The Windup Girl (50 page)

Your description is everywhere: on methane posts, on the street, being trampled by the crowds. You have nowhere to go.
She stifles the thought. The alley is enough. The alley, first. Then a new plan. She keeps her eyes on the ground. Clutches herself and mimes at sobbing. Shuffles for the alley. Slowly. Slowly.

"You! Get over here!"

Emiko freezes. Forces herself to look up slowly. A man beckons her, angry. She starts to speak, to protest, but someone behind her speaks instead.

"You have something to say to me,
heeya?"

A young man pushes past her, wearing a yellow headband and carrying a fistful of leaflets.

"What's that you've got there, boy?"

Others begin to drift over to watch the argument. The two start shouting at one another, posturing as they each try to establish dominance. Others start to take sides. To shout encouragement. Emboldened, the older slaps the younger and tries to tear off his yellow headband. "You're not for the Queen. You're a traitor!" He strips the flyers from the young man's hand and throws them onto the ground. Stamps on them. "Get out of here! Take
heeya
Pracha's lies with you." As leaflets blow through the crowd, Emiko catches a glimpse of Akkarat's face, drawn in caricature, smiling as he tries to eat the Grand Palace.

The younger one scrambles after his leaflets. "They're not lies! Akkarat seeks to tear down the Queen. It's obvious!"

People in the crowd jeer at him. But others shout encouragement. The boy turns away from the man, speaks to the crowd. "Akkarat is hungry for power. He always wants—"

The man kicks him in the ass. The boy whirls, enraged, and attacks. Emiko sucks in her breath. The boy is a fighter.
Muay thai
for certain. His elbow smashes into the man's head. The man collapses. The boy stands over him, screaming epithets, but his voice is drowned out by the crowd shouting and then others surge forward, enveloping him in a clot of fists. His screams fill the street.

Emiko turns and slips through the growing fight, no longer careful of her movements. People jostle her, rushing to aid or defend, and she shoves through as quickly as she can. In this moment, she is nothing to any of these people. She stumbles out of the riot and into the alley's shadows.

The fight is spreading down the street. Emiko hunts for garbage to cover herself. Behind her, glass shatters. Someone is screaming. She huddles beside a shattered WeatherAll crate, pulling refuse around her, durian rinds, the ripped hemp of a basket, discarded banana leaves, anything to give her cover. She freezes and hunkers low as rioters pelt down the alley, shouting. Everywhere she looks, she sees faces twisted with rage.

37

The main compounds of Mishimoto & Co. lie on the far side of the water, in Thonburi. The boat makes its way into a
khlong
, Kanya's hand careful on the tiller. Even here, outside of Bangkok proper, whisper sheets complain of Pracha and the windup killer.

"Do you think it's a good idea to come alone?" Jaidee asks.

"I've got you. It's enough company for anyone."

"I'm not so great at
muay thai
in this state."

"Pity."

The company's gates and jetties rise over the waves. The late afternoon sun scalds down on them. A water merchant paddles close, but even though Kanya is hungry, she does not dare waste even a moment. Already the sun seems to be crashing out of the sky. Her boat thumps against the pier and she whips its bow rope around a cleat.

"I don't think they'll let you in," Jaidee says. Kanya doesn't bother answering. It's odd that he has remained with her all the way across the water. The pattern of his
phii
was to take interest in her for a short time, and then to drift off to other things and other people. Perhaps he visited his children. Made apologies to Chaya's mother. But now he is with her all the time.

Jaidee says, "They won't be impressed with that white uniform, either. They've got too much influence with the Trade Ministry and the police."

Kanya doesn't answer, but sure enough, a Thonburi detachment of a police patrol guards the main gates of the compound. All around, the sea and
khlongs
lap. The Japanese are forward-looking, and have built themselves entirely on the water, on floating bamboo rafts that are said to lie nearly fifty feet thick, creating a compound nearly impervious to the floods and tides of the Chao Phraya River.

"I need to speak with Mr. Yashimoto."

"He is not available."

"It concerns property of his that was damaged during the unfortunate raids on the airfields. Paperwork for reparations."

The guard smiles uncertainly. Ducks inside.

