The Tourist (11 page)

"I don't know, Tom. You may have cleared Barnes, but you still haven't convinced me Angela's to blame."

"It's not your job to be convinced," Grainger told him. "You'll find out more from your contact. Trust me, there is evidence."

"But if Yi Lien's gone, then . . ."

"Networks always survive recalls, Milo. You know that. What we don't know is who's at the top of the food chain now."

Milo looked at Grainger's hairless scalp, thinking this over. It was a simple enough matter, and he was glad to be brought in; he could at least make sure they dealt fairly with Angela. But the Company didn't work like that--it didn't buy international air tickets because it felt like being fair. He was being brought in because Angela trusted him. "How long will it take?"

"Oh, not long," Grainger said, pleased the subject had changed. "You fly there, meet her, and hand over the drive. The story is that she'll hold it for a contact named Jim Harrington who'll arrive in Paris on Monday to pick it up. That'll give her"--he raised his hands-- "if, of course, it
is
her--

only two days to copy it."

"Is Harrington real?"

"He's flying to Paris from Beirut. He knows what to do, but he doesn't know why."

"I see."

"You'll get it done in no time. Hop an evening flight and be back home by Saturday morning."

"That's encouraging."

"Don't be sarcastic."

Milo knew why he was annoyed. It wasn't that he'd missed his coffee that morning, nor that he was feeling an acute desire for a cigarette. It wasn't even the miserable fact that he was preparing to set up a friend for treason--that only made him sick. He said, "When were you planning to tell me about the Tiger?"

Grainger, looking very innocent, said, "What about him?"

"That he was one of ours. That he was a Tourist." The old man's expression lost its innocence. "You believe that?"

"I've spent the last six years tracking him. Don't you think this piece of information might have helped?"

Grainger stared at him for about ten seconds, then rapped his knuckles on the desk. "Let's talk when you get back. Okay? We don't have time for it now."

"The story's really that long?"

"It is. Your plane leaves at five, and you need to type up some explanation of the Blackdale fiasco that doesn't make us look like complete idiots. Also, put in all your receipts--I'm not paying for undocumented expenses anymore."

Milo grunted an affirmative.

"I'll tell James Einner to expect you. He's your liaison in Paris."

"Einner?" said Milo, suddenly awake. "You really think we need a Tourist for this?"

"Overkill never killed anyone," Grainger said. "Now go. Everything's been forwarded to your terminal."

"And the Tiger?"

"As I said. When you get back."

1 0

Milo had always felt comfortable in large airports. It wasn't that he loved to fly--that, particularly after the Towers, had become an increasingly unbearable experience with its various secure levels of undress. The only things he enjoyed forty thousand feet above sea level were the cleverly packaged airline meals and the day's music choices on his iPod. Once he was on the ground again, though, in a properly designed airport, he always felt that he was wandering through a tiny city. Charles de Gaulle, for instance, was properly designed. Its striking sixties architecture--what designers in the sixties imagined a beautiful future would look like--made for a strangely nostalgic utopia of crowd control architecture and consumer pleasures, reinforced by the soft
ding
over loudspeakers followed by a lovely female voice listing the cities of the world.

Nostalgia was a good word for it, a false nostalgia for a time he was too young to know. It was why he loved Eurovision winners from 1965, the unreal Technicolor of those midcareer Bing Crosby films, and (despite his promises to the contrary) the perfect pair of a Davidoff cigarette and a bracing vodka, served at an airport bar.

He hadn't wandered Charles de Gaulle in years, and he soon realized things had changed. He passed a McDonald's and some bakeries, settling on the vaguely precious La Terrasse de Paris. There was no bar, instead a cafeteria-style area where he searched in vain for vodka. The only things available were small wines--red and white. Frustrated, he settled on four deciliters of some chilled mass-market Cabernet that cost nine euros. His plastic cup, the cashier told him, was complimentary. Milo found an empty table by the rear wall, bumping into backs and luggage on the way, and settled down. Six in the morning, and the place was packed. His cell phone sang its irritating song, and it took him a moment to find the thing in his inner pocket,
PRIVATE NUMBER
. "Yeah?"

"Milo Weaver?" said a thin, wiry voice.

"Uh huh."

"Einner. You landed all right?"

