The Third Victim (37 page)

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Authors: Lisa Gardner

BOOK: The Third Victim
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He’s glancing at one of Sarah’s files. CLOSE ON gruesome crime scene PHOTO of an ADDICT – white, trashy, fatty (think Courtney Love) – cut ear to ear. Beneath, a SKETCH: a lonely grove of trees on the sand. Beautiful.

HOLDER (CONT’D)

Crack head thought she was Picasso?

SARAH

Crack head’s six year old son drew it.

HOLDER

He get iced, too?

SARAH

No.

Sarah takes the sketch. Puts it away. Holder waits for more. None coming. Fort Knox this woman.

HOLDER

So what happened to the kid–?

LT. OAKES – 50s, soft touch for Sarah – enters.

OAKES

Don’t waste your time moving in, do ya?

HOLDER

No. County cut me loose early. So, I…

OAKES

Well, you got a tough act to follow. You wrapped up here, Sarah?

SARAH

Yup. All done.

Oakes hands her a PAPER.

OAKES

Good. Got a call down at Discovery Park. Check it out.

SARAH

On my last day? My flights tonight–

OAKES

You’re still on the city’s dime.

(off her look)

You can hand it off end of shift. Six o’clock. Go on do your job. Take him. Show him how to work a scene.

HOLDER

(quietly)

I know how to work a scene…

Reluctantly, Sarah grabs her coat and a box–

SARAH

Grab a box. We’ll take my car.

HOLDER

Alright.

SARAH

(indicating a nearby box)

Over there.

As Sarah and Holder exit, boxes in tow, Holder shuts the door with his foot.

EXT. DOWNTOWN SEATTLE - AERIAL SHOT - DAY

Transition.

INT/EXT. SARAH’S CAR - DAY

Sarah drives, Holder yaks. Wipers flipping across the rain-soaked windshield. Squat factories – abandoned, graffii-marred – slide past their windows.

HOLDER

… They tapped me out of the Academy like first year, boom straight to

(MORE)

HOLDER (CONT’D)

undercover. So I was working vice, narco. I don’t know, I guess narco kinda stuck to me, so…

SARAH

(no shit)

You? A UC? I never woulda guessed.

Holder shoots her an amused look.

HOLDER

Whatever. It’s mostly like street level buys and busts, you know, Joaquim shooting Rakim, blah blah blah.

SARAH

You think Homicide’s gonna be any different?

HOLDER

Least you got a bad guy.

SARAH

Yeah? Who’s that?

Holder looks at her, waiting for more. No luck. They stop at a light.

On the sidewalk, a TEEN RUNAWAY – 16, male, filthy dreads, kindly face – slouches numbly against a monstrous duffel bag. Rain drizzling down.

Holder presses two fingers against the glass: “Peace”. The Teen Runaway lazily sticks up his middle finger: “Fuck you”.

Holder grins, gives him the finger back. As they pull away–

HOLDER

Is that why you running away, Linden? Cuz you don’t know no more?

She doesn’t even look at him. Off which–

EXT. SEATTLE - AERIAL SHOT FROM A DISTANCE - DAY

Transition.

EXT. DISCOVERY PARK - FIELD - DAY

Sarah drives down the fire road, pulling up to the scene. A scattering of UNIFORMS in a desolate field, woods in the near distance, lonely fire road. Rain abated for now.

Exiting their car, Sarah and Holder make there way to the scene and are approached by a young, UNIFORM in charge–

UNIFORM

Detective Linden…

SARAH

Where’s the body?

UNIFORM

Still lookin’. School kids on a field trip this mornin’ found this.

He hands a clear Evidence BAG to Sarah – inside a shimmery pink SWEATER. Torn, blood-smeared.

HOLDER

This park’s like Tweaker Central at nights. Ho-bags bringin’ their tricks down. Could be some basehead–

SARAH

(hands the evidence bag back to the Uni)

The owner’s not an addict. At least not the kind who hangs around here.

(off Holder’s look)

It’s a wool sweater. Looks recently cleaned.

HOLDER

Brought it to the coin wash, so what.

SARAH

You dry clean wool? Do you know any tweakers who drop their wardrobe off at the cleaners?

(to uniform) Anything else?

UNIFORM

This. ATM card.

He holds out a baggie: inside, a bank CARD. Imprinted on the front: “STANLEY LARSEN”. Holder takes it–

HOLDER

‘Stanley Larsen’. Guy loses his wallet while he’s gettin’ his knob polished?

ON Sarah as she steps away from Holder and the Uni, surveys the field – taking it in.

