The Woman in the Fifth (23 page)

'Part of me wants to say, "Yes, I am appalled . . ."'

'And the other part?'

'Understands exactly why you felt that way.'

'Because you too want revenge?'

'I haven't suffered anything like you have.'

'True, no one died. But you did suffer the death of your marriage, your career. And your child will not speak with you . . .'

'As you reminded me earlier.'

'As you remind yourself every hour of every day. Because that's how guilt works.'

I stood up and started to get dressed.

'Leaving so soon?' Margit asked, sounding amused.

'Well, it is close to the "witching hour", isn't it?'

'True – but unusually you're the one leaving without a shove for a change. Now why might that be?'

I said nothing.

'Answer this question honestly, Monsieur Ricks. The person – I presume it is a man – who did you harm . . . Wouldn't you want harm to befall him?'

'Absolutely. But I'd never perpetrate it on him.'

'You're far too ethical,' she said.

'Hardly,' I said, then added, 'Three days from now?'

'You are a fool to be pursuing this.'

'Yes, I am.'

'Three days then,' she said, reaching for her cigarettes.

Later that night, as I sat at my desk in my windowless office, Margit's story continued to rattle around my head. The sheer terrible randomness of it all – the way life can come completely asunder in a moment – nagged at me all night. It also explained plenty about Margit's emotional reticence and the way she kept a certain distance from me. The longer I dwelled on it, the more I realized just how haunted she was by this appalling calamity, and how the grief would only end with her own death. Margit was right: there are certain tragedies from which we never recover. We may eventually adjust to the sense of loss that pervades every waking hour of the day. We may accept the desperate sadness that colors all perception. We may even learn to live with the loss. But that doesn't mean we will ever fully cauterize the wound or shut away the pain in some steel-tight box and consider it vanquished.

I finally got back to work, cranking out the usual thousand words. But when 6 a.m. finally showed up, I couldn't break free of my confinement, as this was the first night when I agreed to a twelve-hour marathon in exchange for a day off. The extra six hours dragged by. I forced myself to write another thousand words. I read another fifty pages of Simenon's
La Neige était sale
, gripped by his account of France under German occupation. Eventually I found myself pacing the room and actually doing situps on the concrete floor in an attempt to keep blood circulating and my brain awake. There were a few callers in daylight. Their images were clearer on camera. They were all men of seemingly Turkish origin, and they all kept their heads turned downward as they uttered the necessary password into the speakerphone. Who, I often wondered, was Monsieur Monde?
Someone you don't need to know
.

When noon arrived, I found myself blinking into the sunlight and needing to take in extended lungfuls of air and staggering home without the usual croissants and remembering to set the clock for 7 p.m. that night, and falling into a vast empty sleep, and waking with a jolt, and thinking how strange my existence was now: an all-night non-job, a sortof girlfriend who would only see me every three days, and the realization that – even though this was allegedly my 'day off ' – I would be staying awake all night, as I couldn't suddenly break the sleep-by-day schedule I had been living since starting this idiotic, wretched job.

So when I came to during the early evening, I hurried off to the Cinéma Grand Action on the rue des Écoles where a new print of Kubrick's
Spartacus
was being shown at 20h15. When it let out at 23h30 I kept thinking,
Margit's apartment is just a five-minute walk from here.
But I turned away and found a Mexican place off the boulevard Saint- Germain that did very authentic guacamole (or what I took to be authentic guacamole) and even better margaritas, and wonderful enchiladas washed down with Bohemia beer. The meal cost me fifty euros and I didn't give a damn, because I had just worked twelve hours, and this was my first night off in almost two months, and I was determined to throw financial caution to the wind tonight and get a little smashed and fall about Paris like a pinball. So when I finished my meal, I stopped in a
tabac
and bought a Cohiba Robusto and sauntered across the Seine, puffing happily on this absurdly expensive Cuban cigar and eventually reached Châtelet and a string of jazz clubs on the rue des Lombards. As it was almost one thirty in the morning, the guy on the door let me into Sunside without hitting me for the usual twenty-euro cover charge. I threw back a couple of whiskies and listened to a so-so local chanteuse – thin, big frizzy hair, a reedy voice that still somehow managed to swing with the Ellington and Strayhorne standards which she sang with her backing trio. When the set finished and the club emptied, I found myself on foot toward the Tenth
arrondissement
. It was well after two. This corner of Paris was deserted, bar a few entangled couples, and the street people who would once again be sleeping rough tonight, and the occasional drunk like myself. I followed the boulevard de Sébastopol most of the way home. As I got to Château d'Eau the smattering of Africans on the street looked at me as if I was a cop, taking a step back as I strode by. The rue de Paradis was shuttered – the Turkish workingmen's cafés long closed. Ditto the
bobo
restaurants. The occasional street lamp cast an oblong shaft of light on the pavement. There was no traffic, no ambient urban noise – just the percussive click of my heels punctuating the night . . . until I heard the tinny beat of shitty pop music up ahead, and saw that my local dingy bar was still open.

The barmaid – the same Franco-Turkish one I had seen there before – smiled as I entered. Without me asking, she poured me a beer, set it in front of me, and then turned and retrieved two glasses and a bottle and poured out two shots each of a clear liquid. Reaching for a pitcher, she added a drop of water to both drinks. As the liquid went murky, she raised a glass to me and said, '
Serefe
.'

Turkish for 'cheers'.

