The Vagabond Clown (30 page)

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Authors: Edward Marston

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‘Sebastian was a friend of ours,’ he said. ‘Why did he let us down?’

‘He served another master,’ explained Nicholas, ‘and that was the Roman Catholic Church. In time, it made him lose all affection for us.’

‘Why was that, Nicholas?’

‘You’ve seen one of the reasons this very afternoon.
The Loyal Subject
is a play that’s anathema to those who follow the Old Religion. So was
The Foolish Friar
. In their different ways, both laid bare the iniquities of Popery. When we performed harmless comedies or dark tragedies about revenge, Sebastian Frant was happy enough to act as our scrivener and watch us at the Queen’s Head. Then we presented a play that he found so repulsive that he could not bear to stay in our employ.’

‘Which play was that, Nick?’ asked Firethorn.

‘Not one of mine, I hope,’ said Hoode.

‘No, Edmund,’ replied Nicholas. ‘the author was Jonas Applegarth.’

‘Then it must have been
The Misfortunes of Marriage
.’

‘The very same.’

Lord Westfield stirred. ‘But I thought it no more than a simple comedy.’

‘It had a deeper meaning, my lord,’ said Nicholas tactfully, ‘and it was not lost on someone like Sebastian. He told me that it was an ordeal to copy out lines that abused the religion to which he had dedicated his life. That was the point at which he left us but it was not to go into retirement. He continued the work that he had always been doing.’

‘As a spy,’ said Firethorn with disgust. ‘We harboured a Catholic spy.’

‘He confessed the truth as we sailed back to Dover. It all began when he was secretary to the Clerk of the Privy Council. Secret documents passed before his eyes every day. Sebastian was only required to copy them out but his keen memory retained them so that he could pass on intelligence to French and Spanish accomplices.’

‘Thank heaven you caught him, Nick!’ exclaimed Hoode.

Gill was puzzled. ‘Why choose to act as our scrivener?’

‘Because the work interested him,’ said Nicholas, ‘and it was a convenient mask behind which he could hide. When he quit his post, he needed to remain in London for a time. Westfield’s Men were only one of a number who employed him.’

‘I wish that we’d never met the rogue,’ growled Firethorn. ‘Although, I have to admit that he was not entirely without finer qualities. When that ruffian of his beat me aboard the ship, it was Sebastian who bathed my wounds. I thank him for that.’ His voice hardened again. ‘But it will not stop me cheering when he and Armiger are hanged.’

‘Their confederates will also suffer,’ noted Nicholas. ‘Both have been arrested. One was the messenger who led you astray with that forged letter.’

‘I was too easily fooled by that.’

‘Sebastian has a cunning hand.’

‘Too cunning,’ said Lord Westfield. ‘When he told us that he was to retire, I wrote to thank him for all the work he had done. He would have kept the letter to copy both my hand and seal.’

‘His days as spy and forger are over,’ said Nicholas.

‘What of his daughter?’ asked Gill. ‘Was she caught up in his nefarious work?’

‘To this extent only. Like her father, she kept alive the flame of the Old Religion. They bought furniture that had once belonged in Catholic churches and sold it in France. Sebastian told me that they sometimes brought back Catholic bibles in exchange. That’s what led them to use the
Mermaid
as their merchant ship. It was old and decayed but it was known to carry anything for money. When they searched the hold,’ said Nicholas, ‘they found that church furniture was not the only thing being smuggled. The captain will not be sailing a ship for a very long time.’

‘What will happen to Thomasina?’ said Hoode.

‘That’s for the court to decide.’

‘So lovely yet so seasoned in deceit.’

‘Thomasina had no part in the murders or the kidnap,’ Nicholas reminded him.

‘Her father did. He instigated all three. Why pick on Fortunatus Hope?’

‘That’s my question,’ said Lord Westfield, leaning forward.

‘Then I’ll give you Sebastian’s answer,’ replied Nicholas. ‘He and Master Hope were partners in treachery, passing secrets to our enemies abroad. At least, so it seemed to Sebastian. Then he realised that Fortunatus Hope was playing a deeper game as a counterspy. That discovery sealed his fate. Sebastian had him killed to avoid being exposed himself.’

‘But why arrange the murder at the Queen’s Head?’ said Firethorn.

Gill tapped his chest with an indignant finger. ‘And why choose my dance as the moment to halt the performance? It was unforgivable.’

‘It was pure chance,’ said Nicholas. ‘Sebastian’s orders were to cause sufficient disturbance to distract everyone but the lads he employed went beyond that. They were too drunk to care. Once the affray started, it got completely out of hand. Sebastian wanted it to be a public murder so that it would embarrass us. From the moment that we began to stage plays like
The Misfortunes of Marriage
that ridiculed the Roman Catholic faith, he wanted to get his revenge on us.’

‘Is that why he had Giddy Mussett stabbed?’ said Hoode.

‘It was an attempt to stop us, Edmund. In driving us out of the Queen’s Head, Sebastian did the last thing that he intended. He set us out on the road to Dover. When he learnt where we were headed, he did all in his power to bring the tour to a halt, even if it meant killing our clown or kidnapping our manager.’

Firethorn rolled his eyes. ‘At least, he spared
my
life.’

‘An old affection lingered.’

‘There’s no affection in being abducted and beaten, Nick.’

‘His aim was to stop us reaching here,’ continued Nicholas. ‘If we got as far as Dover Castle, it was inevitable that our host would learn of the death of our clown and, before that, of the assassination of Fortunatus Hope.’

