The Sun Between Their Feet (17 page)

I went to the tree every day and lay under it, watching the single yellow fruit ripening on its twig. There would come a moment when it must burst and scatter crimson seeds; I must be there when it did; it seemed as if my whole life was concentrated, and ripening with that single fruit.

It was very hot under the tree. My head ached. My flesh was painful with the sun. Yet there I sat all day, watching the tiny ants at their work, letting them run over my legs, waiting for the pomegranate fruit to ripen. It swelled slowly; it seemed set on reaching perfection, for when it was the size that the other had been picked, it was still a bronzing yellow, and the rind was soft. It was going to be a big fruit, the size of both my fists.

Then something terrifying happened. One day I saw that the twig it hung from was splitting off the branch. The wizened, dry little tree could not sustain the weight of the fruit it had produced. I went to the house, brought down bandages from the medicine chest, and strapped the twig firm and tight to the branch, in such a way that the weight was supported. Then I wet the bandage, tenderly, and thought of William, William, William. I wet the bandage daily, and thought of him.

What I thought of William had become a world, stronger than anything around me. Yet, since I was mad, so weak, it vanished at a touch. Once, for instance, I saw him driving with his father on the wagon along the road to the station. I remember I was ashamed that that marvellous feverish world should depend on a half-grown boy in dusty khaki, gripping a piece of grass between his teeth as he stared ahead of him. It came to this – that in order to preserve the dream, I must not see William. And it seemed he felt something of the sort himself, for in all those weeks he never came near me, whereas once he used to come every day. And yet I was convinced it must happen that William and the moment when the pomegranate split open would coincide.

I imagined it in a thousand ways, as the fruit continued to grow. Now, it was a clear bronze yellow with faint rust-coloured streaks. The rind was thin, so soft that the swelling seeds within were shaping it. The fruit looked lumpy and veined, like a nursing breast. The small crown where the stem fastened on it, which had been the sheath of the flower, was still green. It began to harden and turn back into iron-grey thorns.

Soon, soon, it would be ripe. Very swiftly, the skin lost its smooth thinness. It took on a tough pored look, like the skin of an old weatherbeaten countryman. It was a ruddy scarlet now, and hot to the touch. A small crack appeared, which in a day had widened so that the packed red seeds within were visible, almost bursting out. I did not dare leave the tree. I was there from six in the morning until the sun went down. I even crept down with the candle at night, although I argued it could not burst at night, not in the cool of the night, it must be the final unbearable thrust of the hot sun which would break it.

For three days nothing happened. The crack remained the same. Ants swarmed up the trunk, along the branches and into the fruit. The scar oozed red juice in which black ants swam and struggled. At any moment it might happen. And William did not come. I was sure he would: I watched the empty road helplessly, watching for him to come striding along, a piece of grass between his teeth, to me and the pomegranate tree. Yet he did not. In one night, the crack split another half-inch, I saw a red seed push itself out of the crack and fall. Instantly it was borne off by the ants into the grass.

I went up to the house and asked my mother when the MacGregors were coming to tea.

‘I don't know, dear. Why?'

‘Because. I just thought …'

She looked at me. Her eyes were critical. In one moment, she would say the name
William.
I struck first. To have William and the moment together, I must pay fee to the
family gods. ‘There's a pomegranate nearly ripe, and you know how interested Mrs MacGregor is …'

She looked sharply at me. ‘Pick it, and we'll make a drink of it.'

‘Oh no, it's not quite ready. Not altogether …'

‘Silly child,' she said at last. She went to the telephone and said: ‘Mrs MacGregor, this daughter of mine, she's got it into her head – you know how children are.'

I did not care. At four that afternoon I was waiting by the pomegranate tree. Their car came thrusting up the steep road to the crown of the hill. There was Mr MacGregor in his khaki, Mrs MacGregor in her best afternoon dress – and William. The adults shook hands, kissed. William did not turn round and look at me. It was not possible, it was monstrous, that the force of my dream should not have had the power to touch him at all, that he knew nothing of what he must do.

