The Selected Stories of Mavis Gallant (107 page)

A
bout an hour before the funeral service for Adam Tremski, snow mixed with rain began to fall, and by the time the first of the mourners arrived the stone steps of the church were dangerously wet. Blaise Forain, Tremski’s French publisher, now his literary executor, was not surprised when, later, an elderly woman slipped and fell and had to be carried by ambulance to the Hôtel-Dieu hospital. Forain, in an attempt to promote Cartesian order over Slavic frenzy, sent for the ambulance, then found himself obliged to accompany the patient to the emergency section and fork over a deposit. The old lady had no social security.

Taken together, façade and steps formed an escarpment—looming, abrupt, above all unfamiliar. The friends of Tremski’s last years had been Polish, Jewish, a few French. Of the French, only Forain was used to a variety of last rites. He was expected to attend the funerals not only of his authors but of their wives. He knew all the Polish churches of Paris, the Hungarian mission, the synagogues on the Rue Copernic and the Rue de la Victoire, and the mock chapel of the crematorium at Père Lachaise cemetery. For nonbelievers a few words at the graveside sufficed. Their friends said, by way of a greeting, “Another one gone.” However, no one they knew ever had been buried from this particular church. The parish was said to be the oldest in the city, yet the edifice built on the ancient site looked forbidding and cold. Tremski for some forty years had occupied the same walk-up flat on the fringe of Montparnasse. What was he doing over here, on the wrong side of the Seine?

Four months before this, Forain had been present for the last blessing of Barbara, Tremski’s wife, at the Polish church on the Rue Saint-Honoré.
The church, a chapel really, was round in shape, with no fixed pews—just rows of chairs pushed together. The dome was a mistake—too imposing for the squat structure—but it had stood for centuries, and only the very nervous could consider it a threat. Here, Forain had noticed, tears came easily, not only for the lost friend but for all the broken ties and old, unwilling journeys. The tears of strangers around him, that is; grief, when it reached him, was pale and dry. He was thirty-eight, divorced, had a daughter of twelve who lived in Nice with her mother and the mother’s lover. Only one or two of Forain’s friends had ever met the girl. Most people, when told, found it hard to believe he had ever been married. The service for Tremski’s wife had been disrupted by the late entrance of
her
daughter—child of her first husband—who had made a show of arriving late, kneeling alone in the aisle, kissing the velvet pall over the coffin, and noisily marching out. Halina was her name. She had straight, graying hair and a cross face with small features. Forain knew that some of the older mourners could remember her as a pretty, unsmiling, not too clever child. A few perhaps thought Tremski was her father and wondered if he had been unkind to his wife. Tremski, sitting with his head bowed, may not have noticed. At any rate, he had never mentioned anything.

Tremski was Jewish. His wife had been born a Catholic, though no one was certain what had come next. To be blunt, was she in or out? The fact was that she had lived in adultery—if one wanted to be specific—with Tremski until her husband had obliged the pair by dying. There had been no question of a divorce; probably she had never asked for one. For his wedding to Barbara, Tremski had bought a dark blue suit at a good place, Creed or Lanvin Hommes, which he had on at her funeral, and in which he would be buried. He had never owned another, had shambled around Paris looking as though he slept under restaurant tables, on a bed of cigarette ashes and crumbs. It would have taken a team of devoted women, not just one wife, to keep him spruce.

Forain knew only from hearsay about the wedding ceremony in one of the town halls of Paris (Tremski was still untranslated then, had a job in a bookstore near the Jardin des Plantes, had paid back the advance for the dark blue suit over eleven months)—the names signed in a register, the daughter’s refusal to attend, the wine drunk with friends in a café on the Avenue du Maine. It was a cheerless place, but Tremski knew the owner. He had talked of throwing a party but never got round to it; his flat was too small. Any day now he would move to larger quarters and invite two hundred
and fifty intimate friends to a banquet. In the meantime, he stuck to his rented flat, a standard émigré dwelling of the 1950s, almost a period piece now: two rooms on a court, windowless kitchen, splintered floors, unbeatable bathroom, no elevator, intimidating landlord—a figure central to his comic anecdotes and private worries. What did his wife think? Nobody knew, though if he had sent two hundred and fifty invitations she would undoubtedly have started to borrow two hundred and fifty glasses and plates. Even after Tremski could afford to move, he remained anchored to his seedy rooms: There were all those books, and the boxes filled with unanswered mail, and the important documents he would not let anyone file. Snapshots and group portraits of novelists and poets, wearing the clothes and haircuts of the fifties and sixties, took up much of a wall. A new desire to sort out the past, put its artifacts in order, had occupied Tremski’s conversation on his wedding day. His friends had soon grown bored, although his wife seemed to be listening. Tremski, married at last, was off on an oblique course, preaching the need for discipline and a thought-out future. It didn’t last.

At Forain’s first meeting with Barbara, they drank harsh tea from mismatched cups and appraised each other in the gray light that filtered in from the court. She asked him, gently, about his fitness to translate and publish Tremski—then still at the bookstore, selling wartime memoirs and paperbacks and addressing parcels. Did Forain have close ties with the Nobel Prize committee? How many of his authors had received important awards, gone on to international fame? She was warm and friendly and made him think of a large buttercup. He was about the age of her daughter, Halina; so Barbara said. He felt paternal, wise, rid of mistaken ideals. He would become Tremski’s guide and father. He thought, This is the sort of woman I should have married—although most probably he should never have married anyone.

