The Rise & Fall of Great Powers (23 page)

BOOK: The Rise & Fall of Great Powers
10.07Mb size Format: txt, pdf, ePub

“Honesty in advertising. That’s what I offer.”

“What’s weirder still,” Sarah continued, “is how women are the opposite: we’re tidy and neat; we respect decoration; we groom; we use fabric softener, put rinse-aid in the dishwasher, feather our nests. Then we share those nests with some stinking bird who’s the opposite.”

“I don’t use fabric softener, and I don’t actually know what rinse-aid is. Then again, I also don’t have a hairy man in my house.”

“That’s probably why.”

“Because I don’t use fabric softener? God, imagine if you’re right. And men
can
be nice-looking,” she added, voice fading as Sarah resumed.

“Around here, I could vanish and no one would notice. I
will
vanish next weekend. That’s when the owners get back, and I run away like a dormouse.” She was headed north next, to an out-of-season ski lodge in Alto Adige, near the Austrian border.

This was how Sarah survived nowadays, house-sitting empty vacation homes, residing in the right places at the wrong times: a ski resort when the slopes were muddy; a beach house when it rained on the sea.
“I feed cats sometimes and water plants. It’s not bad. Sometimes they give me spending money.” The owners were wealthy men for whom she had once been the other woman. They offered charity now, and she lived at the whims of pity. If their plans changed—a forecast turned splendid for the weekend, say—she had to go.

Sarah scooped grounds into the moka coffeemaker. “You know, I wondered about you,” she said, back turned, reaching into the cupboard, clattering through crockery for espresso cups.

“Wondered?”

“I mean, what happened to you?” she said. “Where did you go? You cheap runaway—not even caring about those who brought you up with blood, sweat, and tears.” Sarah was a person who got the tone all wrong, who stood at the threshold of a subject, pretending a lack of interest, then barged in. “I suppose you’re
so
very angry at me.”

“I’m not angry.”

Sarah shooed away this denial. “And you’re not well,” she said. “You’re clearly not.”

“What do you mean? I’m fine.”

“You look sickly. You look ill. Like you’re starving away.”

“You’re starting to sound like you were my mother.”

“Such a hurtful thing to say.”

They stood there, gazing at the bubbling espresso pot.

“You asked how I spend my time here,” Sarah resumed. “One thing I was embarrassed to say is church. Don’t worry—I don’t try to foist it on people. Just something for me. But I find it comforting. And interesting. A different way of seeing what happened. A way to forgive myself.”

“You blame yourself for things?”

“Of course.”

“Such as?”

Sarah poured the coffee. “Sugar?”

Tooly saw the sugar bowl in Sheepshead Bay, crawling with ants. “What do you regret?”

“But are you staying overnight? You didn’t pick a room yet.”

“I have that hotel booked in Rome,” Tooly repeated, clearing dishes to hide her irritation.

“Don’t bother with the plates. Just leave them, if you so desperately want to get away from me.”

“I like doing dishes. It’s a weirdness of me, one of many. Everywhere I go, I insist on doing the washing-up.” Despite her outward cheer, Tooly bridled at the familiar rigmarole of Sarah. Years of being plunged into unease, years of trying to coax her out of moods. “I was thinking of those stories you used to tell me,” Tooly said, and heard herself appeasing again. “About those animals when you were growing up in Kenya. Must’ve been quite a childhood, out there in the wild.”

“Wasn’t that wild.”

“I imagine leopards leaping out whenever you left the house.”

“We had a garden like everybody else. Could’ve been anywhere.”

“People say if you’re born in Africa you have the place in your veins forever.”

“I don’t say it.”

“Italy’s more like home now?”

“How could it be?”

“Would you ever go back to live in Kenya?”

“I left for a reason. It was small-minded and remote. White Africans talk interminably about how gorgeous it is—the land, the land, the land. Bores me to tears. Kenya
does
have proper countryside; all other landscapes look wrong when I see them—overgroomed and hacked up. But why would I go somewhere just to look at land?”

“You’ve not got relations left there?”

“None I’d want to know. And Mummy and Daddy are long dead.”

“I don’t remember you visiting them.”

“Why would I? They were otherwise occupied.”

“How so?”

“Sipping,” she responded. “My mother drank to get unhappy. Daddy just soaked.”

Tooly had heard these tales of woe before. Perhaps she should have
sat through them all again. But she just couldn’t. “Sarah, I came here to talk to you.”

