The Portable Mark Twain (9 page)

 

The excited listener sprang toward me to shake hands, and said:

“There, there—that will do! I am all right now, because you have read it just as I did, word for word. But, stranger, when I first read it this morning I said to myself, I never, never believed it before, notwithstanding my friends kept me under watch so strict, but now I believe I
am
crazy; and with that I fetched a howl that you might have heard two miles, and started out to kill somebody—because, you know, I knew it would come to that sooner or later, and so I might as well begin. I read one of them paragraphs over again, so as to be certain, and then I burned my house down and started. I have crippled several people, and have got one fellow up a tree, where I can get him if I want him. But I thought I would call in here as I passed along, and make the thing perfectly certain; and now it
is
certain, and I tell you it is lucky for the chap that is in the tree. I should have killed him, sure, as I went back. Good-by, sir, good-by—you have taken a great load off my mind. My reason has stood the strain of one of your agricultural articles, and I know that nothing can ever unseat it now.
Good
-by, sir.”

I felt a little uncomfortable about the cripplings and arsons this person had been entertaining himself with, for I could not help feeling remotely accessory to them; but these thoughts were quickly banished, for the regular editor walked in! [I thought to myself, Now if you had gone to Egypt, as I recommended you to, I might have had a chance to get my hand in; but you wouldn't do it, and here you are. I sort of expected you.]

The editor was looking sad and perplexed, and dejected. He surveyed the wreck which that old rioter and these two young farmers had made, and then said:

“This is a sad business—a very sad business. There is the mucilage bottle broken, and six panes of glass, and a spittoon, and two candlesticks. But that is not the worst. The reputation of the paper is injured, and permanently, I fear. True, there never was such a call for the paper before, and it never sold such a large edition or soared to such celebrity; but does one want to be famous for lunacy, and prosper upon the infirmities of his mind? My friend, as I am an honest man, the street out here is full of people, and others are roosting on the fences, waiting to get a glimpse of you, because they think you are crazy. And well they might, after reading your editorials. They are a disgrace to journalism. Why, what put it into your head that you could edit a paper of this nature? You do not seem to know the first rudiments of agriculture. You speak of a furrow and a harrow as being the same thing; you talk of the moulting season for cows; and you recommend the domestication of the polecat on account of its playfulness and its excellence as a ratter. Your remark that clams will lie quiet if music be played to them, was superfluous—entirely superfluous. Nothing disturbs clams. Clams
always
lie quiet. Clams care nothing whatever about music. Ah, heavens and earth, friend, if you had made the acquiring of ignorance the study of your life, you could not have graduated with higher honor than you could to-day. I never saw anything like it. Your observation that the horse-chestnut, as an article of commerce, is steadily gaining favor, is simply calculated to destroy this journal. I want you to throw up your situation and go. I want no more holiday—I could not enjoy it if I had it. Certainly not with you in my chair. I would always stand in dread of what you might be going to recommend next. It makes me lose all patience every time I think of your discussing oyster beds under the head of ‘Landscape Gardening. ' I want you to go. Nothing on earth could persuade me to take another holiday. Oh, why didn't you
tell
me you didn't know anything about agriculture?”

“
Tell
you, you cornstalk, you cabbage, you son of a cauliflower! It's the first time I ever heard such an unfeeling remark. I tell you I have been in the editorial business going on fourteen years, and it's the first time I ever heard of a man's having to know anything in order to edit a newspaper. You turnip! Who write the dramatic critiques for the second-rate papers? Why, a parcel of promoted shoemakers and apprentice apothecaries, who know just as much about good acting as I do about good farming, and no more. Who review the books? People who never wrote one. Who do up the heavy leaders on finance? Parties who have had the largest opportunities for knowing nothing about it. Who criticise the Indian campaigns? Gentlemen who do not know a war-whoop from a wigwam, and who never have had to run a foot race with a tomahawk or pluck arrows out of the several members of their families to build the evening camp-fire with. Who write the temperance appeals and clamor about the flowing bowl? Folks who will never draw another sober breath till they do it in the grave. Who edit the agricultural papers, you—yam? Men, as a general thing, who fail in the poetry line, yellow-covered novel line, sensation-drama line, city-editor line, and finally fall back on agriculture as temporary reprieve from the poor-house.
You
try to tell
me
anything about the newspaper business! Sir, I have been through it from Alpha to Omaha, and I tell you that the less a man knows the bigger noise he makes and higher the salary he commands. Heaven knows if I had been ignorant instead of cultivated, and impudent instead of diffident, I could have made a name for myself in this cold, selfish world. I take my leave, sir. Since I have been treated as you have treated me, I am perfectly willing to go. But I have done my duty. I have fulfilled my contract, as far as I was permitted to do it. I said I could make your paper of interest to all classes, and I have. I said I could run your circulation up to twenty thousand copies, and if I had two more weeks I'd have done it. And I'd have given you the best class of readers that ever an agricultural paper had—not a farmer in it, nor a solitary individual who could tell a water-melon from a peach-vine to save his life.
You
are the loser by this rupture, not me, Pie-plant. Adios.”

