The Selected Stories of Mavis Gallant (24 page)

Papa walked over to the window and stood drumming on the pane. He made some unthinking remark—that he could see part of the Church of Saint-Augustin, the air was so clear. In fact, thick, gray, lashing rain obscured everything except the nearest rank of trees.

Arnaud looked up from the letter and said, “I must be dreaming.” His clever, melancholy face was the color of the rain. My mother was afraid he would faint, as Mme. Pons so liked doing, and hurt his head on the marble floor. The chill of the marble had worked through everyone’s shoes. She tried to edge the men over to a carpet, but Arnaud seemed paralyzed. Filling in silence, she went on about the floor: The marble came from Italy; people had warned her against it; it was hard to keep clean and it held the cold.

Arnaud stared at his own feet, then hers. Finally, he asked where I was.

“Sylvie has withdrawn from worldly life,” my mother said. I had mentioned nothing in my letter about marrying another man, so he asked a second, logical question: Was I thinking of becoming a nun?

The rain, dismantling chestnut blossoms outside, sounded like gravel thrown against the windows. I know, because I was in my bedroom, just along the passage. I could not see him then as someone frozen and stunned. He was an obstacle on a railway line. My tender and competent mother had agreed to push him off the track.

That evening I said, “What if his parents turn up here and try to make a fuss?”

“They wouldn’t dare,” she said. “You were more than they had ever dreamed of.”

It was an odd, new way of considering the Ponses. Until then, their education and background and attention to things of the past had made up for an embarrassing lack of foresight: They had never acquired property for their only son to inherit. They lived in the same dim apartment, in a lamentable quarter, which they had first rented in 1926, the year of their marriage. It was on a street filled with uninviting stores and insurance offices,
east of the Saint-Lazare station, near the old German church. (Arnaud had taken me to the church for a concert of recorded music. I had never been inside a Protestant church before. It was spare and bare and somehow useful-looking, like a large broom closet. I wondered where they hatched the Protestant plots Cousin Gaston often mentioned, such as the crushing of Mediterranean culture by peaceful means. I remember that I felt lonely and out of place, and took Arnaud’s hand. He was wearing his distant, listening-to-music expression, and seemed not to notice. At any rate, he didn’t mind.)

Families such as the Ponses had left the area long before, but Arnaud’s father said his belongings were too ancient and precious to be bumped down a winding staircase and heaved aboard a van. Papa thought he just wanted to hang on to his renewable lease, which happened to fall under the grace of a haphazard rent-control law: He still paid just about the same rent he had been paying before the war. Whatever he saved had never been squandered on paint or new curtains. His eleven rooms shared the same degree of decay and looked alike: You never knew if you were in a dining room or somebody’s bedroom. There were antique tables and bedsteads everywhere. All the mirrors were stained with those dark blotches that resemble maps. Papa often wondered if the Ponses knew what they really looked like, if they actually saw themselves as silvery white, with parts of their faces spotted or missing.

One of the first things Mme. Pons had ever shown me was a mute harpsichord, which she wanted to pass on to Arnaud and me. To get it to look right—never mind the sound—would have required months of expert mending, more than Arnaud could afford. Looking around for something else to talk about, I saw in a far, dim corner a bathtub and washstand, valuable relics, in their way, streaked and stained with age. Someone had used them recently: The towels on a rack nearby looked damp. I had good reason for thinking the family all used the same towels.

What went wrong for M. Pons, the winter of my engagement? Even Papa never managed to find out. He supposed M. Pons had been giving too much taxation advice, on too grand a scale. He took down from his front door the brass plate mentioning office hours and went to work in a firm that did not carry his name. His wife had an uncommon past, at once aristocratic and vaguely bohemian. My parents wondered what it could mean. My children would inherit a quarter share of blue blood, true, but they might also come by a tendency to dance naked in Montmartre. Her father had been killed in
the First World War, leaving furniture, a name, and a long tradition of perishing in battle. She was the first woman in her circle ever to work. Her mother used to cry every morning as she watched her pinning her hat on and counting her lunch money. Her name was Marie-Eugénie-Paule-Diane. Her husband called her Nenanne—I never knew why.

