The Secret Chord: A Novel (3 page)

Read The Secret Chord: A Novel Online

Authors: Geraldine Brooks

Tags: #Religious, #Biographical, #Fiction, #Literary

BOOK: The Secret Chord: A Novel
3.54Mb size Format: txt, pdf, ePub

“You know, I suppose, why Yoav sent you.” I was unsure how to answer this. I did not want him to think that Yoav and I had been discussing ways to handle him, even though this was the truth. But it seemed he did not expect an answer. He snorted, and gave a smile that had no joy in it. “I know what Yoav has in his mind: he sees me sitting here with you, picking at the skein of my deeds like a woman at her weaving basket. He wants to give me occupation while he usurps my place and marches my men to war. You, I suppose, support him in this.”

“No, I do not.”

“No?” He looked up. “What’s this? You are at odds with Yoav?”

“I do not think a recitation of your victories is worthy of your time.” I took a breath and dived deep. “Nor mine.”

“Is that so? My victories are an unworthy subject for your talents?”

Have a care, Natan, I told myself. It is one thing to speak hard truths to a king in that strange voice that rises up unbidden from the earth and echoes with the power of the heavens. It is another thing entirely to speak frankly to him as one man to another, especially as I am a man in his service.
Eved hamalek
. The servant of the king. But, then, what service could I offer, if not this: speaking, where other men held a prudent peace. Whatever the risk, I had him now. His anger was shifting, away from Yoav and toward me. I had drawn the boar. Now I had to stick him.

“Any half-skilled graver can etch a stela that says in this or that place the king did vanquish this or that people. I am sure the great king of the Two Rivers and your neighbor the pharaoh, each of them, has a legion of gravers at work this very moment, making fine monuments.”

“And why should they not?”

“Because the rubble of a hundred such stelae lines the walls of our sheep folds. And the dust of a thousand more blows about the Land, ground down to sand.”

He gave me a glance that, if not warm, was no longer a shard of cold stone. He returned his gaze to the harp, running a finger up and down the silken grain of the wood. “Go on.”

“In our wine store at home, there was a graved stone, holding up the lintel. Basalt, I think, finely dressed. It stood out among the common limestone, so that was why I noticed it, I suppose, when I was a boy. There were just a few words of an inscription, very worn. I was excited when I found it—it is the kind of thing that fires the mind of a child—and I showed my father.” I remembered the cool dark cavern carved deep into the rock, the tall, sweating rows of pithoi, the biscuit scent of the clay, the rich aroma of fermentation. My father’s large hand, stained from many pressings, fingering the hollows etched into the stone. I remember that he turned to me, and smiled, and commended me for noticing it. “He was an unlettered man, but he guessed the writing might be in the style of the Hittites. No doubt it lauded the victory of some important leader. I would look at those words and wonder, Who was he? What manner of man? What sort of boy? Which people helped him to power? Which hindered him . . .” I paused, uncertain whether to continue. But David’s gaze was on me now, arrested. So I plowed on.

“Whoever he was, he was gone. His story, however glorious, lost, and so thoroughly forgotten that his monument had been broken up into building stones and set to use in a humble vintner’s storeroom.” Here we came to the nub of it. My own voice had risen as I spoke. I took a breath, and lowered it. “You know my first prophecy.” Even as I said the words, I felt sickness rise at my own memory of it. When one becomes a sounding brass for the voice of the unseen, there is a price to be paid: the throbbing head, the darkening vision, the rasping breath, the falling fits and spasms. And when it happens to you on a day when you have lost everything, a wicked day of death and butchery, it is hard, indeed, to revisit the moment. I had begun to breathe unevenly, just bringing it to mind.

“Of course I know. I have built all this”—he swept his arm in a wide, expansive gesture meant to encompass more than a fine room in a well-built palace—“on the foundation of those words. Every man alive knows what you said that day.”

“It was not I who said it,” I murmured, but he shrugged off my correction.

“What has that to do with this matter?”

“Your line will not fail. You know this. Yet memory surely will. Your sons—what will they remember? Or their sons, after? When all who knew you in life are but bleached bone and dust, your descendants, your people, will crave to understand what manner of man you were when you did these deeds, first and last. Not just the deeds. The man.”

