The Sea (3 page)
Mrs. Grace came up the beach. She had been in the sea and was wearing a black swimsuit, tight and darkly lustrous as sealskin, and over it a sort of wraparound skirt made of some diaphanous stuff, held at the waist with a single button and billowing open with each step she took to reveal her bare, tanned, rather thick but shapely legs. She stopped in front of her husband and pushed her white-rimmed sunglasses up into her hair and waited through the beat that he allowed to pass before he lowered the newspaper and looked up at her, lifting his hand that held the cigarette and shading his eyes against the salt-sharpened light. She said something and he put his head on one side and shrugged, and smiled, showing numerous small white even teeth. Behind him the girl, still under the towel, discarded her bathing suit that she had freed herself of at last and, turning her back, sat down on the sand with her legs flexed and made the towel into a tent around herself and rested her forehead on her knees, and Myles drove his stick into the sand with disappointed force.
So there they were, the Graces: Carlo Grace and his wife Constance, their son Myles, the girl or young woman who I was sure was not the girl I had heard laughing in the house that first day, with all their things around them, their folding chairs and tea cups and tumblers of white wine, and Connie Grace’s revealing skirt and her husband’s funny hat and newspaper and cigarette, and Myles’s stick, and the girl’s swimsuit, lying where she had tossed it, limply wadded and stuck along one wet edge with a fringe of sand, like something thrown up drowned out of the sea.
I do not know for how long Chloe had been standing on the dune before she jumped. She may have been there all that time, watching me watching the others. She was first a silhouette, with the sun behind her making a shining helmet of her short-cropped hair. Then she lifted her arms and with her knees pressed together launched herself off the dune wall. The air made the legs of her shorts balloon briefly. She was barefoot, and landed on her heels, sending up a shower of sand. The girl under the towel—Rose, give her a name too, poor Rosie—uttered a little shriek of fright. Chloe wobbled, her arms still lifted and her heels in the sand, and it seemed she would fall over or at least sit down hard, but instead she kept her balance, and smiled sideways spitefully at Rose who had sand in her eyes and was making a fish face and shaking her head and blinking. “
Chlo-
e!” Mrs. Grace said, a reproving wail, but Chloe ignored her and came forward and knelt in the sand beside her brother and tried to wrest the stick from him. I was lying on my stomach on a towel with my cheeks propped on my hands, pretending to read a book. Chloe knew I was looking at her and seemed not to care. What age were we, ten, eleven? Say eleven, it will do. Her chest was as flat as Myles’s, her hips were no wider than mine. She wore a white singlet over her shorts. Her sun-bleached hair was almost white. Myles, who had been battling to keep his stick, snatched it free of her grasp at last and hit her with it on the knuckles and she said “Ow!” and struck him in the breastbone with a small, pointed fist.
“Listen to this advertisement,” her father said to no one in particular, and read aloud, laughing, from the newspaper.
“Live
ferrets required as venetian blind salesmen. Must be car drivers. Apply box
twenty-three.”
He laughed again, and coughed, and, coughing, laughed. “Live ferrets!” he cried. “Oh, my.”
How flat all sounds are at the seaside, flat and yet emphatic, like the sound of gunshots heard at a distance. It must be the muffling effect of so much sand. Although I cannot say when I have had occasion to hear a gun or guns being fired.
Mrs. Grace poured wine for herself, tasted it, grimaced, and sat down in a folding chair and crossed one firm leg on the other, her beach shoe dangling. Rose was getting dressed fumblingly under her towel. Now it was Chloe’s turn to draw her knees up to her chest—is it a thing all girls do, or did, at least, sitting that way in the shape of a zed fallen over on its front?— and hold her feet in her hands. Myles poked her in the side with his stick. “Daddy,” she said with listless irritation, “tell him to stop.” Her father went on reading. Connie Grace’s dangling shoe was jiggling in time to some rhythm in her head. The sand around me with the sun strong on it gave off its mysterious, catty smell. Out on the bay a white sail shivered and flipped to leeward and for a second the world tilted. Someone away down the beach was calling to someone else. Children. Bathers. A wire-haired ginger dog. The sail turned to windward again and I heard distinctly from across the water the ruffle and snap of the canvas. Then the breeze dropped and for a moment all went still.
