The Penny Dreadfuls MEGAPACK™ (238 page)

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Authors: Oscar Wilde,Mary Wollstonecraft Shelley,Thomas Peckett Prest,Arthur Conan Doyle,Robert Louis Stevenson

Tags: #penny, #dreadful, #horror, #supernatural, #gothic

BOOK: The Penny Dreadfuls MEGAPACK™
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When he reached home, he found his servant waiting up for him. He sent him to bed, and threw himself down on the sofa in the library, and began to think over some of the things that Lord Henry had said to him.

Was it really true that one could never change? He felt a wild longing for the unstained purity of his boyhood—his rose-white boyhood, as Lord Henry had once called it. He knew that he had tarnished himself, filled his mind with corruption and given horror to his fancy; that he had been an evil influence to others, and had experienced a terrible joy in being so; and that of the lives that had crossed his own, it had been the fairest and the most full of promise that he had brought to shame. But was it all irretrievable? Was there no hope for him?

Ah! in what a monstrous moment of pride and passion he had prayed that the portrait should bear the burden of his days, and he keep the unsullied splendour of eternal youth! All his failure had been due to that. Better for him that each sin of his life had brought its sure swift penalty along with it. There was purification in punishment. Not “Forgive us our sins” but “Smite us for our iniquities” should be the prayer of man to a most just God.

The curiously carved mirror that Lord Henry had given to him, so many years ago now, was standing on the table, and the white-limbed Cupids laughed round it as of old. He took it up, as he had done on that night of horror when he had first noted the change in the fatal picture, and with wild, tear-dimmed eyes looked into its polished shield. Once, some one who had terribly loved him had written to him a mad letter, ending with these idolatrous words: “The world is changed because you are made of ivory and gold. The curves of your lips rewrite history.” The phrases came back to his memory, and he repeated them over and over to himself. Then he loathed his own beauty, and flinging the mirror on the floor, crushed it into silver splinters beneath his heel. It was his beauty that had ruined him, his beauty and the youth that he had prayed for. But for those two things, his life might have been free from stain. His beauty had been to him but a mask, his youth but a mockery. What was youth at best? A green, an unripe time, a time of shallow moods, and sickly thoughts. Why had he worn its livery? Youth had spoiled him.

It was better not to think of the past. Nothing could alter that. It was of himself, and of his own future, that he had to think. James Vane was hidden in a nameless grave in Selby churchyard. Alan Campbell had shot himself one night in his laboratory, but had not revealed the secret that he had been forced to know. The excitement, such as it was, over Basil Hallward’s disappearance would soon pass away. It was already waning. He was perfectly safe there. Nor, indeed, was it the death of Basil Hallward that weighed most upon his mind. It was the living death of his own soul that troubled him. Basil had painted the portrait that had marred his life. He could not forgive him that. It was the portrait that had done everything. Basil had said things to him that were unbearable, and that he had yet borne with patience. The murder had been simply the madness of a moment. As for Alan Campbell, his suicide had been his own act. He had chosen to do it. It was nothing to him.

A new life! That was what he wanted. That was what he was waiting for. Surely he had begun it already. He had spared one innocent thing, at any rate. He would never again tempt innocence. He would be good.

As he thought of Hetty Merton, he began to wonder if the portrait in the locked room had changed. Surely it was not still so horrible as it had been? Perhaps if his life became pure, he would be able to expel every sign of evil passion from the face. Perhaps the signs of evil had already gone away. He would go and look.

He took the lamp from the table and crept upstairs. As he unbarred the door, a smile of joy flitted across his strangely young-looking face and lingered for a moment about his lips. Yes, he would be good, and the hideous thing that he had hidden away would no longer be a terror to him. He felt as if the load had been lifted from him already.

