to God, I thought she'd pried off her braces. I thought she'd worked one of those bands free and was holding it up to show me how proud she was to have broken loose of what we referred to, in our charming teenage banter, as oral bondage. The next thing I know there's blood all over my J. Crew linen fitted blouse, in edelweiss—a very delicate, almost ecru shade of white, ruined now. There's blood all over the tops of my tits where they pushed out my J. Crew edelweiss linen shirt and a loose feeling around my mouth when I screamed. My first thought was Fuck, how embarrassing, then I ran into the girls' room and saw it: a red gash parted my cheek from my left temple to the corner of my lip. A steady stream of blood dripped off my jawline into the sink. One minute later, Cyndy Dashnaw found the razor blade on the concrete floor of the breezeway, right where the Bitch had dropped it.

Elizabeth Beecher and Kirsty Moseley run into the bathroom and go Oh my God, then drag me screaming hysterically, all three of us screaming hysterically, to Ms. B. Meanwhile, the Bitch slides into her Mercedes 450SL, lime green if you can believe that—the A-1 primo daddy-lac of all time—and drives off smoking Kools. I'm in the nurse's office screaming with Ms. B. calmly applying pressure and ordering Mr. Pierce, the principal, to get in gear and haul my ass to the emergency room. This is what you get from watching too much TV, I'm thinking, and believing your workaholic father when he tells you during one of his rare appearances that you're the Princess of the Universe to which none can compare. And then watching teenage girls from Detroit on
Montel,
for God's sake—the
inner city
—froth and brag about hiding razors under their tongues and cutting up some ho because she glanced sideways at the boyfriend: I mean, help me. This is the twentieth century. My father's a doctor. The Bitch's father is a developer who's covered half of Scottsdale with lifestyle condos. We consume the most expensive drugs, cosmetics, and coffee known to man. Tell me: what was she thinking?

I went to the emergency room where the nurse gave me a shot to stop the screaming and eventually my mother came down and the nurse had to give her a pill to stop her from screaming too. Once Mother had sufficiently calmed she paged Dr. Wohl, who'd done her tits, and had him run down and stitch me up with some special Indonesian silk that would make me look, he promised, like a slightly rakish movie star. Afterward, during the healing process, was when my mother really started broadcasting the wonders of Smith College and Mount Holyoke or, if worse came to worse, Mills. Women's colleges were so liberating, she said, waving her tennis elbow around to signify freedom. It was such a blessing, she said, to study without all that nasty competition and distraction from boys. That's when I knew I was in for it. If my mother, who wanted nothing more than for me to marry a Jewish doctor like she had—to duplicate her glorious life and live bored and frustrated in the suburbs and flirt with the other bald, wrinkled, fat, ugly doctors at the tennis club on Wednesday afternoons—if
this
mother was trying to usher me away from the prying eyes of young, male, pre-med students, I knew it was all over for me. I knew my looks were shot.

And another thing—as if I'd relish the thought of living with a bunch of chicks in hormonal flux after a prime example, the Bitch, my best friend, sliced a gill into my cheek for no apparent reason. Why did she do it? they kept asking. What happened between you? Ask her yourself, I replied. Ask the Bitch. But I knew she would never tell. How could she? It was bad enough that they took her down to the police station and put her in a cell without air-conditioning until her daddy showed up with
two
lawyers and escorted her out of there like she was Queen of the May Parade. It was bad enough that she got kicked out of Phoenix Country Day and had to go to Judson—
Judson,
where bad kids from California with parents who didn't want them were sent to board. At Judson, even the high school students had to wear uniforms.

Uniforms, ha ha, it served her right. After The Accident as my mother called it, or The Beauty Treatment, as my father referred to it, I was treated like that guy my verbal teacher at Princeton Review told us about, the prodigal son, but a female version. Did I shop? I shopped till I dropped. I had all the latest stuff from the stores
and
the catalogs. I had six pairs of Doc Martens, a set of sterling flatware (for my dowry), and a Chanel suit. We flew to New York to get the suit. All this accompanied by the message—through word and gesture of Arthur and Judi, doting parents—that no matter what I had, I could not have enough. Not only did I deserve this, I deserved this and more. I had suffered, and every available style of Swatch would bring relief.