Jaidee snickers. "Clever."

Kanya makes a face at him. "At least you have some use."

"Even if I'm dead."

A moment later they are being led into the halls of the compound. It is not a long walk. High walls obscure all evidence of manufacturing activity. The Megodont Union complains that no work could be accomplished without a power source, and yet the Japanese neither import their own megodonts, nor hire the union. It reeks of illegal technology. And yet the Japanese have provided a great deal of technical assistance to the Kingdom. In return for Thai seedstock advances, the Japanese provide the best of their sailing technologies. And so everyone is exquisitely careful not to ask too many questions about how a ship's hull is built and if the development process is entirely legal.

A door opens. A pretty girl smiles and bows. Kanya nearly draws her spring gun. The creature before her is a windup. The girl doesn't seem to notice Kanya's unease, though. Simply motions in her stutter-stop way for her to enter. Inside, the room is carefully decorated with tatami mats and Sumi-e paintings. A man Kanya assumes is Mr. Yashimoto kneels, painting. The windup leads Kanya to a seat.

Jaidee admires the art on the walls. "He painted it all, you know."

"How would you know?"

"I came to see if they really have ten-hands in their factory. Right after I died."

"And do they?"

Jaidee shrugs. "Go look for yourself."

Mr. Yashimoto dips his brush, and in an exquisitely swift motion completes the painting. He rises and bows to Kanya. He begins speaking in Japanese. The windup girl's own voice follows a second later, with a translation into Thai.

"I am honored by your visit."

He is silent for a moment and the windup girl falls silent as well. She is very pretty, Kanya supposes. In a strange porcelain way. Her cropped jacket is open at the collar, revealing the hollow of her throat, and her pale skirt molds fetchingly around her hips. She would be beautiful, if she were not so perverse.

"You know why I'm here?"

He nods shortly. "We have heard rumors of an unfortunate incident. And have seen our country discussed in your papers and whisper sheets." He looks at her significantly. "Many voices are being raised against us. Most unfair and inaccurate observations."

Kanya nods. "We have questions—"

"I wish to assure you that we are a friend of the Thai. From times long ago when we cooperated in the great war to now, we have always been a friend of the Thai."

"I want to know how—"

Yashimoto interrupts again. "Tea?" he offers.

Kanya forces herself to remain polite. "You're very kind."

Yashimoto motions to the windup girl, and she stands and leaves the room. Unconsciously, Kanya relaxes. The creature is. . . unsettling. And yet now that she is gone, silence stretches between them as they wait for the translator to return. Kanya feels seconds ticking away, minutes being lost. Time, time, time moving. Storm clouds gathering and here she sits, waiting for tea.

The windup girl returns, kneels beside them at the low table. Kanya forces herself not to speak, not to interrupt the girl's precise whisking and steeping of the tea, but it is an effort. The windup girl pours, and as Kanya watches the creature's strange movements, she thinks she sees a little of what the Japanese desired from their engineered servants. The girl is perfect, precise as clockwork, and contextualized by the tea ceremony, all her motions take on a ritual grace.

The windup carefully does not observe Kanya in return. Does not say anything about her being a white shirt. Does not observe that in another context Kanya would happily mulch her. She ignores Kanya's Environment Ministry uniform entirely. Exquisitely polite.

Yashimoto waits for Kanya to sip her tea, then sips himself. Sets his tea deliberately on the table. "Our countries have been friends always," he says. "Ever since our Emperor made a gift of tilapia to the Kingdom in the time of your great scientist King Bhumibol's time. We have always been steadfast." He looks at her significantly. "I hope that we can help you in this matter, but I wish to emphasize that we are friends of your country."

"Tell me about windups," Kanya says.

Yashimoto nods. "What do you wish to know?" He smiles, motions at the girl kneeling beside them. "This one, you can see for yourself."

Kanya keeps her expression impassive. It is difficult. The creature beside her is beautiful. Her skin is sleek, her movements surprisingly elegant. And she makes Kanya's skin crawl. "Tell me why you have them."

Yashimoto shrugs. "We are an old nation; our young are few. Good girls like Hiroko fill the gap. We are not the same as the Thai. We have calories but no one to provide the labor. We need personal assistants. Workers."