"Well, yes, I--"

"New York tells me you've got the package. Do you?"

"I hope so."

"Answer yes or no, please."

"Sure."

"The subject takes lunch every day at twelve thirty precisely. I suggest you wait for her outside her place of work."

Feeling more desperate for his nostalgic interlude, Milo looked for an ashtray; there was none. He tapped out a Tennessee-bought Davidoff, deciding to ash into the cup and drink the wine from the bottle. "That'll give me time to nap. It was a long flight."

"Oh, right," said Einner. "I forgot how old you are." Milo was too stunned to say what his mind muttered: I'
m only thirty-
seven.

"Don't worry, Weaver. We'll have you out of here in time for your vacation. I don't even know why they bothered flying you in."

"We done?"

"I understand the subject is an old friend of yours."

"Yes." Milo took a drag, losing his grip on his sense of humor, while someone nearby coughed loudly. "Don't let that get in the way." Milo suppressed the urge to shout a reply. Instead, he hung up as, a few seats away, a young man started a coughing fit into his hand, glaring at him. Milo suddenly realized why. Round eyes watched him tap ash into his plastic cup, and he waited for the hammer to fall. It was swift--the cashier, having noticed the crime in action, called over a stock boy who had been crouched by the canned coffee mixtures, and he followed her pointed finger to Milo's corner. The boy, eighteen or so, wiped his hands on his orange apron as he weaved expertly between tables toward him. "Monsieur, ici vous ne pouvez pas fumer."

Milo considered standing his ground, then noticed the big sign with the symbol for no smoking on the wall, a few feet from him. He raised his hands, smiling, took one last drag, and dropped the cigarette into the plastic cup. He poured in some of the wretched wine to extinguish it. The stock boy, behind a bashful grin, was relieved not to have to throw this man out. Grainger had booked him into the Hotel Bradford Elysees, one of those classical, overpriced monstrosities along the Rue Saint Philippe du Roule that, were anyone to ever audit the books of the Department of Tourism, would be the first thing to go. He asked the front desk for a wakeup call at eleven thirty--about four hours from then--and picked up a
Herald Tribune.
In the ornate Bradford Elysees elevator, he read headlines. They weren't pretty.

More car bombs in Iraq, killing eight U.S. and Canadian soldiers, and more riots in Khartoum, Sudan: a photo of a full square of angry men--

thousands--waving placard photographs of the dead Mullah Salih Ahmad, a white-bearded holy man with a white taqiyah covering his bald scalp. Other signs in Arabic, the caption told him, called for the head of President Omar al-Bashir. On page eight, he found a single-paragraph story saying that Homeland Security had apprehended a suspected political assassin, whom they refused to name.

Yet the most important news was unwritten: Milo Weaver had arrived in Paris to set up one of his oldest friends.

Mawkishly, he remembered when both of them were young field agents in London. Lots of codes and clandestine meetings in out-ofthe-way pubs and arguments with British intelligence about the mess their countries were just starting to make of the post-communist world. Angela was smart and stable--a near-contradiction in their business--and she had a sense of humor. In intelligence, those three things together are so rare that when you find them, you don't let go. Given the amount of time they spent together, everyone assumed they were a couple. This served them both. It kept her homosexuality out of conversations, and saved Milo from diplomats' wives setting him up with their nieces.

For two months after the Venice fiasco, Angela couldn't speak to him--that's how much killing her boss, Frank Dawdle, had disturbed her. But the next year, when Milo became simultaneously a husband and a dad to a baby girl, Angela came to the wedding in Texas and showered happy praise on Tina. They had remained in touch, and when Angela came to town Tina always insisted they take her out to dinner. He lay on the hotel bed without undressing and considered calling Tom. What to say? He'd already argued Angela's innocence. Should he report that James Einner was a dunce, unequipped to handle the operation?

Tom didn't care what Milo thought of Einner.

The truth--and for a moment it disturbed him--was that, six years ago, as a Tourist, he never would have questioned any of this. The job would have been simple and clean. But he wasn't a Tourist anymore, and for that he had no regrets.