I raised my glass and clinked it against hers and, following her example, downed the shot in one go. As it traveled down my throat, all I could taste was its pastis-like flavor. But as soon as it hit my stomach, the alcoholic content kicked in: a one-hundred-and-ten-percent proof burn that made me grab the beer and drain it. The barmaid saw my discomfort and smiled.

'Raki,' she said, pouring us two more shots. 'Dangerous.'

Her name was Yanna. She was the wife of the owner, Nedim, who was back in Turkey helping bury some uncle.

'You marry a Turk, you find out they are always burying some fucking uncle, or sitting in a corner with a bunch of their friends, conspiring against someone who dared to make some pathetic slight against their family, or—'

'You're not Turkish?' I asked.

'Supposedly. Both my parents came from Samsun, but they emigrated in the seventies and I was born here. So yes, I am French – but if you are born into a Turkish family, you are never really allowed to escape its clutches. Which is why I ended up marrying Nedim – a second cousin and a fool.'

She clicked her glass against mine and threw back the raki. I followed suit and accepted the bottle of beer she handed me.

'Raki is good for just one thing,' she said. 'Getting smashed.'

'And every so often,' I said, 'we all need to get smashed.'

'
Tout à fait, monsieur.
But I have a question. Omar –
le cochon
– tells me you are American.'

'Absolutely.'

'So why do you have to live in his proximity?'

'Ever heard the expression, "a struggling artist"?'

'I've never met an artist. In this work, the only people you meet are assholes.'

'Artists can be assholes too.'

'But they are probably interesting assholes.'

Then, over three rakis – interrupted by the final orders of the two drunks semi-passed out in a corner – she gave me a rambling version of her life. Raised in this 'shitty
arrondissement
' when it was still primarily Turkish, always getting crap in school for being the child of
immigrés
, working in her father's little
épicerie
when she was seventeen, very strict parents, pushed into this arranged marriage with Nedim three years ago ('My twenty-first birthday present from my fucking parents').

'It could be worse,' she said. 'At least it's a bar, and not a
laverie
.'

But Nedim was a slob who expected her to play the traditional wife when it came to picking up after him. 'I am also duty-bound to spread my legs and fuck the idiot twice a week . . . a disgusting experience as the fool always burps just before coming . . .'

We kept throwing the rakis back, and she kept lighting up cigarettes and coughing. Finally she told the two drunks to beat it. When they had both staggered out, she looked at the mess around her – the dirty glasses, the brimming ashtrays, the tables and counters that needed wiping down, the floor to be swept and mopped – and shuddered.

'
This
,' she said, 'is the sum total of my life.'

'I should go,' I said.

'Not yet,' she said, standing up. She walked to the front door, locked it, then pulled down an inside set of shutters. She returned to where I was sitting, flashing me a drunken smile, took my hand and pulled me up from the chair, then placed the same hand under her short skirt and inside her
petite culotte.
As my index finger touched her slit, it became wet and she uttered a small groan before grabbing my head and shoving her tongue down my throat. I might have been drunk, but I was also cognizant of the fact that I was engaged in an insane activity. But my finger pushed deeper inside her. And her smoky, raki-coated mouth tasted . . . well, smoky and raki-coated. And the rational side of my brain was being trumped by the intoxicated moron with a hard penis. Before I knew it we were staggering into a dingy back room where there was a cot bed and a sink with rust stains (the small shitty details one notices while locked in a drunken carnal embrace), and she was unbuckling my jeans and I pulled down her panties and she kicked off her shoes, and we collapsed half-clothed on the cot, and I smelled damp from the grungy blanket covering the mattress, and the cot creaked under our combined weight, and when I hesitated from entering her she whispered, 'It is safe.' As soon as I was deep within her, she started doing mad, violent stuff like pulling my hair and lacerating my buttock with her nails, and pushing her free hand between us and aggressively rubbing her clitoris as I thrust into her. She must have woken two neighboring
arrondissements
as she came, then bit down hard on my tongue and wouldn't let go until I detonated inside of her.

Immediately she stood up and said, 'I have to clean up now.'

A minute or so later, after I had pulled up my jeans and spat blood into the sink (she had really done a number on my tongue), she hustled me out on to the street without a goodbye – just a fast guilty glance in either direction along the rue de Paradis to make certain no one she knew was about. The shutters came down. I walked a few steps along the street, then leaned against a wall, trying to fathom if what had just happened in the last ten minutes had just happened. But my brain was still too addled from all the booze and the sheer madness of it all. The blood in my mouth was flowing freely now and my tongue suddenly hurt like hell. So I staggered home and went back to my room and ran the tap and gargled with salt water for around two minutes, and spat out the bloodied water, and stripped off my clothes, and took three extra-strength ibuprofen tablets and a Zopiclone. The chemicals did the trick, but when I jolted awake at two, I found that I couldn't speak.

I discovered this because my wake-up call this morning wasn't my clock-radio; rather, several loud knocks on my door. As I staggered out of bed, my tongue touched the roof of my parched mouth and immediately recoiled in agony. I went to the little mirror hanging by the kitchen sink and opened my mouth. I shuddered when I saw what was inside. My tongue had taken on a general blue-black appearance and was grotesquely distended. The banging on the door increased. I opened it. Outside stood Omar – in a dirty T-shirt and a pair of cotton drawstring pants with fresh urine stains around the crotch. The first words out of his mouth were, 'You give me one thousand euros.'