The Twelve (Book Two of The Passage Trilogy): A Novel (37 page)

BOOK: The Twelve (Book Two of The Passage Trilogy): A Novel
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“Jesus, you weren’t kidding,” Henneman said.

They were standing at the cave’s mouth. The western sun lit the interior, though its rays traveled only so deeply; beyond lay a maw of blackness. The amphitheater with its curved stone benches, the spaces between them littered with dry leaves and other debris, was inexplicable; if an audience sat here, what did they watch? Metal banisters framed a curving trail that switchbacked down into the cave. They had three usable hours of daylight left.

They reviewed the plan a final time. Dodd’s squad would set the charges at the base of the cave. According to Alicia’s map, the switchbacks ended two hundred feet belowground, where a narrow tunnel descended another three hundred feet to the first of several large chambers. The charges would be laid inside this tunnel, wired to a radio detonator with a clear line of sight to the cave’s mouth. The explosion would shoot a compression wave through the tunnel, its destructive force magnified exponentially by its trip through the narrow space—in theory, sending whatever was down there running toward the elevator shaft. Once the charges were in place and Dodd’s men had returned to the surface, Peter and Alicia would commence their descent. The elevator car was resting at the bottom, seven hundred feet below the surface, held in place by its counterweights, which were lodged at the top. A winch would lower
Peter and Alicia by rope to the base of the shaft and pull them back up when they made their escape.

Dodd and his team set out. Fifteen minutes later, he radioed from the bottom. They’d made it to the mouth of the tunnel.

“Creepy as hell down here,” Dodd said. “You’ve got to see this for yourself.”

They would, soon enough. Dodd’s squad had three hundred feet of cable to connect the detonator to the package. A five-minute silence ensued; then Dodd’s voice returned. The bomb and the cable were laid; his team had begun their ascent. Peter and Alicia were waiting at the top of the elevator shaft, which was located a quarter mile away, in a structure that once had housed the park’s offices. The winch was in place. The time was 1700 hours; they were cutting it close.

Dodd’s voice on the radio: “Blue Squad, good to go.”

Alicia and Peter clipped into their harnesses; Henneman wished them good luck. They balanced at the edge of the shaft and pushed off, dropping into the blackness like coins into a well. Portable fluorescents clipped to their vests bathed the walls in a yellowish glow. Peter’s mind was clear, his senses acute. There was a kind of fear that deepened awareness, bringing focus to the mind; his was that kind. The temperature dropped swiftly, prickling the hair on his arms. A hundred feet, two hundred, three, their downward passage swift, their weight suspended by the harnesses, as if they were descending in two cupped hands. The elevator’s cables—a thick trunk of twined steel and two smaller lines wrapped in plastic—flowed past. A dark shape emerged below: the top of the elevator. The cables were bolted to a plate on the roof. They landed with a soft thunk.

“Red Squad down.”

Alicia pried loose the hatch, and they dropped inside. The doors of the car stood open. A feeling of immeasurable space beyond, as if they were standing at the entrance to a cathedral. The air was damp and cold with a strong earthen smell, vaguely ureic. They scanned the space with the lights of their rifles, their beams volleying into the immense blackness. All around were strange, organic-looking forms, as if the walls were made of crumpled flesh.

“Flyers, get a load of this place,” Alicia said.

Alicia had removed her glasses; she was in her element now, a zone of permanent night. By the glow of the fluorescents, she knelt and removed two objects from her rucksack. The first was the explosives pack—eight sticks of HEP wired to a mechanical timer. She gingerly placed this on the floor of the cave. The second was the radio direction finder, a small,
boxy object with a directional antenna and a meter to register the strength of an incoming signal at 1432 megahertz. She flicked the power switch and stepped from the car, holding the RDF before her to sweep the space beyond. It began to issue a faint but regular beeping. The needle nudged to life.

“Gotcha.”

Peter radioed the surface: the target was present. He’d had no cause to doubt Alicia’s claim, yet suddenly the situation had acquired a more potent reality. Somewhere in these caverns, Julio Martínez, Tenth of Twelve, lay in wait.

“Tell Dodd to stand ready and wait for my signal,” Peter told Henneman.