The Bitch, meanwhile, was slogging through her days in a tartan skirt and knee socks. She was locked in a world without jewelry, handbags, or accessories. White shirt, button-down collar—no patterns, no decorations, no excuses. They couldn't even wear a demure white-on-white check. We got the lowdown from the Judson Cactus Wrens at soccer matches—big, bitter girls who charged the ball with clenched teeth and didn't even talk among themselves at half-time. They told us about the uniform requirements with a weird, stiff pride, like they were army recruits. Talk about future sadistic Phys Ed instructors, those Wrens were hard. Every time we had a game against them, half the Country Day girls got convenience periods and skipped out on a nurse's pass.

Even when I really did have my period, I never got a pass. I wasn't afraid of anything anymore, as long as the Bitch wasn't on the Judson soccer team, which she wasn't. I mean, what could happen that would be worse than what I had already gone through? Getting kicked in the shin? A torn earlobe? Being snubbed by Bobby English? Give me a break. I'd seen pain and passed through it. I was a superhero. I was a goddamn Jewish Joan of Arc riding a convertible Volkswagen Rabbit in a lemon yellow Chanel suit. After a few months, so many people had asked me what was wrong with my face that it stopped bothering me and I began to have fun with it. I even managed to work in some of my vocabulary words.

“I was on the back of Johnny Depp's motorcycle. He tried to feel me up, like the callow youth he is, and we wiped out.”

And, “I was wearing Lee press-on nails and had the most vehement itch.”

Or my personal favorite, “My father did it by accident, whilst beating me zealously,” which got horrified looks, especially from medical personnel.

All in all, things weren't so bad. Everyone at school was being really nice, and I was getting extra time to make up my homework. This while the Bitch had to either go straight home from school or go directly to the shrink. Even her stupid, doting mother thought she was crazy for a day or two; I know because her mom and my mom are friends, though I must say the relationship is, oh, a bit
strained.
The Bitch must have put them off with a fake story because if she ever told the truth they'd put her in the nuthouse with her schizophrenic brother where she probably belongs. She must have told them that I had stolen her boyfriend or shafted her on a dope deal. She must have told them something that would have sounded plausible on
Oprah
or
Montel,
something gritty and real—the kind of thing they wanted. When the truth is the Bitch started hating me one day out of the clear blue after we'd been friends for six years, since we were ten years old, because I wanted to go into a store and buy the sheet music for “Brokenhearted,” a song made famous by the singer Brandy.

The Bitch hated Brandy. The Bitch was going through what Mr. Nesbit, our school counselor, referred to as a
phase.
The Bitch, natural born white girl, with a special pair of Mormon panties in her dresser and her own frequent flyer miles on her own credit card, wanted to be a homegirl. She had her dishwater hair done up in scrawny braids and got paste-on acrylic nails with a charm on the ring finger that said “Nubian.” She wore deep brown lipstick from the Soul Collection at Walgreen's. When her braids got frizzy, which didn't take long, she slicked them back with Afro Sheen.

I, on the other hand, did not wish to be a homegirl. I figured it was my lot to try to survive as a rich, white Jewish girl who could not do the splits and therefore would never be a cheerleader and it would be fruitless to reach for anything else. I had nothing against black people, though it's true I didn't know any. Was it my fault there weren't any black families clamoring to send their children to Phoenix Country Day? Was it my fault my parents trundled me off to a snooty private school? Hell no! I was a pawn, a child, and the worst sin I was guilty of, according to those tablets Moses obtained, was taking off my bra for Bobby English and ridiculing my loving parents whenever I got a chance. Thus, I had no longings to be a homegirl, and it pissed the Bitch off. She said I was spoiled. She said we should be tough. She said black chicks were the coolest and saw the world for what it really was—a jungle; a merciless, dog-eat-dog world.

