The Solitary House (95 page)

In a moment’s hesitation on the part of Mr. Snagsby, Bucket dips down to the bottom of his mind.

“Don’t you be afraid of hurting the boy,” he says. “You won’t do that. It’s all right as far as the boy’s concerned. We shall only bring him here to ask him a question or so I want to put to him, and he’ll be paid for his trouble, and sent away again. It’ll be a good job for him. I promise you, as a man, that you shall see the boy sent away all right. Don’t you be afraid of hurting him; you an’t going to do that.”

“Very well, Mr. Tulkinghorn!” cries Mr. Snagsby cheerfully, and reassured, “since that’s the case—”

“Yes! And lookee here, Mr. Snagsby,” resumes Bucket, taking him aside by the arm, tapping him familiarly on the breast, and speaking in a confidential tone. “You’re a man of the world, you know, and a man of business, and a man of sense. That’s what
you
are.”

“I am sure I am much obliged to you for your good opinion,” returns the stationer, with his cough of modesty, “but—”

“That’s what
you
are, you know,” says Bucket. “Now, it an’t necessary to say to a man like you, engaged in your business, which is a business of trust and requires a person to be wide awake and have his senses about him, and his head screwed on
tight (I had an uncle in your business once)—it an’t necessary to say to a man like you, that it’s the best and wisest way to keep little matters like this quiet. Don’t you see? Quiet!”

“Certainly, certainly,” returns the other.

“I don’t mind telling you,” says Bucket, with an engaging appearance of frankness, “that as far as I can understand it, there seems to be a doubt whether this dead person wasn’t entitled to a little property, and whether this female hasn’t been up to some games respecting that property, don’t you see?”

“O!” says Mr. Snagsby, but not appearing to see quite distinctly.

“Now, what
you
want,” pursues Bucket, again tapping Mr. Snagsby on the breast in a comfortable and soothing manner, “is that every person should have their rights according to justice. That’s what
you want.”

“To be sure,” returns Mr. Snagsby with a nod.

“On account of which, and at the same time to oblige a—do you call it, in your business, customer or client? I forget how my uncle used to call it.”

“Why, I generally say customer myself,” replies Mr. Snagsby.

“You’re right!” returns Mr. Bucket, shaking hands with him quite affectionately, “—on account of which, and at the same time to oblige a real good customer, you mean to go down with me, in confidence, to Tom-all-Alone’s, and to keep the whole thing quiet ever afterwards and never mention it to any one. That’s about your intentions, if I understand you?”

“You are right, sir. You are right,” says Mr. Snagsby.

“Then here’s your hat,” returns his new friend, quite as intimate with it as if he had made it; “and if you’re ready, I am.”

They leave Mr. Tulkinghorn, without a ruffle on the surface of his unfathomable depths, drinking his old wine, and go down into the streets.

“You don’t happen to know a very good sort of person of the name of Gridley, do you?” says Bucket, in friendly converse as they descend the stairs.

“No,” says Mr. Snagsby, considering, “I don’t know anybody of that name. Why?”

“Nothing particular,” says Bucket; “only, having allowed his temper to get a little the better of him, and having been threatening some respectable people, he is keeping out of the way of a warrant I have got against him—which it’s a pity that a man of sense should do.”

As they walk along, Mr. Snagsby observes, as a novelty, that however quick their pace may be, his companion still seems in some undefinable manner to lurk and lounge; also, that whenever he is going to turn to the right or left, he pretends to have a fixed purpose in his mind of going straight ahead, and wheels off, sharply, at the very last moment. Now and then, when they pass a police-constable on his beat, Mr. Snagsby notices that both the constable and his guide fall into a deep abstraction as they come towards each other, and appear entirely to overlook each other, and to gaze into space. In a few instances, Mr. Bucket, coming behind some undersized young man with a shining hat on, and his sleek hair twisted into one flat curl on each side of his head, almost without glancing at him touches him with his stick; upon which the young man, looking round, instantly evaporates. For the most part Mr. Bucket notices things in general, with a face as unchanging as the great mourning ring on his little finger, or the brooch, composed of not much diamond and a good deal of setting, which he wears in his shirt.