1 1

The American embassy was separated from the Champs-Elysees by the long, rigorous Jardin des Champs-Elysees. He parked along Avenue Franklin D. Roosevelt and walked the length of the park, passing old Parisians on benches with bags of bread crumbs dangling between their knees, luring pigeons, while the midday sun burned hot and moist. Paris in July is a bleak place to be. The locals have started to flee on their welfare-state vacations, and in their place Japanese, Dutch, Americans, Germans, and Brits stand in lines leading to ticket counters, their necks craned, waving brochures at perspiring cheeks, shouting at errant children. The elderly tourists move in packs, clutching walkers or fooling with wheelchairs, while the young stop periodically to bitch about the hard sidewalks and whisper, surprised, about how many black people there are in Paris.

Most of them, just before leaving home, watched Gene Kelly and Leslie Caron dance through white-bread streets and are shocked by today's rues and avenues. Instead of fat old men with mustaches offering slices of cheese with aperitifs, they're faced with white boys in dirty dreadlocks playing movie sound tracks on beat-up guitars, suspiciously pushy Africans selling miniature Eiffel Towers and models of the Louvre pyramid, and hordes of tourists like themselves, guided

by stern elderly French women waving colored flags to keep them on track. Of course, there was plenty of beauty in Paris, but, given his reason for being there, Milo could hardly see it.

He found a bench at the Place de la Concorde end of the park, facing tree-lined Avenue Gabriel and the embassy at number 2. He gave a smile to the old woman beside him on the bench, surrounded by pigeons. She returned his smile and tossed crumbs at the birds. It was only twelve ten, so he searched his pockets for cigarettes before guilt overwhelmed him and he let them be. He crossed his arms over his chest and stared at the white wedding-cake building with three uniformed marines in its yard wearing automatic rifles.

"Bonjour, monsieur," said the old woman.

Milo gave her a half-smile, no more than politeness. "Bonjour."

"Etes-vous un Touriste?"

A single tooth was missing from the front of her grin. She winked. He said, "Oui."

"Monsieur Einner voudrait savoir si vous avez le paquet."
Mr. Einner
would like to know if you have the package.

Milo looked around. There--parked along Avenue Gabriel was a white van advertising
FLEURS
. Smoke sputtered from its exhaust pipe, the only running motor in sight.

Flower delivery van. Einner had obviously spent his training period watching too many old spy movies.

He turned back and switched to English. "Tell him to come ask himself."

Her smile remained, but she didn't say anything. The wire she wore had already picked up his words. Across the park, the flower delivery van's rear door popped open, and a tall blond man crossed the grass toward them. James Einner's face was very red, his cherry lips sealed tight. Once he was in punching distance, Milo noticed that his red lips were peeling. He wondered if Einner had herpes, and made a mental note to update his file when he returned to New York.

"Hello, James," said Milo.

"Just answer the fucking question, Weaver. You're pissing all over our security."

Milo smiled; he couldn't help himself. "Yes, James. I have the package." Einner saw nothing funny in any of this. "You're not in an office, Weaver. This is the real world."

Milo watched him storm back to the van. The old woman was stifling a laugh, biting her lip so that her giggles wouldn't be heard over the microphone.

Twelve thirty came and went, and Milo started to worry. The black half-moon cameras along the edge of the embassy, and others attached to streetlamps, had no doubt been marking his progress. Some pale technicians in the embassy basement, sitting all day in front of monitors, had by now noticed his loitering and put him through the face-recognition software. Certainly they knew who he was. He didn't know whether they'd pass the information on to Angela Yates. If they did, might she choose to stay inside to avoid him? Maybe she suspected the embassy was watching her, and--regardless of her guilt or innocence--would choose to slip away from him entirely. Milo preferred that possibility.

Then, at twelve fifty-seven, she emerged from the embassy, nodding at the stiff marine who opened the door for her. She wore a light, colorful scarf that showed she was falling for French fashion. A thin mauve sweater was tight over her breasts, and her beige skirt stopped where her patent leather boots started, just below her knees. Five years in Paris had done an excellent job on Angela Yates, formerly of Madison, Wisconsin. She left through the electrified gate, continued west on the sidewalk, then north to the Rue du Faubourg Saint-Honore, and stopped to get euros from a Rothschild Banque ATM. Milo followed from his side of the street. She was a brisk walker, and perhaps that was a sign she knew he was following. If so, she didn't bother looking back to check. Angela had never been a nervous agent. In London, she'd been the best.