Arnaud had studied law, for the sake of family tradition, but his true calling was to write opinions about music. He wished he had been a music critic on a daily newspaper, incorruptible and feared. He wanted to expose the sham and vulgarity of Paris taste; so he said. Conductors and sopranos would feel the extra edge of anxiety that makes for a good performance, knowing the incorruptible Arnaud Pons was in the house. (Arnaud had no way of judging whether he was incorruptible, my father said. He had never tried earning a living by writing criticism in Paris.)

We spent most of our time together listening to records, while Arnaud told me what was wrong with Toscanini or Bruno Walter. He would stop the record and play the same part again, pointing out the mistakes. The music seemed as worn and shabby as the room. I imagined the musicians in those great orchestras of the past to be covered with dust, playing on instruments cracked, split, daubed with fingerprints, held together with glue and string. My children in Lille had spotless instruments, perfectly tuned. Their music floated into a dark garden drenched with silent rain. But then my thoughts would be overtaken by the yells and screams of one of Arnaud’s doomed sopranos—a Tosca, a Mimi—and I would shut my eyes and let myself fall. A still surface of water rose to meet me. I was not dying but letting go.

Bernard’s father answered Papa’s second approach, which had been much like the first. He said that his son was a student, with no roof or income of his own. It would be a long time before he could join his destiny to anyone’s, and it would not be to mine. Bernard had no inclination for me; none whatever. He had taken me to be an attractive and artistic girl, anxious to please, perhaps a bit lonely. As an ardent writer of letters, with pen friends as far away as Belgium, Bernard had offered the hand of epistolary comradeship. I had grabbed the hand and called it a commitment. Bernard was ready to swear in court (should a lawsuit be among my father’s insane intentions) that he had taken no risks and never dropped his guard with an unclaimed young person, encountered in a public park. (My parents were puzzled by “unclaimed.” I had to explain that I used to take off my engagement
ring and carry it loose in a pocket. They asked why. I could not remember.)

M. Brunelle, the answer went on, hoped M. Castelli would put a stop to my fervent outpourings in the form of letters. Their agitated content and their frequency—as many as three a day—interfered with Bernard’s studies and, indeed, kept him from sleeping. Surely my father did not want to see me waste the passion of a young heart on a delusion that led nowhere (“on a chimera that can only run dry in the Sahara of disappointment” was what M. Brunelle actually wrote). He begged my father to accept the word of a gentleman that my effusions had been destroyed. “Gentleman” was in English and underlined.

My parents shut themselves up in their bedroom. From my own room, where I sat at the window, holding Bernard’s messages, I could hear my father’s shouts. He was blaming Maman. Eventually she came in, and I stood up and handed her the whole packet: three letters and a postcard.

“Just the important one,” she said. “The one I should have made you show me last April. I want the letter that mentions marriage.”

“It was between the lines,” I said, watching her face as she read.

“It was nowhere.” She seemed sorry for me, all at once. “Oh, Sylvie, Sylvie. My poor Sylvie. Tear it up. Tear every one of them up. All this because you would not try to love Arnaud.”

“I thought he loved me,” I said. “Bernard, I mean. He never said he didn’t.”

The heaven-sent vision of my future life had already faded; the voices of my angelic children became indistinct. I might, now, have been turning the pages of an old storybook with black-and-white engravings.

I said, “I’ll apologize to Papa and ask him to forgive me. I can’t explain what happened. I thought he wanted what I wanted. He never said that he didn’t. I promise never to paint pictures again.”

I had not intended the remark about painting pictures. It said itself. Before I could take it back, Maman said, “Forgive you? You’re like a little child. Does forgiveness include sending our most humble excuses to the Brunelle family and our having to explain that our only daughter is a fool? Does it account for behavior no sane person can understand? Parents knew what they were doing when they kept their daughters on a short lead. My mother read every letter I wrote until I was married. We were too loving, too lenient.”

Her face looked pinched and shrunken. Her love, her loyalties, whatever
was left of her youth and charm pulled away from me to be mustered in favor of Papa. She stood perfectly still, almost at attention. I think we both felt at a loss. I thought she was waiting for a signal so she could leave the room. Finally, my father called her. I heard her mutter, “Please get out of my way,” though I was nowhere near the door.

