Authors: John le Carré
5
To whomsoever it may concern
Everyone over fifty remembers where they were that day, but stretch and heave as I may, I don't remember who I was with. So if you were the distinguished German guest sitting at my left side in St Pancras Town Hall on the night of 22 November 1963, perhaps you will be kind enough to make yourself known. You were undoubtedly distinguished, for why else would the British government have invited you? It is also my memory that our visit to St Pancras Town Hall had been billed as a bit of relaxation for you at the end of a tiring day, a chance for you to sit back and observe our British grass-roots democracy at work.
And grass roots they surely were. The hall was packed to the eaves by a lot of angry people. The yelling was so loud I could barely make out the insults that were being hurled at the platform, let alone translate them for you. Grim-faced stewards with arms folded stood along the walls, and if anyone had broken ranks we could have been in for a free-for-all. I believe we had been offered Special Branch protection, and that you had declined it. I remember wishing I had overruled you. Squashed into the centre stalls, we were a long way from the nearest bolt-hole.
The object of the crowd's outrage stood on the platform, giving as good as he got. Quintin Hogg, formerly Viscount Hailsham, had disclaimed his peerage to fight the St Marylebone seat in the Tory interest. A fight was what he liked and what he was getting. A month earlier, Harold Macmillan had resigned. A general election loomed. Though the name won't ring many bells these days, least of all abroad, Quintin Hogg, aka Lord Hailsham, was in 1963 the
pugnacious British archetype of a bygone age. Etonian, classicist, wartime soldier, lawyer, mountaineer, homophobe and vociferous Christian conservative, he was above all a political showman, famous for his bombast and pugnacity. In the thirties, in common with many of his party, he had toyed with appeasement before throwing in his lot with Churchill. After the war, he became that archetypal nearly-man of politics everywhere, constantly tipped for high office, only to be left sitting in the waiting room â but tonight, and to the end of his long life, the upper-class British brawler the electorate loved to hate.
I no longer remember Hogg's points of argument that night, if I even got to hear them above the tumult. But I remember, as anyone would in those days, his red-faced truculence, his too-short trousers and black lace-up boots set apart like a wrestler's, his puffy, agricultural face and curled fists; and, yes, that booming upper-class roar prevailing against the crowd's howls that I was trying to translate for the benefit of whoever I was accompanying.
Enter left of stage a Shakespearean messenger. I remember a small, grey man, half on tiptoe. He sidles up to Hogg and murmurs into his right ear. Hogg's arms, until now flailing in remonstrance or derision, flop to his sides. His eyes close, and open. He tilts his strangely elongated head to hear again the words that are being murmured to him. The Churchillian glower is replaced by disbelief, then utter surrender. In a humbled voice he excuses himself, and with the erectness of a man going to the scaffold, exits, followed by the messenger. To a few hopefuls he has quit the field, and they scream their abuse after him. Slowly the room is overtaken by an uneasy quiet. Hogg returns, his face ashen, his movements stiff and self-conscious. Not a sound greets him. Still he waits, head bowed as he gathers strength. He lifts his head and we see tears streaming down his cheeks.
Finally, he says it. For now, and for all time. A statement so finite, so unarguable, that unlike any other he has made tonight, it will never be contested.
âI have just been informed that President Kennedy has been assassinated. The meeting is over.'
It is ten years later. A Foreign Service friend invites me to a grand dinner at All Souls College, Oxford, in honour of an extinct benefactor. We are all men, which I believe in those days was the rule. Nobody is young. The food is exquisite; the erudite conversation, what I can understand of it, refined. Between each phase of the feast we process from one candlelit dining room to another, each more beautiful than the last, each with a long table set in ageless College silver. As we change rooms, so the seating arrangement changes with us, which is how at the second â or was it third? â remove I find myself placed next to the same Quintin Hogg, or as his name card now proclaims him, the recently created Baron Hailsham of St Marylebone. Having renounced his earlier title in order to enter the Commons, the former Mr Hogg has provided himself with a new title in order to return to the Lords.
