The Rubber Band/The Red Box 2-In-1

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Authors: Rex Stout

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BOOK: The Rubber Band/The Red Box 2-In-1
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PRAISE FOR NERO WOLFE

“It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore.… Like Sherlock Holmes … he looms larger than life and, in some ways, is much more satisfactory.”

—New York Times Book Review

“Nero Wolfe towers over his rivals … he is an exceptional character creation.”

—New Yorker

“The most interesting great detective of them all.”

—Kingsley Amis, author of
Lucky Jim

“Nero Wolfe is one of the master creations.”

—James M. Cain, author of
The Postman Always Rings Twice

AND FOR REX STOUT

“Rex Stout is one of the half-dozen major figures in the development of the American detective novel.”

—Ross Macdonald

“I’ve found Rex Stout’s books about Nero Wolfe endlessly readable.… I sometimes have to remind myself that Wolfe and Goodwin are the creations of a writer’s mind, that no matter how many doorbells I ring in the West Thirties, I’ll never find the right house.”

—Lawrence Block

“Fair warning: It is safe to read one Nero Wolfe novel, because you will surely like it. It is extremely unsafe to read three, because you will forever be hooked on the delightful characters who populate these perfect books.”

—Otto Penzler

AND FOR ARCHIE GOODWIN

“Archie is a splendid character.”

—Dame Agatha Christie

“Stout’s supreme triumph was the creation of Archie Goodwin.”

—P. G. Wodehouse

“If he had done nothing more than to create Archie Goodwin, Rex Stout would deserve the gratitude of whatever assessors watch over the prosperity of American literature.… Archie is the lineal descendant of Huck Finn.”

—Jacques Barzun

PRAISE FOR
THE RUBBER BAND
AND
THE RED BOX

“[
The Rubber Band
] is among the best Wolfe—Archie Goodwin tales; the whole gang makes an appearance—Inspector Cramer, Saul Panzer, etc.—and the writing crackles.”

—Washington Post

“[
The Red Box
] has practically everything the seasoned addict demands in the way of characters and action; you may guess the motive, but the mechanism is properly obscure.”

—New Yorker

THE RUBBER BAND/THE RED BOX
A Bantam Book / March 2009

Published by
Bantam Dell
A Division of Random House, Inc.
New York, New York

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

All rights reserved
The Rubber Band
copyright © 1936 by Rex Stout
The Rubber Band
copyright renewed © 1963 by Rex Stout
The Red Box
copyright © 1936, 1937 by Rex Stout
The Red Box
introduction copyright © 1992 by Carolyn G. Hart

Bantam Books and the rooster colophon are registered trademarks of Random House, Inc.

eISBN: 978-0-307-76217-7

Published simultaneously in Canada

www.bantamdell.com

v3.1

The
Rubber Band

I threw down the magazine section of the Sunday
Times
and yawned. I looked at Nero Wolfe and yawned again. “Is this bird, S. J. Woolf, any relation of yours?”

Wolfe, letting fly with a dart and getting a king of clubs, paid no attention to me. I went on:

“I suppose not, since he spells it different. The reason I ask, an idea just raced madly into my bean. Why wouldn’t it be good for business if this S. J. Woolf did a picture of you and an article for the
Times?
God knows you’re full of material.” I took time out to grin, considering Wolfe’s size in the gross or physical aspect, and left the grin on as Wolfe grunted, stooping to pick up a dart he had dropped.

I resumed. “You couldn’t beat it for publicity, and as for class it’s Mount Everest. This guy Woolf only hits the high spots. I’ve been reading his pieces for years, and there’s been Einstein and the Prince of Wales and Babe Ruth and three Presidents of the United States (O say, can you see very little in the White House) and the King of Siam and similar grandeur. His idea seems to be, champions only. That seems to let you in, and strange as it may appear, I’m not kidding, I really mean it. Among our extended circle there must be a couple of eminent gazabos that know him and would slip him the notion.”

Wolfe still paid no attention to me. As a matter of fact, I didn’t expect him to, since he was busy taking exercise. He had recently got the impression that he weighed too much—which was about the same as if the Atlantic Ocean formed the opinion that it was too wet—and so had added a new item to his daily routine. Since he only went outdoors for things like earthquakes and holocausts, he was rarely guilty of movement except when he was up on the roof with
Horstmann and the orchids, from nine to eleven in the morning and four to six in the afternoon, and there was no provision there for pole vaulting. Hence the new apparatus for a daily workout, which was a beaut. It was scheduled from 3:45 to 4:00
P. M
. There was a board about two feet square, faced with cork, with a large circle marked on it, and 26 radii and a smaller inner circle, outlined with fine wire, divided the circle’s area into 52 sections. Each section had its symbol painted on it, and together they made up a deck of cards; the bull’s-eye, a small disk in the corner, was the Joker. There was also a supply of darts, cute little things about four inches long and weighing a couple of ounces, made of wood and feathers with a metal needle-point. The idea was to hang the board up on the wall, stand off 10 or 15 feet, hurl five darts at it and make a poker hand, with the Joker wild. Then you went and pulled the darts out, and hurled them over again. Then you went and pulled …

Obviously, it was pretty darned exciting. What I mean to convey is, it would have been a swell game for a little girls’ kindergarten class; no self-respecting boy over six months of age would have wasted much time with it. Since my only excuse for writing this is to relate the facts of one of Nero Wolfe’s cases, and since I take that trouble only where murder was involved, it may be supposed that I tell about that poker-dart game because later on one of the darts was dipped in poison and used to pink a guy with. Nothing doing. No one ever suffered any injury from those darts that I know of, except me. Over a period of two months Nero Wolfe nicked me for a little worse than eighty-five bucks, playing draw with the Joker and deuces wild, at two bits a go. There was no chance of getting any real accuracy with it, it was mostly luck.

Anyhow, when Wolfe decided he weighed too much, that was what he got. He called the darts javelins. When I found my losses were approaching the century point I decided to stop humoring him, and quit the thing cold, telling him that my doctor had warned me against athlete’s heart. Wolfe kept on with his exercise, and by now, this Sunday I’m telling about, he had got so he could stick the Joker twice out of five shots.

I said, “It would be a good number. You rate it. You admit yourself that you’re a genius. It would get us a lot of new clients. We could take on a permanent staff—”

One of the darts slipped out of Wolfe’s handful, dropped to the floor, and rolled to my feet. Wolfe stood and looked
at me. I knew what he wanted, I knew he hated to stoop, but stooping was the only really violent part of that game and I figured he needed the exercise. I sat tight. Wolfe opened his eyes at me:

“I have noticed Mr. Woolf’s drawings. They are technically excellent.”

The son of a gun was trying to bribe me to pick up his dart by pretending to be interested in what I had said. I thought to myself, all right, but you’ll pay for it, let’s just see how long you’ll stand there and stay interested. I picked up the magazine section and opened it to the article, and observed briskly:

“This is one of his best. Have you seen it? It’s about some Englishman that’s over here on a government mission—wait—it tells here—”

I found it and read aloud:
“It is not known whether the Marquis of Clivers is empowered to discuss military and naval arrangements in the Far East; all that has been disclosed is his intention to make a final disposition of the question of spheres of economic influence. That is why, after a week of conferences in Washington with the Departments of State and Commerce, he has come to New York for an indefinite stay to consult with financial and industrial leaders. More and more clearly it is being realized in government circles that the only satisfactory and permanent basis for peace in the Orient is the removal of the present causes of economic friction.”

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