I then left.

Every now and then, in these days, the boys used to tell me I ought to get one Jim Blaine to tell me the stirring story of his grandfather's old ram—but they always added that I must not mention the matter unless Jim was drunk at the time—just comfortably and sociably drunk. They kept this up until my curiosity was on the rack to hear the story. I got to haunting Blaine; but it was of no use, the boys always found fault with his condition; he was often moderately but never satisfactorily drunk. I never watched a man's condition with such absorbing interest, such anxious solicitude; I never so pined to see a man uncompromisingly drunk before. At last, one evening I hurried to his cabin, for I learned that this time his situation was such that even the most fastidious could find no fault with it—he was tranquilly, serenely, symmetrically drunk—not a hiccup to mar his voice, not a cloud upon his brain thick enough to obscure his memory. As I entered, he was sitting upon an empty powder-keg, with a clay pipe in one hand and the other raised to command silence. His face was round, red, and very serious; his throat was bare and his hair tumbled; in general appearance and costume he was a stalwart miner of the period. On the pine table stood a candle, and its dim light revealed “the boys” sitting here and there on bunks, candle-boxes, powder-kegs, etc. They said:

“Sh—! Don't speak—he's going to commence.”

I found a seat at once, and Blaine said:

“I don't reckon them times will ever come again. There never was a more bullier old ram than what he was. Grandfather fetched him from Illinois—got him of a man by the name of Yates—Bill Yates—maybe you might have heard of him; his father was a deacon—Baptist—and he was a rustler, too; a man had to get up ruther early to get the start of old Thankful Yates; it was him that put the Greens up to jining teams with my grandfather when he moved west. Seth Green was prob'ly the pick of the flock; he married a Wilkerson—Sarah Wilkerson—good cretur, she was—one of the likeliest heifers that was ever raised in old Stoddard, everybody said that knowed her. She could heft a bar'l of flour as easy as I can flirt a flapjack. And spin? Don't mention it! Independent? Humph! When Sile Hawkins come a browsing around her, she let him know that for all his tin he couldn't trot in harness alongside of
her.
You see, Sile Hawkins was—no, it warn't Sile Hawkins, after all—it was a galoot by the name of Filkins—I disremember his first name; but he
was
a stump—come into pra'r meeting drunk, one night, horraying for Nixon, becuz he thought it was a primary; and old deacon Ferguson up and scooted him through the window and he lit on old Miss Jefferson's head, poor old filly. She was a good soul—had a glass eye and used to lend it to old Miss Wagner, that hadn't any, to receive company in; it warn't big enough, and when Miss Wagner warn't noticing, it would get twisted around in the socket, and look up, maybe, or out to one side, and every which way, while t' other one was looking as straight ahead as a spy-glass. Grown people didn't mind it, but it most always made the children cry, it was so sort of scary. She tried packing it in raw cotton, but it wouldn't work somehow—the cotton would get loose and stick out and look so kind of awful that the children couldn't stand it no way. She was always dropping it out, and turning up her old dead-light on the company empty, and making them oncomfortable, becuz
she
never could tell when it hopped out, being blind on that side, you see. So somebody would have to hunch her and say, “Your game eye has fetched loose, Miss Wagner dear”—and then all of them would have to sit and wait till she jammed it in again—wrong side before, as a general thing, and green as a bird's egg, being a bashful cretur and easy sot back before company. But being wrong side before warn't much difference, anyway, becuz her own eye was sky-blue and the glass one was yaller on the front side, so whichever way she turned it it didn't match nohow. Old Miss Wagner was considerable on the borrow, she was. When she had a quilting, or Dorcas S'iety at her house she gen'ally borrowed Miss Higgins's wooden leg to stump around on; it was considerable shorter than her other pin, but much
she