When they come at last to Tom-all-Alone’s, Mr. Bucket stops for a moment at the corner, and takes a lighted bull’s-eye from the constable on duty there, who then accompanies him with his own particular bull’s-eye at his waist. Between his two conductors, Mr. Snagsby passes along the middle of a villainous street, undrained, unventilated, deep in black mud and corrupt water—though the roads are dry elsewhere—and reeking with such smells and sights that he, who has lived in London all his life, can scarce believe his senses. Branching from this street and its heaps of ruins, are other streets and courts so infamous that Mr. Snagsby sickens in body and mind, and feels as if he were going, every moment deeper down, into the infernal gulf.

“Draw off a bit here, Mr. Snagsby,” says Bucket, as a kind of shabby palanquin is borne towards them, surrounded by a noisy crowd. “Here’s the fever coming up the street!”

As the unseen wretch goes by, the crowd, leaving that object of attraction, hovers round the three visitors like a dream of horrible faces, and fades away up alleys and into ruins, and behind walls; and with occasional cries and shrill whistles of warning, thenceforth flits about them until they leave the place.

“Are those the fever-houses, Darby?” Mr. Bucket coolly asks, as he turns his bull’s-eye on a line of stinking ruins.

Darby replies that “all them are,” and further that in all, for months and months, the people “have been down by dozens,” and have been carried out, dead and dying “like sheep with the rot.” Bucket observing to Mr. Snagsby as they go on again, that he looks a little poorly, Mr. Snagsby answers that he feels as if he couldn’t breathe the dreadful air.

There is inquiry made, at various houses, for a boy named Jo. As few people are known in Tom-all-Alone’s by any Christian sign, there is much reference to Mr. Snagsby whether he means Carrots, or the Colonel, or Gallows, or Young Chisel, or Terrier Tip, or Lanky, or the Brick. Mr. Snagsby describes over and over again. There are conflicting opinions respecting the original of his picture. Some think it must be Carrots; some say the Brick. The Colonel is produced, but is not at all near the thing. Whenever Mr. Snagsby and his conductors are stationary, the crowd flows round, and from its squalid depths obsequious advice heaves up to Mr. Bucket. Whenever they move, and the angry bull’s-eyes glare, it fades away, and flits about them up the alleys, and in the ruins, and behind the walls, as before.

At last there is a lair found out where Toughy, or the Tough Subject, lays him down at night; and it is thought that the Tough Subject may be Jo. Comparison of notes between Mr. Snagsby and the proprietress of the house—a drunken face tied up in a black bundle, and flaring out of a heap of rags on the floor of a dog-hutch which is her private apartment—leads to the establishment of this conclusion. Toughy has gone to the Doctor’s to get a bottle of stuff for a sick woman, but will be here anon.

“And who have we got here tonight?” says Mr. Bucket, opening another door and glaring in with his bull’s-eye. “Two drunken men, eh? And two women? The men are sound
enough,” turning back each sleeper’s arm from his face to look at him. “Are these your good men, my dears?”

“Yes, sir,” returns one of the women. “They are our husbands.”

“Brickmakers, eh?”

“Yes, sir.”

“What are you doing here? You don’t belong to London.”

“No, sir. We belong to Hertfordshire.”

“Whereabouts in Hertfordshire?”

“Saint Albans.”

“Come up on the tramp?”

“We walked up yesterday. There’s no work down with us at present, but we have done no good by coming here, and shall do none, I expect.”

“That’s not the way to do much good,” says Mr. Bucket, turning his head in the direction of the unconscious figures on the ground.

“It an’t indeed,” replies the woman with a sigh. “Jenny and me knows it full well.”

The room, though two or three feet higher than the door, is so low that the head of the tallest of the visitors would touch the blackened ceiling if he stood upright. It is offensive to every sense; even the gross candle burns pale and sickly in the polluted air. There are a couple of benches, and a higher bench by way of table. The men lie asleep where they stumbled down, but the women sit by the candle. Lying in the arms of the woman who has spoken, is a very young child.

“Why, what age do you call that little creature?” says Bucket. “It looks as if it was born yesterday.” He is not at all rough about it; and as he turns his light gently on the infant, Mr. Snagsby is strangely reminded of another infant, encircled with light, that he has seen in pictures.

“He is not three weeks old yet, sir,” says the woman.

“Is he your child?”

“Mine.”

The other woman, who was bending over it when they came in, stoops down again, and kisses it as it lies asleep.

“You seem as fond of it as if you were the mother yourself,” says Mr. Bucket.