My friend Chantal—my postal station, my go-between—came over as soon as she heard the news. It had been whispered by my mother to Chantal’s mother, over the telephone, in a version of events that absolved me entirely and turned the Brunelles into fortune-hunting, come-lately provincial merchants and rogues. Chantal knew better, though she still believed the Brunelles had misrepresented their case and came in for censure. She had brought chocolates to cheer me up; we ate most of a box, sitting in a corner of the salon like two travelers in a hotel lobby. She wore her hair in the newest style, cut short and curled thickly on her forehead. I have forgotten the name of the actress who started the fashion: Chantal told me, but I could not take it in.

Chantal was a good friend, perhaps because she had never taken me seriously as a rival; and perhaps in saying this I misjudge her. At any rate, she lost no time in giving me brisk advice. I ought to cut my hair, change my appearance. It was the first step on the way to a new life. She knew I loved children and might never have any of my own: I had no idea how to go about meeting a man or how to hang on to one if he drifted my way. As the next-best thing, I should enter a training college and learn to teach nursery classes. There wasn’t much to it, she said. You encouraged them to draw with crayons and sing and run in circles. You put them on pots after lunch and spread blankets on the floor for their afternoon nap. She knew plenty of girls who had done this after their engagements, for some reason, collapsed.

She had recently got to know a naval lieutenant while on a family holiday in the Alps, and now they were planning a Christmas wedding. Perhaps I could persuade my family to try the same thing; but finding a fiancé in the mountains was a new idea—to my mother chancy and doubtful, while my father imagined swindlers and foreigners trampling snow in pursuit of other men’s daughters.

Since the fiasco, as he called it, Papa would not look at me. When he had anything to say he shouted it to Maman. They did not take their annual holiday that year but remained in the shuttered apartment, doing penance for
my sins. The whole world was away, except us. From Normandy, Claudine sent my mother a postcard of the basilica at Lisieux and the message “My maman, being a mother, respectfully shares your grief”—as if I had died.

At dinner one night—curtains drawn, no one saying much—Papa suddenly held up his hands, palms out. “How many hands do you count?” he said, straight to me.

“Two?” I made it a question in case it was a trick.

“Right. Two hands. All I needed to pull me to the top of my profession. I gave my wife the life she wanted, and I gave my daughter a royal upbringing.”

I could sense my mother’s close attention, her wanting me to say whatever Papa expected. He had drunk most of a bottle of Brouilly by himself and seemed bound for headlong action. In the end, his message was a simple one: He had forgiven me. My life was a shambles and our family’s reputation gravely injured, but I was not wholly to blame. Look at the young men I’d had to deal with: neutered puppies. No wonder there were so many old maids now. I had missed out on the only virile generation of the twentieth century, the age group that took in M. Pons, Cousin Gaston, and, of course, Papa himself.

“We were a strong rung on the ladder of progress,” he said. “After us, the whole ladder broke down.” The name of Pons, seldom mentioned, seemed to evoke some faraway catastrophe, recalled by a constant few. He bent his head and I thought, Surely he isn’t going to cry. I recalled how my mother had said, “We were too loving.” I saw the storehouse in Nice and our name in faded blue. There were no more Castellis, except Julien in Indochina. I put my napkin over my face and began to bawl.

Papa cheered up. “Two hands,” he said, this time to Maman. “And no help from any quarter. Isn’t that true?”

“Everybody admired you,” she said. She was clearing plates, fetching dessert. I was too overcome to help; besides, she didn’t want me. She missed Claudine. My mother sat down again and looked at Papa, leaving me out. I was a dreary guest, like Mme. Pons getting ready to show hysteria at the sight of a veal chop. They might have preferred her company to mine, given the choice. She had done them no harm and gave them reasons to laugh. I refused dessert, though no one cared. They continued to eat their fresh figs poached in honey, with double cream: too sugary for Maman, really, but a great favorite of Papa’s. “The sweeter the food, the better the temper” was a general truth she applied to married life.