The Voyage Out (22 page)

But Hirst merely drew his lips together very tightly and made no reply.

Ridley conjectured that it was now permissible for him to take his leave. Politeness required him to thank Mrs. Elliot for his tea, and to add, with a wave of his hand, “You must come up and see us.”

The wave included both Hirst and Hewet, and Hewet answered, “I should like it immensely.”

The party broke up, and Susan, who had never felt as happy in her life, was just about to start for her walk in the town with Arthur, when Mrs. Paley beckoned her back. She could not understand from the book how Double Demon patience is played; and suggested that if they sat down and worked it out together it would fill up the time nicely before dinner.

Among the promises which Mrs. Ambrose had made her niece should she stay was a room cut off from the rest of the house, large, private—a room in which she could play, read, think, defy the world, a fortress as well as a sanctuary. Rooms, she knew, became more like worlds than rooms at the age of twenty-four. Her judgment was correct, and when she shut the door Rachel entered an enchanted place, where the poets sang and things fell into their right proportions. Some days after the vision of the hotel by night she was sitting alone, sunk in an arm-chair, reading a brightly-covered red volume lettered on the back
Works of Henrik Ibsen.
¹
Music was open on the piano, and books of music rose in two jagged pillars on the floor; but for the moment music was deserted.

Far from looking bored or absent-minded, her eyes were concentrated almost sternly upon the page, and from her breathing, which was slow but repressed, it could be seen that her whole body was constrained by the working of her mind. At last she shut the book sharply, lay back, and drew a deep breath, expressive of the wonder which always marks the transition from the imaginary world to the real world.

“What I want to know,” she said aloud, “is this: What is the truth?
What’s the truth of it all?” She was speaking partly as herself, and partly as the heroine of the play she had just read. The landscape outside, because she had seen nothing but print for the space of two hours, now appeared amazingly solid and clear, but although there were men on the hill washing the trunks of olive trees with a white liquid, for the moment she herself was the most vivid thing in it—an heroic statue in the middle of the foreground, dominating the view. Ibsen’s plays always left her in that condition. She acted them for days at a time, greatly to Helen’s amusement; and then it would be Meredith’s turn and she became Diana of the Crossways.
²
But Helen was aware that it was not all acting, and that some sort of change was taking place in the human being. When Rachel became tired of the rigidity of her pose on the back of the chair, she turned round, slid comfortably down into it, and gazed out over the furniture through the window opposite which opened on the garden. (Her mind wandered away from Nora;
³
but she went on thinking of other things that the book suggested to her; of women and life.)

During the three months she had been here she had made up considerably, as Helen meant she should, for time spent in interminable walks round sheltered gardens, and the household gossip of her aunts. But Mrs. Ambrose would have been the first to disclaim any influence, or indeed any belief that to influence was within her power. She saw her less shy, and less serious, which was all to the good, and the violent leaps and the interminable mazes which had led to that result were usually not even guessed at by her. Talk was the medicine she trusted to, talk about everything, talk that was free, unguarded, and as candid as a habit of talking with men made natural in her own case. Nor did she encourage those habits of unselfishness and amiability founded upon insincerity which are put at so high a value in mixed households of men and women. She desired that Rachel should think, and for this reason offered books and discouraged too entire a dependence upon Bach and Beethoven and Wagner. But when Mrs. Ambrose would have suggested Defoe, Maupassant,
⁴
or some spacious chronicle of family life, Rachel chose modern books, books in shiny yellow covers, books with a great deal of gilding on the back, which were tokens
in her aunts’ eyes of harsh wrangling and disputes about facts which had no such importance as the moderns claimed for them. But she did not interfere. Rachel read what she chose, reading with the curious literalness of one to whom written sentences are unfamiliar, and handling words as though they were made of wood, separately of great importance, and possessed of shapes like tables or chairs. In this way she came to conclusions, which had to be remodelled according to the adventures of the day, and were indeed recast as liberally as any one could desire, leaving always a small grain of belief behind them.