Lord Westfield rose to his feet. ‘I can explain why,’ he said, seizing his cue. ‘My good friend, William Brooke, Lord Cobham, is a man of consequence who knows the very nerves of state. Had the name of Master Hope been whispered in his ear, he would have realised at once that an English spy had been murdered for political reasons. It would have led him to do what he has now done and that was to order a search of the dead man’s papers that were kept at a secret address.’

‘A secret address?’ repeated Gill.

‘Here in Dover,’ said Nicholas. ‘Lord Cobham knew where it was because Master Hope reported to him from time to time. Sebastian Frant did not. When he believed they were confederates, he sent letters to Master Hope that would expose Sebastian as a spy if they fell into the wrong hands.’

‘Now I understand why he did all he could to prevent us playing here at the castle,’ said Firethorn. ‘Stop the tour and he saved his life.’

‘But the truth about Master Hope was bound to emerge in time,’ said Hoode.

‘Yes,’ agreed Nicholas. ‘That’s why Sebastian had someone searching the town for that secret address. He wanted to destroy those letters before they destroyed him.’

‘But how could they, Nick?’

‘What do you mean?’

‘The letters would have been written in code that nobody but Sebastian and Fortunatus Hope could decipher. Sebastian would have been safe.’

‘Would he?’ asked Nicholas. ‘You’ve seen that neat hand of his. No matter how clever the code, there would be no doubt who actually wrote those letters. Sebastian Frant was betrayed by his own profession. His hand was wedded to an elegance that no other scrivener could have achieved. It would have been his undoing.’


You
were his undoing, Nick,’ said Firethorn gratefully. ‘When I was tied up in that stinking hold, the last voice I expected to hear was yours. I was sore afraid, I confess it. When Sebastian held that dagger to my throat, I thought my end was nigh.’

‘He could not bring himself to do it.’

‘I think that I understand why. It was one thing to have a vagabond clown like Giddy Mussett stabbed to death but I posed a different challenge. When it came to it,’ said Firethorn, giving his vanity free rein, ‘Sebastian
was restrained by the memory of all those wonderful performances I gave at the Queen’s Head. He could not bear the notion of robbing London of its finest actor. Without me, Westfield’s Men would wither away.’

‘But that’s not what happened, Lawrence,’ said Gill contentiously. ‘We staged
A Trick To Catch A Chaste Lady
at the Guildhall and won many plaudits. Owen Elias was as masterful in the role as you.’

‘It’s true,’ said Hoode. ‘Owen was another Lawrence Firethorn.’

‘With more compassion than you could ever muster.’

‘And a touch more humour, I fancy.’

‘Can this be so, Nick?’ asked Firethorn, angered by the remarks.

‘Owen was our salvation,’ said Nicholas with a quiet smile. ‘Most of the company gave a poor account of themselves that afternoon but Owen could not be faulted. I’ve never seen him conquer an audience so completely. He had them at his mercy. We were horrified when you disappeared but we certainly did not wither away in your absence. In some ways,’ he recalled, ‘it brought out the best in us.’

‘Hell and damnation!’ roared Firethorn, waving an arm. ‘I expect to be
missed
.’

 
 

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E
DWARD
M
ARSTON
was born and brought up in South Wales. A full-time writer for over forty years, he has worked in radio, film, television and the theatre and is a former chairman of the Crime Writers’ Association. Prolific and highly successful, he is equally at home writing children’s books or literary criticism, plays or biographies.

 

www.edwardmarston.com

T
HE
B
RACEWELL
M
YSTERIES

 

The Queen’s Head • The Merry Devils • The Trip to Jerusalem

The Nine Giants • The Mad Courtesan • The Silent Woman

The Roaring Boy • The Laughing Hangman • The Fair Maid of Bohemia

The Wanton Angel • The Devil’s Apprentice • The Bawdy Basket

The Vagabond Clown • The Counterfeit Crank • The Malevolent Comedy

The Princess of Denmark

 

T
HE
R
AILWAY
D
ETECTIVE SERIES

 

The Railway Detective • The Excursion Train

The Railway Viaduct • The Iron Horse

Murder on the Brighton Express • The Silver Locomotive Mystery

Railway to the Grave • Blood on the Line

The Stationmaster’s Farewell • Peril on the Royal Train

The Railway Detective Omnibus:
The Railway Detective, The Excursion Train, The Railway Viaduct

 

T
HE
C
APTAIN
R
AWSON SERIES

 

Soldier of Fortune • Drums of War • Fire and Sword

Under Siege • A Very Murdering Battle

 

T
HE
R
ESTORATION SERIES

 

The King’s Evil • The Amorous Nightingale • The Repentant Rake

The Frost Fair • The Parliament House • The Painted Lady

 

T
HE
H
OME
F
RONT
D
ETECTIVE SERIES

 

A Bespoke Murder • Instrument of Slaughter

Five Dead Canaries

Allison & Busby Limited
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www.allisonandbusby.com

First published in 2003.
This ebook edition first published in Great Britain by Allison & Busby in 2014.

Copyright © 2003 by E
DWARD
M
ARSTON

The moral right of the author is hereby asserted in accordance with the Copyright, Designs and Patents Act 1988.

All characters and events in this publication other than those clearly in the public domain are fictitious and any resemblance to actual persons, living or dead, is purely coincidental.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent buyer.

A CIP catalogue record for this book is available from the British Library.

ISBN 978–0–7490–1526–8

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