They played a game, Chloe and Myles and Mrs. Grace, the children lobbing a ball to each other over their mother’s head and she running and leaping to try to catch it, mostly in vain. When she runs her skirt billows behind her and I cannot take my eyes off the tight black bulge at the upside-down apex of her lap. She jumps, grasping air and giving breathless cries and laughing. Her breasts bounce. The sight of her is almost alarming. A creature with so many mounds and scoops of flesh to carry should not cavort like this, she will damage something inside her, some tender arrangement of adipose tissue and pearly cartilage. Her husband has lowered his newspaper and is watching her too, combing his fingers through his beard under his chin and coldly smiling, his lips drawn back a little from those fine small teeth and his nostrils flared wolfishly as if he is trying to catch her scent. His look is one of arousal, amusement and faint contempt; he seems to want to see her fall down in the sand and hurt herself; I imagine hitting him, punching him in the exact centre of his hairy chest as Chloe had punched her brother. Already I know these people, am one of them. And I have fallen in love with Mrs. Grace.
Rose comes out of the towel, in red shirt and black slacks, like a magician’s assistant appearing from under the magician’s scarlet-lined cape, and busies herself in not looking at anything, especially the woman and her children at play.
Abruptly Chloe loses interest in the game and turns aside and flops down in the sand. How well I will come to know these sudden shifts of mood of hers, these sudden sulks. Her mother calls to her to come back and play but she does not respond. She is lying propped on an elbow on her side with her ankles crossed, looking past me narrow-eyed out to sea. Myles does a chimp dance in front of her, flapping his hands under his armpits and gibbering. She pretends to be able to see through him. “Brat,” her mother says of her spoilsport daughter, almost complacently, and goes back and sits down on her chair. She is out of breath, and the smooth, sand-coloured slope of her bosom heaves. She lifts a hand up high to brush a clinging strand of hair from her damp forehead and I fix on the secret shadow under her armpit, plum-blue, the tint of my humid fantasies for nights to come. Chloe sulks. Myles goes back to delving violently in the sand with his stick. Their father folds his newspaper and squints at the sky. Rose is examining a loose button on her shirt. The little waves rise and plash, the ginger dog barks. And my life is changed forever.
But then, at what moment, of all our moments, is life not utterly, utterly changed, until the final, most momentous change of all?
We holidayed here every summer, my father and mother and I. We would not have put it that way.
We came here for our holidays,
that is what we would have said. How difficult now it is to speak as I spoke then. We came for our holidays here every summer, for many years, many years, until my father ran off to England, as fathers sometimes did, in those days, and do still, for that matter. The chalet that we rented was a slightly less than life-sized wooden model of a house. It had three rooms, a living room at the front that was also a kitchen and two tiny bedrooms at the back. There were no ceilings, only the sloped undersides of the tarpapered roof. The walls were panelled with unintentionally elegant, narrow, bevelled boards that on sunny days smelled of paint and pine-sap. My mother cooked on a paraffin stove, the tiny fuel-hole of which afforded me an obscurely furtive pleasure when I was called on to clean it, employing for the task a delicate instrument made of a strip of pliant tin with a stiff filament of wire protruding at a right angle from its tip. I wonder where it is now, that little Primus stove, so sturdy and steadfast? There was no electricity and at night we lived by the light of an oil lamp. My father worked in Ballymore and came down in the evenings on the train, in a wordless fury, bearing the frustrations of his day like so much luggage clutched in his clenched fists. What did my mother do with her time when he was gone and I was not there? I picture her sitting at the oilcloth-covered table in that little wooden house, a hand under her head, nursing her disaffections as the long day wanes. She was still young then, they both were, my father and my mother, younger certainly than I am now. How strange a thing that is to think of. Everybody seems to be younger than I am, even the dead. I see them there, my poor parents, rancorously playing at house in the childhood of the world. Their unhappiness was one of the constants of my earliest years, a high, unceasing buzz just beyond hearing. I did not hate them. I loved them, probably. Only they were in my way, obscuring my view of the future. In time I would be able to see right through them, my transparent parents.
