The Scar (34 page)

He looked at the necklace with its little tag, its name and symbol. There was nothing to link this to Armada. Nothing to tell the Crobuzoner government where to find him. Bellis watched him from her silence. She knew what he was. He could sense the hope in her. He picked up the big ring, examined its intricate inverted seal, troughs for peaks and vice versa. He felt hypnotized by it. It meant more than one thing to him, like New Crobuzon.

The quiet went on while he turned the package over and over in his hands, ran his fingers over the nub of sealing wax, and the ring, and the long letter with its dreadful warning.

There was his Remaking to remember, but that was not all. There were places and people. There was more than one side to New Crobuzon.

Tanner Sack was loyal to Garwater, and he felt the passion of that loyalty inside him, beside a sad affection for New Crobuzon—a kind of melancholic regretful fondness. For the shoe market, and for other things. The two emotions flickered inside him and circled each other like fish.

He thought of his old city all blasted, destroyed.

“It’s true,” he whispered slowly. “It’s a mile or more to Machinery Beach, down the hill past the swamps and all that, where the women live.”

He jerked his head, suddenly indicating the other end of the township, the cleft in the rocks with the waves like oil below.

“But it’s only a few yards from here to the sea.”

Interlude V

Tanner Sack

It don’t take much.

Keep my eyes on the window (Bellis Coldwine herself crouched and waiting hiding behind me. Nervous I reckon that I’m playing her but still she’s alight with hope). Waiting till the guard wanders off around a corner, away from the plaza and out of sight.

—Don’t you move, I tell her, and she shakes her head most fervent. —Don’t you move an inch from here (I’m putting it off now, scared as I am). Don’t you shift a muscle till you hear me knocking.

She’s to open the bolt. She’s to watch make sure no anophelii push their way in while that door’s unlocked. She’s to wait as long as it takes till I come back.

And then I’m nodding, that leather bag of hers fastened and folded tight and rubbed with wax to keep the water out, held by my gut as if I clutch a wound, and she’s pulled that door to and I’m out, in the starlight, in the air, in the hot night, with the mosquito-women all around me.

Tanner Sack does not hesitate. He bolts toward the chasm that splits the rear of the village like its anus, from where the rubbish is thrown into the sea.

He runs with his head down, blind and quite terrified, hurtling toward the crack in the rock. His nerves scream and his body arcs as each part of him fights to be nearest to the water.

He is sure he can hear the sound of the mosquito wings.

It is only five seconds that he is out under the sky listening to the wind and the night insects until his feet touch the flat rock that perches like a balcony over the sea. The air is still, and the darkness cossets him more tightly as he plunges into the shadow-stained gap in the mountain. For a moment his feet skitter as he hesitates and considers a more laborious and careful descent by the thin path that winds in tight, back and forth, down the stone, but it is too late: his legs have taken him on and out, as if he hears the whine of a she-anophelius, and he has left the rock and is falling.

There is nothing but air beneath him, more than fifty feet of air, and then the slickly moving water that glints like iron. He has seen the movement of the sea in the chasm below. And he is a sea creature now, and he can read the shapes of the currents. He knows the water beneath is deep, and so it proves to be.

He pulls himself up tight, and the surf opens to him with a plunging sound and smashes the air from his lungs, and he opens his mouth with the shock of it and breathes the water across his poor, desiccated gills as the sea seals itself above him again, taking him into its body. It makes him welcome, little microbe that he is.

There is a blissful time, when he drifts unmoving in the dark water. The space around him is giddying, the safety of it. No mosquito-women come here (
he thinks then of other predators, and is for a moment a little less secure
).

Tanner feels the weight of the package in its greased pouch. He holds it against his belly and kicks out with his webbed toes. It has been so long since he has swum. He feels as if his skin is blossoming in the water, his pores opening like flowers.

The black is not absolute. As his pupils dilate, he can make out varying shades of darkness: submerged crags, the detritus of the village, the split into the open sea, and the unremitting pitch of the deep. He swims through the hole in the cliff and feels the flow of the water change. Above him the waves chew the shore like something senile and toothless.