“Acknowledged. All eyes, Lieutenants.”

The moment had come. A final look passed between Peter and Alicia, freighted with meaning. Once again, here they were, the two of them poised at the precipice. There was no need to acknowledge this with words; all had been said. Neither could exist without the other, yet the distance between them could never be crossed. They were who they were, which was soldiers at war. The bond transcended all others but one, the one thing they could not have. Alicia was wearing, as ever, her trademark bandoliers, but she’d given up the cross for an M4 rifle with the fat tube of a grenade launcher fixed under the barrel. Martínez would receive no mercy from her, no final benediction.

“See you soon.”

She faded into the darkness.

At the mouth of the cave, Satch Dodd’s squad had formed a firing line along the lowest tier of the amphitheater. The sky had begun a discernible darkening, an enrichment of its colors as day spilled toward night. Dodd was clutching the detonator. Its signal, transmitted to the receiver at the base of the cave, would close a simple electric circuit, sending a jolt of current down the wire to the bomb.

Even at this distance, it would make a hell of a boom.

Though it was nothing he could let his men see, the journey to the bottom of the cave had rattled him. Dodd had never experienced any place like it in his life—an unearthly world of alien shapes, strange colors, and distorted dimensions, pockets of darkness everywhere he looked, spiraling down into nothingness. The trip down the tunnel had felt like crawling into his own grave. In the orphanage, Dodd had learned about hell, a realm of everlasting gloom where the souls of the
wicked writhed forever in agony. Although the idea had initially terrified him, something about it had struck him, even then, as faintly unbelievable. Though only a boy, he’d sensed that hell was just a story the sisters had concocted to keep the children in line, not unlike the fables they read the children to teach simple moral lessons. Dodd’s status as the youngest survivor of the Massacre of the Field had always afforded him a slightly elevated rank among the children, as if this experience had somehow made him wise. This, of course, was completely misplaced—having never really known his parents, he did not feel the loss of them, and he remembered nothing of that day—but under the spell of his playmates’ admiration for the imaginary mantle of his grief, Dodd came to see himself as a boy with special powers of perception, especially where the sisters’ mystical proclamations were concerned. God, okay, Dodd was good with that, it made a kind of sense. Heaven was a pleasant idea he was happy to go along with, since believing in it cost him nothing. But that was as far as he was willing to go. Hell: it was pure nonsense.

Now, standing at the mouth of the cave, detonator in hand, Dodd wasn’t so sure.

The waiting was never easy. Once the shooting started a feeling of clarity always took over. You’d die or you wouldn’t, you’d kill or be killed—it was one or the other and nothing in between. You knew where you stood, and for those violent, heart-pumping minutes, Dodd felt himself lifted on a wave of adrenaline that eradicated virtually everything about him that was even vaguely personal. It could be said that in the chaos of combat, the man known as Satch Dodd ceased to exist, even to himself; and when the dust cleared, and he found himself still standing, he experienced a rush of raw existence, as if he’d been shot from a cannon back into the world.

It was in the waiting that a person experienced too much of himself. Memories, doubts, regrets, anxieties, the whole range of possibilities the future contained—they all swirled together in the mind like a soup. While half of Dodd’s attention was intently focused on the situation at hand—the detonator in his grip and the presence of his men around him and the walkie clipped to his shoulder, through which Henneman’s command to blow the hole would come—the other half was ricocheting through the chambers of his private self. Only when Henneman gave the signal to explode the bomb would this feeling, a kind of whole-body psychological nausea, abate, igniting his power to act.

The major’s voice crackled through the radio: “Blue Squad, all eyes. Donadio’s going in.”

Something tensed inside him; he felt himself returning to the moment. “Acknowledged.”

It couldn’t happen soon enough.

Seven hundred feet below, in the lightless caverns left behind when sulfide-rich waters had leached upward into the fissured limestone deposits of an ancient reef, Alicia Donadio was advancing on the signal. That this signal emanated from the chip implanted in the neck of Julio Martínez, one of twelve death row inmates infected with the CV virus created by Project N
OAH
at the dawn of the present age, she had no doubt.

Louise
, she thought,
Louise
.

