The Tulip Eaters (6 page)

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Authors: Antoinette van Heugten

Tags: #Historical

BOOK: The Tulip Eaters
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“No!” She grabbed a photo of Rose and, through blurred tears, studied each of her features—every crinkle of her smile, every shade of her flushed cheeks, every pixel of color that made her eyes the only ones Nora believed in.

She would find Rose. Rose would be safe. Her baby would come back to her.
To think anything else was a black road to madness. Taking a deep breath, she walked into the dining room and stared at herself in the huge mirror over the china cabinet. The light of dusk that sifted through the plantation shades cast a fading glow. Nora felt she was looking at herself in a different century, like the wedding photograph of her parents, which had branded itself in her mind.

In the photo, Anneke sat without smiling, her dark, long hair and eyes somehow resigned, the terrible fragility of her thin body, her white skin a sharp contrast to the dark hair and eyelashes. A second look at herself in the mirror told Nora that she was her mother, her coal-smudged eyes set in skin too-pale, paper-white.

Turning away, she wondered if she should have acceded to Anneke’s pleas that she live with her. If she hadn’t agreed, at least her mother would be alive and she would still have Rose. No, she could not have done otherwise. When she saw her mother’s radiant face as she’d exited the blurred Customs door in Houston, she’d known that there was no other choice. Her mother’s piercing look of longing and love had overwhelmed her.

And Nora did need her. When she found out that she was pregnant, it had sealed their commitment to each other, walking the ancient path of life: mother, daughter, granddaughter.

She wiped away her tears and looked at the dining table, so dark, heavy and worn. Four plain chairs surrounded it, the fourth rarely hosting a guest. Although born in America, Nora was raised in an undeniably Dutch home. Dinner at six every evening—meat, potatoes, gravy and applesauce—vegetables optional. And canned, never fresh. Family meals passed through her mind, the quiet murmur of Dutch as they related the small details of their day. The house always spotless, the
stoep
scrubbed every day with her mother’s hard bristle brush and a cake of old-fashioned soap. Work was work, duty was duty, family was private.

As she walked through the downstairs hall, it struck Nora that Anneke had changed nothing since Hans’s death. Every object on the walls and tables, every stick of furniture, every candlestick and piece of silver, was precisely the same as it had been when Hans drew his last breath.
Did it give her comfort to keep everything the same? Did she love him?

The banging of opening and closing drawers from upstairs brought Nora back to the present. Marijke had taken her instructions to heart.

Opening the hall closet, Nora pushed the winter coats aside and looked at the floor.
Nothing.
She ran her fingers down the row of jackets and suddenly felt something familiar, the coat Anneke had bought for Hans only months before he died. His cancer had made him so weak that he was freezing all the time. Nora tried to imagine what that felt like—to have Siberia in your bones. Raising the thermostat to its highest setting hadn’t helped. Anneke had abandoned the Dutch rule against extravagant spending and bought him a full-length navy cashmere coat. From the moment he slipped it on, Nora knew that he would never take it off. On the morning he died, it was wrapped tightly around him, as if he had created his own shroud to avoid further troubling his wife or daughter. She crushed her face into the soft sleeve, wishing he were here now to help her.

An hour later, she was finished. And not one step closer to any discovery than when she began. She felt too exhausted to cry. She heard footfalls as Marijke came downstairs and into the hallway. Marijke looked at her and shook her head.

Nora closed her eyes. Maybe she should take a nap. She hadn’t slept more than a few hours at a time since that horrible day. And Marijke must be dead tired, too. As Nora watched her open the door and walk into the garage, she felt a stab of guilt.
Had she had taken terrible advantage of the fortuitous visit of her dear friend?
If her mother died, Marijke would never forgive herself for not being there. Well, a few hours’ sleep might give them both the strength they needed to carry on.

But then she thought of the attic. She hadn’t been up there since she was a small girl, playing hide-and-seek with Hans. She went into the hallway and looked up at the trapdoor, its worn rope dangling from the ceiling. Despite Nora’s height, it took her two attempts to grab it and yank it down. The old wooden stairs finally released and lowered, groaning as dust and dirt fell onto her head.

