The Urban Fantasy Anthology (25 page)

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Authors: Peter S.; Peter S. Beagle; Joe R. Lansdale Beagle

BOOK: The Urban Fantasy Anthology
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The woman followed her finger. “That’s the Lee place.”

“Past that, then.”

“Past that?” The woman eyed her. “Only thing past that is the cemetery.”

Tanya made mental notes as she pulled into the darkening drive. She’d have to send Nathan to the clerk’s office, see if he could find a dead resident who resembled a description of the woman she’d seen.

Not that she thought she’d seen a ghost, of course. The woman probably lived farther down the hill. But if she found a similar deceased neighbor, she could add her own spooky tale to the collection.

She stepped out of the car. When a whisper snaked around her, she jumped. Then she stood there, holding the car door, peering into the night and listening. It definitely sounded like whispering. She could even pick up a word or two, like come and join. Well, at least the ghosts weren’t telling her to get lost, she thought, her laugh strained and harsh against the quiet night.

The whispers stopped. She glanced up at the trees. The dead leaves were still. No wind. Which explained why the sound had stopped. As she headed for the house, she glanced over her shoulder, checking for Nathan’s SUV. It was there, but the house was pitch black.

She opened the door. It creaked. Naturally. No oil for that baby, she thought with a smile. No fixing the loose boards on the steps, either. Someone was bound to hear another guest sneaking down for a midnight snack and blame ghosts. More stories to add to the guest book.

She tossed her keys onto the table. They hit with a jangle, the sound echoing through the silent hall. When she turned on the light switch, the hall stayed dark. She tried not to shiver as she peered around.
That’s quite enough ghost stories for you,
she told herself as she marched into the next room, heading for the lamp. She tripped over a throw rug and stopped.

“Nathan?”

No answer. She hoped he wasn’t poking around in the basement. He’d been curious about some boxes down there, but she didn’t want to get into that. There was too much else to be done.

She eased forward, feeling the way with her foot until she reached the lamp. When she hit the switch, light flooded the room. Not a power outage, then. Good; though it reminded her they had to pick up a generator. Blackouts would be a little more atmospheric than guests would appreciate.

“Nathan?”

She heard something in the back rooms. She walked through, hitting lights as she went—for safety, she told herself.

“Umm-hmm.” Nathan’s voice echoed down the hall. “Umm-hmm.”

On the phone, she thought, too caught up in the call to realize how dark it had gotten and turn on a light. She hoped it wasn’t the licensing board. The inspector had been out to assess the ongoing work yesterday. He’d seemed happy with it, but you never knew.

She let her shoes click a little harder as she walked over the hardwood floor, so she wouldn’t startle Nathan. She followed his voice to the office. From the doorway, she could see his back in the desk chair.

“Umm-hmm.”

Her gaze went to the phone on the desk. Still in the cradle. Nathan’s hands were at his sides. He was sitting in the dark, looking straight ahead, at the wall.

Tanya rubbed down the hairs on her neck. He was using his cell phone earpiece, that was all. Guys and their gadgets. She stepped into the room and looked at his ear. No headset.

“Nathan?”

He jumped, wheeling so fast that the chair skidded across the floor. He caught it and gave a laugh, shaking his head sharply as he reached for the desk lamp.

“Must have dozed off. Not used to staring at a computer screen all day anymore.”

He rubbed his eyes, and blinked up at her.

“Everything okay, hon?” he asked.

She said it was and gave him a rundown of what she’d found, and they had a good laugh at that, all the shopkeepers rushing in with their stories once they realized the tourism potential.

“Did you find anything?”

“I did indeed.” He flourished a file folder stuffed with printouts. “The Rowe family. Nineteen seventy-eight. Parents, two children, and the housekeeper, all killed by the seventeen-year-old son.”

“Under the influence of Satan?”

“Rock music. Close enough.” Nathan grinned. “It was the seventies. Kid had long hair, played in a garage band, partial to Iron Maiden and Black Sabbath. Clearly a Satanist.”

“Works for me.”

Tanya took the folder just as the phone started to ring. The caller ID showed the inspector’s name. She set the pages aside and answered as Nathan whispered that he’d start dinner.