Ibsen was succeeded by a novel such as Mrs. Ambrose detested, whose purpose was to distribute the guilt of a woman’s downfall upon the right shoulders; a purpose which was achieved, if the reader’s discomfort were any proof of it. She threw the book down, looked out of the window, turned away from the window, and relapsed into an arm-chair.

The morning was hot, and the exercise of reading left her mind contracting and expanding like the mainspring of a clock. The sounds in the garden outside joined with the clock, and the small noises of midday, which one can ascribe to no definite cause, in a regular rhythm. It was all very real, very big, very impersonal, and after a moment or two she began to raise her first finger and to let it fall on the arm of her chair so as to bring back to herself some consciousness of her own existence. She was next overcome by the unspeakable queerness of the fact that she should be sitting in an arm-chair, in the morning, in the middle of the world. Who were the people moving in the house—moving things from one place to another? And life, what was that? It was only a light passing over the surface and vanishing, as in time she would vanish, though the furniture in the room would remain. Her dissolution became so complete that she could not raise her finger any more, and sat perfectly still, listening and looking always at the same spot. It became stranger and stranger. She was overcome with awe that things should exist at all.… She forgot that she had any fingers to raise.… The things that existed were so immense and so desolate.… She
continued to be conscious of these vast masses of substance for a long stretch of time, the clock still ticking in the midst of the universal silence.

“Come in,” she said mechanically, for a string in her brain seemed to be pulled by a persistent knocking at the door. With great slowness the door opened and a tall human being came towards her, holding out her arm and saying:

“What am I to say to this?”

The utter absurdity of a woman coming into a room with a piece of paper in her hand amazed Rachel.

“I don’t know what to answer, or who Terence Hewet is,” Helen continued, in the toneless voice of a ghost. She put a paper before Rachel on which were written the incredible words:

Rachel read the words aloud to make herself believe in them. For the same reason she put her hand on Helen’s shoulder.

“Books—books—books,” said Helen, in her absent-minded way. “More new books—I wonder what you find in them.…”

For the second time Rachel read the letter, but to herself. This time, instead of seeming vague as ghosts, each word was astonishingly prominent; they came out as the tops of mountains come through a mist.
Friday—eleven-thirty—Miss Vinrace.
The blood began to run in her veins; she felt her eyes brighten.

“We must go,” she said, rather surprising Helen by her decision. “We must certainly go”—such was the relief of finding that things still happened, and indeed they appeared the brighter for the mist surrounding them.

“Monte Rosa—that’s the mountain over there, isn’t it?” said Helen; “but Hewet—who’s he? One of the young men Ridley met, I suppose. Shall I say yes, then? It may be dreadfully dull.”

She took the letter back and went, for the messenger was waiting for her answer.

The party which had been suggested a few nights ago in Mr. Hirst’s bedroom had taken shape and was the source of great satisfaction to Mr. Hewet, who had seldom used his practical abilities, and was pleased to find them equal to the strain. His invitations had been universally accepted, which was the more encouraging as they had been issued against Hirst’s advice to people who were very dull, not at all suited to each other, and sure not to come.

“Undoubtedly,” he said, as he twirled and untwirled a note signed Helen Ambrose, “the gifts needed to make a great commander have been absurdly overrated. About half the intellectual effort which is needed to review a book of modern poetry has enabled me to get together seven or eight people, of opposite sexes, at the same spot at the same hour on the same day. What else is generalship, Hirst? What more did Wellington do on the field of Waterloo? It’s like counting the number of pebbles of a path, tedious but not difficult.”

He was sitting in his bedroom, one leg over the arm of the chair, and Hirst was writing a letter opposite. Hirst was quick to point out that all the difficulties remained.