Then he slowly turned his head and looked down the slope to where I stood. He did not smile. It seemed he had not seen me, for his eyes travelled past me, and back to the grownups. He stood to one side while they exchanged their news and greetings; and then all four laughed, and turned to look at me and my tree. It seemed for a moment they were all coming. At once, however, they went into the house, William trailing after them, frowning.

In a moment he would have gone in; the space in front of the old house would be empty. I called ‘William!' I had not known I would call. My voice sounded small in the wide afternoon sunlight.

He went on as if he had not heard. Then he stopped, seemed to think, and came down the hill towards me while I anxiously examined his face. The low tangle of the gooseberry bushes was around his legs, and he swore sharply.

‘Look at the pomegranate,' I said. He came to a halt beside the tree, and looked. I was searching those clear grey eyes now for a trace of that indulgence they had shown my mother over the brussels sprouts, over that first unripe pomegranate.

Now all I wanted was indulgence; I abandoned everything else.

‘It's full of ants,' he said at last.

‘Only a little, only where it's cracked.'

He stood, frowning, chewing at his piece of grass. His lips were full and thick-skinned; and I could see the blood, dull and dark around the pale groove where the grass-stem pressed.

The pomegranate hung there, swarming with ants.

Now, I thought wildly. Now – crack now.

There was not a sound. The sun pouring down, hot and yellow, drawing up the smell of the grasses. There was, too, a faint sour smell from the fermenting juice of the pomegranate.

‘It's bad,' said William, in that uncomfortable, angry voice. ‘And what's that bit of dirty rag for?'

‘It was breaking, the twig was breaking off – I tied it up.'

‘Mad,' he remarked, aside, to the afternoon. ‘Quite mad,' He was looking about him in the grass. He reached down and picked up a stick.

‘No,' I cried out, as he hit at the tree. The pomegranate flew into the air and exploded in a scatter of crimson seeds, fermenting juice and black ants.

The cracked empty skin, with its white clean-looking inner skin faintly stained with juice, lay in two fragments at my feet.

He was poking sulkily with the stick at the little scarlet seeds that lay everywhere on the earth.

Then he did look at me. Those clear eyes were grave again, thoughtful, and judging. They held that warning I had seen in them before.

‘That's your pomegranate,' he said at last.

‘Yes.' I said.

He smiled. ‘We'd better go up, if we want any tea.' We went together up the hill to the house, and as we entered the room where the grown-ups sat over the teacups, I
spoke quickly, before he could. In a bright careless voice I said: ‘It was bad, after all, the ants had got at it. It should have been picked before.'

That night of the dance, years later, when I saw Mrs Slatter come into the bedroom at midnight, not seeing me because the circle of lamplight was focused low, with a cold and terrible face I never would have believed could be hers after knowing her so long during the day-times and the visits -that night, when she had dragged herself out of the room again, still not knowing I was there, I went to the mirror to see my own face. I held the lamp as close as I could and looked into my face. For I had not known before that a person's face could be smooth and comfortable, though often sorrowful, like Molly Slatter's had been all those years, and then hard-set, in the solitude away from the dance and the people (that night they had drunk a great deal and the voices of the singing reminded me of when dogs howl at the full moon), into an old and patient stone. Yes, her face looked like white stone that the rain has trickled over and worn through the wet seasons.

My face, that night in the mirror, dusted yellow from the lamplight, with the dark watery spaces of the glass behind, was smooth and enquiring, with the pert flattered look of a girl in her first long dress and dancing with the young people for the first time. There was nothing in it, a girl's face, empty. Yet I had been crying just before, and I wished then I could go away into the dark and stay there for ever. Yet Molly Slatter's terrible face was familiar to me, as if it were her own face, her real one. I seemed to know it. And that meant that the years I had known her comfortable and warm in spite of all her troubles had been saying something else to me about her. But only now I was prepared to listen.