“Which is what we’re doing.”

“I need to ask you some questions.”

“How dramatic.”

“About Humphrey first.”

“The old darling!”

“Sarah, where’s he from? Somewhere in Russia, right?”

“Yes, of course.”

“Well,” Tooly responded, “I’ve seen him recently. You know his accent? It’s gone. Can you explain that?”

“Don’t know what you mean.”

“He talks like an English speaker now. It’s like hearing someone completely different. Not completely,” she corrected herself. “The voice is the same. It still seems like him.”

“I don’t believe you.”

“Why would I invent that, Sarah? What possible reason? I came here for help in figuring things out. Stuff that you know. Stuff that pertains to my life.”

“What on earth could you mean?”

“Tell me about Venn, then. Where did he go?”

“What’s that supposed to mean?”

“What else could it mean?” She looked up at the ceiling. “I find it disappointing—extremely, extremely—that you won’t ever be direct with me.”

“I’m the most direct person in the world,” Sarah responded with astonishment.

“Then please try, right now.”

Over the next two hours, Tooly peppered her with questions. Sarah had been there. Could she not just
explain
? Rather than doing so, she spun interminable yarns, depicting herself as innocent and kind while flinging blame on everyone else—above all Venn, whom she depicted as the improbable devil in her tale, with Humphrey as the saint.

“That’s not what happened,” Tooly interrupted. “Do you honestly believe what you’re saying?”

Sarah lit a cigarette, flapping at the air to clear the smell. “You know what we should do after you go back to your shop?” she said brightly. “We should try Skype together. No one ever agrees to do it with me. I’ll show you how tomorrow.”

This visit had been folly. Another round of make-believe with Sarah.

“I’m not here tomorrow. I’ve made that clear.”

“You’re being silly—so much I can tell you still.”

“Right now, then. Just one thing.”

“Well,” Sarah said, “you have to ask me a question. Or how else am I supposed to—”

“I’ve done nothing but ask questions for the past two hours!”

“You want to go over Bangkok again? Reminisce about the good times with Paul?” She mimicked him: “ ‘Careful now! Shush, or you’ll scare away the birds!’ ”


Don’t
do that. Don’t. Okay?”

Sarah sighed, eyelashes fluttering. “Well, I suppose we were a bit rough on dear old Paulie. Both of us were,” she said. “Still, a little hard to discuss Bangkok if I can’t mention him.”

“Fine. Tell me about New York, then.”

“Well,” Sarah answered, “quite devotedly of me, I traveled to that hovel you and Humph were sharing in Brooklyn, all just to see you. I came offering a job for you here in Italy, as you may recall. But you refused to hear me out. Sent me away in the most spiteful fashion.”

“Be serious. You came to see Venn, not me.”

“I was there to protect you,” Sarah protested. “I knew things were going wrong.”

“Not this again.”

“If I was there purely for Venn, why did I never see him on that trip?”

“Because he wouldn’t see you.”

“Did you ever ask yourself why?”

“I know why—because you were unbearable to be with.”

Surprisingly, Sarah failed to retaliate—no hissing fury, no venom. “Each time I turned up,” she responded sadly, “wherever it was in the world, he always met with me. But not that time. I wasn’t worth much anymore, I suppose.”

“You’re the only one who thinks in terms like that,” Tooly said. “And don’t claim you were so very concerned about my well-being. I shudder to imagine what would’ve happened if Venn hadn’t been around when I was growing up. You, disappearing every other day for some personal freak-out, or whatever those were. You weren’t looking after me. He was.” That bank card, a reminder of their bond, in her pocket everywhere she’d traveled alone. “Has he not been in touch at all?”

“Let’s get back to Humphrey. How
is
he?”

“I told you, he talks completely differently. There’s clearly something I don’t know here. And I think you do.”

“All I know is that Humphrey was the great friend of your childhood. An utter darling!”

“Can you answer my question, please?”

“You should thank me for Humph. I always made sure he kept you company.”

“Kept
me
company? Humphrey had nowhere else to go. I kept
him
company, if anything. He was a hanger-on.” She thought of his reading material, little snacks on the Ping-Pong table. “Maybe that’s not the right word, but I—”

“Very fond of you, Humphrey was,” Sarah said. “He and I tried everything to help you. Even in New York, we tried. But you wouldn’t come with me. You wanted things a certain way, and there was no shifting you. Just like always. Just like it was
you
who decided how things ended up with Paulie.”