He went in quietly, locking the door behind him, as was his custom, and dragged the purple hanging from the portrait. A cry of pain and indignation broke from him. He could see no change, save that in the eyes there was a look of cunning and in the mouth the curved wrinkle of the hypocrite. The thing was still loathsome—more loathsome, if possible, than before—and the scarlet dew that spotted the hand seemed brighter, and more like blood newly spilled. Then he trembled. Had it been merely vanity that had made him do his one good deed? Or the desire for a new sensation, as Lord Henry had hinted, with his mocking laugh? Or that passion to act a part that sometimes makes us do things finer than we are ourselves? Or, perhaps, all these? And why was the red stain larger than it had been? It seemed to have crept like a horrible disease over the wrinkled fingers. There was blood on the painted feet, as though the thing had dripped—blood even on the hand that had not held the knife. Confess? Did it mean that he was to confess? To give himself up and be put to death? He laughed. He felt that the idea was monstrous. Besides, even if he did confess, who would believe him? There was no trace of the murdered man anywhere. Everything belonging to him had been destroyed. He himself had burned what had been below-stairs. The world would simply say that he was mad. They would shut him up if he persisted in his story.… Yet it was his duty to confess, to suffer public shame, and to make public atonement. There was a God who called upon men to tell their sins to earth as well as to heaven. Nothing that he could do would cleanse him till he had told his own sin. His sin? He shrugged his shoulders. The death of Basil Hallward seemed very little to him. He was thinking of Hetty Merton. For it was an unjust mirror, this mirror of his soul that he was looking at. Vanity? Curiosity? Hypocrisy? Had there been nothing more in his renunciation than that? There had been something more. At least he thought so. But who could tell? … No. There had been nothing more. Through vanity he had spared her. In hypocrisy he had worn the mask of goodness. For curiosity’s sake he had tried the denial of self. He recognized that now.

But this murder—was it to dog him all his life? Was he always to be burdened by his past? Was he really to confess? Never. There was only one bit of evidence left against him. The picture itself—that was evidence. He would destroy it. Why had he kept it so long? Once it had given him pleasure to watch it changing and growing old. Of late he had felt no such pleasure. It had kept him awake at night. When he had been away, he had been filled with terror lest other eyes should look upon it. It had brought melancholy across his passions. Its mere memory had marred many moments of joy. It had been like conscience to him. Yes, it had been conscience. He would destroy it.

He looked round and saw the knife that had stabbed Basil Hallward. He had cleaned it many times, till there was no stain left upon it. It was bright, and glistened. As it had killed the painter, so it would kill the painter’s work, and all that that meant. It would kill the past, and when that was dead, he would be free. It would kill this monstrous soul-life, and without its hideous warnings, he would be at peace. He seized the thing, and stabbed the picture with it.

There was a cry heard, and a crash. The cry was so horrible in its agony that the frightened servants woke and crept out of their rooms. Two gentlemen, who were passing in the square below, stopped and looked up at the great house. They walked on till they met a policeman and brought him back. The man rang the bell several times, but there was no answer. Except for a light in one of the top windows, the house was all dark. After a time, he went away and stood in an adjoining portico and watched.

“Whose house is that, Constable?” asked the elder of the two gentlemen.

“Mr. Dorian Gray’s, sir,” answered the policeman.

They looked at each other, as they walked away, and sneered. One of them was Sir Henry Ashton’s uncle.

Inside, in the servants’ part of the house, the half-clad domestics were talking in low whispers to each other. Old Mrs. Leaf was crying and wringing her hands. Francis was as pale as death.

After about a quarter of an hour, he got the coachman and one of the footmen and crept upstairs. They knocked, but there was no reply. They called out. Everything was still. Finally, after vainly trying to force the door, they got on the roof and dropped down on to the balcony. The windows yielded easily—their bolts were old.

When they entered, they found hanging upon the wall a splendid portrait of their master as they had last seen him, in all the wonder of his exquisite youth and beauty. Lying on the floor was a dead man, in evening dress, with a knife in his heart. He was withered, wrinkled, and loathsome of visage. It was not till they had examined the rings that they recognized who it was.

THE MONK, by Matthew Lewis

Somnia, terrores magicos, miracula, sagas,

Nocturnos lemures, portentaque.

Horat.

Dreams, magic terrors, spells of mighty power,

Witches, and ghosts who rove at midnight hour.

PREFACE

IMITATION OF HORACE Ep. 20.—B. 1.

Methinks, Oh! vain ill-judging Book,

I see thee cast a wishful look,

Where reputations won and lost are

In famous row called Paternoster.

