The Track of Sand (5 page)

As he was inserting the key into the lock he heard the phone ringing. He opened the door and ran to pick up.

“Were you looking for me?”

It was Ingrid.

“Yes. I need—”

“You only call me when you need something.You never ask me out for a candlelight dinner, never mind the inevitable conclusion. Just for the pleasure of being together.”

“You know perfectly well that’s not true.”

“Unfortunately, it’s just as I say. What do you need this time? Consolation? Assistance? An accomplice?”

“Nothing like that at all. I want you to tell me about your friend Rachele. Is she there with you?”

“No, she’s dining in Fiacca tonight with the organizers of the horse race. I didn’t feel like going. Did you find her attractive?”

“It’s not a private matter.”

“My, my, how formal we’ve suddenly become! Well, just so you know, when Rachele got back she did nothing but talk about you. About how gracious you are, how understanding, friendly, even handsome, which I think is going a bit too far ...When do you want to get together?”

“Whenever you like.”

“What would you say if I came to Marinella?”

“Right now?”

“Why not? What did Adelina make for you?”

“I haven’t checked yet.”

“Go look and then set the table on the veranda. I’m very hungry. I’ll be there in half an hour.”

A bowl stuffed with so much caponata that it overflowed. Six mullets in a
cipuddrata
. More than enough for two.Wine, he had. He set the table outside. It was chilly, but there wasn’t even a hint of wind. Just to be sure, he went and checked if he still had any whisky. There was only about two fingers’ worth left in the bottle. Dinner with Ingrid was inconceivable without a well-irrigated finale. He dropped everything and got in his car.

At the Marinella Bar he bought two bottles for which they made him pay four times the normal price. As he turned onto the small road that led home, he saw Ingrid’s powerful red car. But she wasn’t there. He called her name, but she didn’t answer. He figured she’d probably gone down to the beach, circled around the house, and entered through the veranda doors.

He opened the door, but Ingrid did not come to greet him. He called out.

“I’m in here,” he heard her answer from the bedroom.

He set the bottles down on the table and went into the bedroom, where he saw her crawling out from under the bed.

“What are you doing?” he asked, confused.

“I was hiding.”

“You want to play hide-and-seek?”

Only then did he notice that Ingrid was pale and that her hands were trembling a little.

“What on earth happened?”

“When I got here I rang the doorbell and, when you didn’t answer, I decided to come in through the veranda. But as soon as I turned the corner I saw two men come out of the house and leave. So I got worried and went inside, thinking that . . . Then I realized those guys might come back, so I hid. Have you got any whisky?”

“As much as you like.”

They went out into the living room, where he opened a bottle and poured her half a glass. She gulped it down.

“That’s better.”

“Did you get a good look at them?”

“No, just a glimpse. I immediately stepped back.”

“Were they armed?”

“I couldn’t say.”

“Come.”

He led her out onto the veranda.

“Which way did they go?”

Ingrid looked doubtful.

“I wouldn’t know. When I stuck my head back out a few minutes later, they were already gone, vanished.”

“Strange. There’s even some moonlight. You should at least have seen two shadows running away.”

“No, there wasn’t anyone.”

So did that mean they had hidden somewhere nearby and were waiting for him to return?

“Wait here just one minute,” he said to Ingrid.

“Not on your life. I’m coming with you.”

Montalbano went out the door with Ingrid practically glued to his back, opened his car, took his pistol out of the glove compartment, and put it in his pocket.

“Is your car locked?” he asked.

“No.”

“Lock it.”

“You lock it,” she said, handing him the keys.“But check first and make sure there’s nobody hiding inside.”

Montalbano looked inside the car, locked it, and they went back into the house.

“You were really scared just now. I’ve never seen you—”

“You know, when those two left and I went inside and started calling you and you didn’t answer, I thought they had . . . ”

She stopped, threw her arms around him, and kissed him on the mouth.

Returning her kiss, Montalbano realized the evening was taking a dangerous turn. So he gave her a couple of friendly taps on the shoulder.

She got the message and let go.

“Who do you think they were?” she asked.

“I haven’t the foggiest idea. Maybe some two-bit burglars who saw me go out and—”

“Oh, stop telling me nonsense you don’t even believe yourself !”

“I assure you that—”

“How could these burglars have known there wasn’t somebody else in the house? And why didn’t they steal anything?”

“You didn’t allow them enough time.”

“But they never even saw me!”

“Yes, but they heard you ring the doorbell and call me . . . Come on, let’s go. Adelina has cooked us—”

“I’m afraid to eat outside, on the veranda.”

