The Success and Failure of Picasso (34 page)

Léger’s

Picasso’s

Titian’s

Art:

boom in

intrusion of politics in

as an oracle

Bakunin, Mikhail

Barcelona,
1.1
,
1.2
,
1.3

Bellini, Giovanni

Besson, Georges,
1.1
,
1.2

Bohr, Niels

Bourgeoisie:

attitude of to art,
1.1
,
1.2

attitude of to poverty

and the modern artist,
1.1
,
2.1

success, in eyes of

unreality of

utilitarianism of

worthlessness of honours offered by

Brancusi, Constantin

Braque, Georges,
1.1
,
1.2
,
1.3
,
1.4

Brenan, Gerald

Césaire, Aimé,
2.1
,
2.2

Cézanne, Paul,
1.1
,
1.2

Chaplin, Charles

Clouzot, Henri-Georges, his film on Picasso

Cocteau, Jean,
1.1
,
1.2
,
1.3

Communism,
1.1
,
2.1

Communist Party of France,
2.1
,
2.2

Courbet, Gustave

Cubism:

as art of interaction

and film

importance of

materials used

and modern physics

and monopoly capitalism

preparations for

revolutionary nature of,
1.1
,
1.2
,
1.3

sexuality of

simultaneity of viewpoints

starting-point of

subject-matter

Darwin, Charles

Delacroix, Eugéne

de la Serna, Ramon Gomez

Demoiselles d’Avignon, Les

di Cosimo, Piero

Duende, see
Spain

Europe, modern:

outcasts from

Picasso’s attitude to,
1.1
,
1.2
,
1.3
,
1.4
,
2.1

poverty of

unreality of,
2.1
,
2.2

Expressionism

Fascism

Fra Angelico

France:

attitude to art

German occupation of, and

Nude with a Musician
,
2.1
,
2.2

Frazer, Sir James

Futurists

Gauguin, Paul

Giorgione

Gris, Juan,
1.1
,
1.2

Guernica
,
1.1
,
1.2
,
2.1
,
2.2

Heisenberg, Werner

History, effects of on character

Impressionism,
1.1
,
1.2

Ingres, Jean Auguste Dominique,
1.1
,
2.1

Jacob, Max,
1.1
,
1.2

Jahn, Janheinz

Kafka, Franz,
1.1
,
1.2

Keats, John

Léger, Fernand

Lenin, Vladimir Ilyich,
1.1
,
1.2

Lerroux, Alezandro,
1.1
,
1.2

Lorca, Federico García

Magic:

illusions of

and the Spanish
duende

Malaga,
1.1
,
1.2
,
1.3

Manet, Edouard

Manolo

Marx, Karl,
1.1
,
1.2
,
1.3

Millais, Sir John

Millet, Jean François

Monopoly capitalism,
1.1
,
1.2
,
2.1

Olivier, Fernande

Ortega y Gasset, José

Parade

Paris,
1.1
,
1.2

Parmelin, Hélène

Pastiche

Penrose, Roland,
1.1
,
2.1

Picasso, Pablo:

and anarchism,
1.1
,
1.2
,
1.3

attitude to own genius,
1.1
,
1.2
,
1.3

birth of

as a bourgeois revolutionary

a child prodigy,
1.1
,
1.2

becomes a communist

confessions of, in autobiographical drawings

conflict with father,
1.1
,
2.1

crisis of his subject-matter,
2.1
,
2.2

devotion to his own creativity,
1.1
,
1.2

discontinuity of his work

end of his isolation

example of

his exile,
1.1
,
1.2
,
2.1
,
2.2
,
2.3
,
2.4

fear of blindness,
1.1
,
1.2

historical ambiguity of

humanism of

as an impersonator

influence of African masks on

influence of archaic Spanish sculpture on

intensity of his art,
1.1
,
1.2
,
2.1