minded that. She said she couldn't abide crutches when she had company, becuz they were so slow; said when she had company and things had to be done, she wanted to get up and hump herself. She was as bald as a jug, and so she used to borrow Miss Jacops's wig—Miss Jacops was the coffin-peddler's wife—a ratty old buzzard, he was, that used to go roosting around where people was sick; waiting for 'em; and there that old rip would sit all day, in the shade, on a coffin that he judged would fit the can'idate; and if it was a slow customer and kind of uncertain, he'd fetch his rations and a blanket along and sleep in the coffin nights. He was anchored out that way, in frosty weather, for about three weeks, once, before old Robbins's place, waiting for him; and after that, for as much as two years, Jacops was not on speaking terms with the old man, on account of his disapp'inting him. He got one of his feet froze, and lost money, too, becuz old Robbins took a favorable turn and got well. The next time Robbins got sick, Jacops tried to make up with him, and varnished up the same old coffin and fetched it along; but old Robbins was too many for him; he had him in, and 'peared to be powerful weak; he bought the coffin for ten dollars and Jacops was to pay it back and twenty-five more besides if Robbins didn't like the coffin after he'd tried it. And then Robbins died, and at the funeral he bursted off the lid and riz up in his shroud and told the parson to let up on the performances, becuz he could
not
stand such a coffin as that. You see he had been in a trance once before, when he was young, and he took the chances on another, cal'lating that if he made the trip it was money in his pocket, and if he missed fire he couldn't lose a cent. And by George he sued Jacops for the rhino and got jedgment; and he set up the coffin in his back parlor and said he 'lowed to take his time, now. It was always an aggravation to Jacops, the way that miserable old thing acted. He moved back to Indiany pretty soon—went to Wellsville—Wellsville was the place the Hogadorns was from. Mighty fine family. Old Maryland stock. Old Squire Hogadorn could carry around more mixed licker, and cuss better than most any man I ever see. His second wife was the widder Billings—she that was Becky Martin; her dam was deacon Dunlap's first wife. Her oldest child, Maria, married a missionary and died in grace—et up by the savages. They et
him,
too, poor feller—biled him. It warn't the custom, so they say, but they explained to friends of his'n that went down there to bring away his things, that they'd tried missionaries every other way and never could get any good out of 'em—and so it annoyed all his relations to find out that that man's life was fooled away, just out of a dern'd experiment, so to speak. But mind you, there ain't anything ever reely lost; everything that people can't understand and don't see the reason of does good if you only hold on and give it a fair shake; Prov'dence don't fire no blank ca'tridges, boys. That there missionary's substance, unbeknowns to himself, actu'ly converted every last one of them heathens that took a chance at the barbacue. Nothing ever fetched them but that. Don't tell
me
it was an accident that he was biled. There ain't no such a thing as an accident. When my uncle Lem was leaning up agin a scaffolding once, sick, or drunk, or suthin, an Irishman with a hod full of bricks fell on him out of the third story and broke the old man's back in two places. People said it was an accident. Much accident there was about that. He didn't know what he was there for, but he was there for a good object. If he hadn't been there the Irishman would have been killed. Nobody can ever make me believe anything different from that. Uncle Lem's dog was there. Why didn't the Irishman fall on the dog? Becuz the dog would a seen him a coming and stood from under. That's the reason the dog warn't appinted. A dog can't be depended on to carry out a special providence. Mark my words it was a put-up thing. Accidents don't happen, boys. Uncle Lem's dog—I wish you could a seen that dog. He was a regular shepherd—or rather he was part bull and part shepherd—splendid animal; belonged to parson Hagar before Uncle Lem got him. Parson Hagar belonged to the Western Reserve Hagars; prime family; his mother was a Watson; one of his sisters married a Wheeler; they settled in Morgan county, and he got nipped by the machinery in a carpet factory and went through in less than a quarter of a minute; his widder bought the piece of carpet that had his remains wove in, and people come a hundred mile to 'tend the funeral. There was fourteen yards in the piece. She wouldn't let them roll him up, but planted him just so—full length. The church was middling small where they preached the funeral, and they had to let one end of the coffin stick out of the window. They didn't bury him—they planted one end, and let him stand up, same as a monument. And they nailed a sign on it and put—put on—put on it—sacred to—the m-e-m-o-r-y—of fourteen y-a-r-d-s—of three-ply—car - - - pet—containing all that was—m-o-r-t-a-l—of—of—W-i-l-l-i-a-m—W-h-e—”