The Stylist (2 page)

‘At the top are the designers—the holy grail of Valentino, Giorgio Armani, Donatella Versace, Stella McCartney, Dolce & Gabbana and so on. Beneath these are the A-list stars who wear the designers’ creations on red carpets everywhere from Hollywood to Cannes, at the Golden Globes, BAFTAs, Oscars, collecting gongs at all the glitziest bashes. And beneath these are the stylists, who do all
the
real
work, getting them red-carpet ready and securing their appearances on “best dressed” lists around the world. Sod the little gold trophy—it’s making
those
lists that really counts. A stylist like Mona Armstrong can make or break a celebrity with a sheer gown or a statement accessory. Remember when Angelina’s leg pose at the Oscars went viral?’ I nodded, sagely. ‘But can you remember who won any of the awards that year?’ I shrugged. My lecturer smiled appreciatively. ‘Of course you can’t. It was a moment that went down in red-carpet history.’ She leaned in conspiratorially. ‘But what works for one could be a horrendous fail on the poor cow who can’t pull it off. It’s a cut-throat world out there and styling underpins it all. Make no mistake, Amber, a celebrity without a stylist is like Kylie Jenner without her pout. We shut the entire shop when Mona comes in to choose pieces for her clients—it’s
beyond
fabulous. But don’t get carried away, it gets really, really stressful in the run-up to awards season. I ate a cheese baguette once.’

It must have been stressful, because it wasn’t hard to guess why Vicky and I had nicknamed Kiki the Stick Insect, or lately just the Stick. I often saw her downing pints of pond-water-looking liquid from recycled water bottles—her famous Super Greens—and the work fridge was always stocked with bags of lettuce and bean sprouts that she snacked on during the day or, more often than not, went off, causing a hideous stench that I would regularly have to clean up. Only once did I see her pick at something vaguely calorific—a lavender macaroon—and that was only because it had been sent in by the fashion editor at
Bazaar
and she wanted to #Instafood it.

Kiki was hardly coming up for air during this particular lesson.

‘Seriously, Amber, it’s ah-mazing when Mona comes in—she’s been dressing the big names like Jennifer Astley and Beau Belle for years. And if they wear an outfit Mona’s borrowed from Smith’s, when the fash mags come out and we’re credited Jas is on cloud nine. It’s
sooo
good for business. But it’s not only the red-carpet stuff. I mean, it was Mona who introduced the whole gypsy trend we’re seeing now.’ She fluffed up her billowing sleeves to illustrate the point. ‘The second Beau went shopping on Rodeo Drive wearing a peasant skirt and crochet top—literally
all
the high-street stores were knocking out rip-offs within weeks. Mona is
that
powerful.’

I quickly learned that the Stick had a major fashion crush on Mona, and by this particular January day I was well versed in the life of the super-stylist.

As usual, I had spent most of the morning being bossed around by Kiki, before being directed by Jas to finish off the windows. I loved the narrow wooden ‘stage’ between the bay windows and the store—a small space that might have felt claustrophobic, but was a beautiful blank canvas to me; somewhere I could create an image of the woman all our customers wanted to be. Dressing the mannequins, I’d follow Jas’s chosen ‘Look’ from the stack of look books the fashion houses provided with each new collection—usually a ring-bound folder containing photos of a series of models posing in a white studio wearing the label’s latest designs. Really it was window dressing by numbers, but because we held only edited versions of the collections at Smith’s, to my delight, Jas would often let me add personal touches—an edgy accessory or eye-catching shoe—to bring the ensemble to life. We changed the windows on a Monday,
once a fortnight, to stop them feeling stale. This week we had refreshed them specifically with Mona in mind—they had to be ‘wow’. Jas had instructed me to put a strictly black and white outfit on each of the two mannequins, a look we then made ‘pop’ with one statement accessory; a bright green leather cuff on one and a stand-out red clutch under the arm of the other.

‘Our girls look stunning today!’ she declared, before suggesting the footwear I should add to each model’s perfectly smooth size seven plastic feet—one was to wear black and the other ivory heels, completing the monochrome vision. As I admired my handiwork from the street outside, I mulled over which pair of shoes should go on which mannequin.
Not bad for a morning’s work.

‘Am-ber!’ Kiki trilled from the doorway, breaking the spell. ‘You forgot to steam the Stella!’
Jesus Christ, does she ever let up?
Three perfectly pressed Stella McCartney jumpsuits later, Jas conducted a final walk-through to ensure everything was just so. And then, decked out ourselves in on-trend outfits (borrowed from the store for the duration of Mona’s visit; our slim wages could never afford the real thing), we were ready to welcome fashion royalty.