My mother would only bathe far up the beach, away from the eyes of the hotel crowds and the noisy encampments of day trippers. Up there, past where the golf course began, there was a permanent sandbank a little way out from shore that enclosed a shallow lagoon when the tide was right. In those soupy waters she would wallow with small, mistrustful pleasure, not swimming, for she could not swim, but stretched out full-length on the surface and walking along the sea-floor on her hands, straining to keep her mouth above the lapping wavelets. She wore a crimplene swimsuit, mouse-pink, with a coy little hem stretched across tight just below the crotch. Her face looked bare and defenceless, pinched in the tight rubber seal of her bathing cap. My father was a fair swimmer, going at a sort of hindered, horizontal scramble with mechanical strokes and a gasping sideways grimace and one starting eye. At the end of a length he would rise up, panting and spitting, his hair plastered down and ears sticking out and black trunks abulge, and stand with hands on hips and watch my mother’s clumsy efforts with a faint, sardonic grin, a muscle in his jaw twitching. He splashed water in her face and seized her wrists and wading backwards hauled her through the water. She shut her eyes tight and shrieked at him furiously to stop. I watched these edgy larks in a paroxysm of disgust. At last he let her go and turned on me, upending me and grasping me by the ankles and pushing me forward wheelbarrow-fashion off the edge of the sandbank and laughing. How strong his hands were, like manacles of cold, pliant iron, I feel even yet their violent grip. He was a violent man, a man of violent gestures, violent jokes, but timid, too, no wonder he left us, had to leave us. I swallowed water, and twisted out of his grasp in a panic and jumped to my feet and stood in the surf, retching.
Chloe Grace and her brother were standing on the hard sand at the water’s edge, looking on.
They wore shorts as usual and were barefoot. I saw how strikingly alike they were. They had been collecting seashells, which Chloe was carrying in a handkerchief knotted corner-to-corner to make a pouch. They stood regarding us without expression, as if we were a show, a comic turn that had been laid on for them but which they found not very interesting, or funny, but peculiar only. I am sure I blushed, grey and goosepimpled though I was, and I had an acute awareness of the thin stream of seawater pouring in an unstoppable arc out of the sagging front of my swimming-trunks. Had it been in my power I would have cancelled my shaming parents on the spot, would have popped them like bubbles of sea spray, my fat little bare-faced mother and my father whose body might have been made of lard. A breeze smacked down on the beach and swarmed across it slantwise under a skim of dry sand, then came on over the water, chopping the surface into sharp little metallic shards. I shivered, not from the cold now but as if something had passed through me, silent, swift, irresistible. The pair on the shore turned and trailed off in the direction of the wrecked freighter.
Was it that day that I noticed Myles’s toes were webbed?
Miss Vavasour downstairs is playing the piano. She maintains a delicate touch on the keys, trying not to be heard. She worries that she will disturb me, engaged as I am up here in my immense and unimaginably important labours. She plays Cho-pin very nicely. I hope she does not start on John Field, I could not bear that. Early on I tried to interest her in Fauré, the late nocturnes in particular, which I greatly admire. I even bought the scores for her, ordered them from London, at considerable expense. I was too ambitious. She says she cannot get her fingers around the notes.
Your mind,
more like, I do not reply. Recreant, recreant thoughts. I wonder that she never married. She was beautiful, once, in her soulful way. Nowadays she wears her long grey hair, that formerly was so black, gathered into a tight loop behind her head and transpierced by two crossed pins as big as knitting needles, a style that is to my mind suggestive, wholly inappropriately, of the geisha-house. The Japanese note is continued in the kimono-like belted silk dressing-gown that she wears of a morning, the silk printed with a motif of brightly coloured birds and bamboo fronds. At other times of the day she favours sensible tweeds, but at dinner-time she may surprise us, the Colonel and me, coming rustling to the table in a calf-length confection of lime-green with a sash, or in Spanish-style scarlet bolero jacket and tapered black slacks and neat little shiny black slippers. She is quite the elegant old lady, and registers with a muted flutter my approving glance.
