The Red Brick Cellars: A Tolosa Mystery (24 page)

BOOK: The Red Brick Cellars: A Tolosa Mystery
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Louis suppressed a shudder. He had visited a necropolis in the Czech Republic some years ago and found it fascinating. But she was right; he didn’t really assimilate that the bones had belonged to real people. If there had been even just one mummy in that place, the experience would have been way creepier. She thought that was a
good
idea?

“What are you proposing exactly?” he asked Marie-Pierre, taking care to keep any judgment out of his voice. “That we reopen the old crypts and use them to attract tourists?”
Perhaps the Addams family would come.

Marie-Pierre tittered as if he’d told a funny joke. She turned to the coffee-machine and poured two cups of coffee, walked over to Louis, handed him his cup, and sat down on the couch. Her expression grew serious. “No, my idea wasn’t to draw tourists at first, though that could be a positive side-effect. What I’ve been working on should touch people on a more personal level.”

“How so?” Louis asked after he forced down a mouthful of coffee. What could be more personal than looking at dead people for fun?

She looked at him over the rim of her cup. “I’ve been working on a project for several years now and I believe it’s ready to be released to the public. But it needs to be presented in the right way and probably to the right persons. I’m not entirely certain that’s you.”

“What qualifies a right or wrong person?”

“The right person would be someone who can understand how this will help people. A wrong person is someone…who hasn’t suffered enough.”

That didn’t help Louis much with figuring out what the project was. “Have you pitched it to other people yet?”

Marie-Pierre leaned back in her seat. “A couple. One was so enthusiastic about it, he’s now my partner. The second was unable to grasp the genius of the situation.”

“Who are they?”

She considered Louis for several moments. “I won’t give you my partner’s name without his consent. But the person who did not want to participate was your father.”

Louis’s heart sped up and he gripped his cup so hard he was afraid it might break. “You think I won’t agree with you because my father didn’t?”

Marie-Pierre simply cocked her head as she studied Louis.

“You won’t know until you’ve tried, Marie-Pierre.” Louis strove to keep his voice from cracking. He needed to appear insouciant. “As you saw at the restaurant the other day and have probably observed while working with my father, I don’t always agree with him. I’d like to think I’m capable of empathy, so even if I haven’t suffered all that much myself, I can put myself in other people’s shoes.”

Marie-Pierre continued to stare at Louis. “Your father certainly didn’t have the personal experience needed to understand my project. But maybe you do.” She shifted on the couch and put her coffee down on a small coffee table. “How did you feel about your father’s funeral, Louis? Did you get to see his body before the cremation? Did you get closure? Was there no unfinished business between the two of you?”

Louis froze. “What do you mean unfinished business?”

“You know what I mean.” She didn’t let go of Louis’s gaze. He wouldn’t be able to move if he tried. “You hadn’t been home for almost a year. Did you talk to your father often when you were on the other side of the Atlantic?”

Louis hadn’t talked much with his father. Mostly he chatted with his mother from time to time on Skype, but his father would only come into the room and say “hi” before going back to work. That had been just fine with Louis, who didn’t necessarily want to open up to his old man. It always felt like a good idea to talk later, at some time when there would be no touchy issues between them. Except now there was no more time. He couldn’t talk to the man’s casket in front of hundreds of people during the wake. And now his father was ashes in an urn in the cemetery’s Saint-Blancat plot. Talking to a dead body might not make much more sense than talking to ashes, but at least he could imagine his father listening if there were ears to listen with.

Louis stared at Marie-Pierre.

One corner of her mouth lifted in the beginnings of a smile and she said, “Don’t worry, Louis. I won’t force you to tell me what your unfinished business was. But the important part is that it is there. And usually is for anyone who loses someone close to them. Even when they see it coming, like in the case of cancer, some people are unable to get around to really communicating.”

Would Louis have discussed his opinions on his father’s way of doing politics if he’d known he was going to die? Probably not. He most likely wouldn’t have had the guts to start and figured that once the old man was dead, it wouldn’t make a difference anyway. Except it did. He wanted his father to know how he felt about taxes and prostitutes and urban development plans. He wanted to show his father he had his own opinions. But it was too late.