Bang on time the assistant director, Rob, arrived. He skidded on the shag-pile and almost slipped over, making me want to giggle.

‘Great entrance there, well done, Rob,’ he said, quickly composing himself and catching my eye as he laughed it off. My internal laughter then gave way to a fear that the highly polished floor/fluffy rug combo might actually be a potential death trap.
What if Mona breaks her leg?
Rob pushed a strand of floppy brown hair behind his ear. When
he came round to shake my hand, I became aware that my palms were sweaty.

‘Are you responsible for these gleaming floors?’ he quipped.

My cheeks flushed.
Despite wearing new season Jonathan Saunders, I still resemble the resident skivvy. How?
‘Sorry about that.’

‘You’d better hope Mona’s put the cheese-grater over her soles,’ he replied. ‘Unlike me.’

I laughed nervously. There was a familiarity about him.

Kiki gave me a withering look. ‘That’s what people on TV do,’ she informed me, loud enough for Rob to hear, ‘to stop them slipping on the studio floor.’

‘I know,’ I lied.

If she was trying to show me up, I didn’t really care. I was more interested in Rob taking off his jacket. He pushed up the sleeves of his grey jumper revealing what looked like the beginning of a tattoo on his upper arm.

Rob was the first to arrive of the team of three. The next, sporting a directional dyed red bob and wearing thick, black-rimmed glasses, was introduced as Fran, the director. There was also a long-haired, lanky bloke carrying the camera, who went by the name of Dave. I inwardly christened him Shaggy. I wondered if, like us, Fran and Rob had put on their most fashion-conscious clothes for Mona’s benefit, or whether they always looked so media cool. As word went round that ‘She’ was about to arrive, Rob hurriedly took down our contact details and had us each sign a release form and NDA. I barely read the words; I was too busy concentrating on trying not to do anything embarrassing.

Today, as ever, you could spot Mona’s sunglasses before you saw the rest of her. Huge, round Prada shades, covering
at least half of her small, elfin face, came bobbing down the street, swooping towards the store like a large fly. Light chestnut boho waves with streaks of caramel blonde cascaded around her shoulders; now a flash of matte coral lipstick came into view. She was only average height, even in towering heels—in fact she was more shades and curls than actual person—but in the fashion world, she was God. She paused to take in the windows; I felt a prickle of excitement, hoping she liked what she saw. She looked the mannequins up and down, but her sunglasses hid any kind of facial expression. At last, Mona entered our pristine temple of style. As she made her entrance for the camera, Jas, Kiki and I simultaneously clocked a turquoise cocktail ring the size of a golf ball on her petite index finger. Behind me, Kiki let out a gasp.

‘YSL, new season,’ she whispered, as if we were observing a rare exotic bird.

And then the front door was locked, the shop sign switched to Closed, the French blinds rolled down and we pulled up ringside seats at the Mona Armstrong show. Of course there was no real need to pull down the blinds, to the average person, Mona was just an eccentrically dressed, extremely thin, seemingly ageless woman in OTT sunglasses. But in the world between these four white walls, she was the high priestess.

According to Kiki, my main tasks during this particular visit would be to silently hold clothes for Mona, refrain from taking part in fashion small talk (I wasn’t qualified), try to keep off-camera (not photogenic enough, presumably) and above all, concentrate on not tripping up in the stupidly high Nicholas Kirkwoods I’d made the mistake of thinking I could walk in (hello, bunions).

I’d been fully briefed that Mona’s long-time assistant, Tamara, would do most of the running around, trying things on, holding items to the light and offering opinions on the season’s hottest threads. Blonde and long-limbed, able to pass for a model herself, Tamara was a well-known face on the fashion circuit, too, having been Mona’s assistant for several years. She was the only person—other than Jas and Mona—who I had ever seen the Stick try to make an effort for. When Tamara had once retweeted Kiki (‘Smith’s is now stocking Roksanda! #Ledge’), she’d been bouncing off the walls for days. Today she was more exhilarated than ever about Tamara’s visit because apparently there’d been some rumours among the fashion Twitterati that Tamara might be on the verge of setting up on her own—that it was actually
her
who had been dressing some of Mona’s regular clients. She had even been snapped spending New Year on board a yacht in the Caribbean with none other than the BAFTA rising star—not to mention former regular client of Mona’s—Poppy Drew. Plus, there were hints that Tamara, instead of Mona, would be dressing the actress Jennifer Astley for awards season this year, where she was hotly tipped to win a slew of Best Supporting Actress awards.
But that’s just gossip.

