The Scandal of the Season (37 page)

BOOK: The Scandal of the Season
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AFTERWORD

Alexander Pope
did indeed become the most famous poet in England. The 1714 version of
The Rape of the Lock
sold three thousand copies in the first week after it was printed, and is a standard text on every undergraduate English syllabus today. He is the first writer in English history to become independently wealthy from the sales of his own books. In 1719 he built a large villa on the banks of the Thames in Twickenham, just outside London, for which he designed one of the most fashionable gardens in England.

 

Arabella Fermor
's own fame as a beauty was largely eclipsed by the much greater fame of her fictionalized character, Belinda. She was twenty-five years old by the time she married Francis Perkins, the owner of Ufton Court, a moderate estate in Berkshire—practically an old maid by eighteenth-century standards.

 

Robert, Lord Petre,
married Catherine Walmesley in 1712, but died of smallpox less than two years later, just before the second version of
The Rape of the Lock
was published. Ten weeks after the baron's death, Catherine Walmesley gave birth to the Petre heir. In later life she remarried, and became celebrated as an educational philanthropist.

 

Martha Blount
remained Pope's closest friend and companion. Rumors always abounded that they had secretly married, but nobody knows for sure. In 1743 Pope, who had long wanted Martha to establish a house of her own, bought the lease on a house in Berkeley Street in London. When he died he left Martha all his goods and chattels and the income on his estate for the rest of her life.

 

Teresa Blount
fell in and out with Pope, as well as with the members of her family, for the greater part of her adult life. Pope took care of her financially, settling on her in 1718 an annuity that was to be paid until her death. Her relationship with Martha was fraught, but they remained close to each other. Teresa never married, but when she was in her forties she conducted a long-running affair with a married man named Captain Bagnall. Martha and Alexander strenuously disapproved.

 

John Caryll
finally managed to relieve himself of responsibility for his large brood of children by arranging for them to enter into well-appointed nunneries and monasteries in France. His eldest son, the only one of his children to marry, became a man of considerable prosperity. Caryll successfully dissociated himself from further suspicion of Jacobitism, and lived out his days happily and peacefully in Berkshire, in company with his much-loved wife.

 

Charles Jervas
remained the most fashionable portrait painter of his day, winning the patronage of the prime minister, Sir Robert Walpole, and eventually becoming the official portraitist to King George I in 1723. In 1726 he married a wealthy heiress, whose money enabled him to maintain a house in the country, but he always kept the house in town where Pope had stayed in his youth.

 

Mary Pierrepont
eloped with Edward Wortley Montagu in 1714, thereby relinquishing the fortune she would have inherited. In 1716 she traveled to Turkey, where Wortley was posted as ambassador, and published a record of this trip in her famous collection,
The Turkish Embassy Letters.
As a result of her observations and experiences in Turkey she introduced the smallpox inoculation to England in 1721. She and Pope became close friends, but eventually had a bitter falling-out and remained implacable enemies. In the 1730s, Lady Mary abandoned her husband and went to live in Italy and France, becoming an eccentric, unconventional, celebrated woman of letters.

 

Jonathan Swift
went on to write
Gulliver's Travels,
one of the most famous books, and probably the most famous satire, ever written. He worked as a political writer and adviser to the Tory government in London until 1714, hoping that his work would secure him a high-ranking clerical position in the Church of England. But when Queen Anne died and the Tories were superseded by a powerful Whig government, Swift was forced to return to Ireland, where he became Dean of St. Patrick's Church in Dublin. He lived there for the rest of his life, becoming celebrated as a great champion and defender of Ireland, a role about which he always felt a great deal of ambivalence. He and Pope remained close friends.

 

Richard Steele
is remembered as the cowriter and editor (with Joseph Addison) of the
Tatler
and the
Spectator,
groundbreaking periodicals, and the forerunners of the
New Yorker, Harper's Magazine, The New Statesman,
and
The Spectator
(descended from Steele's own journal).

 

John Gay
later wrote
The Beggar's Opera,
another of the most important and inventive works of English literature. The play was a runaway success; it ran for longer than any previous drama; it inspired a deluge of play-related “merchandise” and made Gay's fortune.

THE RAPE OF THE LOCK
*
 

C
ANTO I

What dire offence from am'rous causes springs,

What mighty quarrels rise from trivial things,

I sing—This verse to C—l, Muse! is due:

This, ev'n Belinda may vouchsafe to view:

Slight is the subject, but not so the praise,

If she inspire, and he approve my lays.

Say what strange motive, goddess! could compel

A well-bred lord t' assault a gentle belle?

O say what stranger cause, yet unexplored,

Could make a gentle belle reject a lord?

And dwells such rage in softest bosoms then,

And lodge such daring souls in little men?

