Read The Ugly Renaissance Online
Authors: Alexander Lee
Tags: #History, #Renaissance, #Social History, #Art
Leoncini, G.
La certosa di Firenze nei suoi rapporti con l’architettura certosina
. Salzburg, 1980.
Lestringant, F.
Mapping the Renaissance World
. Berkeley, Calif., 1994.
Liebert, R. S.
Michelangelo: A Psychoanalytic Study of His Life and Images
. New Haven, Conn., 1983.
Lightbown, R. A.
Sandro Botticelli
. 2 vols. London, 1978.
Lindow, J. R.
The Renaissance Palace in Florence: Magnificence and Splendour in Fifteenth-Century Italy
. London, 2007.
Lowe, K. “ ‘Representing’ Africa: Ambassadors and Princes from Christian Africa to Italy and Portugal, 1402–1608.”
Transactions of the Royal Historical Society
6, no. 17 (2007): 101–28.
———. “The Stereotyping of Black Africans in Renaissance Europe.” In Earle and Lowe,
Black Africans in Renaissance Europe
, 17–47.
Lubkin, G.
A Renaissance Court: Milan Under Galleazzo Maria Sforza
. Berkeley, Calif., 1994.
Mack, C. R. Review of
The Aesthetics of Renaissance Art: A Reconsideration of Style
, by H. Wohl.
Renaissance Quarterly
53, no. 2 (2000): 569–71.
Mack, R. E.
Bazaar to Piazza: Islamic Trade and Italian Art
,
1300–1600
. Berkeley, Calif., 2002.
Mackenney, R.
Renaissances: The Cultures of Italy, c.
1300–c.
1600
. Houndmills, 2005.
Maggi, A. “On Kissing and Sighing: Renaissance Homoerotic Love from Ficino’s
De Amore
and
Sopra Lo Amore
to Cesare Trevisani’s
L’Impresa
(1569).”
Journal of Homosexuality
49, nos. 3–4 (2005): 315–39.
Maginnis, H. B. J.
The World of the Early Sienese Painter
. Philadelphia, 2001.
Magnuson, T. “The Project of Nicholas V for Rebuilding the Borgo Leonino in Rome.”
Art Bulletin
36, no. 2 (1954): 89–115.
Mallett, M.
Mercenaries and Their Masters: Warfare in Renaissance Italy
. New ed. Barnsley, 2009.
Mann, N.
Petrarch
. Oxford, 1984.
Marchini, G.
Filippo Lippi
. Milan, 1975.
Mariani, L. M.
San Benedetto da Palermo, il moro Etiope, nato a S. Fratello
. Palermo, 1989.
Martindale, A.
The Rise of the Artist in the Middle Ages and Early Renaissance
. London, 1972.
———.
Simone Martini
. Oxford, 1988.
Martines, L.
April Blood: Florence and the Plot Against the Medici
. New York, 2003.
———.
Power and Imagination: City-States in Renaissance Italy
. London, 1980.
———.
Scourge and Fire: Savonarola and Renaissance Italy
. London, 2007.
———.
The Social World of the Florentine Humanists
,
1390–1460
. Princeton, N.J., 1963.
Mayer, E.
Un umanista italiano della corte di Mattia Corvino: Aurelio Brandolino Lippo
. Rome, 1938.
McLaughlin, M. L. “Humanist Concepts of Renaissance and Middle Ages in the Tre- and Quattrocento.”
Renaissance Studies
2 (1988): 131–42.
Meiss, M. “The Original Position of Uccello’s
John Hawkwood
.”
Art Bulletin
52 (1970): 231.
Merkley, P., and L. L. M. Merkley.
Music and Patronage in the Sforza Court
. Turnhout, 1999.
Meserve, M.
Empires of Islam in Renaissance Historical Thought
. Cambridge, Mass., 2008.
Miglio, M., et al., eds.
Un Pontificato ed una città: Sisto IV (1471–1484)
. Vatican City, 1986.
Milano, A.
Storia degli ebrei in Italia
. Turin, 1963.
Minnich, N. H. “The Catholic Church and the Pastoral Care of Black Africans in Renaissance Italy.” In Earle and Lowe,
Black Africans in Renaissance Europe
, 280–300.
Mitchell, R. J.
