The Solitary House (133 page)

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Authors: Lynn Shepherd

Tags: #Fiction, #Historical, #Literary, #Mystery & Detective, #Traditional British

BOOK: The Solitary House
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“Of course they are not!” cries Richard. “You found that out, long ago.”

“Mr. C.,” returns Vholes, “I wish to say no more of any third party than is necessary. I wish to leave my good name unsullied, together with any little property of which I may become possessed through industry and perseverance, to my daughters Emma, Jane, and Caroline. I also desire to live in amity with my professional brethren. When Mr. Skimpole did me the honour, sir—I will not say the very high honour, for I never stoop to flattery—of bringing us together in this room, I mentioned to you that I could offer no opinion or advice as to your interests, while those interests were entrusted to another member of the profession. And I spoke in such terms as I was bound to speak of Kenge and Carboy’s office, which stands high. You, sir, thought fit to withdraw your interests from that keeping nevertheless, and to offer them to me. You brought them with clean hands, sir, and I accepted them with clean hands. Those interests are now paramount in this office. My digestive functions, as you may have heard me mention, are not in a good state, and rest might improve them; but I shall not rest, sir, while I am your representative. Whenever you want me, you will find me here. Summon me anywhere, and I will come. During the long vacation, sir, I shall devote my leisure to studying your interests more and more closely, and to making arrangements for moving heaven and earth (including, of course, the Chancellor) after Michaelmas term; and when I ultimately congratulate you, sir,” says Mr. Vholes, with the severity of a determined man, “when I ultimately congratulate you, sir, with all my heart, on your accession to fortune—which, but that I never give hopes, I might say something further about—you will owe me nothing, beyond whatever little balance may be then outstanding of the costs as between solicitor and client, not included in the taxed costs allowed out of the estate. I pretend to no claim upon you, Mr. C., but for the zealous and active discharge—not the languid and routine discharge, sir: that much credit I stipulate for—of my
professional duty. My duty prosperously ended, all between us is ended.”

Vholes finally adds, by way of rider to this declaration of his principles, that as Mr. Carstone is about to rejoin his regiment, perhaps Mr. C. will favour him with an order on his agent for twenty pounds on account.

“For there have been many little consultations and attendances of late, sir,” observes Vholes, turning over the leaves of his Diary, “and these things mount up, and I don’t profess to be a man of capital. When we first entered on our present relations, I stated to you openly—it is a principle of mine that there never can be too much openness between solicitor and client—that I was not a man of capital; and that if capital was your object, you had better leave your papers in Kenge’s office. No, Mr. C., you will find none of the advantages, or disadvantages, of capital here, sir. This,” Vholes gives the desk one hollow blow again, “is your rock; it pretends to be nothing more.”

The client, with his dejection insensibly relieved, and his vague hopes rekindled, takes pen and ink and writes the draft; not without perplexed consideration and calculation of the date it may bear, implying scant effect in the agent’s hands. All the while, Vholes, buttoned up in body and mind, looks at him attentively. All the while, Vholes’s official cat watches the mouse’s hole.

Lastly, the client, shaking hands, beseeches Mr. Vholes, for Heaven’s sake and Earth’s sake, to do his utmost to “pull him through” the Court of Chancery. Mr. Vholes, who never gives hopes, lays his palm upon the client’s shoulder, and answers with a smile, “Always here, sir. Personally, or by letter, you will always find me here, sir, with my shoulder to the wheel.” Thus they part; and Vholes, left alone, employs himself in carrying sundry little matters out of his Diary into his draft bill book, for the ultimate behoof of his three daughters. So might an industrious fox, or bear, make up his accounts of chickens or stray travellers with an eye to his cubs; not to disparage by that word the three raw-visaged, lank, and buttoned-up maidens, who dwell with the parent Vholes in an earthy cottage situated in a damp garden at Kennington.

Richard, emerging from the heavy shade of Symond’s Inn into the sunshine of Chancery Lane—for there happens to be sunshine there today—walks thoughtfully on, and turns into Lincoln’s Inn, and passes under the shadow of the Lincoln’s Inn trees. On many such loungers have the speckled shadows of those trees often fallen; on the like bent head, the bitten nail, the lowering eye, the lingering step, the purposeless and dreamy air, the good consuming and consumed, the life turned sour. This lounger is not shabby yet, but that may come. Chancery, which knows no wisdom but in Precedent, is very rich in such Precedents; and why should one be different from ten thousand?

