The O’Hara Affair (5 page)

Only one room in the house had been finished – finished to pretty high spec, at that. Christian – Dervla’s husband of less than a year – had surprised her one day by taking her hand and leading her up the staircase that accessed the turret room at the very top of the house. Unlocking the door, he’d thrown it open to reveal a dedicated office space with units to house computer, printer and scanner. There was an ergonomic chair cushioned in leather, and shelves just waiting to be filled with books and stationery. ‘This is where you’ll finish that book!’ he’d announced. ‘What do you think? Isn’t this a dream space for a writer?’

It
was
a dream space for a writer – her very own ivory tower. The only snag was that Dervla wasn’t a writer: she was – like thousands of other professionals recently made redundant – an
aspiring
writer. Having been a successful auctioneer in a former life and in a former economy, Dervla had been commissioned to write a beginner’s guide to selling property. She knew she had lucked out: other estate agents had sunk without trace since recession had struck. But even though she had a publishing deal and a deadline to work to, Dervla felt like a complete fraud every time she sat down in
front of her keyboard and opened the file entitled
How to Sell Your House – What Every First-Timer Needs to Know
. Her contract specified eighty thousand words, and as the deadline inched closer, Dervla was feeling less and less confident that she’d be able to deliver.

It wasn’t entirely her fault – for the past few months she’d been inundated with the kind of stress that might floor a less resilient individual. Closing down her business, putting her Galway penthouse on the rental market and moving into the Old Rectory had all taken its toll on her energy, and she’d had little spare time in which to get any writing done. But now that she had a room of her own – a room with a view and an ergonomic chair, to boot – perhaps inspiration would come to her.

Crossing back to the front door where she’d dumped her bags, Dervla picked up her computer case, then made for the staircase that curved up to the first floor. A narrower spiral staircase took her to the turret room. Switching on her computer, she strolled over to one of the three double-glazed windows while she waited for the screen to shimmer into life.

When they’d bought the Old Rectory, the turret had been windowless – blocked up since the introduction of the window tax in the eighteenth century. Dervla and Christian had gleefully reinstated windows to east, west and south, thereby ensuring that the room was filled with light. From this vantage point the steeple of the little church on the outskirts of Lissamore village was just discernible, and you could hear the bells chime, too, when the wind was coming from the right direction. Sheep baaing! Birdsong! Church bells chiming! The kind of pastorale that accompanied Thomas Hardy adaptations on television, now made up the soundtrack to her life.

Chimes of another kind were coming from her bag. On honeymoon in Mexico, Dervla had fallen in love with the sound of the wind chimes on the veranda where she and Christian had slept. She’d made a recording to use as her phone tone, and every time her phone rang now, she picked it up with a pang of nostalgia.

Her sister’s name was lit up on the display.

‘Hey, Dervla,’ said Río, breezily. ‘Have you moved in yet?’

‘Yes. I’m in my turret.’

‘Wow! Like a princess in a fairy tale. Any sign of your prince?’

‘He’s on his way from the airport.’

‘With the wicked stepmother?’

‘She’s not my stepmother, Río. She’s my mother-in-law.’

‘Mother-in-law! The scariest words in the world.’

‘According to Fleur, the French call them
belles-mères
– beautiful mothers.’

Over the phone, Dervla heard her sister suppress a snort. ‘What are you going to call her? I mean, call her to her face? “Daphne”, or “Mrs Vaughan”?’

‘According to the carer it depends on what kind of a mood she’s in. If she’s in a snit she insists on being called Mrs Vaughan, but when she’s in good form she doesn’t mind Daphne.’

‘You could always call her Daffy.’

‘That would be very politically incorrect, Río.’

Dervla moved to the window that overlooked the stable yard. It had been spread with golden gravel, and terracotta planters had been arranged around the water feature – a raised pond complete with underlighting. A gleaming new thatch roofed the outbuildings that had been converted into a cottage-style dwelling for her mother-in-law, and – to complete the rustic look – shutters painted duck-egg blue
flanked a half-door crafted by a local carpenter. The exterior was deceptive: inside, the cottage had been modernized, and now boasted a state-of-the-art kitchen, a big, comfortable sitting room with an HD plasma screen and a tropical fish tank, and underfloor heating. There was also adjoining accommodation for Mrs Vaughan’s carer, Nemia.