The Laurels and the Tiara: Pope Pius II
,
1458–1464
. London, 1962.
Mode, R. L. “Masolino, Uccello, and the Orsini
Uomini Famosi
.”
Burlington Magazine
114 (1972): 369–78.
Molho, A. “Cosimo de’ Medici:
Pater Patriae
or
Padrino
?”
Stanford Italian Review
1 (1979): 13–14.
———.
Florentine Public Finances in the Early Renaissance
,
1400–1433
. Cambridge, Mass., 1971.
———. “Politics and the Ruling Class in Early Renaissance Florence.”
Nuova rivista storica
52 (1968): 401–20.
Mollat, G.
The Popes at Avignon
,
1305–1378
. Translated by J. Love. London, 1963.
Mommsen, T. E. “The Date of Petrarch’s Canzone
Italia Mia
.”
Speculum
14, no. 1 (1939): 28–37.
———. “Petrarch’s Conception of the ‘Dark Ages.’ ”
Speculum
17 (1942): 226–42.
Monfasani, J.
Byzantine Scholars in Renaissance Italy: Cardinal Bessarion and Other Émigrés
. Aldershot, 1995.
Moore, G. “La spedizione dei fratelli Vivaldi e nuovi documenti d’archivio.”
Atti della Società Ligure di Storia Patria
, n.s., 12 (1972): 387–400.
Mormando, F.
The Preacher’s Demons: Bernardino of Siena and the Social Underworld of Early Renaissance Italy
. Chicago, 1999.
Morrall, E. J. “Aeneas Silvius Piccolomini (Pius II),
Historia de Duobus Amantibus
.”
Library
, 6th ser., 18, no. 3 (1996): 216–29.
Moxey, K. P. F. “Perspective, Panofsky, and the Philosophy of History.”
New Literary History
26, no. 4 (1995): 775–86.
Muir, E. “Representations of Power.” In Najemy,
Italy in the Age of the Renaissance
, 226–45.
Muldoon, J.
Popes, Lawyers, and Infidels: The Church and the Non-Christian World
,
1250–1500
. Liverpool, 1979.
Munro, D. C. “The Western Attitude Towards Islam During the Period of the Crusades.”
Speculum
6, no. 3 (1931): 329–43.
Muscetta, C.
Giovanni Boccaccio
. 2nd ed. Bari, 1974.
Najemy, J.
Corporatism and Consensus in Florentine Electoral Politics
,
1280–1400
. Chapel Hill, N.C., 1982.
———.
A History of Florence
,
1200–1575
. Oxford, 2008.
———, ed.
Italy in the Age of the Renaissance
,
1300–1550
. Oxford, 2004.
Norman, D., ed.
Siena, Florence, and Padua: Art, Society, and Religion
,
1280–1400
. 2 vols. New Haven, Conn., 1995.
Oertel, R.
Fra Filippo Lippi
. Vienna, 1942.
Olmi, G.
L’inventario del mondo: Catalogazione della natura e luoghi del sapere nella prima età moderna
. Bologna, 1992.
O’Malley, J. W. “Fulfilment of the Christian Golden Age Under Pope Julius II: Text of a Discourse of Giles of Viterbo, 1507.”
Traditio
25 (1969): 265–338.
Origo, I. “The Domestic Enemy: The Eastern Slaves in Tuscany in the Fourteenth and Fifteenth Centuries.”
Speculum
30, no. 3 (1955): 321–66.
———.
The Merchant of Prato: Francesco di Marco Datini
,
1335–1410
. New York, 1957.
Pacetti, D. “La predicazione di S. Bernardino in Toscano.”
Archivum franciscanum historicum
30 (1940): 282–318.
Padgett, J. F., and C. K. Ansell. “Robust Action and the Rise of the Medici, 1400–1434.”
American Journal of Sociology
98, no. 6 (1993): 1259–319.
Panella, A. “Una sentenza di Niccolò Porcinari, podestà di Firenze.”
Rivista abruzzese di scienze, lettere ed arti
24 (1909): 337–67.
Panizza, L. “Active and Contemplative in Lorenzo Valla: The Fusion of Opposites.” In
Arbeit, Musse, Meditation: Betrachtungen zur “Vita activa”
und “Vita contemplativa,”
edited by B. Vickers, 181–223. Zurich, 1985.