Only a few of the mourners mounting the treacherous steps can have had a thought to spare for Tremski’s private affairs. His wife’s flight from a brave and decent husband, dragging by the hand a child of three, belonged to the folklore, not the history, of mid-century emigration. The chronicle of two generations, displaced and dispossessed, had come to a stop. The evaluation could begin; had already started. Scholars who looked dismayingly youthful, speaking the same language, but with a new, jarring vocabulary, were trekking to Western capitals—taping reminiscences, copying old letters.
History turned out to be a plodding science. What most émigrés settled for now was the haphazard accuracy of a memory like Tremski’s. In the end it was always a poem that ran through the mind—not a string of dates.

Some may have wondered why Tremski was entitled to a Christian service; or, to apply another kind of reasoning, why it had been thrust upon him. Given his shifting views on eternity and the afterlife, a simple get-together might have done, with remarks from admirers, a poem or two read aloud, a priest wearing a turtleneck sweater, or a young rabbi with a literary bent. Or one of each, offering prayers and tributes in turn. Tremski had nothing against prayers. He had spent half his life inventing them.

As it turned out, the steep church was not as severe as it looked from the street. It was in the hands of a small charismatic order, perhaps full of high spirits but by no means schismatic. No one had bothered to ask if Tremski was a true convert or just a writer who sometimes sounded like one. His sole relative was his stepdaughter. She had made an arrangement that suited her: She lived nearby, in a street until recently classed as a slum, now renovated and highly prized. Between her seventeenth-century flat and the venerable site was a large, comfortable, cluttered department store, where, over the years, Tremski’s friends had bought their pots of paint and rollers, their sturdy plates and cups, their burglarproof door locks, their long-lasting cardigan sweaters. The store was more familiar than the church. The stepdaughter was a stranger.

She was also Tremski’s heir and she did not understand Forain’s role, taking executor to mean an honorary function, godfather to the dead. She had told Forain that Tremski had destroyed her father and blighted her childhood. He had enslaved her mother, spoken loud Polish in restaurants, had tried to keep Halina from achieving a French social identity. Made responsible, by his astonishing will, for organizing a suitable funeral, she had chosen a French send-off, to be followed by burial in a Polish cemetery outside Paris. Because of the weather and because there was a shortage of cars, friends were excused from attending the burial. Most of them were thankful: More than one fatal cold had been brought on by standing in the icy mud of a graveyard. When she had complained she was doing her best, that Tremski had never said what he wanted, she was probably speaking the truth. He could claim one thing and its opposite in the same sentence. Only God could keep track. If today’s rite was a cosmic error, Forain decided, it was up to Him to erase Tremski’s name from the ledger and enter it in the proper column. If He cared.

The mourners climbed the church steps slowly. Some were helped by younger relatives, who had taken time off from work. A few had migrated to high-rise apartments in the outer suburbs, to deeper loneliness but cheaper rents. They had set out early, as if they still believed no day could start without them, and after a long journey underground and a difficult change of direction had emerged from the Hôtel de Ville Métro station. They held their umbrellas at a slant, as if countering some force of nature arriving head-on. Actually, there was not the least stir in the air, although strong winds and sleet were forecast. The snow and rain came down in thin soft strings, clung to fur or woolen hats, and became a meager amount of slush underfoot.

Forain was just inside the doors, accepting murmured sympathy and handshakes. He was not usurping a family role but trying to make up for the absence of Halina. Perhaps she would stride in late, as at her mother’s funeral, driving home some private grudge. He had on a long cashmere overcoat, the only black garment he owned. A friend had left it to him. More exactly, the friend, aware that he was to die very soon, had told Forain to collect it at the tailor’s. It had been fitted, finished, paid for, never worn. Forain knew there was a mean joke abroad about his wearing dead men’s clothes. It also applied to his professional life: He was supposed to have said he preferred the backlist of any dead writer to the stress and tension of trying to deal with a live one.

His hair and shoes felt damp. The hand he gave to be shaken must have chilled all those it touched. He was squarely in the path of one of those church drafts that become gales anywhere close to a door. He wondered if Halina had been put off coming because of some firm remarks of his, the day before (he had defended Tremski against the charge of shouting in restaurants), or even had decided it was undignified to pretend she cared for a second how Tremski was dispatched; but at the last minute she turned up, with her French husband—a reporter of French political affairs on a weekly—and a daughter of fourteen in jacket and jeans. These two had not been able to read a word of Tremski’s until Forain had published a novel in translation about six years before. Tremski believed they had never looked at it—to be fair, the girl was only eight at the time—or any of the books that had followed; although the girl clipped and saved reviews. It was remarkable, Tremski had said, the way literate people, reasonably well traveled and educated, comfortably off, could live adequate lives without wanting to know what had gone before or happened elsewhere. Even the
husband, the political journalist, was like that: A few names, a date looked up, a notion of geography satisfied him.

Forain could tell Tremski minded. He had wanted Halina to think well of him at least on one count, his life’s work. She was the daughter of a former Army officer who had died—like Barbara, like Tremski—in a foreign city. She considered herself, no less than her father, the victim of a selfish adventure. She also believed she was made of better stuff than Tremski, by descent and status, and that was harder to take. In Tremski’s own view, comparisons were not up for debate.

For the moment, the three were behaving well. It was as much as Forain expected from anybody. He had given up measuring social conduct, except where it ran its course in fiction. His firm made a specialty of translating and publishing work from Eastern and Central Europe; it kept him at a remove. Halina seemed tamed now, even thanked him for standing in and welcoming all those strangers. She had a story to explain why she was late, but it was far-fetched, and Forain forgot it immediately. The delay most likely had been caused by a knockdown argument over the jacket and jeans. Halina was a cold skirmisher, narrow in scope but heavily principled. She wore a fur-and-leather coat, a pale gray hat with a brim, and a scarf—authentic Hermès? Taiwan fake? Forain could have told by rubbing the silk between his fingers, but it was a wild idea, and he kept his distance.