HOLDER (O.S.) (CONT’D)

(to Uni)

Anyway, keep lookin’. Search the field…

SARAH

(to Uni)

You find anything else, mark it, don’t move it. And call in Sex Crimes. This is theirs for now.

She heads to the car. Holder, surprised, follows–

HOLDER

Yo. We got here first.

SARAH

Yeah and we don’t got a body.

HOLDER

Not yet.

Sarah, impatient, checks her watch.

SARAH

You wanna follow it up, go for it.

HOLDER

You’re my ride, Linden.

SARAH

So, I’ll drop you off at the station, I need to finish packing up–

HOLDER

I thought you were done.

(off her look)

Flight’s not til nine, right? I won’t let you miss it. Promise.

Holder grins, walks ahead.

HOLDER (CONT’D)

Let’s have a talk with this Stanley Larsen.

Sarah clocks something on the back of his neck, peeking above his collar: a TATTOO. The top of an ornate CRUCIFIX. Sarah, curious, follows.

About         the         Author

L
ISA
G
ARDNER
is the author of
The Third Victim, The Next Accident,
and
The Survivors Club,
all
New York Times
bestsellers, as well as
The Perfect Husband
and
The Killing Hour.
She lives with her husband and daughter in the New England area, where she is at work on her next novel of suspense,
Alone.

Visit her website at
www.lisagardner.com
.

BANTAM BOOKS BY LISA GARDNER

The Perfect Husband

The Other Daughter

The Third Victim

The Next Accident

The Survivors Club

The Killing Hour

and coming soon

in hardcover

Alone

PRAISE FOR LISA GARDNER


Gardner keeps us guessing to the finale.
She also keeps us on edge.” —
Los Angeles Times

“[Gardner] show[s] a flair for
lip-biting suspense.
” —
People

“Mary Higgins Clark practically invented the psychological suspense genre featuring a female protagonist who is both hero and victim, and Gardner . . . has mastered it.” —
Providence Sunday Journal

“Gardner serves up suspense at a furious pace.”

Publishers Weekly

“Gardner has firmly established herself as one of the hottest suspense talents around. Awesome!” —
Romantic Times Bookclub

“I love Lisa Gardner’s hot, fast thrill rides. For my money,
when it comes to suspense, nobody does it better.
” —Jayne Ann Krentz

“Lisa Gardner knows how to produce a hair-raising mystery thriller. . . .
Gardner keeps the reader guessing with twist after ingenious twsit.
” —
Charleston (SC) Post and Courier

Dear Reader,

I hope you loved THE THIRD VICTIM, and now I’d like to share with you a sneak peek at my next novel, ALONE. I’m very excited to be working on such a dark, twisted tale, this one featuring a homicidal cop, a manipulative widow, a vengeful father, and a happy-go-lucky psychopath. I like to think that it’s psychological suspense at its finest, where the person you love the most should be the person you trust the least. . . .

Read on for a thrilling preview of Lisa Gardner’s
latest novel of suspense, ALONE,
coming in hardcover from
Bantam Books in January 2005!

ALONE

ON SALE JANUARY 2005

CHAPTER ONE

H
E

D PUT IN
a fifteen-hour shift the night the call came in. Too many impatient drivers on 93, leading to too much crash, bang, boom. City was like that this time of year. The trees were bare, night coming on quick and the holidays looming. It felt raw outside. After the easy camaraderie of summer barbecues, now you walked alone through city streets hearing nothing but the skeletal rattle of dry leaves skittering across cold pavement.

Lots of cops complained about the short, gray days of February, but personally, Bobby Dodge had never cared for November. Today did nothing to change his mind.

His shift started with a minor fender bender, followed by two more rear-enders from northbound gawkers. Four hours of paperwork later, he thought he’d gotten through the worst of it. Then, in early afternoon, when traffic should’ve been a breeze even on the notoriously jam-packed 93, came a five-car pileup as a speeding taxi driver tried to change four lanes at once, and a stressed-out ad exec in a Hummer forcefully cut him off. The Hummer took the hit like a heavyweight champ; the rusted-out cab went down for the count and took out three other cars with it. Bobby got to call four wreckers, then diagram the accident, and then arrest the ad exec when it became apparent the man had mixed in a few martinis with his power lunch.

Pinching a man for driving under the influence meant more paperwork, a trip to the South Boston barracks (now in the middle of rush hour traffic, when no one respected anyone’s right-of-way, let alone a trooper’s), and another altercation with the rich ad exec when he balked at entering the holding cell.