Yet the time is so short since his depreciation began, that as he saunters away, reluctant to leave the spot for some long months together, though he hates it, Richard himself may feel his own case as if it were a startling one. While his heart is heavy with corroding care, suspense, distrust, and doubt, it may have room for some sorrowful wonder when he recalls how different his first visit there, how different he, how different all the colours of his mind. But injustice breeds injustice; the fighting with shadows and being defeated by them, necessitates the setting up of substances to combat; from the impalpable suit which no man alive can understand, the time for that being long gone by, it has become a gloomy relief to turn to the palpable figure of the friend who would have saved him from this ruin, and make
him
his enemy. Richard has told Vholes the truth. Is he in a hardened or a softened mood, he still lays his injuries equally at that door; he was thwarted, in that quarter, of a set purpose, and that purpose could only originate in the one subject that is resolving his existence into itself; besides, it is a justification to him in his own eyes to have an embodied antagonist and oppressor.

Is Richard a monster in all this—or would Chancery be found rich in such Precedents too, if they could be got for citation from the Recording Angel?

Two pairs of eyes not unused to such people look after him and biting his nails and brooding, he crosses the square, and is swallowed up by the shadow of the southern gateway. Mr.
Guppy and Mr. Weevle are the possessors of those eyes, and they have been leaning in conversation against the low stone parapet under the trees. He passes close by them, seeing nothing but the ground.

“William,” says Mr. Weevle, adjusting his whiskers; “there’s combustion going on here! It’s not a case of Spontaneous, but it’s smouldering combustion it is.”

“Ah!” says Mr. Guppy. “He wouldn’t keep out of Jarndyce, and I suppose he’s over head and ears in debt. I never knew much of him. He was as high as the Monument when he was on trial at our place. A good riddance to me, whether a clerk or client. Well, Tony, that as I was mentioning is what they’re up to.”

Mr. Guppy, refolding his arms, resettles himself against the parapet, as resuming a conversation of interest.

“They are still up to it, sir,” says Mr. Guppy, “still taking stock, still examining papers, still going over the heaps and heaps of rubbish. At this rate they’ll be at it these seven years.”

“And Small is helping?”

“Small left us at a week’s notice. Told Kenge, his grandfather’s business was too much for the old gentleman, and he could better himself by undertaking it. There had been a coolness between myself and Small on account of his being so close. But he said you and I began it; and as he had me there—for we did—I put our acquaintance on the old footing. That’s how I come to know what they’re up to.”

“You haven’t looked in at all?”

“Tony,” says Mr. Guppy, a little disconcerted, “to be unreserved with you, I don’t greatly relish the house, except in your company, and therefore I have not; and therefore I proposed this little appointment for our fetching away your things. There goes the hour by the clock! Tony”; Mr. Guppy becomes mysteriously and tenderly eloquent; “it is necessary that I should impress upon your mind once more, that circumstances over which I have no control, have made a melancholy alteration in my most cherished plans, and in that unrequited image which I formerly mentioned to you as a friend. That image is shattered, and that idol is laid low. My only wish now, in connexion with the objects
which I had an idea of carrying out in the court, with your aid as a friend, is to let ’em alone and bury ’em in oblivion. Do you think it possible, do you think it at all likely (I put it to you, Tony, as a friend), from your knowledge of that capricious and deep old character who fell a prey to the—Spontaneous element; do you, Tony, think it at all likely that, on second thoughts, he put those letters away anywhere, after you saw him alive, and that they were not destroyed that night?”

Mr. Weevle reflects for some time. Shakes his head. Decidedly thinks not.

“Tony,” says Mr. Guppy, as they walk towards the court, “once again understand me, as a friend. Without entering into further explanations, I may repeat that the idol is down. I have no purpose to serve now, but burial in oblivion. To that I have pledged myself. I owe it to myself, and I owe it to the shattered image, as also to the circumstances over which I have no control. If you was to express to me by a gesture, by a wink, that you saw lying anywhere in your late lodgings, any papers that so much as looked like the papers in question, I would pitch them into the fire, sir, on my own responsibility.”

