The Trial (9 page)

Read The Trial Online

Authors: James Patterson

BOOK: The Trial
9.86Mb size Format: txt, pdf, ePub
 

Drawing my service pistol,
I pushed against the fleeing crowd, hearing two more shots, and realizing they were coming from inside the kitchen behind Sampson. My partner had figured it out as well.

Sampson spun away from the eggs and bacon, drew his gun as I vaulted over the counter. We split and went to either side of the pair of swinging industrial kitchen doors. There were small portholes in both.

Ignoring the people still bolting from the cafeteria, I leaned forward and took a quick peek. Mixing bowls had spilled off the stainless-steel counters, throwing flour and eggs across the cement floor. Nothing moved, and I could detect no one inside.

Sampson took a longer look from the opposite angle. His face almost immediately screwed up.

“Two wounded,” he hissed. “The cook, Theresa, and a nun I've never seen before.”

“How bad?”

“There's blood all over Theresa's white apron. Looks like the nun's hit in the leg. She's sitting up against the stove with a big pool below her.”

“Femoral?”

Sampson took another look and said, “It's a lot of blood.”

“Cover me,” I said. “I'm going in low to get them.”

Sampson nodded. I squatted down and threw my shoulder into the door, which swung away. Half expecting some unseen gunman to open fire, I rolled inside. I slid through the slurry of two dozen eggs and came to a stop on the floor between two prep counters.

Sampson came in with his weapon high, searching for a target.

But no one shot. No one moved. And there was no sound except the labored breathing of the cook and the nun who were to our left, on the other side of a counter, by a big industrial stove.

The nun's eyes were open and bewildered. The cook's head slumped but she was breathing.

I scrambled under the prep counter to the women and started tugging off my belt. The nun shrank from me when I reached for her.

“I'm a cop, Sister,” I said. “My name is Alex Cross. I need to put a tourniquet on your leg or you could die.”

She blinked, but then nodded.

“John?” I said, observing a serious gunshot wound to her lower thigh. A needle-thin jet of blood erupted with every heartbeat.

“Right here,” Sampson said behind me. “Just seeing what's what.”

“Call it in,” I said, as I wrapped the belt around her upper thigh, cinching it tight. “We need two ambulances. Fast.”

The blood stopped squirting. I could hear my partner making the radio call.

The nun's eyes fluttered and drifted toward shut.

“Sister,” I said. “What happened? Who shot you?”

Her eyes blinked open. She gaped at me, disoriented for a moment, before her attention strayed past me. Her eyes widened, and the skin of her cheek went taut with terror.

I snatched up my gun and spun around, raising the pistol. I saw Sampson with his back to me, radio to his ear, gun lowered, and then a door at the back of the kitchen. It had swung open, revealing a large pantry.

A man crouched in a fighting stance in the pantry doorway.

In his crossed arms he held two nickel-plated pistols, one aimed at Sampson and the other at me.

With all the training I've been lucky enough to receive over the years, you'd think I would have done the instinctual thing for a veteran cop facing an armed assailant, that I would have registered
Man with gun!
in my brain, and I would have shot him immediately.

But for a split second I didn't listen to
Man with a gun!
because I was too stunned by the fact that I knew him, and that he was long, long dead.

 

In that same instant,
he fired both pistols. Traveling less than thirty feet, the bullet hit me so hard it slammed me backward. My head cracked off the concrete and everything went just this side of midnight, like I was swirling and draining down a black pipe, before I heard a third shot and then a fourth.

Something crashed close to me, and I fought my way toward the sound, toward consciousness, seeing the blackness give way, disjointed and incomplete, like a jigsaw puzzle with missing pieces.

Five, maybe six seconds passed before I found more pieces and I knew who I was and what had happened. Two more seconds passed before I realized I'd taken the bullet square in the Kevlar that covered my chest. It felt like I'd taken a sledgehammer to my ribs and a swift kick to my head.

In the next instant, I grabbed my gun and looked for…

John Sampson sprawled on the floor by the sinks, his massive frame looking crumpled until he started twitching electrically, and I saw the head wound.

“No!” I shouted, becoming fully alert and stumbling over to his side.

Sampson's eyes were rolled up in his head and quivering. I grabbed the radio on the floor beyond him, hit the transmitter, and said, “This is Detective Alex Cross. Ten-Zero-Zero. Repeat. Officer down. Monroe Avenue and 12th, Northeast. St. Anthony's Catholic School kitchen. Multiple shots fired. Ten-Fifty-Twos needed immediately. Repeat. Multiple ambulances needed, and a Life Flight for officer with head wound!”

“We have ambulances and patrols on their way, Detective,” the dispatcher came back. “ETA twenty seconds. I'll call Life Flight. Do you have the shooter?”

“No, damn it. Make the Life Flight call.”

The line went dead. I lowered the radio. Only then did I look back at the best friend I've ever had, the first kid I met after Nana Mama brought me up from South Carolina, the man I'd grown up with, the partner I'd relied on more times than I could count. The spasms subsided and Sampson's eyes glazed over and he gasped.

“John,” I said, kneeling beside him and taking his hand. “Hold on now. Cavalry's coming.”

He seemed not to hear, just stared vacantly past me toward the wall.

I started to cry. I couldn't stop. I shook from head to toe, and then I wanted to shoot the man who'd done this. I wanted to shoot him twenty times, completely destroy the creature that had risen from the dead.

Sirens closed in on the school from six directions. I wiped at my tears, and then squeezed Sampson's hand, before forcing myself to my feet and back out into the cafeteria, where the first patrol officers were charging in, followed by a pair of EMTs whose shoulders were flecked with melting snowflakes.