The ad exec had a good fifty pounds on Bobby. Like a lot of guys confronted by a smaller opponent, he confused superior weight with superior strength and ignored the warning signs telling him otherwise. The man grabbed the doorjamb with his right hand. He swung his lumbering body backward, expecting to bowl over his smaller escort and what? Make a run for it through a police barracks filled with armed troopers? Bobby ducked left, stuck out his foot, and watched the overweight executive slam to the floor. The man landed with an impressive crash and a few troopers paused long enough to clap their hands at the free show.

“I’m going to fucking sue!” the drunken ad exec screamed. “I’m going to sue you, your commanding officer, and the whole fucking state of Massachusetts. I’ll own this joint. You hear me?
I’ll fucking own your ass!

Bobby jerked the big guy to his feet. Rich exec screamed a fresh round of obscenities, possibly because of the way Bobby was pinching the man’s thumb. Bobby shoved the man into the holding cell and slammed the door.

“If you’re gonna puke, please use the toilet,” Bobby informed him, because by now the man had turned a little green. The rich executive flipped him off. Then he doubled-over and vomited on the floor.

Bobby shook his head. “Rich prick,” he muttered.

Some days were like that, particularly in November.

Now it was shortly after ten p.m. The rich ad exec had been bailed out by his overpriced lawyer, the holding cell was washed down, and Bobby’s shift, which had started at seven a.m., was finally done. He should go home. Give Susan a buzz. Catch some sleep before his alarm went off at five, and the whole joyous process started once more.

Instead he was jittery in a way that surprised himself. Too much adrenaline buzzing in his veins, when he was a man best known for being cool, calm, and collected.

Bobby didn’t go home. Instead he traded in his blues for jeans and a flannel shirt, then headed for the local bar.

At the Boston Beer Garden, fourteen other guys were sitting around the U-shaped bar, smoking cigarettes and nursing draft beer while zoning out in front of flat-screen TVs. Bobby nodded to a few familiar faces, waved his hand at the sixty-year-old bartender, Carl, then took an empty seat a bit down from the rest. Sally brought him his usual order of nachos. Carl hand-delivered his Coke.

“Long day, Bobby?”

“Same old, same old.”

“Susan coming in?”

“Practice night.”

“Aye, the concert. Two weeks, right?” Carl shook his head. “Beautiful and talented. I’ll tell you again, Bobby—she’s a keeper.”

“Don’t let Martha hear you,” Bobby told him. “After watching your wife haul a keg, I don’t want to think of what she could do with a rolling pin.”

“My Martha’s also a keeper,” Carl assured him. “Mostly ’cause I fear for my life.”

Carl left Bobby alone with his Coke and nachos. Overhead, a live news bulletin was reporting on some kind of situation in Revere. A heavily-armed suspect had barricaded himself in his home after taking potshots at his neighbors. Now, Boston PD had deployed their SWAT team, and “nobody was taking any chances.”

Yeah, November was a funny kind of month. Wired people up, left them with no defenses against the oncoming gloom of winter. Left even guys like Bobby doing all they could do just to hold the course.

He finished his nachos. He drank his Coke. He settled his bill, and just as he had convinced himself it really was a good idea to go home, the beeper suddenly activated on his belt. He read the screen in one instant and was bolting out the door the next.

It had been that kind of day. Now it would be that kind of night.

         

Catherine Rose Gagnon didn’t like November much either, though for her, the real problem had started in October. October 22, 1980, to be exact. The air had been warm, the sun a hot kiss on her face as she walked home from elementary school. She’d been carrying her books in her arm and wearing her favorite back-to-school outfit: knee-high brown socks, a dark brown corduroy skirt, and a long-sleeved gold top.

A car came up behind her. At first she didn’t notice; but dimly she became aware of the blue Chevy slowing to a crawl beside her. A man’s voice.
“Hey, honey. Can you help me for a second? I’m looking for a lost dog.”

Later there was pain and blood and muffled cries of protest. Her tears streaking down her cheeks. Her teeth biting her lower lip.

Then there was darkness and her tiny, hollow cry: “Is anyone out there?”

And then, for the longest time, there was nothing.

They told her it lasted twenty-eight days. She’d had no way of knowing. There was no time in the dark, just a loneliness that went on without end. There was cold and there was silence, and there were the times when he returned. But at least that was something. It was the sheer nothingness, endless streams of nothingness, that could drive a person insane.