His bearings, his directions, are clear. Little presences glide past him, little night fishes. Tanner is reaching out around him with his tentacles, swimming low until they feel the edges of rock and he begins to swim around the coil of coast. His tentacles are braver than he. He pushes them inquisitive as an octopus into holes in the stone from which he would snatch away his hands. They are the most aquatic part of him, those appendages, and he accepts their lead.

Tanner swims around the edges of the anophelii island. He feels anemones and urchins and realizes with sudden sadness that this is the first time he has swum close enough to the seabed to sense its life, and it is almost certainly the last, and it is too dark to see. He can only imagine the gnarls of sand and stone over which he swims, the spurs of rock and dead wood that must look furry with weed, the rich colors that light would reveal.

Minutes of urgent swimming pass. This coastal sea tastes different from the open ocean around Armada. These waters are a thicker stew. The taste of tiny life and death suffuses him.

And then very suddenly the taste of rust.

Machinery Beach
thinks Tanner. He has swum around a convolution in the island’s outline, into the bay. His suckers caress new things: decomposing iron, engines scabbed by the sea. The water above this bed of iron is awash with metal salts and tastes to him of blood.

At the moon-glittering surface above him are three big shapes, the Samheri ships, occluding what little light there is. Their stubby chains taut in the water, their anchors at rest amid the bones of much older metal artifacts.

Tanner angles up, rising, feeling the water expand. He raises his hands, still clutching the package. The shade of the biggest ship is directly in his path.

The cactacae from Dreer Samher bluster at the sight of him, mimicking anger, threatening him with upraised fists and spined forearms, but they are dissembling. They are puzzled by this bedraggled Remade man who has scaled their chains to stand dripping on their deck, looking nervously at the sky, waiting for the sailors to take him below.

“Let me talk to the captain, lads,” he says to them in Salt again and again, fearful but determined. And after their threats do not deter him, they bring him into the ship’s candlelit darkness.

They lead him past the treasury, where the spoils of their trade and their battles are stored. The kitchen where the smell of rotting vegetation and stew is strong. They take him through corridors of cages where angry chimpanzees scream and rattle their bars. The cactacae are too heavy and their thick digits too imprecise to scuttle the rigging. The primates are trained from birth to obey whistled and shouted commands, capable of unfurling and tying and hanging sails like experts, without ever knowing what it is they do.

The bored apes are hidden here from the hunger of the mosquito-women.

Sengka sits quietly in his cabin, making Tanner Sack stand drying his face and hands nervously with a rag. With his huge green arms resting on his desk, his hands clasped, Sengka looks unnervingly like a human bureaucrat. The same suspicious patience.

He is a politician. He knows as soon as he sees Tanner’s unlikely figure that something illicit is occurring, something beyond the purview of the Armadan authorities. In case it is something that he alone can take advantage of, he dismisses the guards. They leave with sulky looks, curiosity not assuaged.

There are some seconds of silence.

“So tell me,” says Sengka, eventually. He does not bother with preamble, and Tanner Sack (skin drooling brine on the matting, hands clutching his package, feeling fearful and guilty, full of treachery that he does not want to commit) respects that.

Inside the wax-treated leather and the box, the contents remain dry.

He hands over the shorter letter, the promise to the bearer, without a word.

Sengka reads slowly, very carefully, time and again. Tanner waits.

When he finally looks up, Sengka’s face gives away nothing, (
but he sets the letter very carefully to one side
).

“What,” he says, “would you like me to deliver?”

Again without words, Tanner pulls out the heavy box and shows it. He removes the ring and the wax and turns the open container toward Sengka, showing him the letter and the necklace within.

The captain examines the rough necklace, pursing his lips as if unimpressed. His hand hovers over the longer letter.

“I’d carry nothing I wasn’t allowed to read,” he says. “It might say ‘Disregard the other letter.’ I’m sure you understand that. I’d only let you seal it after I’ve seen what’s within.”