Until today, when Tamara was nowhere to be seen.

S
ince Mona entered the store, Jas had been doing most of the talking. They’d begun with the customary detailed appraisal of each other’s outfits—the way peers traditionally greet each other in fashion land.

‘Mad about the ring …’

‘Those shoe-boots …’

‘You lucky cow, you’ve got the Balenciaga leather pants! Isn’t the stretch amazing …’

‘I must get your colourist’s number.’

‘Loving the matte nails. Is it gel?’

And so on. Then they finally got down to the juicy stuff.

‘No Tamara today, Mona?’ Jas asked.

Mona responded by handing her Pradas to Rob, who took them politely. Massaging her temples, she completely ignored the question. The Stick and I tried, unsuccessfully, not to gawp. We felt like we needed to drink up everything about her: her clothes, her shoes, her hair, her skin, which had the kind of pearly sheen that only really expensive
make-up could achieve, her whiter-than-white teeth, her bag, her jewellery, the way she moved, her voice. If we weren’t so fearful of her, we’d have gone up and given her a good sniff all over, too. There was an intoxicating musky aroma around her, beginning to settle in the air. Everything about Mona was absurdly fascinating.

‘Well, just let me and the girls know what we can do,’ Jas offered, leading her over to the clothes rails. The Stick gave me a gentle prod in the back, a signal that I should get into position, ready to hold clothes.

As Mona began to rifle through the latest Stella McCartneys, Fran with the bob shouted, ‘Action!’ Shaggy sprang to life and so did Mona, chatting animatedly to Jasmine. She
really
knew how to turn it on for the cameras.

‘It’s only Tuesday and this week’s already a fucking nightmare, Tamara’s gone and left me right up shit creek. The silly bitch handed in her notice this morning.’

From her language, I made the assumption that this was to be a post-watershed pilot. Fran with the bob raised an eyebrow and Rob bit his lip.

‘
This
morning. Can you fucking believe it? I go for the bloody Globes tomorrow. That girl’s out of her mind if she thinks she’ll last two minutes doing awards season solo. Oh wow, look at the Stella jumpsuits, aren’t they divine? I’ll definitely take a couple of these.’

Mona had no problem with multitasking. Between slagging off Tamara and gushing over the clothes, every so often she pulled out an item from the rail and handed it to me, standing with arms outstretched like a forklift truck, by her side. I wasn’t sure if I was actually in shot, though a little part of me hoped I was; just a bit of my dress or, ideally, the beautiful shoes.
Loads to tell Vicky about tonight.

‘But honestly, Jas, what the
hell
am I supposed to do? I’ve got at least twenty global superstars wanting me to dress them over the next week, and only a few days to sort the whole frigging lot out—I’ve got photo-calls, cocktail parties at Soho House, premieres—not to mention the awards themselves. She could not have done this at a worse time.’

Jasmine, too cool to play up to the camera or be drawn into slagging anyone off, was trying to offer some comfort, shaking her head and nodding empathically in all the right places, whilst calmly directing Mona back to the clothes and the job in hand.

‘You poor love—how will you get through it? Have you seen the new Lanvin?’

‘Oh, I’ll do it, all right.’ Mona looked directly into the camera lens for effect. ‘
Nothing
comes between me and my superstars. But at this precise moment, it’s so unfunny, I actually feel like screaming.’

I glanced over towards the Stick. Brow furrowed, she was totally immersed in Mona’s plight, feeling her pain.
Does she know she’s folded and refolded that mohair jumper three times?
The
20Twenty
crew huddled around Mona, filming her intently. Fran with the bob was chewing the end of her biro while Rob held a boom mic just above Mona’s head.

I wondered if they’d shot the fateful scene with Tamara handing in her notice earlier in the day.
I wouldn’t have liked to be in her shoes when she told Mona the news.
Jas began motioning Mona over to her ‘Ones to Watch’, concern etched across her delicate features.

‘What a total nightmare. But surely you have some girls you use in LA, Mona—is there anyone I can have Kiki call for you? Kiki, honey!’

The Stick immediately dropped the jumper and rushed
on-set, almost skidding to a halt on the shag-pile in front of Mona.
Damn—it would have been entertaining to see her take a dive.
Her box-fresh Kirkwoods were clearly as uncomfortable as mine. The camera and boom turned to her. Idly, I wondered if the Stick was Rob’s type.

