Authors: A S A Harrison
“I know you don't mean that.”
“Have you talked to Todd about it? Why do you think he keeps calling me? What do we have to say to each other? Thirty years of friendship and he throws it away. I'm telling you, he could cancel the whole thing tomorrow and it wouldn't make a speck of difference. It's too late. He's crossed a line. I'm sure you feel the same.”
Dean is such a good talker he could have this conversation
without her. An asset for a salesman, no doubt. Keep your mark distracted; leave no room for independent thought.
“Look, Jodi, why don't you let me buy you a drink. Or better still I'll take you to lunch. We need to stick together, share the burden, show each other support. What do you say I come pick you up tomorrow? We can go for Chinese.”
He doesn't just want to commiserate; he has an agenda for her. Curious how he thinks that she, of all people, could have an impact on Natasha. It's actually kind of sweet. Not something she can hold against him. But lunch would be a mistake.
18
HIM
He's in his Porsche driving north on Michigan, heading for the Illinois Center. The gym has become a refuge of sorts, the only digression he's allowed on his way home from work, and he's taken to spending more hours getting fit, even when he's not in the mood for it, even when he badly needs a drink. Like now. The conversation with Jodi has unsettled him. He can't understand what her problem is. Does she think he's going to support her for the rest of his life, while he and his family do without? It's not as if he's trying to hard-line her. He offered her the entire contents of the apartment. Does she have any idea how much that's worth?
He thinks about calling her back but gets Harry on the line instead. “What did you think you were doing sending Jodi that
letter?” he says. “I was going to talk to her first. We discussed that.”
“Must have been Daphne,” says Harry. “I'll have a word with her.”
“That's right, blame your assistant,” says Todd. “The point is that Jodi is now officially pissed off and digging in her heels. Damn it, Harry, don't you think I have enough problems?”
“I have news for you, Todd. She was going to be upset no matter how she found out.”
“We'll never know now, will we, Harry?”
“Just keep your objective in mind, why don't you. The important thing is to get this done, and there isn't much time.”
Harry is probably right in that it wouldn't have mattered how she found out, but the eviction notice seems unnecessarily cruel. And it makes him look bad. Ruthless. Cold-blooded. Still, it's done now, and maybe that's for the best because he really needs her out of there. Natasha asks him every day if Jodi is gone yet and what he's planning to do if she won't leave. An ugly scene is the last thing he wants. Jodi locking herself in, the sheriff breaking down the door, marching her out of the building. She would never forgive him.
It could be that she just needs time to adjust. If nothing else Jodi is practical. Give her a week or two and she'll find herself a cozy little rental where she can settle in and feel at home. It won't be anywhere central, given her income. She'll have to move to a suburb, someplace like Skokie or Evanston, at least until she revs up her practice and starts seeing clients full-time. It'll do her good to take her profession more seriously, take
herself
more seriously. Maybe she'll even get a real job, put her education to better use. She'd do well in the corporate world, and she'd make good money.
Wherever she lands he hopes she'll let him come and visit, maybe even make a thing of it. In odd moments, when he lets himself, he misses her terribly, misses her cooking and her common sense, the ease and comfort of their life together. Maybe it's the season that's making him nostalgic. Autumn can be glorious but menacing tooâthe long shadows, brisk winds, scurrying leaves, impending frost. He doesn't want to knock Natasha, but coming home isn't what it used to be, and the clutter is the least of it. Natasha seems to thrive on chaos: neighbours dropping off their kids, people showing up for dinner, the TV blaring even when she's studying. And it will only get worse when the baby is born.
He has the heat turned up in the Porsche, the airflow directed at the windshield to keep the glass from fogging up, the radio tuned to the news. The announcer's voice is buttery and rich, comforting in spite of the words being spoken, reports of the day's calamities. It's only just past five and night is falling fast. The short days would be hard to take if you lived in the country, but the city generates its own light, a bright mirage in all the colours of the rainbow. Seen from outer space it would look like a glowing dome, the force field of the great city where he lives. He's been driving these streets all his life and every stretch of pavement, every city block is known to him. In his younger years he used to fantasize that he owned it, that the city was hisâthe streets, the buildings, the power generators, the
water purification system, even the sewersâthe entire infrastructure. Even now, when he's on the street or when he walks into Blackie's or the Crowne Plaza, he has a sense of being in charge.
How he loves driving around in his car listening to music, scoping out the neighbourhoods, watching the street life. In your car you're in your own private world and in the world at large, both at the same time. He likes snacking in his car, too, and usually has some licorice whips or salted peanuts in the glove compartment. This is not much different, he has to admit, than his father's love of holing up in the basement with his bottle and his transistor radio. You have your throne, your dignified perch (in the old man's case a dilapidated La-Z-Boy) that places you at the centre of your world, and there you sit like a goddamn lord. Sometimes in his car he even starts to
feel
like his father, gets a taste of him. The way he used to nod to himself, for example, a barely perceptible nod pertaining to nothing in particular. Todd does that sometimes tooânods his head to the air currents or the ebb and flow of traffic.
