The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) (247 page)

BOOK: The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics)
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"The king should have sent his embalmers," opined Grotara. He was the youngest and hugest of the three, being taller by a full head than Yanur or Thirlain Ludoch; and like them, he was a veteran of savage wars and desperate perils.

 

"Yea, I said it was an errand for hyenas," rejoined Yanur. "But the king knew well that there were no mortal beings in all Miraab, saving ourselves, who would dare to enter the accursed vaults of Chaon Gacca. Two centuries ago, King Mandis, wishing to retrieve the golden mirror of Queen Avaina for his favorite leman, commanded two of his bravos to descend within the vaults, where the mummy of Avaina sits enthroned in her separate tomb, holding the mirror in her withered hand....And the bravos went to Chaon Gacca...but they did not return; and King Mandis, being warned by a soothsayer, made no second attempt to procure the mirror, but contented his leman with another gift."

 

"Yanur, thy tales would gladden those who await the scything of the executioner," said Thirlain Ludoch, the oldest of the trio, whose brown beard was faded to a hempen hue by desert suns. "But I chide thee not. It is common knowledge that the catacombs are ridden with worse hauntings than those of liches or phantoms. Strange devils came there long ago from the mad, unholy desert of Dloth; and I have heard it told that the kings forsook Chaon Gacca because of certain Shadows, that appeared at full noon in the palace-halls, with no visible form to cast them, and would not depart thereafter, being changeless amid all the changings of the light, and wholly undimmed by the exorcisms of priests and sorcerers. Men say that the flesh of any who dared to touch the Shadows, or to tread upon them, became black and putrid like the flesh of month-old corpses, all in a mere instant. Because of such testing, when one of the Shadows came and sat upon his throne, the right hand of King Agmeni rotted to the wrist, and fell away like the sloughing of a leper.... And after that, no man would dwell in Chaon Gacca."

 

"Verily, I have heard other stories," said Yanur. "The town's abandonment was due mainly to the failure of the wells and cisterns, from which the water vanished following an earthquake that left the land riven with hell-deep chasms. The palace of the kings was sundered to its nethermost vault by one of the chasms; and King Agmeni was seized by a violent madness when he inhaled the infernal vapors issuing from the rent; nor was he ever wholly sane in his latter lifetime, after the quitting of Chaon Gacca and the rearing of Miraab."

 

"Now that is a tale that I can believe," said Grotara. "And surely I must deem that Famorgh has inherited the madness of his forefather, Agmeni. Methinks that the royal house of Tasuun rots and totters to its fall. Harlots and sorcerers swarm in the palace of Famorgh like charnelworms; and now, in this princess Lunalia of Xylac whom he has taken to wife, he has found a harlot and a witch in one. He has sent us on this errand at the prompting of Lunalia, who desires the mummy of Tnepreez for her own unhallowed purpose. Tnepreez, I have heard, was a great wizard in his time; and Lunalia would avail herself of the potent virtue of his bones and dust in the brewing of her philtres. Pah! I like not the task of such purveyance. There are mummies enow in Miraab for the making of potions to madden the Queen's lovers. Famorgh is utterly besotted and befooled."

 

"Beware," admonished Thirlain Ludoch, "for Lunalia is a vampire who lusts ever for the young and strong...and thy turn may come next, O Grotara, if fortune brings us back alive from this enterprise. I have seen her watching thee."

 

"I would sooner mate with the wild lamia," protested Grotara in virtuous indignation.

 

"Thy aversion would help thee not," said Thirlain Ludoch. . . "for I know others who have drunk the potions.... But we are now nearing the last wineshop in Miraab; and my throat is dusty beforehand with the very thought of this journey. I shall need a whole stoup of wine from Yoros to wash the dust away."

 

"Thou sayest sooth," agreed Yanur. "Already, I have become dry as the mummy of Tnepreez. And thou, Grotara?"

 

"I will quaff any drink, if it be not the philtre-brew of Queen Lunalia."