“Wouldn’t you have liked the possibility of talking to your father now? To tell him how you feel?” Marie-Pierre sat at the edge of her seat, coffee long forgotten.

Having his thoughts echoed back at him made Louis fall back on his heels as if he’d taken a hit to the chest.

“Yes,” he whispered.

 

 

Twenty-Nine

After an eternity of hard work, Catherine succeeded in freeing her right hand. It was held in place by a metal wire, but apparently more to keep it in a certain position than to imprison her. The mud and sarcophagus were more than enough in that regard.

She still felt like her brain was shrouded in mist. She could make out some thoughts, but was unable to think further ahead than a few minutes. Which boiled down to:
Get out of the sarcophagus before whoever put you there comes back
. Her limbs were equally unresponsive, obeying orders only sporadically.

Having one free hand helped. She grabbed hold of the stone rim of the sarcophagus and put all her force into pulling herself up. Her back and neck cooperated somewhat and, with sweat running down her chin and her back—or was that mud?—she pulled herself into a sitting position.

The only light came from the small electrical lamp hanging on the central pillar of the oval room, but it was more than enough to make out the scene before her. A second sarcophagus stood on the other side of the stone pillar, filled to the rim with dry dirt. What else might be in there, buried in what would have been mud before it dried? In the half of the room farthest from the door, a scene was set up.

At first she thought she was backstage at a theater. When her brain caught up with her eyes, only her tired muscles and the fact that she was using all her strength not to fall down again kept her from screaming out. Six male figures stood side by side along the wall dressed in pompous large dress and wearing wigs. Catherine had seen something similar before, but the exact memory eluded her muddy brain. What it resembled was unimportant, though. Whatever this had been based on, in the original, the figures weren’t dead people.

They
could
have been mannequins from a clothes store, but they looked too real for that. These men had wrinkles, beauty marks, scars, and big hands. Their skin had a gray quality. Which could possibly have come from the same dirt Catherine was covered in. Geraldine Hérault’s body sported the same color in that picture taken before she turned into a skeleton.

Across from the old-fashioned dead men was another scene. A group of normal-looking men and women were all placed to look up at…nothing. This image wasn’t complete; a figure was missing on a pedestal by the wall. Once in place, the group of people would all be looking at whoever got that position.

Catherine shivered, both from the gruesome setting and the cold mud. She had to get out of there.

Relatively confident she wasn’t about to fall back down, she moved her right hand to free the left one. With both hands on the rim of the sarcophagus, she pushed herself out of the mud with a great smack like a young boy tearing away from his great-aunt’s slobbery kiss. Legs shaking, she carefully set one foot out of the stone box, then the other. She took a deep breath, let go with her hands, and didn’t fall down.

She was out of the death-box. Now what?

 

 

Thirty

“Come with me.” Marie-Pierre got up from the couch and led Louis by the arm to the hall. Using one of many keys from a set in her pocket, she unlocked and opened a sturdy oak door. A staircase led down to the cellar. She flipped a light switch by the door frame.

Weren’t her parents down there? Why was the door locked and the light off?

“I understand the pain you’re going through, Louis.” Marie-Pierre invited him to go down the stone steps. “And there are many others like us, whom I would like to help.”

Louis was halfway down the stairs, but stopped and turned to face her. “Us?”

Marie-Pierre shooed him onward. “There’s a nice couch down there. I’ll tell you my story so you understand why I’m doing what I do. Though I can see already that you’ll be on the same wavelength as me. Unlike your father.”

At the mention of his father, Louis snapped out of the trance-like state he’d been in. Marie-Pierre had focused on his feeling of loss and he’d momentarily forgotten why he’d come there in the first place. She hadn’t outright admitted to killing the man, but said they had differences and not a long time before the murder. Louis continued down the stairs taking the opportunity to regain control of his expression. He needed to remember that feeling of loss and appear interested in whatever it was Marie-Pierre wanted to show him.