Panofsky, E. “Die Perspektive als symbolische Form.”
Vorträge der Bibliothek Warburg
1924–25 (1927): 258–330.
———.
Renaissance and Renascences in Western Art
. 2nd ed. New York, 1969.
———.
Studies in Iconology: Humanistic Themes in the Art of the Renaissance
. New ed. New York, 1962.
Paparelli, G.
Enea Silvio Piccolomini: L’umanesimo sul soglio di Pietro
. 2nd ed. Ravenna, 1978.
Parry, J. H.
The Age of Reconnaissance: Discovery, Exploration, and Settlement
,
1450–1650
. New ed. London, 2000.
Partner, P.
Renaissance Rome
,
1500–1559
. Berkeley, Calif., 1976.
Pastore Stocchi, M. “Il
De Canaria
boccaccesco e un ‘locus deperditus’ nel
De insulis
di Domenico Silvestri.”
Rinsascimento
10 (1959): 153–56.
Pernis, M. G., and L. S. Adams.
Federico da Montefeltro and Sigismondo Malatesta: The Eagle and the Elephant
. New York, 1996.
Pertusi, A.
Leonzio Pilato tra Petrarca e Boccaccio
. Venice and Rome, 1964.
Piel, F.
La Cappella Colleoni e il Luogo della Pietà in Bergamo
. Bergamo, 1975.
Polizzotto, L.
The Elect Nation: The Savonarolan Movement in Florence
,
1494–1545
. Oxford, 1994.
Pope-Hennessy, J.
Paradiso: The Illuminations to Dante’s “Divine Comedy” by Giovanni di Paolo
. London, 1993.
Prizer, W. F. “Reading Carnival: The Creation of a Florentine Carnival Song.”
Early Music History
23 (2004): 185–252.
Rabinowitz, I. “Pre-modern Jewish Study of Rhetoric: An Introductory Bibliography.”
Rhetorica
3 (1985): 137–44.
Rau, V.
Estudos de história
. Lisbon, 1968.
Remington, P. “The Private Study of Federigo da Montefeltro.”
Bulletin of the Metropolitan Museum of Art
36, no. 2 (1941): 3–13.
Renouard, Y.
The Avignon Papacy
,
1305–1403
. Translated by D. Bethell. London, 1970.
Rezasco, G. “Segno delle meretrici.”
Giornale ligustico
17 (1980): 161–220.
Ricci, C.
Il Tempio Malatestiano
. Milan and Rome, 1925.
Rocke, M.
Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence
. New York, 1996.
———. “Gender and Sexual Culture in Renaissance Italy.” In Brown and Davis,
Gender and Society
, 150–70.
Rossi, P. L. “The Writer and the Man: Real Crimes and Mitigating Circumstances:
Il Caso Cellini
.” In
Crime, Society, and the Law in Renaissance Italy
, edited by K. Lowe and T. Dean, 157–83. Cambridge, U.K., 1994.
Rotondi, P.
The Ducal Palace of Urbino: Its Architecture and Decoration
. London, 1969.
Rowland, B.
The Classical Tradition in Western Art
. Cambridge, Mass., 1963.
Rubiés, J. P. “Giovanni di Buonagrazia’s Letter to His Father Concerning His Participation in the Second Expedition of Vasco da Gama.”
Mare liberum
16 (1998): 87–112.
Rubin, P. L.
Giorgio Vasari: Art and History
. London, 1995.
Rubinstein, N. “Le allegorie di Ambrogio Lorenzetti nella Sala della Pace e il pensiero politico del suo tempo.”
Rivista storica italiana
109 (1997): 781–802.
———. “The Beginning of Niccolò Machiavelli’s Career in the Florentine Chancery.”
Italian Studies
11 (1956): 72–91.
———.
The Government of Florence Under the Medici (1434
to
1494)
. Oxford, 1966.
———. “Political Ideas in Sienese Art: The Frescoes by Ambrogio Lorenzetti and Taddeo di Bartolo in the Palazzo Pubblico.”
Journal of the Warburg and Courtauld Institutes
21 (1958): 179–207.
Saalman, H. “Tommaso Spinelli, Michelozzo, Manetti, and Rosselino.”
Journal of the Society of Architectural Historians
25, no. 3 (1966): 151–64.