Nora wiped her eyes, stared up into the dusty abyss and then went into the kitchen. She opened the drawer where her father had always kept the flashlight and then walked back to the rickety ladder that hung with an air of crooked despondency. She picked her way carefully up, waving the flashlight back and forth as soon as she entered the murkiness of the attic.

The light traveled over rose-colored insulation and, through dust motes, the fetid air clutched at Nora’s throat. Almost immediately, rivulets of sweat ran down her face.
It must be over a hundred up here!
Once her eyes adjusted to the dim light, she spotted a row of old cardboard boxes. She opened every one, sneezing at the dust that rose from them.

Their contents were unremarkable. Her grade school records, baby clothes and photos of her with her parents in Galveston in summer. Her heart lurched as she saw the happiness on both their faces.
Gone, gone.

When she closed the last box, she stared at her filthy hands as sweat streamed down her back. Weary and disappointed, she took another look around. She saw nothing other than the boxes she had already opened. In typical Dutch fashion, her mother had stacked them neatly against the wall, had even organized them chronologically.

She took a final glance at the marshaled nothingness around her. This was getting her nowhere. And the attic had been her last resort.
Surely this was where secrets would have been hidden if they existed at all?

She swept the dim light around one last time. It fell upon a broken chair, an old broom and a pair of heavy work shoes, the kind favored by her father. She pointed the faint beam into every corner, but saw nothing except disabled toys, crippled furniture, old mattresses and torn boxes that revealed their useless contents with an almost defiant air.

She knew why her mother had saved these things. It was the Dutch way—the conviction that the moment anything was thrown away, it would be needed again. Well, it was all just junk.

She turned to go back downstairs. Her feet felt leaden, her mind reduced to dull panic. At ground level, she would call to Marijke, only to learn that she, too, had found nothing. And then she would fall into her bed and try, try, try, to make another plan—no matter how crazy—to do something to find Rose.

Thoughts tumbled over in her mind like laundry in a dryer.
Why hadn’t she found even a hint of why this son of a bitch had come? Surely there had to be something that would give a clue as to what she should do next!

She again pointed the beam into every corner, but saw nothing. She had turned to go back down when the flashlight shifted in her hand and reflected something metallic in the far corner. She pushed aside a few empty boxes and looked. On the dusty floor was a small container about the size of a toolbox. She wiped the dirt off of the label. Blank. Probably empty. She picked it up. It rattled.

She sat on the broken chair. It wobbled, but held her weight. She put the metal box on her lap. Its clasp was broken, as if it had been smashed long ago. She struggled to breathe as she pulled back the lid and aimed the wavering light at its contents.

Nora stared into it, afraid of what she might find.
Could this be it? Could it contain the clue that would connect the dots to these horrible events?

Hands shaking, she cradled the box in her lap and aimed the light down. A sheaf of papers—yellowed onionskin with battered edges bound by a green ribbon. She untied it and spread the papers on her lap. She realized she was holding her breath. She stared at the green ribbon as it fell to the floor, a satin spiral.
Would it be a clue, a Pandora’s box, or worse—nothing?

She took a breath, picked up the flashlight and pointed it at the first page. It was thick paper that seemed to be an identification document. The name at the top was “Anneke Brouwer.” A small black-and-white photograph of her mother stared back, unsmiling. Nora felt almost dizzy. Her mother’s maiden name, as far as she knew, was
de Bruin.
Moving her index finger slowly down, she peered at the card more closely.

“Damn!” Her hands shook so that the beam of light skittered wildly. She gripped it tighter and looked again. The card was dated July 1945 and stated that Anneke was born in 1920. It had an arresting illustration at the top, a black-and-red flag with a triangle in the center. The emblem of the Dutch lion with sword and arrows stood in front of a blue-and-white shield. Nora felt confused. She knew what the Dutch flag looked like, and this was not it. But it was the words in flamboyant print underneath that caused her to gasp.
“Nationale-Socialistische Beweging.”

“What?” she whispered. “The
NSB?
” She knew enough Dutch history to know that during the war, this was the reviled organization of the Dutch Nazis. “No!” she cried out. “It can’t be!” She dropped the stack of papers as if they were coiled rattlesnakes.