I'm not good at small talk at the best of times, least of all when I am landed with a combative Tory peer with political views that, insofar as I have any, fly directly in the face of my own. The venerable scholar to my left is expounding eloquently on a subject of which I know nothing. The venerable scholar across the table is arguing a point of Greek mythology. I am not sound on Greek mythology. But the Baron Hailsham on my right, having taken one look at my place card, has lapsed into a silence so disapproving, so morose and absolute that in all courtesy I feel compelled to end it. Today I cannot explain what quirk of social manners forbade me to refer to the moment when news of Kennedy's assassination was brought to him at St Pancras Town Hall. Perhaps I supposed he would have no wish to be reminded of such a public display of emotion.
For want of a better subject, I talk about myself. I explain that I am a writer by profession, I unveil my pen-name, which does not enthral
him. Or perhaps he knows it already, which accounts for his despondency. I say I am fortunate to have a house in Hampstead, but live mostly in West Cornwall. I extol the beauties of the Cornish countryside. I ask him whether he too has somewhere in the country where he can stretch out at weekends. Now at least he must respond. He has indeed such a place, and tells me so in three exasperated words:
âHailsham, you fool.'
6
Wheels of British justice
In the mid-summer of 1963, an eminent West German lawmaker who was in my care in London as an official guest of Her Majesty's government voiced a wish to see the wheels of British justice turning, and voiced it in the presence of no less a luminary than the Lord Chancellor of England himself, whose name was Dilhorne, but before that, Manningham-Buller â or, as his colleagues on the bench preferred to call him, Bullying Manner.
A Lord Chancellor is the member of the cabinet responsible for the management of the nation's law courts. If political influence is to be brought to bear on a particular trial, which Heaven forbid, then the Lord Chancellor is the most likely person to do the job. The topic of our meeting, in which Dilhorne had displayed not an ounce of interest, had been the recruitment and training of young judges for the German bench. For my eminent German guest, this was a crucial matter affecting the future of the German legal profession in the wake of Nazism. For Lord Dilhorne it was a needless claim on his valuable time, and he let it show.
But as we rose to take our leave, he did at least manage to ask our guest, if perfunctorily, whether there was anything he could do to make his stay in Britain more agreeable: to which he replied â feistily, I'm pleased to say â yes, there was indeed something. He would like to look in on the criminal trial of Stephen Ward, charged with living off the immoral earnings of Christine Keeler, whose part in the Profumo scandal I have described in an earlier chapter. Dilhorne, who had played a leading role in concocting the disgraceful
case against Ward, coloured, and then through gritted teeth said, âOf course.'
And thus it was that a couple of days later my German guest and I found ourselves seated cheek by jowl in No. 1 Court at the Old Bailey, directly behind the accused Stephen Ward. His counsel was delivering some kind of final statement in defence of him, and the judge, whose hostility to Ward was matched only by that of the prosecuting counsel, was making it as hard for him as he could. I believe, but can no longer be certain, that Mandy Rice-Davies was sitting somewhere in the public gallery, but she has received so much publicity that my imagination may have put her there. Mandy, for those too young to have relished her refreshing contributions to the trial, was a model, dancer, showgirl and flatmate of Christine Keeler.
But I do remember with certainty the exhaustion in Ward's face as, aware that we were some sort of
VIP
s, he turned to greet us: the fraught, aquiline profile, skin stretched tight, the rigid smile and exophthalmic eyes reddened and ringed with tiredness; and the husky smoker's voice, playing it for nonchalance.
âHow'm I doing, you reckon?' he asked suddenly of both of us at once.
You do not expect, as a rule, actors on stage to turn round and chat casually with you in the middle of a drama. Answering for both of us, I assured him that he was doing just fine, but I didn't believe myself. A couple of days later, without waiting for the verdict, Ward killed himself. Lord Dilhorne and his fellow conspirators had got their man.
7
Ivan Serov's defection
In the early sixties, with the Cold War at its height, junior British diplomats serving abroad were not encouraged to fraternize with their Soviet opposite numbers. Any such contact, be it accidental, social or official, had immediately to be referred to their superiors, preferably before the event. It therefore caused something of a flurry in official dovecotes when I was obliged to confess to my department in London that for the better part of a couple of weeks I had been in daily contact with a senior member of the Soviet Embassy in Bonn, and that no third person had been present at our meetings.