He gazed at me for a long moment. His face was unreadable. He picked up a low carved stool then, and when I moved to take it from him, he waved me off. He carried it to the harp and settled himself to play. As an afterthought, he motioned me to sit, so I sank gratefully upon the pillows and let out the breath I had not even realized I was holding. He tilted the tall harp, settling it against his shoulder gently, as a woman settles her infant. His fingers rolled a few idle triplets, but his gaze was fixed on the distant view of hills, the olive trees silver in the sunlight.

“It is true, what you say.” All the anger was gone from his voice. “When I was a youth, learning war, I often thought of it. We hear of men like Shalmanezer or Sargon, who won great battles. Of Ramses, who built the mighty temples on the backs of our ancestors, or of Hammurabi, who, they say, ruled with wise laws. But these are names only. It would be something, to know their nature. To know them as men.” He paused, his eyes still distant. “To be known as a man.” His fingertips pressed harder against the strings. His hands were strong, but the fingers were slender, moving swiftly through the tall strings, weaving sound from the filaments.

It was as if the harp were a loom, the notes he drew from it a bright thread forming a splendid pattern. He played this way often, even interrupting meetings with his generals. He said that the music—its order and precision—helped him find the patterns in things—the way through the confusion of events and opinions to direction, to order, and beyond, to inspiration.

He played for some time. I do not know if he was improvising or playing from memory. The melody was sweet, intricate and soothing. You could read his mind through his music, always. I felt the tension in my body easing. I had been braced against his anger and his grief, but the music revealed a mellowing of his mood. Finally, he brought it to an end, in a graceful run of notes, and set the harp back upright. He turned his eyes on me. They were not cold now, but the expression remained opaque. “Catch a true likeness, see a plain reflection in the water of the well, you will not like the flaws revealed in the face that stares back at you.”

I struggled to suppress a smile. I could not imagine that his own reflection had ever given him much grief. The golden shimmer of his youth had been tempered like worked metal in his adult years so that even now, in middle age, he gleamed. Years had brought only distinction to a beauty that had proved irresistible to men and women alike. But he was serious, deep in consideration of what I had said. I thought it best to add nothing further, to let the line of his thought lead him to his own conclusions. He commenced to play again, but after a time, his fingers paused and hovered above the strings. He turned his face to me.

“Perhaps I can prove myself brave in this, at least. I will consider it. Now go.”

As the young guards’ spears hit the floor and the door closed behind me, he started to play in earnest. His large, strong hands could draw forth a breadth of sound that one did not generally associate with the gentle harp. He could make it speak with a thousand voices, soft or stormy. He did so now. And then, that other instrument over which he had full mastery—his voice. It was an old song; I recognized it. He had sung it at his coronation.

. . . in the day of thy power,
in the beauties of holiness
from the womb of the morning:
thou hast the dew of thy youth. . . .

Good, I thought. Already he has turned his mind from the gnarled present to the shimmering past.

•   •   •

The next day, he sent word that I might make the history if I wished to do so. I assumed he would call for me when he was ready to begin. Awaiting his summons, I busied myself with the pumice, scraping calfskin. This work I would not trust to fragile clay. I have yet to train a servant who can bring a hide to my standard, and the scrolls to record the life of a king had to be free of all blemish.

But instead of the call to audience, what came from him instead that afternoon was a clay tablet with a list of three names upon it. Seraiah, his scribe, had graven it, apparently in some haste. I had to carry the tablet to the light to make sense of his hand. At first, I did not understand what David meant by it, but then I grasped his purpose. It was very like him. He was sending me to talk to those who had known him in childhood and as a youth, before I came into his service. At the end of the short list of names, Seraiah had added a note:
The king says: after these, you know the story as well as any and may set down what you see fit.
I smiled when I saw what he intended. It seemed he did not plan to give his own account at all. The work here would fall all to me, to gather and record these testimonies, to write my own account. I ran a finger over the names.
Mikhal.
That one name, alone, showed that he did not depend upon the emergence of a flattering portrait. Mikhal, for whom his very name was bile. Well, I thought.
That
will be a challenging encounter. She had been his first wife and, in name, a wife she remained, although to my knowledge she and David had not seen each other nor exchanged words in years. But as she remained part of his household, if the king bade her speak to me she would be obliged, at least, to receive me.