19
HER
She's sitting in the office of Barbara Phelps, BA, LLB, the lawyer recommended by her friend Ellen. Barbara is petite and older, possibly in her mid seventies, with hennaed hair, pencilled-on eyebrows, and tiny wrists. Her power suit sags on her puny frame but she carries herself like a pillar. According to Ellen, Barbara took her law degree when that was still rare for a woman and has devoted her career to turning dependent, unhappy wives into liberated, freewheeling ex-wivesâa sisterhood of prosperous divorcees.
Barbara's offices, on an upper floor of a Loop office tower, are furnished with inhospitable Bauhaus furniture and gigantic ab-ex canvases that testify, in dollars spent, to the woman-power on which her practice is built. She has seated Jodi in a Wassily
chair and asked her some preliminary questions. Now, as she fans herself with Jodi's eviction letter, she patiently explains that Jodi was a fool not to marry Todd while she had the chance, because at this junction Jodi has as much right to her home as a colony of cats.
“Without a marriage licence you have no interest in anything he owns. He has you at his mercy, my dear. No judge is going to rule against him. Common-law marriage does not exist in this state.”
Jodi feels that Barbara has somehow failed to grasp her situation.
“I've been a wife to him for twenty years,” she protests. “Everything we have we built up together. He can't
make
me move. If I refuse what can he do?”
Barbara shakes her head. “You have no legal right to be there. If you choose to ignore the law, you'll make things worse for yourself in the end. Most likely scenario, you'll be out on the street with little more than the clothes on your back. It will happen in front of the neighbours. I don't recommend it.”
“I've made a home for him,” says Jodi. “I've cooked, kept house, looked after him. He can't kick me out just because he finds me inconvenient.”
“He can. And by the looks of it he will.”
Jodi tries to absorb this. It makes no sense, fails to accord with her notion of justice. But then she sees where Barbara is going. “Okay,” she says. “I get it. It's
his
condo.”
“Right,” says Barbara. “It's
his
condo.”
“But he'll have to support me,” says Jodi.
“Why?” asks Barbara.
“Because he always has. It's our arrangement.”
“On the contrary,” says Barbara. “Under Illinois law you are not entitled to any kind of maintenance. But all things considered, your position is not a terrible one. You have his verbal permission to take away whatever items you want. If he's sincere about that, you avoid squabbling over household goods, and you avoid the pain of losing your possessions. So. You preserve your dignity
and
your belongings.”
Thinking about it on the way home, Jodi doesn't see it like that. How is her dignity preserved by allowing him to turn her out, with or without her belongings? They're ganging up on her: Todd, Harry, and even this Barbara Phelps, who's supposed to be on her side. What they're doing may be legal, but it's far from humane.
On arriving home she takes off her coat and shoes and lies down on the sofa. Napping is not a habit with her but she feels like a rock sinking in muddy water. When her eyes open again the sky beyond the windows has lost its colour and left the room in semidarkness. She gets up, changes out of her Valentino skirt suit, and gives the dog his dinner. Watching him eat, she can only wish that she had half his appetite. Doubtfully, she stands in front of the open fridge and scans its contents. In the end she takes the vodka out of the freezer, pours a small amount into a tumbler, and adds a splash of tonic. She doesn't normally drink alone, but this is a special occasion, calling for a celebration of sorts. She's always been a woman in charge of her life, someone who manages well, but today she's been toppled, and it turns out
that all it took was a little shove, a gentle boot; her position was that precarious. Two decades of believing that her way of life was secure, and it turns out that she was hanging by a thread all along. Ever since moving in with Todd she's been as good as delusionalâthere's no other way to think about it. She built her life on a faulty premise, on wishful thinking. The person she thought she was has never existed.
She downs her drink and pours another, this time omitting the tonic. Thirty days. That's what she's been granted. Thirty days to extract herself from her own present tense, much as you'd extract a sliver from living flesh. This is what it's come down to. She's been reduced to the status of a foreign body in her own intimate surroundings.
She knows women who have gone through something like this, and none of them are in any way role models. These women, whose numbers include her friend Ellen, have not emerged with any degree of wisdom or grace, have not succeeded in reclaiming their lost years or reviving their goodwill. And yet most of them are better off than she will be. Most of them at least got to keep their homes.
The Adlerians would have a heyday with this, the muddle that she's made of things. They're big on routing out the error in the client's way of life, the screwy private logic and harebrained assumptions. All that privilege and opportunity and she drove it into a wall. She could do this because she took it for granted that life would treat her well, that there was no need to look ahead or take precautions. It was a form of hubris; she sees that now. If Gerard Hartmann had spotted this back when she was his client,
he would have set her straight in no time. Indeed, it's highly likely that Gerard would have saved her from herself entirely if she had let him, if only she had stuck it out with him. He knew his stuff, Gerard, and had an instinct about her that drove him onâin spite of the fact that she appeared to have no problems and was not (in her own opinion, at least) in need of his services.