I left the mirror, set the lamp down on the dressing-table,
and went out into the passage and looked for her among the people, and there she was in her red satin dress looking just as usual, talking to my father, her hand on the back of his chair, smiling down at him.

‘It hasn't been a bad season, Mr Farquar,' she was saying, ‘the rains haven't done us badly at all.'

Driving home in the car that night, my mother asked: ‘What was Molly saying to you?'

And my father said: ‘Oh I don't know, I really don't know.' His voice was sad and angry.

She said: ‘That dress of hers. Her evening dresses look like a cheap night-club.'

He said, troubled and sorrowful, ‘Yes. Actually I said something to her.'

‘Somebody should.'

‘No,' he said, quick against the cold criticizing voice. ‘No. It's a – pretty colour. But I said to her, There's not much
to
that dress, is there?'

‘What did she say?'

‘She was hurt. I was sorry I said anything.'

‘H'mm,' said my mother, with a little laugh.

He turned his head from his driving, so that the car lights swung wild over the rutted track for a moment, and said direct at her: ‘She's a good woman. She's a nice woman.'

But she gave another offended gulp of laughter. As a woman insists in an argument because she won't give in, even when she knows she is wrong.

As for me, I saw that dress again, with its criss-cross of narrow sweat-darkened straps over the ageing white back, and I saw Mrs Slatter's face when my father criticized her. I might have been there, I saw it so clearly. She coloured, lifted her head, lower her lids so that the tears would not show, and she said: ‘I'm sorry you feel like that, Mr Farquar.' It was with dignity. Yes. She had put on that dress in order to say something. But my father did not approve. He had said so.

She cared what my father said. They cared very much for each other. She called him Mr Farquar always, and he called her Molly; and when the Slatters came over to tea, and Mr Slatter was being brutal, there was a gentleness and a respect for her in my father's manner which made even Mr Slatter feel it and even, sometimes, repeat something he had said to his wife in a lower voice, although it was still impatient.

The first time I knew my father felt for Molly Slatter and that my mother grudged it to her was when I was perhaps seven or eight. Their house was six miles away over the veld, but ten by the road. Their house like ours was on a ridge. At the end of the dry season when the trees were low and the leaves thinning, we could see their lights flash out at sundown, low and yellow across the miles of country. My father, after coming back from seeing Mr Slatter about some farm matter, stood by our window looking at their lights, and my mother watched him. Then he said: ‘Perhaps she should stand up to him? No, that's
not
it. She does, in her way. But Lord, he's a tough customer, Slatter.'

My mother said, her head low over her sewing: ‘She married him.'

He let his eyes swing around at her, startled. Then he laughed. ‘That's right, she married him.'

‘Well?'

‘Oh come off it, old girl,' he said almost gay, laughing and hard. Then, still laughing angrily he went over and kissed her on the cheek.

‘I like Molly,' she said, defensive. ‘I like her. She hasn't got what you might call conversation but I like her.'

‘Living with Slatter, I daresay she's got used to keeping her mouth shut.'

When Molly Slatter came over to spend the day with my mother the two women talked eagerly for hours about household things. Then, when my father came in for tea or dinner, there was a lock of sympathies and my mother looked ironical while he went to sit by Mrs Slatter, even if only for a minute, saying: ‘Well, Molly? Everything all right with you?'

‘I'm very well, thank you, Mr Farquar, and so are the children.'

Most people were frightened of Mr Slatter. There were four Slatter boys, and when the old man was in a temper and waving the whip he always had with him, they ran off into the bush and stayed there until he had cooled down. All the natives on their farm were afraid of him. Once when he knew their houseboy had stolen some soap he tied him to a tree in the garden without food and water all of one day, and then through the night, and beat him with his whip every time he went past, until the boy confessed. And once, when he had hit a farm-boy, and the boy complained to the police, Mr Slatter tied the boy to his horse and rode it at a gallop to the police station twelve miles off and made the boy run beside, and told him if he complained to the police again he would kill him. Then he paid the ten-shilling fine and made the boy run beside the horse all the way back again.