Hunters found her. November 18. They noticed the fresh dirt, poked around with their rifles, and were startled to hear her faint voice. They dug her up triumphantly, unearthing her four-by-six earthen prison and releasing her into the crisp fall air. Later she saw newspaper photos. Her dark eyes oversized, her head thin and bony, her body curled up on itself, like a small brown bat that had been yanked harshly into the light.

The papers dubbed her the Thanksgiving Miracle. Her parents took her home. Neighbors and family paraded through the front door with exclamations of “Oh, thank goodness!” and “Just in time for the holidays,” and “Oh, can you really believe . . . ?”

She sat and let people talk around her. She slipped food from the overflowing trays and stored it in her pockets. Her head was down, her shoulders hunched around her ears. She was still the little bat and for reasons she couldn’t explain, she was terrified of the light.

More police came. She told them of the man, of the car. They showed her pictures. She pointed at one. Later, days, weeks—did it really matter?—she came to the police station, stared at a lineup, and solemnly pointed her finger.

Richard Umbrio went on trial six months later. And three months into that, she took the stand in her plain blue dress, polished Mary Janes, and pointed her finger once again. Richard Umbrio went away for life.

And Catherine returned home with her family.

She didn’t eat much. She liked to take the food and put it in her pocket, or simply hold it in the palm of her hand. She didn’t sleep much. She lay in the dark, blind bat eyes seeking something she couldn’t name. Often, she held very still and saw if she could breathe without making a sound.

Sometimes her mother stood in the doorway, her pale white hands fluttering anxiously at her collarbone. Eventually, Catherine would hear her father down the hall.
“Come to bed, Louise. She’ll call if she needs you.”

But Catherine never called.

Years passed. Catherine grew up, straightening her shoulders, growing out her hair, and discovering that she possessed the kind of strange, potent beauty that stopped men in their tracks. She was all pale white skin, straight black hair, and oversized navy eyes. Men wanted her desperately. So she used them indiscriminately. It wasn’t her fault. It wasn’t their fault. She simply never felt a thing.

Her mother died. 1994. Cancer. Catherine stood at the funeral and tried to cry. Her body had no moisture and her sobs sounded papery and insincere.

She went home to her barren apartment and tried not to think of it again, though sometimes, out of the blue, she would picture her mother standing in the doorway of her room.
“Come to bed, Louise. She’ll call if she needs you.”

“Hey, honey. Can you help me find a lost dog?”

November 1998. The Thanksgiving Miracle curled up naked in her white ceramic tub, her thin, bony body trembling from the cold, as she clutched a single razor in her fist. Something bad was going to happen. A darkness beyond darkness. A buried box from which there would be no coming back.

“Come to bed, Louise. She’ll call if she needs you.”

“Hey, honey. Can you help me find a lost dog?”

The blade, so slender and light in her hands. The feel of its edge, kissing her skin. The abstract sensation of warm red blood, lining her skin.

The phone rang. Catherine roused herself from her lethargy long enough to answer it. And that single call saved her life. The Thanksgiving Miracle rose again.

She thought about it now. As the TV blared in the background:
An armed suspect has barricaded himself in his home after taking numerous shots at his neighbors. Boston SWAT officials consider the situation highly volatile and extremely dangerous.

As her son sobbed in her arms. “Mommy, mommy, mommy.”

And as her husband bellowed from below: “I know what you’re doing, Cat! How stupid do you think I am? Well, it’s not going to work. There’s no way in hell you’re going to get away with it. Not this time!”

Jimmy stormed up the stairs, heading for their bedroom.

The phone had saved Catherine Gagnon before. Now she prayed it would save her once again. “Hello, hello, nine-one-one? Can you hear me? It’s my husband. I think he’s got a gun.”

CHAPTER TWO

B
OBBY HAD BEEN
a member of the Massachusetts State Police Special Tactics and Operations Team (STOP) for the past six years. Called out at least three times a month—and generally every damn holiday—he thought very little could surprise him anymore, but tonight he was wrong.

Roaring through the streets of Boston, he squealed his tires taking a hard right up Park Street, heading for the golden-domed State House, then threw his cruiser left onto Beacon, flying past the Commons and the Public Gardens. At the last minute, he almost blew it—tried to head up Arlington straight for Marlborough, then realized as a guy who generally drove around Boston and not through it, that Marlborough was one way the wrong way. Like any good Masshole driver, he slammed on his brakes, cranked the wheel hard, and laid on his horn as he cut across three lanes of traffic to remain on Beacon. Now his life was tougher, trying to pick up the right cross street to head up to Marlborough. In the end, he got it right the first time—he simply followed the white glow of floodlights and the flashing red lights of the Advanced Life Support Ambulance.

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