For a seer, I was remarkably obtuse. I know this now; I did not know it then. Yoav and I had conspired to find some occupation that, while worthwhile in itself, would serve to distract a restless and unhappy king. Instead, he had found a way to distract
me,
to get me out of his way. A man will silence the voice of his conscience when it suits him to commit sin. But if your “conscience” walks and breathes as a living man in your service, you might have to go to some additional lengths. I did not see this. I did not see that a proud and vital man who feared his manhood waning might take any reckless step to prove to himself it wasn’t so. In the service of my gift, I have had to forgo much that makes a man in full. I know now that this sacrifice has left me blind to certain things. I can see what others cannot see, but sometimes I miss what is apparent to the dimmest simpleton.

At the time, I was caught up in the project, and interested in the names upon the list. One was unknown to me, and yet it was the very first he had set down. Seraiah the scribe had underscored it heavily, and written a note:
The king says, This one, before all others.
The next name,
Shammah,
I knew well enough. Shammah was one of David’s older brothers. There had been seven of them, but Shammah was the last still living. He had been with us in the outlaw years, when Shaul the king turned on David and sought his death. There had been little love lost between David and his brothers. But Shaul’s hatred of David had spread like a stain upon his close kin. They had been obliged to go into hiding with him in those years, because the alternative was imprisonment or execution. Now Shammah kept a household on the outskirts of Beit Lehem and administered that settlement in the king’s name. According to the tablet, the unfamiliar name,
Nizevet bat Adael,
was a woman who was part of Shammah’s household.

It was too late that day to set out, so I sent word to the stable to bespeak a mule for the following morning, and to the kitchens for provision. I left at first light.

II

T
here was a time, not long since, when no man would have traveled alone on the road from Yebus, as Ir David was then named, to Beit Lehem. It is easy enough to forget how it was in the Land, now that the trade roads are in good repair, the borders mostly respected and the bandits under the foot of the king’s forces. Of course, he understood very well what was necessary when he came to power because he had spent so many years himself as a bandit and a marauder, living on fines exacted from unlucky travelers and swift attacks on ill-defended villages like my own.

I was ten when I first saw him. My father hated idleness, so when the pressing was done and before the time for pruning, he would send me with the goats to find better grazing beside the streams that cut a path through the mountains rising steep above our village. I did not mind this. I liked to be off by myself, away from the eyes of adults who always had some task or errand to demand of an unoccupied child. In those sun-blasted hills, I could lie prone on a rock and scan the bright hillside, doing little but casting a stone from time to time to redirect a goat that wandered too far from the flock. A boy could let his thoughts unspool in those idle hours, dreaming of a hundred things, or of nothing. Sometimes, through the dense air that hung like mist over the Salty Sea, I would gaze across at the bare hills of Moav, and wonder if there was a boy like me lazing by a spring, and what his life was like, and what his thoughts were. But that day, the heat defeated me. I lay there and felt it press down upon me, like a great furred beast, smothering even the desire for thought. I fell into a heavy doze. The sting of a pebble roused me.

“Better wake up, little shepherd, or your flock will be halfway to Beersheva.” The voice, amused, came from above and behind me. I scrambled to my feet and turned, blinking. He was on the next ridge, the sun behind him, its rays dancing like flames in his bright hair. He jumped lightly from the ledge and moved toward me. I raised my hand to shade my eyes and saw that he was a young man, perhaps twenty, and armed. Dismay must have shown in my face. My fear was not caused by his short sword or his bow. It was the thought that I might have lost the flock. To lose even one goat was a whipping offense.

Other books

Nightshade by Shea Godfrey
On a Gamble by Rose Lange
Shattered Dreams by Laura Landon
The Little Prisoner by Jane Elliott
Sailing to Byzantium by Robert Silverberg
Good Grief by Lolly Winston