Which struck me as strange, especially considering the Bitch had the sweetest dog in the world named, perhaps ironically, Blackie. Blackie was getting pretty old but still had some spunk. Right up to the day of the razor incident, the Bitch and I would take her out to the golf course in the evenings and let her bite streams of water shooting from the sprinklers. That dog was great. We both loved Blackie and urged her to go get the sprinklers, to really kill 'em; then she would lie down panting in the wet grass and act like she was never going to get up. The Bitch and I frequently discussed what we would do if tragedy struck and the dog died. Blackie was fourteen and had been the Bitch's companion almost her entire life. The void, the terrible void that would be left behind. We discussed filling it with taxidermy. She would have her stuffed, the Bitch said, in the sprinkler-biting posture, because that was when Blackie was the happiest, and we were the happiest sharing in her joy. She would put it on her credit card.

The loss of Blackie loomed all the more ominous, I suppose, since the Bitch's adoring father basically never came home from work and the Bitch's mother was preoccupied trying to get the schizophrenic brother either into or out of commitment. The brother was smoking a lot of pot and talking to little guys from Canada or Planet Centaur, it just depended. On occasions he'd be struck by the notion that the Bitch was the Bride of Pure Evil and one day he stuck a fork in her thigh. In return, she bit him, took off her shirt and showed him her tits, which mortified him so much he ran around the house for a while, then curled up in the corner. After that, if he was slipping, she'd wear a nursing bra at home so she could flash him when he got out of line.

All the while Blackie padded around after the Bitch, hoping for attention. She was a nuzzler, and even if the Bitch was busy doing something else she would insinuate her nose underneath one of her hands and just freeze there, pretending to be petted. It was touching. At night she would fall into a twitchy sleep beside the Bitch's bed. Every now and then she'd struggle to her feet and go stick her nose under the Bitch's arm or foot for a minute and hold it there. It was like she had to touch the Bitch every so often to make sure she was still okay. That dog was great. In fact, Blackie was probably the one creature she could count on, aside from me, and I could see why her decrepitude made the Bitch nervous.

Around the time Blackie was fading and her brother was going insane, the Bitch started acting even more homegirl and tough and was irked to high hell that I wouldn't get with the program. She was listening to all this gangsta rap in her Mercedes and never taking off her wraparound shades until the teacher made a specific and pointed request. I mean, even our favorite teacher, Mrs. DeMarzo, who talked like Katharine Hepburn, had to tell her to take them off. She had all these garments from the mall in extra large sizes which she referred to as “dope.” Of course, do I have to mention the Bitch is not one iota interested in
actually
hanging with the homegirls? I mean, she's not driving down to the South Side and having her Alpine stereo gouged from her dashboard while she rounds up some sistahs to talk jive with, or whatever. She is hanging with me and the other fair students of Phoenix Country Day School as always, but she's acting like she's too cool for us, like she's doing us a favor.

She was annoying, but I never considered dumping her. With me, in private, she wasn't so bad. I mean, the Bitch lived right down the street and we'd been best friends since fourth grade, when being best friends really meant something. I'd only seen one miracle in my sixteen years of life and the Bitch had been its agent. The miracle wasn't much, but it was enough to make me believe that there was some kind of power floating around in the universe and that the Bitch had a little influence with it. I figured that if I stuck close to her, my life would periodically be visited by blessings and magic, like in fairy tales. What happened was this: we were eleven years old, sitting in my room on top of the rainbow Marimekko print comforter, beneath the Olympische Spiele München posters, talking animatedly and intimately about whatever. Suddenly, the Bitch gasped and pointed to the candy-colored Venetian glass chandelier my mother brought back on the trip to Europe she took without my father. A beat of time passed. And then the chandelier winked out.

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