“I was the mother of one like it, master, and it died.”

“Ah Jenny, Jenny!” says the other woman to her; “better so. Much better so think of dead than alive, Jenny! Much better!”

“Why, you an’t such an unnatural woman, I hope,” returns Bucket, sternly, “as to wish your own child dead?”

“God knows you are right, master,” she returns. “I am not. I’d stand between it and death, with my own life if I could, as true as any pretty lady.”

“Then don’t talk in that wrong manner,” says Mr. Bucket, mollified again. “Why do you do it?”

“It’s brought into my head, master,” returns the woman, her eyes filling with tears, “when I look down at the child lying so. If it was never to wake no more, you’d think me mad, I should take on so. I know that very well. I was with Jenny when she lost hers—warn’t I, Jenny?—and I know how she grieved. But look around you, at this place. Look at them”; glancing at the sleepers on the ground. “Look at the boy you’re waiting for, who’s gone out to do me a good turn. Think of the children that your business lays with often and often, and that
you
see grow up!”

“Well, well,” says Mr. Bucket, “you train him respectable, and he’ll be a comfort to you, and look after you in your old age, you know.”

“I mean to try hard,” she answers, wiping her eyes. “But I have been a-thinking, being over-tired tonight, and not well with the ague, of all the many things that’ll come in his way. My master will be against it, and he’ll be beat, and see me beat, and made to fear his home, and perhaps to stray wild. If I work for him ever so much, and ever so hard, there’s no one to help me; and if he should be turned bad, ’spite of all I could do, and the time should come when I should sit by him in his sleep, made hard and changed, an’t it likely I should think of him as he lies in my lap now, and wish he had died as Jenny’s child died!”

“There, there!” says Jenny. “Liz, you’re tired and ill. Let me take him.”

In doing so, she displaces the mother’s dress, but quickly readjusts it over the wounded and bruised bosom where the baby has been lying.

“It’s my dead child,” says Jenny, walking up and down as she
nurses, “that makes me love this child so dear, and it’s my dead child that makes her love it so dear too, as even to think of its being taken away from her now. While she thinks that,
I
think what fortune would I give to have my darling back. But we mean the same thing, if we knew how to say it, us two mothers does in our poor hearts!”

As Mr. Snagsby blows his nose, and coughs his cough of sympathy, a step is heard without. Mr. Bucket throws his light into the doorway, and says to Mr. Snagsby, “Now, what do you say to Toughy? Will
he
do?”

“That’s Jo,” says Mr. Snagsby.

Jo stands amazed in the disc of light, like a ragged figure in a magic-lantern, trembling to think that he has offended against the law in not having moved on far enough. Mr. Snagsby, however, giving him the consolatory assurance, “It’s only a job you will be paid for, Jo,” he recovers; and, on being taken outside by Mr. Bucket for a little private confabulation, tells his tale satisfactorily, though out of breath.

“I have squared it with the lad,” says Mr. Bucket, returning, “and it’s all right. Now, Mr. Snagsby, we’re ready for you.”

First, Jo has to complete his errand of good nature by handing over the physic he has been to get, which he delivers with the laconic verbal direction that “it’s to be all took d’rectly.” Secondly, Mr. Snagsby has to lay upon the table half-a-crown, his usual panacea for an immense variety of afflictions. Thirdly, Mr. Bucket has to take Jo by the arm a little above the elbow and walk him on before him; without which observance, neither the Tough Subject nor any other Subject could be professionally conducted to Lincoln’s Inn Fields. These arrangements completed, they give the women good night, and come out once more into black and foul Tom-all-Alone’s.

By the noisome ways through which they descended into that pit, they gradually emerge from it; the crowd flitting, and whistling, and skulking about them, until they come to the verge, where restoration of the bull’s-eye is made to Darby. Here the crowd, like a concourse of imprisoned demons, turns back, yelling, and is seen no more. Through the clearer and fresher streets, never so clear and fresh to Mr. Snagsby’s mind
as now, they walk and ride, until they come to Mr. Tulkinghorn’s gate.

As they ascend the dim stairs (Mr. Tulkinghorn’s chambers being on the first floor), Mr. Bucket mentions that he has the key of the outer door in his pocket, and that there is no need to ring. For a man so expert in most things of that kind, Bucket takes time to open the door, and makes some noise too. It may be that he sounds a note of preparation.