As promised, a couch awaited at the bottom of the stairs along the wall to Louis’s right. It faced a black curtain across the room. The low-roofed cellar had the same arched, red-bricked roof as La Cave au Cassoulet; a hard-packed dirt floor; and three rows of shelves, two of which were filled to the ceiling with wine bottles. The third was crowded with various objects, most of them apparently quite old. Louis spotted some clay pots, old coins, and a bronze pendant. On the top shelf, an old pistol and even older rifle stood guard. Everything was covered by a fine layer of dust.

There was no sign of the parents.

Noticing that Louis was staring at the collection of old items, Marie-Pierre said, “I’ve found that stuff down here over the years.” She sat down on the couch and patted the seat next to her. “Come sit, Louis. Let me tell you my story.”

Louis sank into the couch.

Marie-Pierre stared into the room as she started talking, but Louis bet she wasn’t looking at the wine bottles. “I lived here with my parents until I was eighteen when I went to study medicine in Paris. The first year was difficult. I never had to make it on my own before. Preparing food, cleaning the apartment, that sort of stuff. It was also difficult to be separated from my parents. We’d always had a close relationship. But after that first year, I started to get a taste for independence and called home less frequently. In fact, I would realize that when I went back to Paris for the second year, I never called home once. Before the summer holidays, I talked to my mother often, but only because she called me, not the other way around. So when I came back to Toulouse for vacation in November, I hadn’t spoken to my parents in almost two months. I didn’t even remember their birthdays, which were both within two weeks of my departure.”

Louis thought he knew where this was going, but couldn’t see the link with his own father’s disappearance. And why did the parents still figure on the list of inhabitants of this house?

With a faraway look, Marie-Pierre continued her tale, but a touch of steel entered her voice. “I tried to call them the day before I arrived to get them to pick me up at the train station. Failing that, I tried again when I stepped off the train at Matabiau. Still no luck. But this isn’t that far away and I was in great shape from all the rowing, so I shouldered my backpack and walked home.”

“As I opened the front door, I discovered a large pile of junk mail, newspapers, and letters. I didn’t study the pile at once, of course, but later found that the earliest letter had arrived a month and a half before. As you may imagine, I was getting worried. Even more so when I discovered our dog lying dead in the kitchen. He’d starved to death.”

Louis sat perfectly still, watching Marie-Pierre as she told her story. He thought he could see a hint of the youthful innocence she lost that day, and he mourned it.

“It didn’t take me long to find my parents,” she continued. “There was an old piece of furniture which used to be across the hall from the cellar entry. It lay overturned on the floor, blocking the cellar door.” Focusing for a moment on Louis, she added. “I’ve had the door changed since, so it opens the other way.”

Louis nodded.

“Anyway, I moved the cabinet and opened the door. And down here I found them where they had been for the last month while I studied, partied, visited… While I lived in ignorance. They must have gone down to choose a wine together—my mother always went down first, then called my father so he could help her make her choice—and the dog pushed over the bureau by the door, dooming everyone.”

Louis braced himself for what came next, but she didn’t describe the smell or what it was like to discover the decaying corpses of her parents. He was somewhat grateful, though felt a little cheated. The young boy inside him had always been a sucker for a good horror story.

“So now you know why I find it so important to make sure the elderly receive visits on a regular basis,” she said to Louis. “In 2003 when that heat wave hit, so many people found themselves in the same situation as my parents—dying without anyone noticing they were even missing. It made the news and got the politicians moving. Nobody should be faced with that level of solitude, even in death.”

“I agree with you, of course,” Louis said. But had his father
not
agreed? There was still something missing from this story.

Marie-Pierre studied him for several moments. Then her gaze betrayed that her thoughts had turned inward again and the story continued. “Like you, I had unfinished business with my parents. Who doesn’t? Especially at nineteen it’s not cool to tell your parents you love them, so you don’t. You’re annoyed when they tell you how to live your life and you’re annoyed when they don’t do your laundry anymore. I wasn’t ready to lose them.”

BOOK: The Red Brick Cellars: A Tolosa Mystery
13.25Mb size Format: txt, pdf, ePub
ads

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