Sol through white curtains did his beams display,

And ope'd those eyes which brighter shine than they,

Shock just had giv'n himself the rousing shake,

And nymphs prepared their chocolate to take;

Thrice the wrought slipper knocked against the ground,

And striking watches the tenth hour resound.

Belinda rose, and midst attending dames,

Launched on the bosom of the silver Thames:

A train of well-dressed youths around her shone,

And ev'ry eye was fixed on her alone:

On her white breast a sparkling cross she wore

Which Jews might kiss and infidels adore.

Her lively looks a spprightly mind disclose,

Quick as her eyes, and as unfixed as those:

Favours to none, to all she smiles extends;

Oft she rejects, but never once offends.

Bright as the sun, her eyes the gazers strike,

And, like the sun, they shine on all alike.

Yet graceful ease, and sweetness void of pride,

Might hide her faults, if belles had faults to hide:

If to her share some female errors fall,

Look on her face, and you'll forgive 'em all.

This nymph, to the destruction of mankind,

Nourished two locks, which graceful hung behind

In equal curls, and well conspired to deck

With shining ringlets her smooth iv'ry neck.

Love in these labyrinths his slaves detains,

And mighty hearts are held in slender chains.

With hairy springes we the birds betray,

Slight lines of hair surprise the finny prey,

Fair tresses man's imperial race insnare,

And beauty draws us with a single hair.

Th' adventurous baron the bright locks admired;

He saw, he wished, and to the prize aspired.

Resolved to win, he meditates the way,

By force to ravish, or by fraud betray;

For when success a lover's toil attends,

Few ask if fraud or force attained his ends.

For this, ere Phoebus rose, he had implored

Propitious heav'n, and every pow'r adored,

But chiefly Love—to Love an altar built,

Of twelve vast French romances, neatly gilt.

There lay the sword-knot Sylvia's hands had sewn

With Flavia's busk that oft had wrapped his own:

A fan, a garter, half a pair of gloves,

And all the trophies of his former loves.

With tender billets-doux he lights the pire,

And breathes three am'rous sighs to raise the fire.

Then prostrate falls, and begs with ardent eyes

Soon to obtain, and long possess the prize:

The pow'rs gave ear, and granted half his pray'r,

The rest the winds dispersed in empty air.

Close by those meads, for ever crowned with flow'rs,

Where Thames with pride surveys his rising tow'rs,

There stands a structure of majestic frame,

Which from the neighb'ring Hampton takes its name.

Here Britain's statesmen oft the fall foredoom

Of foreign tyrants, and of nymphs at home;

Here thou, great Anna! whom three realms obey,

Dost sometimes counsel take—and sometimes tea.

Hither our nymphs and heroes did resort,

To taste awhile the pleasures of a court;

In various talk the cheerful hours they passed,

Of who was bit, or who capotted last;

This speaks the glory of the British queen,

And that describes a charming Indian screen;

A third interprets motions, looks, and eyes;

At ev'ry word a reputation dies.

Snuff, or the fan, supply each pause of chat,

With singing, laughing, ogling, and all that.

Now when, declining from the noon of day,

The sun obliquely shoots his burning ray;

When hungry judges soon the sentence sign,

And wretches hang that jurymen may dine;

When merchants from th' Exchange return in peace,

And the long labours of the toilet cease,

The board's with cups and spoons, alternate, crowned,

The berries crackle, and the mill turns round;

On shining altars of Japan they raise

The silver lamp, and fiery spirits blaze:

From silver spouts the grateful liquors glide,

While China's earth receives the smoking tide.

At once they gratify their smell and taste,

While frequent cups prolong the rich repast.

Coffee (which makes the politician wise,

And see through all things with his half-shut eyes)

Sent up in vapours to the baron's brain

New stratagems, the radiant lock to gain.

Ah cease, rash youth! desist ere't is too late,

Fear the just gods, and think of Scylla's fate!

Changed to a bird, and sent to flit in air,

She dearly pays for Nisus' injured hair!

But when to mischief mortals bend their mind,

How soon fit instruments of ill they find!

Just then, Clarissa drew with tempting grace

A two-edged weapon from her shining case:

So ladies, in romance, assist their knight,

Present the spear, and arm him for the fight;

He takes the gift with rev'rence, and extends

The little engine on his fingers' ends;

This just behind Belinda's neck he spread,

As o'er the fragrant steams she bends her head.

He first expands the glitt'ring forfex wide

T' enclose the lock; then joins it, to divide;

One fatal stroke the sacred hair does sever

From the fair head, for ever, and for ever!

The living fires come flashing from her eyes,

And screams of horror rend th' affrighted skies.

Not louder shrieks by dames to heav'n are cast,

When husbands die, or lapdogs breathe their last;

Or when rich china vessels, fall'n from high,

In glitt'ring dust and painted fragments lie!

