The Trap (31 page)

He's a shadow, a mere shadow. He looks about him frantically. And then he's near enough for me to recognise him.

The sight of him catches me like a punch. I totter, my leg gives way again, and I fall to the ground. Then he's beside me, bending over me. His worried face, his different-coloured eyes in the darkness. Julian.

‘My God, Linda,' he says. ‘Are you injured?'

‘He's here,' I croak. ‘Lenzen. My sister's murderer. He has a gun.'

‘Stay where you are,' says Julian. ‘Keep calm.'

At that moment, Lenzen comes round the side of the house. When he realises I'm not alone, he stops in his tracks, in the dark.

‘Police!' Julian shouts. ‘Drop the gun!'

Lenzen stands there—still a mere shadow. Then, in a single, swooping movement, he lifts his hand to his head and shoots.

He drops to the ground.

Then it falls very quiet.

34

There it is again—that keen, red feeling. I am back on the lawn in front of Victor Lenzen's house. A shot echoes in my head, I can feel the grass beneath my palms, I am cold, and my head hurts.

‘Frau Michaelis?'

It takes a while for the voice to get through to me.

‘Frau Michaelis?'

I look up, slowly readjusting to reality. This is the police station. Frau Michaelis, that's me—although I'm used to being called by my nom de plume, Conrads. The policeman addressing me, whose name I've forgotten, has already questioned me this morning. He is aloof but friendly, and there's no end to his questions.

‘Do you need a break?' he asks.

‘No, thanks,' I say.

My voice sounds tired and chastened. I can't remember precisely when I last slept longer than a few minutes.

‘We're almost done.'

My thoughts return to the dark lawn in front of Lenzen's house again as I answer the policeman's questions as if on autopilot. I'm sitting on the grass, out of breath. A shot echoes in my ears. Julian is looking into my face, indicating to me not to stir from the spot, not that I could anyway, even if I wanted to. I watch him move cautiously towards Lenzen, who's lying on the ground, in the dark, and—too late, far too late—I think: it's a trick! Just one of his tricks! But Julian has already reached the figure; I see him bending down, and, anticipating a second shot, I let out a noiseless scream. But nothing happens. I'm so cold. I'm trembling all over. I see Julian stand up again and walk back towards me.

‘He's dead,' he says.

I'm in a daze. Julian sits down next to me on the grass, takes me in his arms, enfolds me in his warmth, and at last I begin to cry. In the houses around us, the lights go on.

‘Thank you, Frau Michaelis,' the policeman says. ‘That'll be all for now.'

‘For now?'

‘Well, it's quite possible we may have more questions,' he replies. ‘A man has shot himself with your gun. And this whole story you've told me sounds pretty…complicated.'

‘Will I need a lawyer?'

He hesitates. ‘It never hurts,' he says, getting up.

I don't have the energy to worry. I found out in hospital that my ankle isn't broken but sprained. All the same, I can only use one leg for the time being and I'm still fairly clumsy with the crutches, especially since my right hand is still impaired.

The policeman holds the door open for me. I make it out of the place that I call the ‘interrogation room' to myself, although I'm not officially being interrogated—only questioned.

As we're leaving, Julian comes towards us. My heart leaps, I can't help myself. But he avoids looking me in the eyes. He gives me his hand formally and turns to his colleague.

‘They've found the phone,' he says.

I heave a sigh.

‘Did it record the conversation?' I ask.

‘My colleagues are still evaluating the data, but it looks like it.'

The other policeman shakes my hand and I'm left alone with Julian. My thoughts stray to our embrace on the lawn; I try not to think about it. As soon as his colleagues joined us, Julian had eased himself away from me; he had stopped calling me Linda and avoided looking me in the eye.

‘Frau Michaelis,' he says now, and it sounds final.

‘Hello,' I say stupidly and try to catch his eye. He doesn't give me a chance. He turns round and disappears into his office.

I wonder whether he's acting so awkwardly towards me because really, deep down inside, he had believed I'd murdered my sister and now feels bad about his mistake. That must be it. Maybe that's also the reason why he didn't get in touch after the night we spent together. I think back to what Lenzen said: ‘A vestige of doubt always remains.' I am glad that Lenzen's confession on my phone can now eliminate that vestige.

I struggle down the corridor of the police station on my crutches, and suddenly hear a familiar voice behind me.

‘Frau Michaelis?'

I turn around clumsily. In front of me is Andrea Brandt. She hasn't changed in the slightest. Only the smile is new.

‘I heard what happened last night,' she says. ‘You really should have left that to us.'

Last night. It's only slowly sinking in. It is actually over.

I don't reply.

‘Ah well,' the policewoman says. ‘I'm glad you're all right.'

‘Thanks.'

For a second, it looks as if she were about to say something else. Maybe it's at this point that she realises it was me on the phone a few months ago—the witness who called her and hung up. Then Andrea Brandt gives an almost imperceptible shrug, says, ‘All the best,' and disappears.

At the exit, I look back. I've changed my mind. One step at a time, I heave myself back down the corridor on my crutches. I think what a lot I have to do—speak to my lawyer, talk to my parents, collect Bukowski, ring my publishers, warn my agent, in case the press should call her, sleep, have a shower, think about where I'd like to live in the future (because I don't dare go back to my house—not yet, at least; the last time I set foot in it, I didn't go out again for over a decade). I have to speak to someone about my panic attacks, which have worsened, now that the strain is over and I'm no longer only fighting for sheer survival. Such a lot to do.

Instead, I knock at the door that Julian had disappeared behind, and open it.

‘May I come in?' I ask.

‘Of course, Frau Michaelis. Please, come in.'

At last I have time to have a proper look at him. He's sitting behind a huge, tidy desk. He looks good.

‘Really?' I ask.

‘Of course. Come on in.'

‘No, I meant are you really going to call me Frau Michaelis? Really?'

For the first time today, Julian looks me in the eyes.

‘You're right, Linda,' he says. ‘It's probably silly. Sit down, won't you?'

I hobble over to the chair he's offered me, manoeuvre myself into it and prop my crutches up against the desk.

‘I've come to say thank you,' I lie. ‘You saved my life.'

‘You saved your own life.'

We're silent for a moment.

‘You were right all along,' I say at last. ‘It was a crime of passion.'

Julian nods deliberately. Once again we are quiet, only this time the silence is longer, tenacious and uncomfortable. The clock on the wall to my left ticks.

‘I never thought you'd killed your sister,' Julian blurts out into the silence.

I stare at him in astonishment.

‘That's what you wanted to ask me, isn't it?' he says.