‘Are you all set for her arrival?’ Río asked.

‘Yep. There’s a shepherd’s pie ready to go, and a bottle of vintage Moët in the fridge.’

‘Posh!’

‘One of the pluses of being married to a wine importer. We got a case from Christian’s partner as a wedding present.’

‘Is Mrs Vaughan senior allowed a drink?’

‘What do you mean?’

‘Well, I don’t imagine a person with her complaint would have much tolerance for alcohol.’

‘Oh. I see what you mean. Yikes. I never thought of that.’

Christian’s eighty-four-year-old mother suffered from dementia. Because she had been born and reared near Lissamore, it was Christian’s wish that she should spend her final days in the place she still called home. She and her carer had left London earlier that day on what was to be Daphne’s final journey to her native Coolnamara.

‘You could always just pour her a glass of fizzy water and pass it off as champagne,’ suggested Río.

‘I don’t think she’s
that
confused.’

‘When did you last talk to her?’

‘A couple of days ago. She hadn’t a clue who I was, of course, but Christian thought it was a good idea to give her a gentle reminder of my voice from time to time, to get her used to it.’

‘Does she even know who
he
is?’

‘He claims she does. But then, he constantly refers to
himself as “Christian, your son”, when he talks to her on the phone.’

‘Jesus. It’s a bitch of a disease, isn’t it?’

‘Yes. It is.’ Dervla realized that she didn’t want to talk about her mother-in-law any more. She sat down at her desk and started to doodle squares on a Post-It pad. The shapes evolved into a house like one a child might draw, with four windows and a door. ‘So what’s new, Río?’

‘I’m bored.’

‘You’re on the set of a blockbuster movie surrounded by Hollywood luminaries and you’re
bored
?’

‘Well, I guess I’m more pissed off than bored. One of the actors complained today that his snuffbox was too gay, and that horrible little child star has a million riders written into her contract.’

‘There’s a child star in the movie?’

‘Well, she’s twenty-something, but she behaves like a child. Her name is Nasty – short for Anastasia – Harris.’

‘Oh – I’ve heard about her. Didn’t she get married recently, to some film star old enough to be her daddy?’

‘Yeah. She married Jay David.’

‘Of course! Hollywood royalty.’

‘And she’s living up to it. She’s every bit her sugar daddy’s little princess.’

‘Have you met him?’

‘No. He can’t take time off his schedule to visit Ireland. Rumour has it he’ll be flying in on his Gulfstream for the wrap party, though.’

‘Is she any good as an actress?’

‘According to her husband – who is, of course, completely non-partisan – Nasty is the new Julia Roberts. Her talent will blaze forth into the world like a supernova. And boy, does she believe it. The problem with princesses like her is
that the more their demands are met, the more outrageous they become.’

‘Like J. Lo insisting on her coffee being stirred counterclockwise?’

‘You got it. Nasty insists on having rose petals scattered in the loo bowl—’

‘No!’

‘Yes. And the bed sheets in her trailer – Egyptian cotton, of course – have to be changed every day. And this morning she decided that her character should have a parasol, even though parasols were unheard of in nineteenth-century Coolnamara.’

‘Shouldn’t that be wardrobe’s problem? I thought your job was strictly set-dressing?’

‘The line between the two gets blurred, sometimes. I spotted a lovely découpage screen in the transport van this morning, by the way. I thought I’d nab it for you as a housewarming present when we’re wrapped.’

‘You’re not going to steal it?’

‘No – I’ll get it at cost. And it’s genuine Victorian, not repro.’

‘Thanks. That’s sweet of you.’

‘Hang on two seconds, Dervla.’ There came the mumbling of a man’s voice in the background, and Río said: ‘No, no, you great lummox – not you, Dervla – a dudeen is a clay pipe. Yeah – and be
careful
– they break easily.’

A Victorian screen would look great in the drawing room, Dervla decided, as she doodled a chimney on to her house. They could set it in front of the door of a winter’s evening to stop draughts – although of course, with double-glazed windows and underfloor heating and a blazing turf fire, there wouldn’t
be
any draughts. Scribbling a plume of smoke puffing from her chimneypot, Dervla pictured herself and
her husband sitting on either side of the fireplace reading their books in companionable silence, Christian’s trusty Dalmatian at his feet. She’d definitely start reading Dickens – preferably in leather-bound editions. Or maybe she’d take up knitting? Knitting had a certain cachet: all the actresses on
The O’Hara Affair
were busy with five-ply Guernsey wool and number twelve needles, according to Río.