How this had come about was as much a surprise to me as it was to my masters. The West German domestic political scene, which it was my duty to report on, was undergoing one of its periodical convulsions. The editor of
Der Spiegel
was in jail for infringing Germany's secrecy laws, and Franz Josef Strauss, the Bavarian minister who had put him there, stood accused of sharp practice in the procurement of Starfighter jet aeroplanes for the German air force. Each new day brought titillating snippets of Bavarian lowlife, featuring a cast of pimps, loose ladies and shady middle men.
So it was only natural that I should do what I always did at times of political turmoil: hurry down to the West German parliament to take up my seat in the diplomats' gallery, and grab any opportunity to slip downstairs and take soundings among my parliamentary contacts. It was on my return to the gallery from one such sortie that I was surprised to find my seat occupied by a plump, genial gentleman in his fifties with tufted eyebrows and rimless spectacles, and
sporting a voluminous grey suit which, surprisingly considering the time of year, included a waistcoat that was a couple of sizes too short for his ample stomach.
When I say âmy seat', this is merely because the gallery, which was small and perched like a box at the opera on the back wall of the Bundestag chamber, was always in my experience unaccountably empty save for a
CIA
officer called, unconvincingly, Herr Schulz, who, having taken one look at me and sensing probably a contaminating influence, sat as far from me as possible. But today there was just the one plump gentleman. I smile at him. He beams fondly at me. I sit myself a couple of chairs along from him. The debate on the floor is in full flood. We listen, separately and intently, aware of one another's concentration. Come lunch break we stand up, fuss over who goes through the door first, make our separate ways downstairs to the Bundestag canteen, and from different tables smile politely to one another over our soups of the day. A couple of parliamentary aides join me, but my neighbour from the diplomatic gallery remains alone. Our soups consumed, we return to our seats in the gallery. The parliamentary session ends. We go our ways.
Next morning when I arrive, there he is in my chair again, beaming at me. And come lunchtime there he is all alone, taking his soup, while I gossip with a couple of lobby journalists. Should I invite him to join us? He's a fellow diplomat, after all. Should I go and sit with him? My urge to empathize is, as so often, groundless: the man is perfectly happy reading his
Frankfurter Allgemeine.
In the afternoon he doesn't appear, but it's a summer's Friday and the Bundestag is putting up the shutters.
But come next Monday, I have barely sat down in my old seat when he enters, one finger to his lips out of deference to the uproar below while he offers me his spongy hand in greeting: but with such an air of familiarity that I am seized with a guilty conviction that he knows me and I don't know him; that we've met each other on Bonn's endless diplomatic cocktail merry-go-round; that he's remembered the encounter all along, and I haven't.
Worse still, to judge from his age and bearing, there is every probability that he is one of Bonn's numberless minor ambassadors. And one thing minor ambassadors don't like is other diplomats, especially young ones, not recognizing them. It takes another four days for the truth to declare itself. We are both note takers: he in a ruled notebook of poor quality, held together by a red elastic band that he eases back into position after each entry; I in a pocket-sized pad of plain paper, my jottings lightly strewn with furtive caricatures of the Bundestag's leading players. So it is perhaps inevitable that one dull afternoon during a recess I should find my neighbour leaning mischievously across the empty chair between us and enquiring whether he may take a peek; at which no sooner granted than his eyes squeeze themselves into slits behind his spectacles and his upper body squirms with mirth as, with the flourish of a magician, he spirits a dog-eared visiting card from his waistcoat pocket and observes me while I read it, first in Russian, then, for the benighted, in English:
Mr Ivan Serov, Second Secretary, Embassy of the
USSR
, Bonn, West Germany.
And hand-printed along the bottom in spidery capitals of black ink, also in English:
CULTURAL
.
Even today, I hear our ensuing conversation from a distance:
âYou want drink some time?'
A drink would be great.
âYou like music?'
Very much. I am in fact tone deaf.
âYou married?'
Indeed I am. Are you?
âMy wife Olga, she like music too. You got house?'
In Königswinter. Why lie? My address is there in the diplomatic list for him to read any time he wants.
âBig house?'
Four bedrooms, I reply without counting.
âYou got phone number?'
I give him my phone number. He writes it down. He gives me his. I give him my card: Second Secretary (Political).
âYou play music? Piano?'
I'd like to, but I'm afraid I don't.
âYou just make lousy pictures of Adenauer, okay?'Â â with a huge pat on the shoulder and roars of laughter. âListen. I got too small apartment. We make music, everybody complain. You call me once, okay? Invite us your house, we play you good music. I am Ivan, okay?'