 

Mounted on swift, untiring dromedaries, and followed by a fourth camel bearing on its back a light wooden sarcophagus for the accommodation of King Tnepreez, the three henchmen had soon left behind them the bright and noisy streets of Miraab, and the fields of sesame, the crofts of apricot and pomegranate, lying for miles about the city. Before noon, they had parted from the route of caravans, and had taken a road that was seldom used by any but lions and jackals. However, the way to Chaon Gacca was plain, for the ruts of olden chariots were still deeply marked in the desert soil, where rain no longer fell at any season.

 

On the first night, they slept beneath the cold and crowding stars, and kept watch by turn lest a lion should come upon them unaware, or a viper should crawl among them for warmth. During the second day, they passed amid steepening hills and deep ravines that retarded their progress. Here there was no rustling of serpent or lizard, and naught but their own voices and the shuffling of the camels to break the silence that lay upon all things like a mute malediction. Sometimes, on the desiccating tors above them, against the darkly litten sky, they saw the boughs of century-withered cacti, or the boles of trees that immemorial fires had blasted.

 

The second sunset found them in sight of Chaon Gacca, rearing its dilapidated walls at a distance of less than four leagues in a broad open valley. Coming then to a wayside shrine of Yuckla, the small and grotesque god of laughter, whose influence was believed to be mainly benignant, they were glad to go no farther on that day, but took shelter in the crumbling shrine for fear of the ghouls and devils, who might dwell in such vicinage to those accursed ruins. They had brought with them from Miraab a wineskin filled with the fervent ruby wine of Yoros; and though the skin was now three-fourths empty, they poured a libation in the twilight on the broken altar, and prayed to Yuckla for such protection as he might give them against the demons of the night.

 

They slept on the worn and chilly flags about the altar, watching by turn, as before. Grotara, who kept the third watch, beheld at last the paling of the close-hung stars, and aroused his companions in a dawn that was like a sifting of ashes through the cinder-black darkness.

 

After a scanty meal of figs and dried goat-flesh, they resumed their journey, guiding their camels down the valley, and weaving back and forth on the bouldered slopes when they came to abysmal rents in the earth and rock. Their approach to the ruins was rendered slow and tortuous by such divagations. The way was lined by the stocks of orchard trees that had perished long ago, and by cotes and granges where even the hyena no longer made his lair.

 

Because of their many detours, it was hard upon noon when they rode through the hollow-ringing streets of the city. Like ragged purple cloaks, the shadows of the ruining houses were drawn close to their walls and portals. Everywhere the havoc of earthquake was manifest, and the fissured avenues and mounded mansions served to verify the tales that Yanur had heard concerning the reason of the city's abandonment.

 

The palace of the kings, however, was still pre-eminent above the other buildings. A tumbled pile, it frowned in dark porphyry on a low acropolis amid the northern quarter. For the making of this acropolis, a hill of red syenite had been stripped of its covering soil in elder days, and had been hewn to sheer and rounding walls, circled by a road that wound slowly about it to the summit. Following this road, and nearing the portals of the courtyard, the henchmen of Famorgh came to a fissure that clove their path from wall to precipice, yawning far in the cliff. The chasm was less than a yard in width; but the dromedaries balked before it. The three dismounted; and, leaving the camels to await their return, they leapt lightly across the fissure. Grotara and Thirlain Ludoch carrying the sarcophagus, and Yanur bearing the wineskin, they passed beneath the shattered barbican.

 

The great courtyard was heavily strewn with the wreckage of once-lofty towers and balconies, over which the warriors climbed with much wariness, eyeing the shadows closely, and loosening their swords in the sheath, as if they were surmounting the barricades of a hidden foe. All three were startled by the pale and naked form of a colossean female, which they saw reclining on the blocks and rubble in a portico beyond the court. But, drawing nearer, they found that the shape was not that of a she-demon, as they had apprehended, but was merely a marble statue that had once stood like a caryatid among the mighty pillars.