Kanya carefully makes no show of disgust. "Yes. You Japanese are very different. And except for your country, we have never granted this sort of niche—"

"Crime," Jaidee supplies.

"—exemption," she finishes. "No one else is allowed to bring in creatures like this one." She nods unwillingly at the translator, trying to hide the disgust in her voice. "No other country. No other factory."

"We are aware of the privilege."

"And yet you abuse it by bringing a military windup—"

Hiroko's words cut her off, even as Kanya continues to speak. Hiroko instead picks up the vehement response from her owner.

"No! This is impossible. We have no contact with such technology. None!"

Yashimoto's face is flushed, and Kanya wonders at his sudden anger. What sort of cultural insult has she unwittingly delivered? The windup girl continues her translation, no trace of emotion on her own face as she speaks with her owner's voice. "We work with New Japanese like Hiroko. She is loyal, thoughtful, and skilled. And a necessary tool. She is as necessary as a hoe for a farmer or a sword for a samurai."

"Strange that you mention a sword."

"Hiroko is no military creature. We do not have such technology."

Kanya reaches into her pocket and slaps down the picture of the windup killer. "And yet one of yours, imported by you, registered to your staff, has now assassinated the Somdet Chaopraya and eight others, and disappeared into thin air, as if she is some raging
phii.
But you sit before me and tell me that it is impossible for a military windup to be here!" Her voice rises to a shout, and the windup girl's translation finishes at a similar intensity.

Yashimoto's face stills. He takes the picture and studies it. "We will have to check our records."

He nods to Hiroko. She takes the photo and disappears out the door. Kanya watches Yashimoto for traces of anxiety or nervousness, but there are none. Irritation, she sees, but no fear. She regrets that she cannot speak directly with the man. Listening to her words echo into Japanese, Kanya wonders what surprise is lost when the windup girl delivers them. What preparation Hiroko provides for his shock.

They wait. He silently offers more tea. She refuses. He does not drink anymore himself. The tension in the room is so thick that Kanya half expects the man to leap to his feet and cut her down with the ancient sword that adorns the wall behind him.

A few minutes later, Hiroko returns. She hands the picture back to Kanya with a bow. Then speaks to Yashimoto. Neither of them betray any emotion. Hiroko kneels again beside them. Yashimoto nods at the photograph. "You're sure this was the one?"

Kanya nods. "There is no question."

"And this assassination explains the increasing rage in the city. There are crowds gathering outside the factory. Boat people. The police have driven them away, but they were coming with torches."

Kanya stifles her nervousness at the increasing frenzy. Everything is moving too fast. At some point, Akkarat and Pracha will be unable to back off without losing face and then everything will be lost. "The people are very angry," she says.

"It is misplaced anger. She is not a military windup." When Kanya tries to challenge him, he looks at her fiercely and she subsides. "Mishimoto knows
nothing
of military windups. Nothing. Such creatures are kept under strict control. They are used by our Defense Ministry, only. I could never possess one." He locks eyes with her. "Never."

"And yet—"

He continues to speak, with Hiroko translating, "I know of the windup you describe. She had fulfilled her duty—"

The windup girl's voice breaks off even as the old man continues speaking. She straightens and her eyes flick to Yashimoto. He frowns at her break in decorum. Says something to the windup. She ducks her head.
"Hai."

Another pause.

He nods at her to continue. She regains her composure, finishes translating. "She was destroyed according to requirements, rather than repatriated." The windup's dark eyes are on Kanya, steady, unblinking now, betraying nothing of the surprise she evinced a moment before.

Kanya watches the girl and the old man, two alien people. "And yet she apparently survived," she says finally.

"I was not the manager at the time," Yashimoto says. "I can only speak to what I know from our records."

"Records lie, apparently."

"You are correct. For this, there is no excuse. I am ashamed of what others have done, but I have no knowledge of the thing."

Kanya leans forward. "If you cannot tell me how she survived, then please, tell me how it is that this girl, capable of killing so many men in the space of heartbeats could come into this country. You tell me she is not military, but, to be direct, I'm having difficulty believing that she is not. This is a gross breach of our country's agreements."