‘No, darling—there’s no one I can call.’ Mona turned away, barely registering Kiki. ‘Loving this though—what’s the label?’

‘Star-Crossed, she’s a recent graduate, will show at London Fashion Week,’ Jas informed her, pulling a couple of cocktail dresses from the rail.

‘Hmm.’ She moved on.

Mona then turned her gaze to the front of the store. Kiki retreated, crestfallen, her small-screen debut over before it began.

‘That reminds me,’ Mona continued, ‘the windows. I’m loving the monochrome, but what you’ve done with the shoes is inspired.’

Jas and Kiki both looked at me, puzzled. We all joined Mona at the side of the bay windows. My cheeks began to heat up as I racked my brains.
What could have happened to the shoes?
The shaggy cameraman headed towards the front of the store, too, Rob lifting cables behind him. Kiki and Fran followed. Surreptitiously, we all strained to see the feet of the two mannequins standing exactly as I’d left them, with their backs to us behind the glass facade. The burning sensation in my cheeks turned into a wave of panic as it hit me like a cold, hard slap in the face—I’d been standing outside, looking at the mannequins from the street, when the Stick had screamed for me to come in and finish steaming the jumpsuits. I’d meant to come back to them, but got distracted
by Mona’s arrival …
Oh God …
I’d left one white and one black shoe on each mannequin’s plastic feet.

I feel sick.

‘Which of you is responsible for the mismatched shoes?’ Mona asked.

I shuffled uncomfortably, knowing I had nowhere to hide. I wanted to open the door and run far away from here; just keep on running until I found a bush to hide under in Regent’s Park, or a cardboard box in an underpass. I wanted to be at my parents’ house—better still, my grandma’s flat. Somewhere no one would find me. Jas and the Stick both looked in my direction, frowning, willing me to speak, lest Mona should think either of them had messed up the display.

‘Come on, don’t be shy,’ Mona urged, searching our faces.

The camera’s big, nosy lens pointed towards us. I hated Shaggy for putting me on the spot like this with his horrible, ugly camera. And I hated Rob and Fran even more, for not stopping him. Eventually I plucked up the courage to speak.

‘It was me, Mona, I …’

‘The monochrome vibe, it’s so fresh, so relevant,’ she said. ‘But what you’ve done with the shoes—
j’adore!
You’re a genius, girl.’

Is she having a laugh?

Before I could say it was a hideous mistake that I had meant to fix, she was gesturing to the TV crew. ‘Have you got this, cameraman?’ She ushered Shaggy closer to get a good view of my stunned, blotchy face.

‘Babe, it’s a brave statement,’ she continued, ‘but you totally nailed it. The odd shoes grabbed my attention straight away.’

‘They did?’

Luckily for me, Mona doesn’t listen to other people’s doubts.

‘And
that’s
what this business is all about. You don’t gain column inches by blending in with the crowd. You’ve got to wear a look with conviction, you’ve got to stand out, kick it up a notch. Mixed up monochrome has a buzz to it—it’s the perfect way to inject some attitude into a cocktail look or get noticed on the street. It’s cheeky and playful—seriously, it’s reinvention at its best. Loving your Kirkwoods, by the way.’

The camera zoomed in on my (matching) pair of too-tight suede and metal heels. They were amazing, all right. Amazing at cutting off the circulation to my toes. I winced.

‘Jas, you’re a lucky woman to have this talent on your team.’

I still didn’t know whether she was being sarcastic or not, when she said: ‘I’ll take odd pairs of Sandersons, black and white, in all the sizes you’ve got.’

When I dared to glance in her direction, the Stick looked as though someone had handed her an envelope marked ‘Anthrax’ and told her to snort it. The camera zoomed in for a close-up of the mixed up shoes on the mannequins and I cringed inside. Then Mona grabbed me by the arm and shoved me into the shot, as well.

‘And here is the girl responsible! Kiki, isn’t it?’

I smiled awkwardly.

‘It’s … Amber …’ I stuttered.

‘Well, what a morning it’s been already. It must be time for a coffee break. A big, strong caffè macchiato, that’s what I need. You?’ She looked at me.

‘Sure, I’ll go,’ I answered, desperate to scurry out of sight and compose myself.

‘No, I mean you’ll have one, too, right, Amber?’