They got Sampson's head immobilized, then put him on a board and then a gurney. He was under blankets and moving in less than six minutes. It was snowing hard outside. They waited inside the front door to the school for the helicopter to come, and put IV lines into his wrists.

Sampson went into another convulsion. The parish priest, Father Fred Close, came and gave my partner the last rites.

But my man was still hanging on when the helicopter came. In a daze I followed them out into a driving snowstorm. We had to shield our eyes to duck under the blinding propeller wash and get Sampson aboard.

“We'll take it from here!” one EMT shouted at me.

“There's not a chance I'm leaving his side,” I said, climbed in beside the pilot, and pulled on the extra helmet. “Let's go.”

The pilot waited until they had the rear doors shut and the gurney strapped down before throttling up the helicopter. We began to rise, and it was only then that I saw through the swirling snow that crowds were forming beyond the barricades set up in a perimeter around the school and church complex.

We pivoted in the air and flew back up over 12th Street, rising above the crowd. I looked down through the spiraling snow and saw everyone ducking their heads from the helicopter wash. Everyone except for a single male face looking directly up at the Life Flight, not caring about the battering, stinging snow.

“That's him!” I said.

“Detective?” the pilot said, his voice crackling over the radio in my helmet.

I tugged down the microphone, and said, “How do I talk to dispatch?”

The pilot leaned over, and flipped a switch.

“This is Detective Alex Cross,” I said. “Who's the supervising detective heading to St. Anthony's?”

“Your wife. Chief Stone.”

“Patch me through to her.”

Five seconds passed as we built speed and hurtled toward the hospital.

“Alex?” Bree said. “What's happened?”

“John's hit bad, Bree,” I said. “I'm with him. Close off that school from four blocks in every direction. Order a door-to-door search. I just saw the shooter on 12th, a block west of the school.”

“Description?”

“It's Gary Soneji, Bree,” I said. “Get his picture off Google and send it to every cop in the area.”

There was silence on the line before Bree said sympathetically, “Alex, are
you
okay? Gary Soneji's been dead for years.”

“If he's dead, then I just saw a ghost.”

 

We were buffeted by
winds and faced near-whiteout conditions trying to land on the helipad atop George Washington Medical Center. In the end we put down in the parking lot by the ER entrance, where a team of nurses and doctors met us.

They hustled Sampson inside and got him attached to monitors while Dr. Christopher Kalhorn, a neurosurgeon, swabbed aside some of the blood and examined the head wounds.

The bullet had entered Sampson's skull at a shallow angle about two inches above the bridge of his nose. It exited forward of his left temple. That second wound was about the size of a marble, but gaping and ragged, as if the bullet had been a hollow point that broke up and shattered going through bone.

“Let's get him intubated, on Propofol, and into an ice bath and cooling helmet,” Kalhorn said. “Take his temp down to ninety-two, get him into a CT scanner, and then the OR. I'll have a team waiting for him.”

The ER doctors and nurses sprang into action. In short order, they had a breathing tube down Sampson's throat and were racing him away. Kalhorn turned to leave. I showed my badge and stopped him.

“That's my brother,” I said. “What do I tell his wife?”

Dr. Kalhorn turned grim. “You tell her we'll do everything possible to save him. And you tell her to pray. You, too, Detective.”

“What are his chances?”

“Pray,” he said, took off in a trot, and disappeared.

I was left standing in an empty treatment slot in the ER, looking down at the dark blood that stained the gauze pads they'd used to clean Sampson's head.

“You can't stay in here, Detective,” one of the nurses said sympathetically. “We need the space. Traffic accidents all over the city with this storm.”

I nodded, turned, and wandered away, wondering where to go, what to do.

I went out in the ER waiting area and saw twenty people in the seats. They stared at my pistol, at the blood on my shirt, and at the black hole where Soneji's bullet had hit me. I didn't care what they thought. I didn't—

I heard the automatic doors
whoosh
open behind me.

A fearful voice cried out, “Alex?”

I swung around. Billie Sampson was standing there in pink hospital scrub pants and a down coat, shaking from head to toe from the cold and the threat of something far more bitter. “How bad is it?”

Billie's a surgical nurse, so there was no point in being vague. I described the wound. Her hand flew to her mouth at first, but then she shook her head. “It's bad. He's lucky to be alive.”

I hugged her and said, “He's a strong man. But he's going to need your prayers. He's going to need all our prayers.”

Billie's strength gave way. She began to moan and sob into my chest, and I held her tighter. When I raised my head, the people in the waiting room were looking on in concern.

“Let's get out of here,” I muttered, and led Billie out into the hallway and to the chapel.

We went inside, and thankfully it was empty. I got Billie calmed down enough to tell her what had happened at the school and afterward.

“They've put him into a chemical coma and are supercooling his body.”

“To reduce swelling and bleeding,” she said, nodding.

“And the neurosurgeons here are the best. He's in their hands now.”

“And God's,” Billie said, staring at the cross on the wall in the chapel before pulling away from me to go down on her knees.

I joined her and we held hands and begged our savior for mercy.

Thank you for buying this ebook, published by Hachette Digital.

To receive special offers, bonus content, and news about our latest ebooks and apps, sign up for our newsletters.

Sign Up

Or visit us at
hachettebookgroup.com/newsletters

Other books

Slip of the Knife by Denise Mina
Safe & Sound by T.S. Krupa
Dead Girl Beach by Mike Sullivan
The Hamlet Trap by Kate Wilhelm
Angle of Repose by Wallace Stegner
Fireworks: Riley by Liliana Hart