Mr. Weevle nods. Mr. Guppy, much elevated in his own opinion by having delivered these observations, with an air in part forensic and in part romantic—this gentleman having a passion for conducting anything in the form of an examination, or delivering anything in the form of summing up or a speech—accompanies his friend with dignity to the court.

Never, since it has been a court, has it had such a Fortunatus’s purse of gossip as in the proceedings at the rag and bottle shop. Regularly, every morning at eight, is the elder Mr. Smallweed brought down to the corner and carried in, accompanied by Mrs. Smallweed, Judy, and Bart; and regularly, all day, do they all remain there until nine at night, solaced by gipsy dinners, not abundant in quantity, from the cook’s shop; rummaging and searching, digging, delving, and diving among the treasures of the late lamented. What those treasures are, they keep so secret, that the court is maddened. In its delirium it imagines guineas pouring out of tea-pots, crown-pieces overflowing punch-bowls, old chairs and mattresses stuffed with
Bank of England notes. It possesses itself of the sixpenny history (with highly-coloured folding frontispiece) of Mr. Daniel Dancer and his sister, and also of Mr. Elwes, of Suffolk, and transfers all the facts from those authentic narratives to Mr. Krook. Twice when the dustman is called in to carry off a cartload of old paper, ashes, and broken bottles, the whole court assembles and pries into the baskets as they come forth. Many times the two gentlemen who write with the ravenous little pens on the tissue-paper are seen prowling in the neighbourhood—shy of each other, their late partnership being dissolved. The Sol skilfully carries a vein of the prevailing interest through the Harmonic nights. Little Swills, in what are professionally known as “patter” allusions to the subject, is received with loud applause; and the same vocalist “gags” in the regular business like a man inspired. Even Miss M. Melvilleson, in the revived Caledonian melody of “We’re a-nodding,” points the sentiment that “the dogs love broo” (whatever the nature of that refreshment may be) with such archness, and such a turn of the head towards next door, that she is immediately understood to mean, Mr. Smallweed loves to find money, and is nightly honoured with a double encore. For all this, the court discovers nothing; and, as Mrs. Piper and Mrs. Perkins now communicate to the late lodger whose appearance is the signal for a general rally, it is in one continual ferment to discover everything, and more.

Mr. Weevle and Mr. Guppy, with every eye in the court’s head upon them, knock at the closed door of the late lamented’s house, in a high state of popularity. But, being contrary to the court’s expectation admitted, they immediately become unpopular, and are considered to mean no good.

The shutters are more or less closed all over the house, and the ground-floor is sufficiently dark to require candles. Introduced into the back shop by Mr. Smallweed the younger, they, fresh from the sunlight, can at first see nothing save darkness and shadows; but they gradually discern the elder Mr. Smallweed, seated in his chair upon the brink of a well or grave of waste-paper; the virtuous Judy groping therein, like a female sexton; and Mrs. Smallweed on the level ground in the vicinity, snowed up in a heap of paper fragments, print, and manuscript,
which would appear to be the accumulated compliments that have been sent flying at her in the course of the day. The whole party, Small included, are blackened with dust and dirt, and present a fiendish appearance not relieved by the general aspect of the room. There is more litter and lumber in it than of old, and it is dirtier if possible; likewise, it is ghostly with traces of its dead inhabitant, and even with his chalked writing on the wall.

On the entrance of visitors, Mr. Smallweed and Judy simultaneously fold their arms and stop in their researches.

“Aha!” croaks the old gentleman. “How de do, gentlemen, how de do! Come to fetch your property, Mr. Weevle? That’s well, that’s well. Ha! ha! We should have been forced to sell you up, sir, to pay your warehouse room, if you had left it here much longer. You feel quite at home here, again, I dare say? Glad to see you, glad to see you!”

Mr. Weevle, thanking him, casts an eye about. Mr. Guppy’s eye follows Mr. Weevle’s eye. Mr. Weevle’s eye comes back without any new intelligence in it. Mr. Guppy’s eye comes back, and meets Mr. Smallweed’s eye. That engaging old gentleman is still murmuring, like some wound-up instrument running down, “How de do, sir—how de—how—” And then having run down, he lapses into grinning silence, as Mr. Guppy starts at seeing Mr. Tulkinghorn standing in the darkness opposite, with his hands behind him.

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