 

Following the directions given them by Famorgh, they entered the main hall. Here, beneath the chasmed and collapsing roof, they moved with the utmost caution, fearing that a light jar, a whisper, would bring the suspended ruin upon their heads like an avalanche. Overturned tripods of greening copper, tables and trivets of splintered ebony, and the shards of gayly painted porcelains, were mingled with the huge fragments of pedestals and fusts and entablatures; and upon a shivered dais of green, blood-spotted heliotrope, the tarnished silver throne of the kings careened amid the mutilated sphinxes, carved from jasper, that kept eternal guard beside it.

 

At the further end of the hall, they found an alcove, still unblocked by fallen debris, in which were the stairs that led downward to the catacombs. They paused briefly ere beginning their descent. Yanur applied himself without ceremony to the skin which he carried, and lightened it considerably before giving it into the hands of Thirlain Ludoch, who had marked his potations, with solicitude. Thirlain Ludoch and Grotara drank the remainder of the vintage between them; and the latter did not grumble at the thick lees which fell to his lot. Thus replenished, they lit three torches of pitchy terebinth, which they had brought along in the sarcophagus. Yanur led the way, daring the tenebrous depths with drawn sword, and a torch flaming smokily in his left hand. His companions followed, bearing the sarcophagus, in which, by raising the hinged lid slightly, they had socketed the other torches. The potent wine of Yoros mounted with them, driving away their shadowy fears and apprehensions; but all three were seasoned drinkers, and they moved with great care and circumspection, and did not stumble on the dim, uncertain steps.

 

Passing through a series of wine-cellars, full of cracked and sharded jars, they came at last, after many zigzag plungings of the stairs, to a vast corridor hewn in the nether syenite, below the level of the city streets. It stretched before them through illimitable gloom, its walls unshattered, and its roof admitting no crevice-filtered ray. It seemed that they had entered some impregnable citadel of the dead, On the right hand were the tombs of the elder kings; on the left, were the sepulchers of the queens; and lateral passages led to a world of subsidiary vaults, reserved for other members of the royal family. At the further end of the main hall, they would find the burial-chamber of Tnepreez.

 

Yanur, following the right-hand wall, soon came to the first tomb. According to custom, its portals were open, and were lower than a man's stature, so that all who entered must bow in humbleness to death. Yanur held his torch to the lintel, and read stumblingly the legend graven in the stone, which told that the vault was that of King Acharnil, father of Agmeni.

 

"Verily," he said, "we shall find nothing here, other than the harmless dead." Then, the wine he had drunk impelling him to a sort of bravado, he stooped before the portals and thrust his flickering flambeau into the tomb of Acharnil.

 

Surprised, he swore a loud and soldierly oath, that made the others drop their burden and crowd behind him. Peering into the square, concamerated chamber, which had a kingly spaciousness, they saw that it was unoccupied by any visible tenant. The tall chair of mystically graven gold and ebony, in which the mummy should have sat crowned and robed as in life, was addorsed against the farther wall on a low dais. In it, there lay an empty robe of sable and carmine, and a miter-shaped crown of silver set with black sapphires, as if the dead king had doffed them and had gone away!

 

Startled, with the wine dying swiftly in their brains, the warriors felt the crawling chill of an unknown mystery. Yanur, however, steeled himself to enter the vault. He examined the shadowy corners, he lifted and shook the raiment of Achamil, but found no clue to the riddle of the mummy's disappearance. The tomb was clean of dust, and there was no visible sign nor faintest odor of mortal decay.

 

Yanur rejoined his comrades, and the three eyed each other in eerie consternation. They resumed their exploring of the hall; and Yanur, as he came to the doorway of each tomb, paused before it and thrust his flambeau into the wavering murk, only to discover a vacant throne, and the cast-off regalia of royalty.

 

There was, it seemed, no reasonable explanation for the vanishing of the mummies, in whose preservation the powerful spices of the Orient had been employed, together with natron, rendering them virtually incorruptible. From the circumstances, it did not appear that they had been removed by human robbers, who would hardly have left behind the precious jewels, fabrics and metals; and it was even more unlikely that they had been devoured by animals: for in that case the bones would have remained, and the vestments would have been torn and disordered. The mythic terrors of Chaon Gacca began to assume a darker imminence; and the seekers peered and listened fearfully as they went on in the hushed sepulchral hall.

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