“For instance, here are two women you’ve never seen. Suppose one of them suffers from mountain-sickness, as my sister does, and the other——”

“Oh, the women are for you,” Hewet interrupted. “I asked them solely for your benefit. What you want, Hirst, you know, is the society of young women of your own age. You don’t know how to get on with women, which is a great defect, considering that half the world consists of women.”

Hirst groaned that he was quite aware of that.

But Hewet’s complacency was a little chilled as he walked with Hirst to the place where a general meeting had been appointed. He wondered why on earth he had asked these people, and what one
really expected to get from bunching human beings together in a crowd.

“Cows,” he reflected, “draw together in a field; ships in a calm; and we’re just the same when we’ve nothing else to do. But why do we do it?—is it to prevent ourselves from seeing to the bottom of things” (he stopped by a stream and began stirring it with his walking-stick and clouding the water with mud), “making cities and mountains and whole universes out of nothing, or do we really love each other, or do we, on the other hand, live in a state of perpetual uncertainty, knowing nothing, leaping from moment to moment as from world to world?—which is, on the whole, the view
I
incline to.”

He jumped over the stream; Hirst went round and joined him, remarking that he had long ceased to look for the reason of any human action.

Half a mile further, they came to a group of plane trees and the salmon-pink farmhouse standing by the stream which had been chosen as meeting-place. It was a shady spot, lying conveniently just where the hill sprung out from the flat. Between the thin stems of the plane trees the young men could see little knots of donkeys pasturing, and a tall woman rubbing the nose of one of them, while another woman was kneeling by the stream lapping water out of her palms.

As they entered the shady place, Helen looked up and then held out her hand.

“I must introduce myself,” she said. “I am Mrs. Ambrose.”

Having shaken hands, she said, “That’s my niece.”

Rachel approached awkwardly. She held out her hand, but withdrew it. “It’s all wet,” she said.

Scarcely had they spoken, when the first carriage drew up.

The donkeys were quickly jerked into attention, and the second carriage arrived. By degrees the grove filled with people—the Elliots, the Thornburys, Mr. Venning and Susan, Miss Allan, Evelyn Murgatroyd, and Mr. Perrott. Mr. Hirst acted the part of hoarse energetic sheep-dog. By means of a few words of caustic Latin he had
the animals marshalled, and by inclining a sharp shoulder he lifted the ladies. “What Hewet fails to understand,” he remarked, “is that we must break the back of the ascent before midday.” He was assisting a young lady, by name Evelyn Murgatroyd, as he spoke. She rose light as a bubble to her seat. With a feather drooping from a broad-brimmed hat, in white from top to toe, she looked like a gallant lady of the time of Charles the First leading royalist troops into action.

“Ride with me,” she commanded; and, as soon as Hirst had swung himself across a mule, the two started, leading the cavalcade.

“You’re not to call me Miss Murgatroyd. I hate it,” she said. “My name’s Evelyn. What’s yours?”

“St. John,” he said.

“I like that,” said Evelyn. “And what’s your friend’s name?”

“His initials being R. S. T., we call him Monk,” said Hirst.

“Oh, you’re all too clever,” she said. “Which way? Pick me a branch. Let’s canter.”

She gave her donkey a sharp cut with a switch and started forward. The full and romantic career of Evelyn Murgatroyd is best hit off by her own words, “Call me Evelyn and I’ll call you St. John.” She said that on very slight provocation—her surname was enough—but although a great many young men had answered her already with considerable spirit she went on saying it and making choice of none. But her donkey stumbled to a jog-trot, and she had to ride in advance alone, for the path when it began to ascend one of the spines of the hill became narrow and scattered with stones. The calvacade wound on like a jointed caterpillar, tufted with the white parasols of the ladies, and the panama hats of the gentlemen. At one point where the ground rose sharply, Evelyn M. jumped off, threw her reins to the native boy, and adjured St. John Hirst to dismount too. Their example was followed by those who felt the need of stretching.

“I don’t see any need to get off,” said Miss Allan to Mrs. Elliot just behind her, “considering the difficulty I had in getting on.”