‘Sorry about that.’ Río was back on the phone. ‘The feckin’ eejit hadn’t a clue what a dudeen was. Probably thought it meant a hot girl. So. Tell me more of your news. How’s your gaff shaping up?’

‘Well, the bathroom’s nearly finished, and the kitchen.’

‘Utility, too?’

‘Yes. But we’re just glorified campers at the moment. The only real piece of furniture we have is the bed.’

‘Sure, isn’t that all you loved-up pair need?’

Dervla smiled. ‘I have to confess I miss my fix of Corrie.’

‘You mean you don’t have a TV?’

‘No. They delivered the big screen we ordered for Daphne, but forgot ours. Oops. That reminds me –I’d better run down and set up the channels before she arrives. And double oops – I forgot to turn her heating on.’

‘But it’s not cold.’

‘She’s a fragile little old lady, Río. She feels the cold, especially in the evenings.’

‘Be off with you, so. Call me tomorrow and let me know how the welcome committee went, won’t you?’

‘Will do. Bye, Río.’

Dervla put the phone down, added a tail to the spotty dog sitting on the doorstep of her two-dimensional house, then scampered downstairs, the sound of her feet on the bare boards echoing around the empty space.

In the hallway, she retrieved her shoes, and made for the
back door. As she crossed the stable yard, the crunching of gravel startled a cat that had been snoozing in a patch of sun. As it skedaddled, Dervla wondered if she should try and encourage it by leaving food out, but then realized that the Old Rectory would be no place for a cat once Kitty the Dalmatian moved in.

In Daphne’s cottage, Dervla’s feet made no sound. Footsteps here were muffled by the pure wool deep-pile carpet that had been laid just days ago. The colour matched the curtains, made to measure in a rose-coloured brocade, which was echoed in the loose covers on sofas and armchairs. Much of Daphne’s furniture had been shipped from her house in London, so that her new surroundings would have a reassuring familiarity to them. The furniture included a very elegant walnut escritoire, a Regency rosewood bookcase, and a nineteenth-century beech day bed; her exquisite collection of japonaiserie was displayed in a bevelled glass case that ran the length of an entire wall. Christian had told her that a pair of porcelain vases dating from the K’ang-hsi period (whenever that was) were worth in the region of 20,000 euros, and Dervla thanked Christ that she would not be responsible for dusting them.

She flicked the main switch that controlled the heat, then wandered through Daphne’s new home to make final checks. The conversion of the old outbuildings had cost Christian a lot of money – more than had been spent so far on the refurbishment of the Old Rectory. But they had looked upon it as an investment. Once the old lady died or had to be moved into proper residential care, the cottage could still generate income as an up-market artist’s retreat. Dervla had already worded the ad that she’d place in such select publications as
The Author
magazine:

Coolnamara, West of Ireland. Comfortable, well-equipped, single-storey house, sympathetically converted from period mews buildings adjoining eighteenth-century manor. Lissamore village with shops, pubs and seafood restaurant just 10 mins; fabulous beach and mountain walks nearby. Perfectly lovely, undisturbed surroundings: ideal for writer/artist.

Dervla didn’t much like herself for contemplating the death of Christian’s mother, but she was a pragmatist, and – like all estate agents – was unsentimental when property was involved. Naturally, it behoved Christian to take care of Daphne in her declining years, and Dervla respected his decision to bring her home to Coolnamara. While her mother-in-law lived here, Dervla would do all she could to make her welcome and comfortable. She’d spent all weekend getting the place ready, with the help of a local girl, Bronagh. Between them, they had arranged Daphne’s furniture and displayed her paintings and photographs to advantage; they’d filled vases with flowers (Christian had specified that yellow lilies were her favourite on account of the vibrancy of the colour and the headiness of their scent) and made beds and stocked fridge and freezer. Dervla had even unpacked her mother-in-law’s clothes, marvelling at the vintage labels on many of the garments as she’d hung them in the wardrobe: Balenciaga, Givenchy, Lanvin. Daphne Vaughan had been a classy dame. A model, Christian had told her, whose career could have taken her to Paris if she hadn’t decided to get married.