Incensed to find your precious olio

Buried in unexplored port-folio,

You scorn the prudent lock and key,

And pant well bound and gilt to see

Your Volume in the window set

Of Stockdale, Hookham, or Debrett.

Go then, and pass that dangerous bourn

Whence never Book can back return:

And when you find, condemned, despised,

Neglected, blamed, and criticised,

Abuse from All who read you fall,

(If haply you be read at all

Sorely will you your folly sigh at,

And wish for me, and home, and quiet.

Assuming now a conjuror’s office, I

Thus on your future Fortune prophesy:—

Soon as your novelty is o’er,

And you are young and new no more,

In some dark dirty corner thrown,

Mouldy with damps, with cobwebs strown,

Your leaves shall be the Book-worm’s prey;

Or sent to Chandler-Shop away,

And doomed to suffer public scandal,

Shall line the trunk, or wrap the candle!

But should you meet with approbation,

And some one find an inclination

To ask, by natural transition

Respecting me and my condition;

That I am one, the enquirer teach,

Nor very poor, nor very rich;

Of passions strong, of hasty nature,

Of graceless form and dwarfish stature;

By few approved, and few approving;

Extreme in hating and in loving;

Abhorring all whom I dislike,

Adoring who my fancy strike;

In forming judgements never long,

And for the most part judging wrong;

In friendship firm, but still believing

Others are treacherous and deceiving,

And thinking in the present aera

That Friendship is a pure chimaera:

More passionate no creature living,

Proud, obstinate, and unforgiving,

But yet for those who kindness show,

Ready through fire and smoke to go.

Again, should it be asked your page,

‘Pray, what may be the author’s age?’

Your faults, no doubt, will make it clear,

I scarce have seen my twentieth year,

Which passed, kind Reader, on my word,

While England’s Throne held George the Third.

Now then your venturous course pursue:

Go, my delight! Dear Book, adieu!

Hague,

Oct. 28, 1794. M. G. L.

ADVERTISEMENT

The first idea of this Romance was suggested by the story of the Santon Barsisa, related in The Guardian.—The Bleeding Nun is a tradition still credited in many parts of Germany; and I have been told that the ruins of the Castle of Lauenstein, which She is supposed to haunt, may yet be seen upon the borders of Thuringia.—The Water-King, from the third to the twelfth stanza, is the fragment of an original Danish Ballad—And Belerma and Durandarte is translated from some stanzas to be found in a collection of old Spanish poetry, which contains also the popular song of Gayferos and Melesindra, mentioned in Don Quixote.—I have now made a full avowal of all the plagiarisms of which I am aware myself; but I doubt not, many more may be found, of which I am at present totally unconscious.

VOLUME I

CHAPTER I

——Lord Angelo is precise;

Stands at a guard with envy; Scarce confesses

That his blood flows, or that his appetite

Is more to bread than stone.

Measure for Measure.

Scarcely had the Abbey Bell tolled for five minutes, and already was the Church of the Capuchins thronged with Auditors. Do not encourage the idea that the Crowd was assembled either from motives of piety or thirst of information. But very few were influenced by those reasons; and in a city where superstition reigns with such despotic sway as in Madrid, to seek for true devotion would be a fruitless attempt. The Audience now assembled in the Capuchin Church was collected by various causes, but all of them were foreign to the ostensible motive. The Women came to show themselves, the Men to see the Women: Some were attracted by curiosity to hear an Orator so celebrated; Some came because they had no better means of employing their time till the play began; Some, from being assured that it would be impossible to find places in the Church; and one half of Madrid was brought thither by expecting to meet the other half. The only persons truly anxious to hear the Preacher were a few antiquated devotees, and half a dozen rival Orators, determined to find fault with and ridicule the discourse. As to the remainder of the Audience, the Sermon might have been omitted altogether, certainly without their being disappointed, and very probably without their perceiving the omission.

Whatever was the occasion, it is at least certain that the Capuchin Church had never witnessed a more numerous assembly. Every corner was filled, every seat was occupied. The very Statues which ornamented the long aisles were pressed into the service. Boys suspended themselves upon the wings of Cherubims; St. Francis and St. Mark bore each a spectator on his shoulders; and St. Agatha found herself under the necessity of carrying double. The consequence was, that in spite of all their hurry and expedition, our two newcomers, on entering the Church, looked round in vain for places.