“Why?”

“You would be an easy target.”

“Come on, Ingrid . . .”

“Well then why did you go get your gun?”

She wasn’t entirely wrong, when you came right down to it. But he wanted to calm her down.

“Listen, Ingrid, I’ve been living in Marinella for years and years, and no one has ever come to my house with bad intentions.”

“There’s always a first time for everything.”

Once again, she wasn’t entirely wrong.

“Where would you like to eat?”

“In the kitchen. Bring everything in and then close the French door. Even though I’ve lost my appetite.”

Her appetite returned after two glasses of whisky.

They polished off the caponata and divided the mullets evenly, three apiece.

“When does the interrogation begin?” asked Ingrid.

“Here in the kitchen? Let’s go into the living room, where we can relax on the couch.”

They brought along a bottle of wine they’d barely begun, as well as the bottle of whisky, already half empty. They sat down on the sofa, but then Ingrid got back up, pulled up a chair, and rested her legs on it. Montalbano set flame to a cigarette.

“Fire away,” said Ingrid.

“What I’d like to know about your friend is—”

“Why?”

“Why do I want to know? Because I don’t know anything about her.”

“So why do you want to know more about her if you’re not interested in her as a woman?”

“I’m interested in her as a police inspector.”

“What has she done?”

“She hasn’t done anything. But, as you probably know, her horse was killed, and in a rather barbaric fashion.”

“How?”

“Bludgeoned to death with iron rods. But don’t tell anyone, not even your friend.”

“No, I won’t tell anyone. But how did you find out?”

“I saw it with my own eyes.The horse came here to die, right outside the veranda.”

“Really? Tell me about it.”

“There’s nothing to tell. I woke up, opened the window, and saw it lying there.”

“All right, but why do you want to know more about Rachele?”

“Since your friend claims not to have any enemies, I am compelled by logic to think that the horse was killed to spite Lo Duca.”

“So?”

“I have to know if this is actually the case. How long have you known her?”

“Six years.”

“How did you meet?”

Ingrid started laughing.

“Do you really want to know?”

“I’d say so.”

“We met in Palermo, at the Igea Hotel. It was five o’clock in the afternoon, and I was in bed with a certain Walter.We had forgotten to lock the door. And she burst in like a banshee. I didn’t know Walter had another woman. Stumbling to put his clothes back on, Walter managed to escape. So she pounced on me, as I was sitting there petrified in bed, and tried to strangle me. Luckily two clients who were walking by in the corridor came to my rescue.”

“And after this fine start, how did you end up becoming friends?”

“That same evening, as I was eating alone in the hotel restaurant, she came and sat down at my table. She apologized to me. We chatted awhile and agreed that Walter was an asshole and a coward.We took a liking to each other and became friends. And there you have it.”

“Has she come in the past to see you in Montelusa?”

“Yes. And not only for the horse race in Fiacca.”

“Have you introduced her to many people?”

“Practically all my friends. And she’s met others on her own. For example, she’s got a circle of friends in Fiacca whom I don’t know.”

“Has she had any affairs?”

“Not with any of my friends, no. But I wouldn’t know what she’s been up to in Fiacca.”

“She doesn’t talk to you about it?”

“She once made vague mention of a certain Guido.”

“Does she sleep with him?”

“I couldn’t say. She describes him as a sort of
cavalier servente
.”

“But haven’t any of your male friends tried their luck with her?”

“Almost all of them, as far as that goes.”

“And among these ‘almost all,’ was there anyone who tried harder than the rest?”

“Well, Mario Giacco.”

“Isn’t it possible that, perhaps, without your knowing—”

“—that Rachele has been with him? It’s possible, though I don’t—”

“And couldn’t it be possible that Giacco, to avenge himself for having been rejected by her, arranged for the horse to be killed?”

Ingrid did not hesitate.

“I would absolutely rule that out, without any doubt. Mario’s an engineer, and he’s been in Egypt for the past year. He works for an oil company.”

“It was a stupid conjecture, I know. And what sort of relationship does she have with Lo Duca?”

“I have no idea what her relations with Lo Duca are.”

“But if she left her horse in his care, they must be friends. Do you know Lo Duca?”

“I do, but I find him unbearable.”

“Has Rachele ever talked to you about him?”

“A few times. And pretty indifferently, I’d say. I don’t think there’s been anything between them. Unless Rachele wants to keep their relationship a secret from me.”

“Has she ever done that before?”

“Well, based on your conjectures . . .”

“Do you know if Lo Duca is presently in Montelusa?”

“He arrived today, after hearing about the horse.”