There was a problem with the inspection—the guy had forgotten to check a few things, and he had to come back on the weekend, when they were supposed to be away scouring estate auctions and flea markets to furnish the house. The workmen would be there, but apparently that wasn’t good enough. And on Monday, the inspector would leave for two weeks in California with the wife and kids.

Not surprisingly, Nathan offered to stay. Jumped at the chance, actually. His enthusiasm for the project didn’t extend to bargain hunting for Victorian beds. He joked that he’d have enough work to do when she wanted her treasures refinished. So he’d stay home and supervise the workers, which was probably wise anyway.

It was an exhausting but fruitful weekend. Tanya crossed off all the necessities and even a few wish-list items, like a couple of old-fashioned washbasins.

When she called Nathan an hour before arriving home, he sounded exhausted and strained, and she hoped the workers hadn’t given him too much trouble. Sometimes they were like her grade-five pupils, needing a watchful eye and firm, clear commands. Nathan wasn’t good at either. When she pulled into the drive and found him waiting on the porch, she knew there was trouble.

She wasn’t even out of the car before the workmen filed out, toolboxes in hand.

“We quit,” the foreman said.

“What’s wrong?” she asked.

“The house. Everything about it is wrong.”

“Haunted,” an older man behind him muttered.

The younger two shifted behind their elders, clearly uncomfortable with this old-man talk, but not denying it, either.

“All right,” she said slowly. “What happened?”

They rhymed off a litany of haunted-house tropes—knocking inside the walls, footsteps in the attic, whispering voices, flickering lights, strains of music.

“Music?”

“Seventies rock music,” Nathan said, rolling his eyes behind their backs. “Andy found those papers in my office, about the Rowe family.

“You should have warned us,” the foreman said, scowling. “Working where something like that happened? It isn’t right. The place should be burned to the ground.”

“It’s evil,” the older man said. “Evil soaked right into the walls. You can feel it.”

The only thing Tanya felt was the recurring sensation of being trapped in a B movie. Did people actually talk like this? First the old woman. Then the townspeople. Now the contractors.

They argued, of course, but the workmen were leaving. When Tanya started to threaten, Nathan pulled her aside. The work was almost done, he said. They could finish up themselves, save some money, and guilt these guys into cutting their bill even more.

Tanya hated to back down, but he had a point. She negotiated 20 percent off for the unfinished work and another 15 for the inconvenience—unless they wanted her spreading the word that grown men were afraid of ghosts. They grumbled, but agreed.

The human mind can be as impressionable as a child. Tanya might not believe in ghosts, but the more stories she heard, the more her mind began to believe, with or without her permission. Drafts became cold spots. Thumping pipes became the knocks of unseen hands. The hisses and sighs of the old furnace became the whispers and moans of those who could not rest. She knew better: that was the worst of it. She’d hear a pipe thump and she’d jump, heart pounding, even as she knew there was a logical explanation.

Nathan wasn’t helping. Every time she jumped, he’d laugh. He’d goof off and play ghost, sneaking into the bathroom while she was in the shower and writing dirty messages in the condensation on the mirror. She was spooked; he thought it was adorable.

The joking and teasing she could take. It was the other times, the ones when she’d walk into a room and he’d be standing or sitting, staring into nothing, confused, when he’d start out of his reverie, laughing about daydreaming, but nervously, like he didn’t exactly know what he’d been doing.

They were three weeks from opening when she returned from picking up the brochures and, once again, found the house in darkness. This time, the hall light worked—it’d been nothing more sinister than a burned-out bulb before. And this time she didn’t call Nathan’s name, but crept through the halls looking for him, feeling silly, and yet…

When she approached the kitchen, she heard a strange rasping sound. She followed it and found Nathan standing in the twilight, staring out the window, hands moving, a
skritch-skritch
filling the silence.

The fading light caught something in his hands—a flash of silver that became a knife, a huge butcher’s knife moving back and forth across a whetting stone.

“N-Nathan?”

He jumped, nearly dropping the knife, then stared down at it, frowning. A sharp shake of his head and he laid the knife and stone on the counter, then flipped on the kitchen light.

“Really not something I should be doing in the dark, huh?” He laughed and moved a carrot from the counter to the cutting board, picked up the knife, then stopped. “Little big for the job, isn’t it?”