Tanner nods.

It takes Captain Sengka a very long time to scan that dense, coded letter from Silas to his city. He is not reading it—he cannot; his Ragamoll is not good enough. He is looking for words that concern him:
cactus, Dreer Samher, pirate.
There are none. There seems to be no double cross here. When he is done, he looks up quizzically.

“What does it mean?” he says. Tanner shrugs quickly.

“I don’t know, Captain,” he says, “truly. Makes little more sense to me than you. All I know is that’s information that New Crobuzon needs.”

Sengka nods to him sympathetically, considering his options. Turn the man away and do nothing. Kill him now (
easily done
) and take his seal. Deliver the package; don’t deliver it. Hand the man over to the Armadan woman, the leader he is so obviously betraying, though how and for what Sengka cannot make out. But Nurjhitt Sengka is intrigued by this situation, and by this bold little intruder. He bears him no ill will. And he cannot make out for whom the man works, which aegis protects him.

Captain Sengka is unwilling to risk war with Armada, and even less with New Crobuzon.
There is nothing in the letter to compromise us,
he thinks, and cannot, though he tries, see a reason not to act as courier.

At the worst the letter is not honored, after he has gone a very long way out of his usual trading paths. But will that be a catastrophe? He will be in the richest city in the world, and he is a trader as well as a pirate. It would not be a good outcome, he thinks, and it is not an easy journey or a short one, but perhaps it is worth it? For the possibility?

The possibility that the letter (
with the city’s seal, with the authority of its procurator
) will be honored.

They stand together to complete this secret deal. Tanner seals the long letter with the ring. He nestles Silas Fennec’s necklace (
And who is he?
the question comes again) into the cushioned box and covers it with both letters, folded. He locks the box, and then drools more of the wax all over its seam. He pushes his old city’s ring into it as it dries, and when he pulls it away he is faced by the city’s heraldic seal in miniature, in greasy bas-relief.

He ties the fastened box back in its drab leather bag, and Sengka takes it from him and locks it in his sea chest.

The two watch each other a while.

“I’ll not go on about what I’ll do if I find you’ve betrayed me,” says Sengka. It is an absurd threat: each man knows that he will never see the other again.

Tanner dips his head.

“My captain,” he says slowly, “she can’t know.” It hurts him to say that, and he must remind himself fervently of the letter’s contents, of the reason for secrecy. He keeps his eyes level, meets Captain Sengka’s gaze, gives away nothing. The captain does not torment him with conspiratorial winks or smiles, but only nods.

“You’re sure?” says Sengka.

Tanner Sack nods. He is looking around nervously, on the prow of the ship, fearful for the telltale mosquito sounds. The captain is fascinated anew by Tanner’s refusal to accept food or wine or money. He is intrigued by this man’s impenetrable mission.

“Thank you, Captain,” says Tanner, and shakes the cactus-man’s thorn-plucked hand.

Watching Tanner as he leaps from the guardrail, Captain Sengka leans forward, half smiling, oddly warm to the fierce little human who has visited him. He stays on deck for some time, watching the ripples that Tanner leaves behind. And when they have been assimilated by the waves, he looks up into the night, untroubled by the sounds of the she-anophelii who will do no more than circle him, sniffing eagerly, failing to smell blood.

He thinks about what he will say to his officers, the new orders he will give in the morning, when the Armadans are gone. He wonders wryly how they will react. They will be aghast. Intrigued.

Tanner Sack is swimming doggedly back to the split in the cliffs. He anticipates the terrifying climb up that staggered path, practicing the movement of kicking out from the rock should the mosquito-women come, hurtling back into the sea.

He is unhappy. It does not help to think that he had to do it.

He wishes suddenly that the sea would do what poets and painters promise of it: that it would wash everything away so that he could start again, that it would make everything new. The water sluices through him as if he were hollow, and he closes his eyes as he moves, and imagines it cleansing him from the inside.

Tanner’s fist is clenched around the ugly seal ring. He wishes his memories would wash out of him, but they are tenacious as his innards.