However, the old Woman continued to move forwards. In vain were exclamations of displeasure vented against her from all sides: In vain was She addressed with—‘I assure you, Segnora, there are no places here.’—‘I beg, Segnora, that you will not crowd me so intolerably!’—‘Segnora, you cannot pass this way. Bless me! How can people be so troublesome!’—The old Woman was obstinate, and on She went. By dint of perseverance and two brawny arms She made a passage through the Crowd, and managed to bustle herself into the very body of the Church, at no great distance from the Pulpit. Her companion had followed her with timidity and in silence, profiting by the exertions of her conductress.

‘Holy Virgin!’ exclaimed the old Woman in a tone of disappointment, while She threw a glance of enquiry round her; ‘Holy Virgin! What heat! What a Crowd! I wonder what can be the meaning of all this. I believe we must return: There is no such thing as a seat to be had, and nobody seems kind enough to accommodate us with theirs.’

This broad hint attracted the notice of two Cavaliers, who occupied stools on the right hand, and were leaning their backs against the seventh column from the Pulpit. Both were young, and richly habited. Hearing this appeal to their politeness pronounced in a female voice, they interrupted their conversation to look at the speaker. She had thrown up her veil in order to take a clearer look round the Cathedral. Her hair was red, and She squinted. The Cavaliers turned round, and renewed their conversation.

‘By all means,’ replied the old Woman’s companion; ‘By all means, Leonella, let us return home immediately; The heat is excessive, and I am terrified at such a crowd.’

These words were pronounced in a tone of unexampled sweetness. The Cavaliers again broke off their discourse, but for this time they were not contented with looking up: Both started involuntarily from their seats, and turned themselves towards the Speaker.

The voice came from a female, the delicacy and elegance of whose figure inspired the Youths with the most lively curiosity to view the face to which it belonged. This satisfaction was denied them. Her features were hidden by a thick veil; But struggling through the crowd had deranged it sufficiently to discover a neck which for symmetry and beauty might have vied with the Medicean Venus. It was of the most dazzling whiteness, and received additional charms from being shaded by the tresses of her long fair hair, which descended in ringlets to her waist. Her figure was rather below than above the middle size: It was light and airy as that of an Hamadryad. Her bosom was carefully veiled. Her dress was white; it was fastened by a blue sash, and just permitted to peep out from under it a little foot of the most delicate proportions. A chaplet of large grains hung upon her arm, and her face was covered with a veil of thick black gauze. Such was the female, to whom the youngest of the Cavaliers now offered his seat, while the other thought it necessary to pay the same attention to her companion.

The old Lady with many expressions of gratitude, but without much difficulty, accepted the offer, and seated herself: The young one followed her example, but made no other compliment than a simple and graceful reverence. Don Lorenzo (such was the Cavalier’s name, whose seat She had accepted) placed himself near her; But first He whispered a few words in his Friend’s ear, who immediately took the hint, and endeavoured to draw off the old Woman’s attention from her lovely charge.

‘You are doubtless lately arrived at Madrid,’ said Lorenzo to his fair Neighbour; ‘It is impossible that such charms should have long remained unobserved; and had not this been your first public appearance, the envy of the Women and adoration of the Men would have rendered you already sufficiently remarkable.’

He paused, in expectation of an answer. As his speech did not absolutely require one, the Lady did not open her lips: After a few moments He resumed his discourse:

‘Am I wrong in supposing you to be a Stranger to Madrid?’

The Lady hesitated; and at last, in so low a voice as to be scarcely intelligible, She made shift to answer,—‘No, Segnor.’

‘Do you intend making a stay of any length?’

‘Yes, Segnor.’

‘I should esteem myself fortunate, were it in my power to contribute to making your abode agreeable. I am well known at Madrid, and my Family has some interest at Court. If I can be of any service, you cannot honour or oblige me more than by permitting me to be of use to you.’—‘Surely,’ said He to himself, ‘She cannot answer that by a monosyllable; now She must say something to me.’

Lorenzo was deceived, for the Lady answered only by a bow.