David.
Rule One of the Cold War: nothing, absolutely nothing, is what it seems. Everyone has a second motive, if not a third. A Soviet official openly invites himself and his wife to the house of a Western diplomat
he doesn't even know?
Who's making a pass at who in this situation? Put another way, what had I said or done to encourage such an improbable proposal in the first place? Let's go over this again, David. You say you never met him before. Now you say you
may
have done?
A decision was reached, not mine to ask who by. I should invite Serov to my house exactly as he suggested. By telephone, not in writing. I should call the number he gave me, which was the official number of the Soviet Embassy in Bad Godesberg. I should state my name and ask to speak to Cultural Attaché Serov. Each of these seemingly normal acts was spelt out to me with huge precision. On being connected with Serov â if I am â I should enquire casually what day and hour suit him and his wife best for that musical event we discussed. I should aim for as early a date as possible, since potential defectors were prey to impulse. I should be sure to convey my compliments to his wife, whose inclusion in the approach â whose mere acknowledgement â was exceptional in such cases.
On the telephone, Serov was brusque. He spoke as if he vaguely remembered me, said he would consult his diary and call me back. Goodbye. My masters predicted that it was the last I would hear of him. A day later he called me back, I guessed from another phone since he sounded more like his jolly self.
Okay, eight o'clock Friday, David?
Both of you, Ivan?
Sure. Serova, she come also.
Great, Ivan. See you eight o'clock. And my best to your wife.
Throughout the day, sound technicians dispatched from London had been fiddling with the wiring in our living room, and my wife was worried about scratches in the paintwork. At the appointed hour an enormous chauffeur-driven ZiL limousine with blackened windows rolled into our drive and came slowly to a halt. A rear door opened and Ivan emerged, rump first, like Alfred Hitchcock in one of his own movies, pulling a man-sized cello after him. Then nobody. Was he alone after all? No, he was not. The other rear door is opening, the one I can't see from the porch. I am about to have my first glimpse of Serova. But it's not Serova. It's a tall, agile man in a sharp, single-breasted black suit.
âSay hullo to Dimitri,' Serov announces on the doorstep. âHe come instead of my wife.'
Dimitri says he loves music too.
Before dinner, Serov, evidently no stranger to the bottle, drank whatever was offered him and wolfed a plateload of canapés before playing us an overture from Mozart on his cello, which we applauded, Dimitri loudest. Over a dinner of venison, which Serov greatly relished, Dimitri enlightened us about recent Soviet accomplishments in the arts, space travel and the furtherance of world peace. After dinner, Ivan played us a difficult composition by Stravinsky. We applauded that too, again led by Dimitri. At ten o'clock the ZiL
rolled back into the drive, and Ivan left bearing his cello, with Dimitri at his side.
A few weeks later, Ivan was recalled to Moscow. I was never allowed to know what was in his file, whether he was
KGB
or
GRU
, or whether his real name was indeed Serov, so I am free to remember him in my own way: as
Cultural Serov
, as I called him to myself, jovial lover of the arts, who now and then flirted wistfully with the idea of coming over to the West. Perhaps he had put out a few signals to that effect, without any great intention of seeing them through. And almost certainly he was working either for the
KGB
or the
GRU
, since it's hard to imagine he would otherwise have enjoyed such freedom of movement. So for âcultural', read âspy'. In short: just another Russian torn between love of country and the unrealizable dream of a freer life.
Did he see me as a fellow spy? Another Schulz? If the
KGB
had done their homework, they could hardly have failed to spot me for what I was. I had never taken a Diplomatic Service exam, never attended one of those country-house jamborees where potential diplomats are allegedly tested for their social graces. I had never been on a Foreign Office course, or seen the inside of the Foreign Office's headquarters in Whitehall. I had arrived in Bonn from nowhere, speaking indecently fluent German.
And if all that wasn't enough to mark me out as a spook, there were the hawk-eyed Foreign Service wives, who maintained as beady a watch on their husbands' rivals for promotion, medals and eventual knighthoods as any
KGB
researcher. One look at my credentials and they knew they needn't worry about me any more. I wasn't family. I was a Friend, which is how respectable British foreign servants describe the spies they are reluctantly obliged to count among their number.