The moment they’d touched down in the cave, this name had taken ahold of her mind. Which was strange: according to the records they had salvaged from the N
OAH
compound, Martínez had been sentenced to death for killing a policeman, not the rape and murder of a woman. Perhaps her death had gone unrecorded, or else had never been connected to him. The shooting of the policeman was present also, a flash of violence like a white-hot spark, but within each of the Twelve lay a singular story—the one story that was the true essence, the core of who they were. For Martínez, that story was Louise.

According to her map, two tunnels led from the elevator to individual caves, marked with names suggesting their grandeur. King’s Palace. Hall of Giants. Queen’s Chamber. And, simply, the Big Room. To maintain a line of sight with Peter, and thus stay in communication with the surface, Alicia could go no farther than the junctures at the far end of each passageway. Beyond that, she would be on her own.

King’s Palace, she thought. Somehow, that sounded like him.

“Going left.”

As she proceeded down the passageway, the meter of the RDF leapt, the beeping accelerating in kind. She’d guessed right. The walls pressed around her, shards of some bright substance embedded in their surface glinting under the raking beam of her rifle. There were virals here, a great horde, like buried treasure, Martínez presiding. Alicia could see it all plainly now; the images deepened with every step, taking hold of her mind. Louise, the tightening cord encircling her neck; the precise demarcation of color above and below, her neck milky white, the skin of her face rosy and swollen with blood; the look of astonished terror in her eyes, and the cold finality of death’s approach. It was all as clear as if Alicia had lived it herself, but then something shifted. Now Alicia was
experiencing this event in two directions simultaneously. She was looking at Louise while also looking
from
her. How was this possible? When had she acquired this attunement to the unseen world? Through Louise’s eyes she saw Martínez’s face. A well-groomed man of precise features, silver hair swept back from his forehead to form a delicate widow’s peak. A human face, though not precisely: there was nothing you could call a person behind his eyes, only a soulless vacancy. The pleasure he was taking was an animal’s. Louise was nothing to him. She was an organization of warm surfaces created only for his desire and dispatch. Her name was written plainly on her blouse, and yet his mind could not connect this name to the human person he was strangling in the midst of raping, because the only thing real to him was himself. She felt Louise’s terror, and her pain, and then the dark moment when the woman understood that death was imminent, her life at its end; that she would die without any acknowledgment from the universe that she had existed in the first place, and the last thing she would feel as she departed the world would be Martínez, raping her.

Alicia had reached the juncture, a place called the Boneyard. A strong smell of urine tanged in her nostrils, coating the membranes of her mouth and throat. In the moist air, her breath puffed before her in an icy cloud. The beep of the RDF, steadily accelerating, had become a continuous stream of sound.

She knew then what she intended to do. She had intended it all along. The plan was a cover, an elaborate ruse to conceal her purpose.

She wanted to kill Martínez herself. She wanted to feel him die.

At the elevator, Peter became aware that something wasn’t as it should be just a few seconds before Alicia stepped from his line of sight. There was no rational explanation for this knowledge; it simply came to him out of the stillness, a feeling deep in his bones.

“Lish, come in.”

No answer.

“Lish, can you read me?”

A hiss of static, then: “Stay there.”

There was something unsettling in her voice. A feeling of resignation, as if she were severing a rope that held her over an abyss. Before he could respond, her voice returned: “I mean it, Peter.”

Then she was gone.

He radioed the surface. “Something’s wrong, I’ve lost her.”

“Hold your position, Jaxon.”

Had she said the left tunnel? Yes, the left.

“I’m going after her,” he told Henneman.

“Negative. Stand pat—”

But Peter failed to hear the rest of Henneman’s message. He was already moving away.

At the same time, Lieutenant Dodd had commenced a mad dash down the switchback into the cave. He was unaware that the chain of radio transmission had been broken and that neither Peter nor, by extension, Alicia knew that the bomb at the base of the main entrance had disarmed itself—the first mishap in a cascade of events that would never be fully reassembled to the satisfaction of Command. Somehow—a short in the line, a mechanical defect, a whim of fate—the receiver at the base of the cave had lost contact with the surface. A first-class, A1 screwup if ever there was one, and now Dodd was racing into the mouth of hell.

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