By this time He had discovered that his Neighbour was not very conversible; But whether her silence proceeded from pride, discretion, timidity, or idiotism, He was still unable to decide.

After a pause of some minutes—‘It is certainly from your being a Stranger,’ said He, ‘and as yet unacquainted with our customs, that you continue to wear your veil. Permit me to remove it.’

At the same time He advanced his hand towards the Gauze: The Lady raised hers to prevent him.

‘I never unveil in public, Segnor.’

‘And where is the harm, I pray you?’ interrupted her Companion somewhat sharply; ‘Do not you see that the other Ladies have all laid their veils aside, to do honour no doubt to the holy place in which we are? I have taken off mine already; and surely if I expose my features to general observation, you have no cause to put yourself in such a wonderful alarm! Blessed Maria! Here is a fuss and a bustle about a chit’s face! Come, come, Child! Uncover it; I warrant you that nobody will run away with it from you—’

‘Dear aunt, it is not the custom in Murcia.’

‘Murcia, indeed! Holy St. Barbara, what does that signify? You are always putting me in mind of that villainous Province. If it is the custom in Madrid, that is all that we ought to mind, and therefore I desire you to take off your veil immediately. Obey me this moment Antonia, for you know that I cannot bear contradiction—’

Her niece was silent, but made no further opposition to Don Lorenzo’s efforts, who, armed with the Aunt’s sanction hastened to remove the Gauze. What a Seraph’s head presented itself to his admiration! Yet it was rather bewitching than beautiful; It was not so lovely from regularity of features as from sweetness and sensibility of Countenance. The several parts of her face considered separately, many of them were far from handsome; but when examined together, the whole was adorable. Her skin though fair was not entirely without freckles; Her eyes were not very large, nor their lashes particularly long. But then her lips were of the most rosy freshness; Her fair and undulating hair, confined by a simple ribband, poured itself below her waist in a profusion of ringlets; Her throat was full and beautiful in the extreme; Her hand and arm were formed with the most perfect symmetry; Her mild blue eyes seemed an heaven of sweetness, and the crystal in which they moved sparkled with all the brilliance of Diamonds: She appeared to be scarcely fifteen; An arch smile, playing round her mouth, declared her to be possessed of liveliness, which excess of timidity at present represt; She looked round her with a bashful glance; and whenever her eyes accidentally met Lorenzo’s, She dropt them hastily upon her Rosary; Her cheek was immediately suffused with blushes, and She began to tell her beads; though her manner evidently showed that She knew not what She was about.

Lorenzo gazed upon her with mingled surprise and admiration; but the Aunt thought it necessary to apologize for Antonia’s mauvaise honte.

‘’Tis a young Creature,’ said She, ‘who is totally ignorant of the world. She has been brought up in an old Castle in Murcia; with no other Society than her Mother’s, who, God help her! has no more sense, good Soul, than is necessary to carry her Soup to her mouth. Yet She is my own Sister, both by Father and Mother.’

‘And has so little sense?’ said Don Christoval with feigned astonishment; ‘How very Extraordinary!’

‘Very true, Segnor; Is it not strange? However, such is the fact; and yet only to see the luck of some people! A young Nobleman, of the very first quality, took it into his head that Elvira had some pretensions to Beauty—As to pretensions, in truth, She had always enough of
them
; But as to Beauty.…! If I had only taken half the pains to set myself off which She did.…! But this is neither here nor there. As I was saying, Segnor, a young Nobleman fell in love with her, and married her unknown to his Father. Their union remained a secret near three years, But at last it came to the ears of the old Marquis, who, as you may well suppose, was not much pleased with the intelligence. Away He posted in all haste to Cordova, determined to seize Elvira, and send her away to some place or other, where She would never be heard of more. Holy St. Paul! How He stormed on finding that She had escaped him, had joined her Husband, and that they had embarked together for the Indies. He swore at us all, as if the Evil Spirit had possessed him; He threw my Father into prison, as honest a painstaking Shoe-maker as any in Cordova; and when He went away, He had the cruelty to take from us my Sister’s little Boy, then scarcely two years old, and whom in the abruptness of her flight, She had been obliged to leave behind her. I suppose, that the poor little Wretch met with bitter bad treatment from him, for in a few months after, we received intelligence of his death.’

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