‘You—’ Mona looked at the Stick, who skipped forward expectantly.

‘You be a darling and run to the Monmouth coffee shop for me and Miss Windows, would you, babe? They do the best caffè macchiato in London and I’ve been craving one all morning.’

And before Kiki could say, ‘But this is a dreadful mistake!’, and before Jas could ask her to kindly not wear her borrowed Pucci dress and box-fresh Nicholas Kirkwoods out of the store, she’d been dispatched to a coffee establishment on the other side of Zone One. As she wrapped herself up in a fake fur swiped from a rail by the door, the camera followed her out, witnessing her almost getting tangled up in the French blinds. Meanwhile I remained anchored to Mona’s side, her cold fingers still holding my arm in a vice. I battled the urge to ask the Stick to pick me up a croissant while she was at it. None of us had eaten all morning and I was starting to feel faint.

Mona’s sweep of the shop complete, we moved over to the rail I had filled with her chosen pieces. ‘Pieces’ are what the fash-pack call items of clothing, shoes and accessories, a bit like they’re artefacts in a museum.

‘Hold it there, babe—you can’t shoot the pieces!’ Mona turned to Rob, who was helping Shaggy get some close-ups of the designer haul on display.

‘Jennifer Astley’s Golden Globe–winning gown could be on this rail! We can’t let the dress out of the bag. That’s enough, let’s wrap.’

With the caffeine jump leads not yet connected, she’d lost interest in filming. The crew busied themselves winding
up cables, opening flight cases and checking their phones, probably counting down the minutes before they could escape to the pub for a much-needed pint. It was exhausting being in Mona’s company. Jas disappeared into her office to prepare a dossier detailing her edit of the store, so we could arrange for items to be couriered to her in the States or packaged up for her to take. For the first time, I was left alone in the court of Mona Armstrong.

‘Coffee’s taking its time,’ she huffed.

I’d almost forgotten about the Stick. I imagined the long queue outside the Monmouth Coffee Company at all times of day. Even if she’d placed the order and had the exact change, with a black cab waiting on double yellows, the macchiato was bound to be stone cold by the time she got back. It was a no-win situation. I suddenly had an overwhelming urge to break the rules and start a conversation with Mona.

‘Sounds like you’re having a bad day.’
Did I really say that?

‘You can say that twice.’ I battled the urge to take her at her word.

Then she sighed. ‘You don’t happen to know any styling assistants who could start tomorrow, do you?’

A vivid apparition flashed before my eyes:
Me, adjusting the train on Jennifer Astley’s diaphanous designer gown as she gets out of a limousine at the foot of the Golden Globes red carpet. The bank of paparazzi awaiting her and the frenzy of flashes when she strikes a perfectly honed pose in front of them,
with just enough leg on display to ensure maximum column inches the next day.
And the Golden Globe for Best Dressed Actress goes to …
Of course I had no actual experience of what this looked like, but I’d seen enough
coverage of similar events in the pages of the glossies to have a vague understanding. Then something completely unplanned happened.

‘I’m free.’

Crap. Where did that come from?

My heart rate lifted, and I swallowed hard. Mona turned to look at me; I mean
really
look at me, not just my shoes—and she actually seemed to soften. She subtly motioned to Rob and suddenly a light was shining on my face, the boom overhead and the camera lens too close for comfort.

‘Do you know how to make a good, strong caffè macchiato?’

‘Yes.’
I didn’t, but what was this? Not an interview for head Starbucks barista.

‘Can you steam?’

‘Yes.’

I didn’t think she was talking about milk. Steaming, I did know all about, having lost a colossal number of my life’s hours to this hot and stuffy basement, carefully teasing the creases from the latest Cavalli, Chloé and McQueen creations before they made it to the shop floor.

‘Can you work the next fortnight straight—that means long days, little sleep and no time off until everything’s been returned?’

‘Yes, ma’am.’
Why did I say ‘yes, ma’am’? Idiot.

I didn’t know if I actually was available, but I would make myself, because I suddenly wanted this … whatever it was … so badly. She lifted a foot and sank her spiky heel into the shag-pile rug we’d found ourselves marooned on, like castaways upon a fluffy island.

‘What star sign are you?’

‘Gemini.’

‘Too good to be true! I love what you did with the shoes back there. It was edgy, it was sharp. I can see you’re a risk-taker. You’ve got flair. Yes, I like you, Amber.’ She tucked a stray boho wave behind her ear and looked me straight in the eye once more. ‘Surname, poppet?’