“We’re not discussing him,” Tooly reiterated. “Can we stick to the topic?”

“Oh, I’m sure Humphrey told you everything already.”

“He told me nothing; that’s why I came here.”

“And how nice that you did! Having
such
a lovely time, Matilda.”

“I’m not. You might be. I’m not.”

“Give some thought to dinner. That restaurant is supposed to be fab.”

“This is absurd.” Tooly stood and fetched her bag. “I’m going back.”

“I’ll try not to look too gloomy,” Sarah responded. “If I frown too much, I could get wrinkles one day. Keep your face in a state of permanent immobility—that’s my advice. I try not to have any expression whatsoever. Which is easier when you’re on your own.”

Tooly boarded the next express for Rome. In the carriage, a group of ratty teenagers played music from a cellphone; a man clipped his fingernails. As the train prepared to depart, she glimpsed a fiftyish woman hobbling along the platform. It was Sarah, in fresh makeup, scrutinizing each window in turn, hoping to be spotted, and that her guest might rethink. She paused at Tooly’s window. But without glasses she saw nothing, and continued past.

The train chugged into a pelting rainstorm, its hydraulic doors sighing open at each shabby station on the Roman periphery. Tooly repeated to herself that she’d been right to leave. Nothing to learn from Sarah, nothing owed to her. Yet the image remained: Sarah looking blindly at her. She’d be returning to the apartment now, probably soaked from the downpour, flicking on lights in the spare bedrooms, plumping the cushion on the kitchen chair, still indented from her departed guest.

Sarah had sculpted her own past so vigorously in the retelling that her memories had chipped loose from the events themselves, detaching her from others who’d also been there. It had never occurred to Tooly that dishonesty had the consequence of isolation.

Unfortunately, Sarah’s isolation cut off Tooly, too: Who else was there to consult about that time? Was there any point in trying again with Humphrey? He might remember something. Even just a clue to
what had happened. It was no surprise that he’d deteriorated this much, confined to that armchair, without conversation or reading. But she could rouse him—she’d always had that effect.

Tooly gazed out the rain-streaked window, drenched countryside rushing by. Returning to Wales was impossible now.

1988

P
AUL STOOD
, then sat, then stood, then went to his room, then returned, and told her. His father, Burt, had passed away. Paul knelt before the VCR, pressing buttons. “I should have been there.”

Tooly was unsure what to say. “If you try hitting Play and Record at the same time, that’s what I—”

“I know how to operate a video machine.”

The next morning, she got up two hours late for the microbus—Paul hadn’t woken her. Nor had he turned on the air-conditioning in the living room, which was sweltering. The apartment had a strange desolation. She crept into his room, found a long lump in his bed.

He turned to face her.

“It’s late on the bird clock,” she whispered.

He nodded.

In the kitchen, the housekeeper, Shelly, was in a frantic state. “Everybody sleeping!” She asked if they would be at home all day—they hadn’t warned her! She didn’t have lunch supplies! It wasn’t fair to do that!

Tooly climbed for the cereal boxes, poured a bowl for Paul, overfilling it with milk. She delivered it to his bedside, but he had no interest. “Don’t you have your job today?” she asked.

“Yes.”

“Are you going?”

He stared at the ceiling.

“Can I pour cold water on you?”

“Why would you?”

“To wake you up.”

He flipped over, giving her his back.

She opened his curtains, parting them in stages, as he did when waking her. Paul rose and went into the bathroom, stood before the medicine-cabinet mirror.

She clambered onto the closed toilet seat with a can of shaving cream and sprayed a white whoosh onto his face, then ran the safety razor down his cheek, as she’d seen in television commercials. But she did it too softly, drawing only a puff of foam, no stubble. She tried more firmly. A crimson dot of blood rose through the white. Terrified, she glimpsed his face in the mirror. “I didn’t mean to,” she said, and ran into her room.

He did not emerge that day. She tried reading in the living room, but couldn’t finish a single page. She stood outside his door—she should do something, but didn’t know what.

Other books

Efrain's Secret by Sofia Quintero
Never Love a Lawman by Jo Goodman
Dark Magic by Angus Wells
Staying Together by Ann M. Martin
First Thing I See by Vi Keeland
Robot Blues by Margaret Weis, Don Perrin
Eternally Seduced by Marian Tee, The Passionate Proofreader, Clarise Tan
Quinn's Deirdre by Lee Ann Sontheimer Murphy