Her mother an NSB-er? A Dutch Nazi?
The one thing Anneke had told Nora when she had asked about the war was that she had fought for the resistance. Nora strained to process this new information, to see where its edges might fit into the puzzle about Anneke’s murder and Rose’s kidnapping.

She snatched up the documents and peered at the card again.
It was incomprehensible!
The print before her eyes shimmered and rippled, a mirage in the desert. Dizziness filled her head as she felt the flashlight slip. Her sweaty forehead fell into her filthy hands.

She sat back and stared at the brown dust that had sprinkled over the documents, the lockbox and her hands.
What did all this mean? Who was her mother? A hero fighting the Germans or a fanatic Dutch Nazi carrying out Hitler’s version of the New Order?

Moments later, she raised her head. She had to go on. With shaky hands, she laid the first page on the floor and picked up the second. It bore an ornate wax stamp. She picked up the flashlight and examined it, some kind of legal document so translucent and brittle it could have been an ancient scroll. The bloodred seal cracked in two as she raised the paper into the watery beam of light. A small photo of her father as a young man was stapled to the right corner. Unaccustomed to the legalistic Dutch, it took her a while to make out the gist of it.

In the Name of Her Royal Highness

Queen Wilhelmina of the Netherlands,

This action is hereby brought against the Dutch Citizen hereinafter named

HANS ALBERTUS MARTINUS MOERVELD

For the Murder of

ABRAM DAVID ROSEN

By virtue of the Complaint sworn to before

The Royal Court on this

Sixteenth Day of September

In the Year

Nineteen Hundred and Forty-Five

* * *

Nora gasped. Her eyes flew to the middle of the page, where the charge was stated in bold print, along with the
Oordeel,
the Court’s decision. Only two words.

WAR CRIMINAL

And the
Vonnis,
the sentence.

DEATH.

8

Nora stared at the paper, the words blurred. Finally, she calmed herself enough to focus. Her father’s real surname must have been
Moerveld.
And the paper stated he had been tried in absentia for murder. Tears of disbelief fell onto her cheeks. Her father—a
murderer? Of a Jewish man during wartime?

“No, Papa, no!” she whispered. It couldn’t be. Imagining him, she saw a gentle smile on his face as she sang “Twinkle, Twinkle Little Star” for her first-grade class at Poe Elementary; felt his strong arms pick up her bruised body from the street the first time he tried to teach her to ride a two-wheeler; the cozy comfort as she sat on his lap as he read
La Fontaine
to her. Whoever the man described in this document, it was not—could not—be her father.

And Abram Rosen, who was he, and why would Papa be accused of killing him?
The attic air choked her.
No, no, no!
She could not accept this. Wiping her eyes, she looked at the last line of the document and that one, black, irrevocable word:
Death.

She glanced through the remaining papers and then folded them into a clumsy parcel. She would take them downstairs to Marijke. She felt a new stab at their import, but also something electric. This had to be the “something else.”

As she started to put the papers back into the metal box, she peered into it. Something was stuck to its metal side. She scrabbled her fingernails against it until it came free. A small booklet, a Dutch passport. A stern, younger version of her father stared back at her. Underneath was the name “Hans Moerveld.”

Why had he changed his name to “de Jong”? And when had he and Mama decided to abandon their true identities?
If the documents were true—and how could she dispute them—then they both had urgent reasons to flee. Papa must have whisked Anneke away to avoid arrest.

Nora thought back to her college days, when she had embarked on a self-made path to learn about her parents’ lives during the war. Neither would speak of it. They each insisted that she not ask more questions. Their admonition had, of course, fueled her intention to do precisely that.

She’d learned that after Dutch liberation day on May 5, 1945, known NSB-ers—men and women—had been dragged down the streets and jeered at by their neighbors and countrymen. Many were paraded around with shaved heads to further demonstrate how reviled they were. Some were pelted with rotten fruit, tied up and beaten.

Could that be why the killer had hacked off clumps of Anneke’s hair? God, what other reason could there be? Her mother a Nazi and her father a murderer?

And this killer—whoever he was—maybe he had come back for revenge. Maybe he’d also meant to kill Papa but didn’t know he was already dead.

Nora’s head spun
. But why did this bastard wait thirty years? And even if Mama had been an NSB-er, what could she have done that would warrant such a long-held hatred and brutal death?

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