Which is not to say that her sessions with Gerard were a waste of time. Once they got into her relationship with Ryan, she could see it was a knot that needed to come undone. And picking it apart was not even all that painful. Gerard was good at what he didâskilled and knowledgeable, with exceptional insight. He was also the kindest and gentlest of inquisitors.
Gerard: | About Ryan's outbursts. You mentioned nightmares and self-inflicted wounds. What was the problem exactly? |
Jodi: | He'd wake up screaming some nights. He'd be screaming and kicking and wouldn't settle down. Other times he'd bite himself till he drew blood. He'd go for his arm or the fleshy part of his palm. |
Gerard: | Was he taken to a doctor for this? |
Jodi: | They must have taken him to a doctor. You would think. |
Gerard: | Do you know if there was any sort of diagnosis or treatment? |
Jodi: | He was never labelled as having a mental disorder if that's what you mean. It was just a phase. He did eventually grow out of it. |
Gerard: | When Ryan was acting out, how did your parents handle it? |
Jodi: | It was me who handled it. That was |
Gerard: | How did that become |
Jodi: | It became my job because my parents only made things worse. Dad would get all disciplinarian, and Mom would just, you know, stand around and helplessly wring her hands. |
Gerard: | Did your parents call on you to intervene, or was that your own idea? |
Jodi: | I think it was my own idea at first, and then after a while they just assumed I would handle it. |
Gerard: | How did that make you feel? |
Jodi: | Oh, it was all good. Ryan settled down. Mom settled down. Dad backed off. And everything returned to normal. |
Gerard: | And their assumption that you would handle it, that it was your job, how did that make you feel? |
Jodi: | I guess I'd have to say that it made me feel great. I was just a kid, and here I was with all this authority and responsibility. I think it empowered me. It certainly had an effect on my self-image, and then ultimately of course it influenced my choice of profession. The fact that I was the one who could make Ryan better. |
Gerard: | You mention responsibility. How did you feel about having responsibility for your brother's welfare? You were just a kid, as you say. |
Jodi: | I loved Ryan. Helping Ryan was second nature to me. I didn't think twice about it. |
Gerard: | Has that sense of responsibility for Ryan carried over into your adult life? |
Jodi: | You mean do I feel responsible for the Ryan who is now an adult? The Ryan who is not in an intimate relationship, not engaged in meaningful work, not speaking to most members of his family? In fact, pretty much thumbing his nose at Adler's basic life tasks? Do I feel responsible for that Ryan? |
Gerard: | Yes. |
Jodi: | I didn't expect you to ask me that. Well, maybe I do. Sure. Of course I feel responsible for him. On some level, I suppose. |
Gerard: | Why do you think you feel that way? |
Jodi: | Wouldn't you? I mean wouldn't anybody? Under the circumstances? |
Gerard: | How would you describe the circumstances? |
Jodi: | Okay, maybe what I feel is not exactly responsible. Let's just say I worry. I'd like to be able to help him, but I can't help him. He won't let me. |
Gerard: | What do you think is the reason for your worrying? |
Jodi: | I want him to be happy. I want him to be fulfilled. When he's an old man looking back on his life, I want him to feel that he made good choices, didn't waste his opportunities, had a goal of some sort and followed through and accomplished something. |
Gerard: | Let's talk about |
Jodi: | What do you mean? |
Gerard: | What would happen if you quit worrying about Ryan? |
Jodi: | You think it's a problem that I worry? |
Gerard: | What purpose do you think your worrying serves? |
Jodi: | Does worrying need a purpose? |
Gerard: | Do you think it helps Ryan when you worry about him? |
Jodi: | Okay. Touché. I get it. I see your point. Of course it doesn't help |
Gerard: | Do you think that's what you would feel if you didn't worry? That you'd abandoned him? |
Jodi: | Probably. Yes. |
Gerard: | What else would you feel? |
Jodi: | I guess I'd feel that I'd broken our connection. I'd no longer feel connected to him. Because, think about it, the reality is that I hardly ever see him and have no way of keeping in touch. So how are we connected if I don't worry? |
Gerard: | So when you worry about Ryan you feel connected to him. And if you stopped worrying, if you lost that feeling of connection, what would happen then? |
Jodi: | I' d worry about the loss of connection. I guess that sounds ridiculous. |
Gerard: | Not ridiculous. But there may be better ways than worrying to keep your connection with Ryan alive within yourself. |
Jodi: | For instance? |
Gerard: | I'd like you to think about that. Let's call it your homework assignment. |