She moved closer. “Where did it come from?”

“Hmm?” He followed her gaze to the unfamiliar knife. “Ours, isn’t it? Part of the set your sister gave us for our anniversary? It was in the drawer.” He grabbed a smaller knife from the wooden block. “So, how did the brochures turn out?”

Two nights later, Tanya was startled awake and bolted up, blinking hard, hearing music. She rubbed her ears, telling herself it was a dream, but she could definitely hear something. She turned to Nathan’s side of the bed. Empty.

Okay, he couldn’t sleep, so he’d gone downstairs. She could barely hear the music, so he was being considerate, keeping it low, probably doing paperwork in the office.

Even as she told herself this, though, she kept envisioning the knife. The big butcher’s knife that seemed to have come from nowhere.

Nonsense. Her sister
had
given them a new set, and Nathan did most of the cooking, so it wasn’t surprising that she hadn’t recognized it. But as hard as she tried to convince herself, she just kept seeing Nathan standing in the twilight, sharpening that knife, the
skritch-skritch
getting louder, the blade getting sharper.

Damn her sister. And not for the knives, either. Last time they’d been up, her sister and boyfriend had insisted on picking the night’s video.
The Shining.
New caretaker at inn is possessed by a murderous ghost and hacks up his wife. There was a reason Tanya didn’t watch horror movies, and now she remembered why.

She turned on the bedside lamp, then pushed out of bed and flicked on the overhead light. The hall one went on, too. So did the one leading downstairs. Just being careful, of course. You never knew where a stray hammer or board could be lying around.

As she descended the stairs, the music got louder, the thump of the bass and the wail of the singer. Seventies’ heavy-metal music. Hadn’t the Rowe kid—? She squeezed her eyes shut and forced the thought out. Like she’d know seventies heavy metal from modern stuff anyway. And hadn’t Nathan picked up that new AC/DC disk last month?
Before
they came to live here. He was probably listening to that, not realizing how loud it was.

When she got downstairs, though, she could feel the bass vibrating through the floorboards. Great. He couldn’t sleep, so he was poking through those boxes in the basement.

Boxes belonging to the Rowe family. To the Rowe kid.

Oh, please. The Rowes had been gone for almost thirty years. Anything in the basement would belong to the Sullivans, a lovely old couple now living in Florida.

On the way to the basement, Tanya passed the kitchen. She stopped. She looked at the drawer where Nathan kept the knife, then walked over and opened it. Just taking a look, seeing if she remembered her sister giving it to them, not making sure it was still there. It was. And it still didn’t look familiar.

She started to leave, then went back, took out the knife, wrapped it in a dishtowel, and stuck it under the sink. And, yes, she felt like an idiot. But she felt relief even more.

She slipped down to the basement, praying she wouldn’t find Nathan sitting on the floor, staring into nothing, nodding to voices she couldn’t hear. Again, she felt foolish for thinking it, and again she felt relief when she heard him digging through boxes, and more relief yet when she walked in and he looked up, grinning sheepishly like a kid caught sneaking into his Christmas presents.

“Caught me,” he said. “Was it the music? I thought I had it low enough.”

She followed his gaze and a chill ran through her. Across the room was a record player, an album spinning on the turntable, more stacked on the floor.

“Found it down here with the albums. Been a while since you’ve seen one of those, I bet.”

“Was it…his? The Rowe boy?”

Nathan frowned, as if it hadn’t occurred to him. “Could be, I guess. I didn’t think of that.”

He walked over and shut the player off. Tanya picked up an album. Initials had been scrawled in black marker in the corner. T. R. What was the Rowe boy’s name? She didn’t know and couldn’t bring herself to ask Nathan, would rather believe he didn’t know, either.

She glanced at him. “Are you okay?”

“Sure. I think I napped this afternoon, while you were out. Couldn’t get to sleep.”

“And otherwise…?”

He looked at her, trying to figure out what she meant, but what could she say?
Have you had the feeling of being not yourself lately? Hearing voices telling you to murder your family?

She had to laugh at that. Yes, it was a ragged laugh, a little unsure of itself; but a laugh nonetheless. No more horror movies for her, however much her sister pleaded.

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