“Let wreaths of triumph now my temples twine,”

The victor cried, “the glorious prize is mine!

While fish in streams, or birds delight in air,

Or in a coach and six the British fair,

As long as
Atalantis
shall be read,

Or the small pillow grace a lady's bed,

While visits shall be paid on solemn days,

When num'rous wax-lights in bright order blaze,

While nymphs take treats, or assignations give,

So long my honour, name, and praise shall live!”

What time would spare, from steel receives its date,

And monuments, like men, submit to fate!

Steel did the labour of the gods destroy,

And strike to dust th' aspiring tow'rs of Troy;

Steel could the works of mortal pride confound,

And hew triumphal arches to the ground.

What wonder then, fair nymph! thy hairs should feel

The conqu'ring force of unresisted steel?

C
ANTO II

But anxious cares the pensive nymph oppressed,

And secret passions laboured in her breast.

Not youthful kings in battle seized alive,

Not scornful virgins who their charms survive,

Not ardent lover robbed of all his bliss,

Not ancient lady when refused a kiss,

Not tyrants fierce that unrepenting die,

Not Cynthia when her manteau's pinned awry,

E'er felt such rage, resentment, and despair,

As thou, sad virgin! for thy ravished hair.

While her racked soul repose and peace requires,

The fierce Thalestris fans the rising fires.

“O wretched maid!” she spread her hands, and cried,

(And Hampton's echoes, “Wretched maid!” replied)

“Was it for this you took such constant care

Combs, bodkins, leads, pomatums to prepare?

For this your locks in paper durance bound?

For this with tort'ring irons wreathed around?

Oh had the youth been but content to seize

Hairs less in sight, or any hairs but these!

Gods! shall the ravisher display this hair,

While the fops envy, and the ladies stare!

Honour forbid! at whose unrivalled shrine

Ease, pleasure, virtue, all, our sex resign.

Methinks already I your tears survey,

Already hear the horrid things they say,

Already see you a degraded toast,

And all your honour in a whisper lost!

How shall I, then, your helpless fame defend?

'Twill then be infamy to seem your friend!

And shall this prize, th' inestimable prize,

Exposed through crystal to the gazing eyes,

And heightened by the diamond's circling rays,

On that rapacious hand for ever blaze?

Sooner shall grass in Hyde Park Circus grow,

And wits take lodgings in the sound of Bow;

Sooner let earth, air, sea, to chaos fall,

Men, monkeys, lapdogs, parrots, perish all!”

She said; then raging to Sir Plume repairs,

And bids her beau demand the precious hairs:

Sir Plume, of amber snuff-box justly vain,

And the nice conduct of a clouded cane,

With earnest eyes, and round unthinking face,

He first the snuff-box opened, then the case,

And thus broke out—“My lord, why, what the devil!

Zounds! damn the lock! 'fore Gad, you must be civil!

Plague on't! 'tis past a jest—nay, prithee, pox!

Give her the hair.”—He spoke, and rapped his box.

“It grieves me much,” replied the peer again,

“Who speaks so well should ever speak in vain:

But by this lock, this sacred lock, I swear,

(Which never more shall join its parted hair;

Which never more its honours shall renew,

Clipped from the lovely head where once it grew)

That, while my nostrils draw the vital air,

This hand, which won it, shall for ever wear.”

He spoke, and speaking, in proud triumph spread

The long-contended honours of her head.

But see! the nymph in sorrow's pomp appears,

Her eyes half-languishing, half drowned in tears;

Now livid pale her cheeks, now glowing red

On her heaved bosom hung her drooping head,

Which with a sigh she raised, and thus she said:

“For ever cursed be this detested day,

Which snatched my best, my fav'rite curl away;

Happy! ah ten times happy had I been,

If Hampton Court these eyes had never seen!

Yet am not I the first mistaken maid,

By love of courts to num'rous ills betrayed.

O had I rather unadmired remained

In some lone isle, or distant northern land,

Where the gilt chariot never marked the way,

Where none learn ombre, none e'er taste bohea!

There kept my charms concealed from mortal eye,

Like roses, that in deserts bloom and die.

What moved my mind with youthful lords to roam?

O had I stayed, and said my pray'rs at home!

'Twas this the morning omens did foretell,

Thrice from my trembling hand the patchbox fell;

The tott'ring china shook without a wind,

Nay, Poll sat mute, and Shock was most unkind!

See the poor remnants of this slighted hair!

My hands shall rend what ev'n thy own did spare:

This in two sable ringlets taught to break,

Once gave new beauties to the snowy neck;

The sister-lock now sits uncouth, alone,

And in its fellow's fate foresees its own;

Uncurled it hangs, the fatal shears demands,

And tempts once more thy sacrilegious hands.”

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